The Project Gutenberg eBook of The Disowned — Volume 03
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: The Disowned — Volume 03

Author: Baron Edward Bulwer Lytton Lytton

Release date: March 1, 2005 [eBook #7633]
                Most recently updated: December 30, 2020

Language: English

Credits: This eBook was produced by Tapio Riikonen and David Widger


*** START OF THE PROJECT GUTENBERG EBOOK THE DISOWNED — VOLUME 03 ***



This eBook was produced by Tapio Riikonen
and David Widger





CHAPTER XXI.

Mrs. Trinket.  What d'ye buy, what d'ye lack, gentlemen?  Gloves,
ribbons, and essences,--ribbons, gloves, and essences.
                                                    ETHEREGE.

"And so, my love," said Mr. Copperas, one morning at breakfast, to his
wife, his right leg being turned over his left, and his dexter hand
conveying to his mouth a huge morsel of buttered cake,--"and, so my
love, they say that the old fool is going to leave the jackanapes all
his fortune?"

"They do say so, Mr. C.; for my part I am quite out of patience with
the art of the young man; I dare say he is no better than he should
be; he always had a sharp look, and for aught I know there may be more
in that robbery than you or I dreamed of, Mr. Copperas.  It was a
pity," continued Mrs. Copperas, upbraiding her lord with true
matrimonial tenderness and justice, for the consequences of his having
acted from her advice,--"it was a pity, Mr. C., that you should have
refused to lend him the pistols to go to the old fellow's assistance,
for then who knows but--"

"I might have converted them into pocket pistols," interrupted Mr. C.,
"and not have overshot the mark, my dear--ha, ha, ha!"

"Lord, Mr. Copperas, you are always making a joke of everything."

"No, my dear, for once I am making a joke of nothing."

"Well, I declare it's shameful," cried Mrs. Copperas, still following
up her own indignant meditations, "and after taking such notice of
Adolphus, too, and all!"

"Notice, my dear! mere words," returned Mr. Copperas, "mere words,
like ventilators, which make a great deal of air, but never raise the
wind; but don't put yourself in a stew, my love, for the doctors say
that copperas in a stew is poison!"

At this moment Mr. de Warens, throwing open the door, announced Mr.
Brown; that gentleman entered, with a sedate but cheerful air.  "Well,
Mrs. Copperas, your servant; any table-linen wanted?  Mr. Copperas,
how do you do?  I can give you a hint about the stocks.  Master
Copperas, you are looking bravely; don't you think he wants some new
pinbefores, ma'am?  But Mr. Clarence Linden, where is he?  Not up yet,
I dare say.  Ah, the present generation is a generation of sluggards,
as his worthy aunt, Mrs. Minden, used to say."

"I am sure," said Mrs. Copperas, with a disdainful toss of the head,
"I know nothing about the young man.  He has left us; a very
mysterious piece of business indeed, Mr. Brown; and now I think of it,
I can't help saying that we were by no means pleased with your
introduction: and, by the by, the chairs you bought for us at the sale
were a mere take-in, so slight that Mr. Walruss broke two of them by
only sitting down."

"Indeed, ma'am?" said Mr. Brown, with expostulating gravity; "but then
Mr. Walruss is so very corpulent.  But the young gentleman, what of
him?" continued the broker, artfully turning from the point in
dispute.

"Lord, Mr. Brown, don't ask me: it was the unluckiest step we ever
made to admit him into the bosom of our family; quite a viper, I
assure you; absolutely robbed poor Adolphus."

"Lord help us!" said Mr. Brown, with a look which "cast a browner
horror" o'er the room, "who would have thought it?  and such a pretty
young man!"

"Well," said Mr. Copperas, who, occupied in finishing the buttered
cake, had hitherto kept silence, "I must be off.  Tom--I mean de
Warens--have you stopped the coach?"

"Yees, sir."

And what coach is it?"

"It be the Swallow, sir."

"Oh, very well.  And now, Mr. Brown, having swallowed in the roll, I
will e'en roll in the Swallow--Ha, ha, ha!--At any rate," thought Mr.
Copperas, as he descended the stairs, "he has not heard that before."

"Ha, ha!" gravely chuckled Mr. Brown, "what a very facetious, lively
gentleman Mr. Copperas is.  But touching this ungrateful young man,
Mr. Linden, ma'am?"

"Oh, don't tease me, Mr. Brown, I must see after my
domestics: ask Mr. Talbot, the old miser in the next house, the
havarr, as the French say."

"Well, now," said Mr. Brown, following the good lady down stairs, "how
distressing for me! and to say that he was Mrs. Minden's nephew, too!"

But Mr. Brown's curiosity was not so easily satisfied, and finding Mr.
de Warens leaning over the "front" gate, and "pursuing with wistful
eyes" the departing "Swallow," he stopped, and, accosting him, soon
possessed himself of the facts that "old Talbot had been robbed and
murdered, but that Mr. Linden had brought him to life again; and that
old Talbot had given him a hundred thousand pounds, and adopted him as
his son; and that how Mr. Linden was going to be sent to foreign
parts, as an ambassador, or governor, or great person; and that how
meester and meeses were quite 'cut up' about it."

All these particulars having been duly deposited in the mind of Mr.
Brown, they produced an immediate desire to call upon the young
gentleman, who, to say nothing of his being so very nearly related to
his old customer, Mrs. Minden, was always so very great a favourite
with him, Mr. Brown.

Accordingly, as Clarence was musing over his approaching departure,
which was now very shortly to take place, he was somewhat startled by
the apparition of Mr. Brown--"Charming day, sir,--charming day," said
the friend of Mrs. Minden,--"just called in to congratulate you.  I
have a few articles, sir, to present you with,--quite rarities, I
assure you,--quite presents, I may say.  I picked them up at a sale of
the late Lady Waddilove's most valuable effects.  They are just the
things, sir, for a gentleman going on a foreign mission.  A most
curious ivory chest, with an Indian padlock, to hold confidential
letters,--belonged formerly, sir, to the Great Mogul; and a beautiful
diamond snuff-box, sir, with a picture of Louis XIV. on it,
prodigiously fine, and will look so loyal too: and, sir, if you have
any old aunts in the country, to send a farewell present to, I have
some charming fine cambric, a superb Dresden tea set, and a lovely
little 'ape,' stuffed by the late Lady W. herself."

"My good sir," began Clarence.

"Oh, no thanks, sir,--none at all,--too happy to serve a relation of
Mrs. Minden,--always proud to keep up family connections.  You will be
at home to-morrow, sir, at eleven; I will look in; your most humble
servant, Mr. Linden."  And almost upsetting Talbot, who had just
entered, Mr. Brown bowed himself out.




CHAPTER XXII.

    He talked with open heart and tongue,
      Affectionate and true;
    A pair of friends, though I was young
      And Matthew seventy-two.--WORDSWORTH.

Meanwhile the young artist proceeded rapidly with his picture.
Devoured by his enthusiasm, and utterly engrossed by the sanguine
anticipation of a fame which appeared to him already won, he allowed
himself no momentary interval of relaxation; his food was eaten by
starts, and without stirring from his easel; his sleep was brief and
broken by feverish dreams; he no longer roved with Clarence, when the
evening threw her shade over his labours; all air and exercise he
utterly relinquished; shut up in his narrow chamber, he passed the
hours in a fervid and passionate self-commune, which, even in suspense
from his work, riveted his thoughts the closer to its object.  All
companionship, all intrusion, he bore with irritability and
impatience.  Even Clarence found himself excluded from the presence of
his friend; even his nearest relation, who doted on the very ground
which he hallowed with his footstep, was banished from the haunted
sanctuary of the painter; from the most placid of human beings, Warner
seemed to have grown the most morose.

Want of rest, abstinence from food, the impatience of the strained
spirit and jaded nerves, all contributed to waste the health while
they excited the genius of the artist. A crimson spot, never before
seen there, burned in the centre of his pale cheek; his eye glowed
with a brilliant but unnatural fire; his features grew sharp and
attenuated; his bones worked from his whitening and transparent skin;
and the soul and frame, turned from their proper and kindly union,
seemed contesting, with fierce struggles, which should obtain the
mastery and the triumph.

But neither his new prospects nor the coldness of his friend diverted
the warm heart of Clarence from meditating how he could most
effectually serve the artist before he departed from the country, It
was a peculiar object of desire to Warner that the most celebrated
painter of the day, who was on terms of intimacy with Talbot, and who
with the benevolence of real superiority was known to take a keen
interest in the success of more youthful and inexperienced genius,--it
was a peculiar object of desire to Warner, that Sir Joshua Reynolds
should see his picture before it was completed; and Clarence, aware of
this wish, easily obtained from Talbot a promise that it should be
effected.  That was the least service of his zeal touched by the
earnestness of Linden's friendship, anxious to oblige in any way his
preserver, and well pleased himself to be the patron of merit, Talbot
readily engaged to obtain for Warner whatever the attention and favour
of high rank or literary distinction could bestow.  "As for his
picture," said Talbot (when, the evening before Clarence's departure,
the latter was renewing the subject), "I shall myself become the
purchaser, and at a price which will enable our friend to afford
leisure and study for the completion of his next attempt; but even at
the risk of offending your friendship, and disappointing your
expectations, I will frankly tell you that I think Warner overrates,
perhaps not his talents, but his powers; not his ability for doing
something great hereafter, but his capacity of doing it at present.
In the pride of his heart, he has shown me many of his designs, and I
am somewhat of a judge: they want experience, cultivation, taste, and,
above all, a deeper study of the Italian masters.  They all have the
defects of a feverish colouring, an ambitious desire of effect, a
wavering and imperfect outline, an ostentatious and unnatural strength
of light and shadow; they show, it is true, a genius of no ordinary
stamp, but one ill regulated, inexperienced, and utterly left to its
own suggestions for a model.  However, I am glad he wishes for the
opinion of one necessarily the best judge: let him bring the picture
here by Thursday; on that day my friend has promised to visit me; and
now let us talk of you and your departure."

The intercourse of men of different ages is essentially unequal: it
must always partake more or less of advice on one side and deference
on the other; and although the easy and unpedantic turn of Talbot's
conversation made his remarks rather entertaining than obviously
admonitory, yet they were necessarily tinged by his experience, and
regulated by his interest in the fortunes of his young friend.

"My dearest Clarence," said he, affectionately, "we are about to bid
each other a long farewell.  I will not damp your hopes and
anticipations by insisting on the little chance there is that you
should ever see me again.  You are about to enter upon the great
world, and have within you the desire and power of success; let me
flatter myself that you can profit by my experience.  Among the
'Colloquia' of Erasmus, there is a very entertaining dialogue between
Apicius and a man who, desirous of giving a feast to a very large and
miscellaneous party, comes to consult the epicure what will be the
best means to give satisfaction to all.  Now you shall be this
Spudaeus (so I think he is called), and I will be Apicius; for the
world, after all, is nothing more than a great feast of different
strangers, with different tastes and of different ages, and we must
learn to adapt ourselves to their minds, and our temptations to their
passions, if we wish to fascinate or even to content them.  Let me
then call your attention to the hints and maxims which I have in this
paper amused myself with drawing up for your instruction.  Write to me
from time to time, and I will, in replying to your letters, give you
the best advice in my power.  For the rest, my dear boy, I have only
to request that you will be frank, and I, in my turn, will promise
that when I cannot assist, I will never reprove.  And now, Clarence,
as the hour is late and you leave us early tomorrow, I will no longer
detain you.  God bless you and keep you.  You are going to enjoy
life,--I to anticipate death; so that you can find in me little
congenial to yourself; but as the good Pope said to our Protestant
countryman, 'Whatever the difference between us, I know well that an
old man's blessing is never without its value.'"

As Clarence clasped his benefactor's hand, the tears gushed from his
eyes.  Is there one being, stubborn as the rock to misfortune, whom
kindness does not affect?  For my part, kindness seems to me to come
with a double grace and tenderness from the old; it seems in them the
hoarded and long purified benevolence of years; as if it had survived
and conquered the baseness and selfishness of the ordeal it had
passed; as if the winds, which had broken the form, had swept in vain
across the heart, and the frosts which had chilled the blood and
whitened the thin locks had possessed no power over the warm tide of
the affections.  It is the triumph of nature over art; it is the voice
of the angel which is yet within us.  Nor is this all: the tenderness
of age is twice blessed,--blessed in its trophies over the obduracy of
encrusting and withering years, blessed because it is tinged with the
sanctity of the grave; because it tells us that the heart will blossom
even upon the precincts of the tomb, and flatters us with the
inviolacy and immortality of love.




CHAPTER XXIII.

                          Cannot I create,
    Cannot I form, cannot I fashion forth
    Another world, another universe?--KEATS.

The next morning Clarence, in his way out of town, directed his
carriage (the last and not the least acceptable present from Talbot)
to stop at Warner's door.  Although it was scarcely sunrise, the aged
grandmother of the artist was stirring, and opened the door to the
early visitor.  Clarence passed her with a brief salutation, hurried
up the narrow stairs, and found himself in the artist's chamber.  The
windows were closed, and the air of the room was confined and hot.  A
few books, chiefly of history and poetry, stood in confused disorder
upon some shelves opposite the window.  Upon a table beneath them lay
a flute, once the cherished recreation of the young painter, but now
long neglected and disused; and, placed exactly opposite to Warner, so
that his eyes might open upon his work, was the high-prized and
already more than half-finished picture.

Clarence bent over the bed; the cheek of the artist rested upon his
arm in an attitude unconsciously picturesque; the other arm was tossed
over the coverlet, and Clarence was shocked to see how emaciated it
had become.  But ever and anon the lips of the sleeper moved
restlessly, and words, low and inarticulate, broke out.  Sometimes he
started abruptly, and a bright but evanescent flush darted over his
faded and hollow cheek; and once the fingers of the thin hand which
lay upon the bed expanded and suddenly closed in a firm and almost
painful grasp; it was then that for the first time the words of the
artist became distinct.

"Ay, ay," he said, "I have thee, I have thee at last.  Long, very long
thou hast burnt up my heart like fuel, and mocked me, and laughed at
my idle efforts; but now, now, I have thee.  Fame, Honour,
Immortality, whatever thou art called, I have thee, and thou canst not
escape; but it is almost too late!"  And, as if wrung by some sudden
pain, the sleeper turned heavily round, groaned audibly, and awoke.

"My friend," said Clarence, soothingly, and taking his hand, "I have
come to bid you farewell.  I am just setting off for the Continent,
but I could not leave England without once more seeing you.  I have
good news, too, for you."  And Clarence proceeded to repeat Talbot's
wish that Warner should bring the picture to his house on the
following Thursday, that Sir Joshua might inspect it.  He added also,
in terms the flattery of which his friendship could not resist
exaggerating, Talbot's desire to become the purchaser of the picture.

"Yes," said the artist, as his eye glanced delightedly over his
labour; "yes, I believe when it is once seen there will be many
candidates!"

"No doubt," answered Clarence; "and for that reason you cannot blame
Talbot for wishing to forestall all other competitors for the prize;"
and then, continuing the encouraging nature of the conversation,
Clarence enlarged upon the new hopes of his friend, besought him to
take time, to spare his health, and not to injure both himself and his
performance by over-anxiety and hurry.  Clarence concluded by
retailing Talbot's assurance that in all cases and circumstances he
(Talbot) considered himself pledged to be Warner's supporter and
friend.

With something of impatience, mingled with pleasure, the painter
listened to all these details; nor was it to Linden's zeal nor to
Talbot's generosity, but rather to the excess of his own merit, that
he secretly attributed the brightening prospect offered him.

The indifference which Warner, though of a disposition naturally kind,
evinced at parting with a friend who had always taken so strong an
interest in his behalf, and whose tears at that moment contrasted
forcibly enough with the apathetic coldness of his own farewell, was a
remarkable instance how acute vividness on a single point will deaden
feeling on all others.  Occupied solely and burningly with one intense
thought, which was to him love, friendship, health, peace, wealth,
Warner could not excite feelings, languid and exhausted with many and
fiery conflicts, to objects of minor interest, and perhaps he inwardly
rejoiced that his musings and his study would henceforth be sacred
even from friendship.

Deeply affected, for his nature was exceedingly unselfish, generous,
and susceptible, Clarence tore himself away, placed in the
grandmother's hand a considerable portion of the sum he had received
from Talbot, hurried into his carriage, and found himself on the high
road to fortune, pleasure, distinction, and the Continent.

But while Clarence, despite of every advantage before him, hastened to
a court of dissipation and pleasure, with feelings in which regretful
affection for those he had left darkened his worldly hopes and mingled
with the sanguine anticipations of youth, Warner, poor, low-born,
wasted with sickness, destitute of friends, shut out by his
temperament from the pleasures of his age, burned with hopes far less
alloyed than those of Clarence, and found in them, for the sacrifice
of all else, not only a recompense, but a triumph.

Thursday came.  Warner had made one request to Talbot, which had with
difficulty been granted: it was that he himself might unseen be the
auditor of the great painter's criticisms, and that Sir Joshua should
be perfectly unaware of his presence.  It had been granted with
difficulty, because Talbot wished to spare Warner the pain of hearing
remarks which he felt would be likely to fall far short of the
sanguine self-elation of the young artist; and it had been granted
because Talbot imagined that, even should this be the case, the pain
would be more than counterbalanced by the salutary effect it might
produce.  Alas! vanity calculates but poorly upon the vanity of
others!  What a virtue we should distil from frailty; what a world of
pain we should save our brethren, if we would suffer our own weakness
to be the measure of theirs!

Thursday came: the painting was placed by the artist's own hand in the
most favourable light; a curtain, hung behind it, served as a screen
for Warner, who, retiring to his hiding-place, surrendered his heart
to delicious forebodings of the critic's wonder and golden
anticipations of the future destiny of his darling work.  Not a fear
dashed the full and smooth cup of his self-enjoyment.  He had lain
awake the whole of the night in restless and joyous impatience for the
morrow.  At daybreak he had started from his bed, he had unclosed his
shutters, he had hung over his picture with a fondness greater, if
possible, than he had ever known before! like a mother, he felt as if
his own partiality was but a part of a universal tribute; and, as his
aged relative, turning her dim eyes to the painting, and, in her
innocent idolatry, rather of the artist than his work, praised and
expatiated and foretold, his heart whispered, "If it wring this
worship from ignorance, what will be the homage of science?"

He who first laid down the now hackneyed maxim that diffidence is the
companion of genius knew very little of the workings of the human
heart.  True, there may have been a few such instances, and it is
probable that in this maxim, as in most, the exception made the rule.
But what could ever reconcile genius to its sufferings, its
sacrifices, its fevered inquietudes, the intense labour which can
alone produce what the shallow world deems the giant offspring of a
momentary inspiration: what could ever reconcile it to these but the
haughty and unquenchable consciousness of internal power; the hope
which has the fulness of certainty that in proportion to the toil is
the reward; the sanguine and impetuous anticipation of glory, which
bursts the boundaries of time and space, and ranges immortality with a
prophet's rapture?  Rob Genius of its confidence, of its lofty self-
esteem, and you clip the wings of the eagle: you domesticate, it is
true, the wanderer you could not hitherto comprehend, in the narrow
bounds of your household affections; you abase and tame it more to the
level of your ordinary judgments, but you take from it the power to
soar; the hardihood which was content to brave the thundercloud and
build its eyrie on the rock, for the proud triumph of rising above its
kind, and contemplating with a nearer eye the majesty of heaven.

But if something of presumption is a part of the very essence of
genius, in Warner it was doubly natural, for he was still in the heat
and flush of a design, the defects of which he had not yet had the
leisure to examine; and his talents, self-taught and self-modelled,
had never received either the excitement of emulation or the chill of
discouragement from the study of the masterpieces of his art.

The painter had not been long alone in his concealment before he heard
steps; his heart beat violently, the door opened, and he saw, through
a small hole which he had purposely made in the curtain, a man with a
benevolent and prepossessing countenance, whom he instantly recognized
as Sir Joshua Reynolds, enter the room, accompanied by Talbot.  They
walked up to the picture, the painter examined it closely, and in
perfect silence.  "Silence," thought Warner, "is the best homage of
admiration;" but he trembled with impatience to hear the admiration
confirmed by words,--those words came too soon.

"It is the work of a clever man, certainly," said Sir Joshua; "but"
(terrible monosyllable) "of one utterly unskilled in the grand
principles of his art--look here, and here, and here, for instance;"
and the critic, perfectly unconscious of the torture he inflicted,
proceeded to point out the errors of the work.  Oh! the agony, the
withering agony of that moment to the ambitious artist!  In vain he
endeavoured to bear up against the judgment,--in vain he endeavoured
to persuade himself that it was the voice of envy which in those cold,
measured, defining accents, fell like drops of poison upon his heart.
He felt at once, and as if by a magical inspiration, the truth of the
verdict; the scales of self-delusion fell from his eyes; by a hideous
mockery, a kind of terrible pantomime, his goddess seemed at a word, a
breath, transformed into a monster: life, which had been so lately
concentrated into a single hope, seemed now, at once and forever,
cramped, curdled, blistered into a single disappointment.

"But," said Talbot, who had in vain attempted to arrest the criticisms
of the painter (who, very deaf at all times, was, at that time in
particular, engrossed by the self-satisfaction always enjoyed by one
expatiating on his favourite topic),--"but," said Talbot, in a louder
voice, "you own there is great genius in the design?"

"Certainly, there is genius," replied Sir Joshua, in a tone of calm
and complacent good-nature; "but what is genius without culture?  You
say the artist is young, very young; let him take time: I do not say
let him attempt a humbler walk; let him persevere in the lofty one he
has chosen, but let him first retrace every step he has taken; let him
devote days, months, years, to the most diligent study of the immortal
masters of the divine art, before he attempts (to exhibit, at least)
another historical picture.  He has mistaken altogether the nature of
invention: a fine invention is nothing more than a fine deviation
from, or enlargement on, a fine model: imitation, if noble and
general, insures the best hope of originality.  Above all, let your
young friend, if he can afford it, visit Italy."

"He shall afford it," said Talbot, kindly, "for he shall have whatever
advantages I can procure him; but you see the picture is only half-
completed: he could alter it!"

"He had better burn it!" replied the painter, with a gentle smile.

And Talbot, in benevolent despair, hurried his visitor out of the
room.  He soon returned to seek and console the artist, but the artist
was gone; the despised, the fatal picture, the blessing and curse of
so many anxious and wasted hours, had vanished also with its creator.




CHAPTER XXIV.

    What is this soul, then?  Whence
    Came it?--It does not seem my own, and I
    Have no self-passion or identity!
    Some fearful end must be--
         .     .     .     .     .     .
    There never lived a mortal man, who bent
    His appetite beyond his natural sphere,
    But starved and died.--KEATS: Endymion.

On entering his home, Warner pushed aside, for the first time in his
life with disrespect, his aged and kindly relation, who, as if in
mockery of the unfortunate artist stood prepared to welcome and
congratulate his return.  Bearing his picture in his arms, he rushed
upstairs, hurried into his room, and locked the door.  Hastily he tore
aside the cloth which had been drawn over the picture; hastily and
tremblingly he placed it upon the frame accustomed to support it, and
then, with a long, long, eager, searching, scrutinizing glance, he
surveyed the once beloved mistress of his worship.  Presumption,
vanity, exaggerated self-esteem, are, in their punishment, supposed to
excite ludicrous not sympathetic emotion; but there is an excess of
feeling, produced by whatever cause it may be, into which, in spite of
ourselves, we are forced to enter.  Even fear, the most contemptible
of the passions, becomes tragic the moment it becomes an agony.

"Well, well!" said Warner, at last, speaking very slowly, "it is
over,--it was a pleasant dream,--but it is over,--I ought to be
thankful for the lesson."  Then suddenly changing his mood and tone,
he repeated, "Thankful! for what? that I am a wretch,--a wretch more
utterly hopeless and miserable and abandoned than a man who freights
with all his wealth, his children, his wife, the hoarded treasures and
blessings of an existence, one ship, one frail, worthless ship, and,
standing himself on the shore, sees it suddenly go down!  Oh, was I
not a fool,--a right noble fool,--a vain fool,--an arrogant fool,--a
very essence and concentration of all things that make a fool, to
believe such delicious marvels of myself!  What, man!" (here his eye
saw in the opposite glass his features, livid and haggard with
disease, and the exhausting feelings which preyed within him)--"what,
man! would nothing serve thee but to be a genius,--thee, whom Nature
stamped with her curse!  Dwarf-like and distorted, mean in stature and
in lineament, thou wert, indeed, a glorious being to perpetuate grace
and beauty, the majesties and dreams of art!  Fame for thee, indeed--
ha-ha!  Glory--ha-ha! a place with Titian, Correggio, Raphael--ha--ha
--ha!  O, thrice modest, thrice-reasonable fool!  But this vile daub;
this disfigurement of canvas; this loathed and wretched monument of
disgrace; this notable candidate for--ha--ha--immortality! this I
have, at least, in my power."  And seizing the picture, he dashed it
to the ground, and trampled it with his feet upon the dusty boards,
till the moist colours presented nothing but one confused and dingy
stain.

This sight seemed to recall him for a moment.  He paused, lifted up
the picture once more, and placed it on the table.  "But," he
muttered, "might not this critic be envious? am I sure that he judged
rightly--fairly?  The greatest masters have looked askant and jealous
at their pupils' works.  And then, how slow, how cold, how damned
cold, how indifferently he spoke; why, the very art should have warmed
him more.  Could he have--No, no, no: it was true, it was!  I felt the
conviction thrill through me like a searing iron.  Burn it--did he
say--ay--burn it: it shall be done this instant."

And, hastening to the door, he undid the bolt.  He staggered back as
he beheld his old and nearest surviving relative, the mother of his
father, seated upon the ground beside the door, terrified by the
exclamations she did not dare to interrupt.  She rose slowly, and with
difficulty as she saw him; and, throwing around him the withered arms
which had nursed his infancy, exclaimed, "My child!--my poor--poor
child! what has come to you of late? you, who were so gentle, so mild,
so quiet,--you are no longer the same,--and oh, my son, how ill you
look: your father looked so just before he died!"

"Ill!" said he, with a sort of fearful gayety, "ill--no: I never was
so well; I have been in a dream till now; but I have woke at last.
Why, it is true that I have been silent and shy, but I will be so no
more.  I will laugh, and talk, and walk, and make love, and drink
wine, and be all that other men are.  Oh, we will be so merry!  But
stay here, while I fetch a light."

"A light, my child, for what?"

"For a funeral!" shouted Warner, and, rushing past her, he descended
the stairs, and returned almost in an instant with a light.

Alarmed and terrified, the poor old woman had remained motionless and
weeping violently.  Her tears Warner did not seem to notice; he pushed
her gently into the room, and began deliberately, and without uttering
a syllable, to cut the picture into shreds.

"What are you about, my child?" cried the old woman "you are mad; it
is your beautiful picture that you are destroying!"

Warner did not reply, but going to the hearth, piled together, with
nice and scrupulous care, several pieces of paper, and stick, and
matches, into a sort of pyre; then, placing the shreds of the picture
upon it, he applied the light, and the whole was instantly in a blaze.

"Look, look!" cried he, in an hysterical tone, "how it burns and
crackles and blazes!  What master ever equalled it now?--no fault now
in those colours,--no false tints in that light and shade!  See how
that flame darts up and soars!--that flame is my spirit!  Look--is it
not restless?--does it not aspire bravely?--why, all its brother
flames are grovellers to it!--and now,--why don't you look!--it
falters--fades--droops--and--ha--ha--ha! poor idler, the fuel is
consumed--and--it is darkness."

As Warner uttered these words his eyes reeled; the room swam before
him; the excitement of his feeble frame had reached its highest pitch;
the disease of many weeks had attained its crisis; and, tottering back
a few paces, he fell upon the floor, the victim of a delirious and
raging fever.

But it was not thus that the young artist was to die.  He was reserved
for a death that, like his real nature, had in it more of gentleness
and poetry.  He recovered by slow degrees, and his mind, almost in
spite of himself, returned to that profession from which it was
impossible to divert the thoughts and musings of many years.  Not that
he resumed the pencil and the easel: on the contrary, he could not
endure them in his sight; they appeared, to a mind festered and sore,
like a memorial and monument of shame.  But he nursed within him a
strong and ardent desire to become a pilgrim to that beautiful land of
which he had so often dreamed, and which the innocent destroyer of his
peace had pointed out as the theatre of inspiration and the nursery of
future fame.

The physicians who, at Talbot's instigation, attended him, looked at
his hectic cheek and consumptive frame, and readily flattered his
desire; and Talbot, no less interested in Warner's behalf on his own
account than bound by his promise to Clarence, generously extended to
the artist that bounty which is the most precious prerogative of the
rich.  Notwithstanding her extreme age, his grandmother insisted upon
attending him: there is in the heart of woman so deep a well of love
that no age can freeze it.  They made the voyage: they reached the
shore of the myrtle and the vine, and entered the Imperial City.  The
air of Rome seemed at first to operate favourably upon the health of
the English artist. His strength appeared to increase, his spirit to
expand; and though he had relapsed into more than his original silence
and reserve, he resumed, with apparent energy, the labours of the
easel: so that they who looked no deeper than the surface might have
imagined the scar healed, and the real foundation of future excellence
begun.

But while Warner most humbled himself before the gods of the pictured
world; while the true principles of the mighty art opened in their
fullest glory on his soul; precisely at this very moment shame and
despondency were most bitter at his heart: and while the enthusiasm of
the painter kindled, the ambition of the man despaired.  But still he
went on, transfusing into his canvas the grandeur and simplicity of
the Italian school; still, though he felt palpably within him the
creeping advance of the deadliest and surest enemy to fame, he
pursued, with an unwearied ardour, the mechanical completion of his
task; still, the morning found him bending before the easel, and the
night brought to his solitary couch meditation rather than sleep.  The
fire, the irritability which he had evinced before his illness had
vanished, and the original sweetness of his temper had returned; he
uttered no complaint, he dwelt upon no anticipation of success; hope
and regret seemed equally dead within him; and it was only when he
caught the fond, glad eyes of his aged attendant that his own filled
with tears, or that the serenity of his brow darkened into sadness.

This went on for some months; till one evening they found the painter
by his window, seated opposite to an unfinished picture.  The pencil
was still in his hand; the quiet of settled thought was still upon his
countenance; the soft breeze of a southern twilight waved the hair
livingly from his forehead; the earliest star of a southern sky lent
to his cheek something of that subdued lustre which, when touched by
enthusiasm, it had been accustomed to wear; but these were only the
mockeries of life: life itself was no more!  He had died, reconciled,
perhaps, to the loss of fame, in discovering that Art is to be loved
for itself, and not for the rewards it may bestow upon the artist.

There are two tombs close to each other in the strangers' burial-place
at Rome: they cover those for whom life, unequally long, terminated in
the same month.  The one is of a woman, bowed with the burden of many
years: the other darkens over the dust of the young artist.




CHAPTER XXV.

           Think upon my grief,
    And on the justice of my flying hence,
    To keep me from a most unholy match.--SHAKSPEARE.

"But are you quite sure," said General St. Leger, "are you quite sure
that this girl still permits Mordaunt's addresses?"

"Sure!" cried Miss Diana St. Leger, "sure, General!  I saw it with my
own eyes.  They were standing together in the copse, when I, who had
long had my suspicions, crept up, and saw them; and Mr. Mordaunt held
her hand, and kissed it every moment.  Shocking and indecorous!"

"I hate that man! as proud as Lucifer," growled the General.  "Shall
we lock her up, or starve her?"

"No, General, something better than that."

"What, my love? flog her?"

"She's too old for that, brother; we'll marry her."

"Marry her!"

"Yes, to Mr. Glumford; you know that he has asked her several times."

"But she cannot bear him."

"We'll make her bear him, General St. Leger."

"But if she marries, I shall have nobody to nurse me when I have the
gout."

"Yes, brother: I know of a nice little girl, Martha Richardson, your
second cousin's youngest daughter; you know he has fourteen children,
and you may have them all, one after another, if you like."

"Very true, Diana; let the jade marry Mr. Glumford."

"She shall," said the sister; "and I'll go about it this very moment:
meantime I'll take care that she does not see her lover any more."

About three weeks after this conversation, Mordaunt, who had in vain
endeavoured to see Isabel, who had not even heard from her, whose
letters had been returned to him unopened, and who, consequently, was
in despair, received the following note:--

This is the first time I have been able to write to you, at least to
get my letter conveyed: it is a strange messenger that I have
employed, but I happened formerly to make his acquaintance; and
accidentally seeing him to-day, the extremity of the case induced me
to give him a commission which I could trust to no one else.
Algernon, are not the above sentences written with admirable calmness?
are they not very explanatory, very consistent, very cool? and yet do
you know that I firmly believe I am going mad?  My brain turns round
and round, and my hand burns so that I almost think that, like our old
nurse's stories of the fiend, it will scorch the paper as I write.
And I see strange faces in my sleep and in my waking, all mocking at
me, and they torture and aunt met and when I look at those faces I see
no human relenting, no! though I weep and throw myself on my knees and
implore them to save me.  Algernon, my only hope is in you.  You know
that I have always hitherto refused to ruin you, and even now, though
I implore you to deliver me, I will not be so selfish as--as--I know
not what I write, but if I cannot be your wife--I will not be his!
No! if they drag me to church, it shall be to my grave, not my bridal.
                                         ISABEL ST. LEGER.

When Mordaunt had read this letter, which, in spite of its
incoherence, his fears readily explained, he rose hastily; his eyes
rested upon a sober-looking man, clad in brown.  The proud love no
spectators to their emotions.

"Who are you, sir?" said Algernon, quickly.

"Morris Brown," replied the stranger, coolly and civilly.  "Brought
that letter to you, sir; shall be very happy to serve you with
anything else; just fitted out a young gentleman as ambassador, a
nephew to Mrs. Minden,--very old friend of mine.  Beautiful slabs you
have here, sir, but they want a few knick-knacks; shall be most happy
to supply you; got a lovely little ape, sir, stuffed by the late Lady
Waddilove; it would look charming with this old-fashioned carving;
give the room quite the air of a museum."

"And so," said Mordaunt, for whose ear the eloquence of Mr. Brown
contained only one sentence, "and so you brought this note, and will
take back my answer?"

"Yes, sir; anything to keep up family connections; I knew a Lady
Morden very well,--very well indeed, sir,--a relation of yours, I
presume, by the similarity of the name; made her very valuable
presents; shall be most happy to do the same to you, when you are
married, sir.  You will refurnish the house, I suppose?  Let me see;
fine proportions to this room, sir; about thirty-six feet by twenty-
eight; I'll do the thing twenty per cent cheaper than the trade; and
touching the lovely little--"

"Here," interrupted Mordaunt, "you will take back this note, and be
sure that Miss Isabel St. Leger has it as soon as possible; oblige me
by accepting this trifle,--a trifle indeed compared with my gratitude,
if this note reaches its destination safely."

"I am sure," said Mr. Brown, looking with surprise at the gift, which
he held with no unwilling hand, "I am sure, sir, that you are very
generous, and strongly remind me of your relation, Lady Morden; and if
you would like the lovely little ape as a present--I mean really a
present--you shall have it, Mr. Mordaunt."

But Mr. Mordaunt had left the room, and the sober Morris, looking
round, and cooling in his generosity, said to himself, "It is well he
did not hear me, however; but I hope he will marry the nice young
lady, for I love doing a kindness.  This house must be refurnished; no
lady will like these old-fashioned chairs."




CHAPTER XXVI.

    Squire and fool are the same thing here--FARQUHAR.

                In such a night
    Did Jessica steal from the wealthy Jew,
    And, with an unthrift love, did run from Venice.---SHAKSPEARE.

The persecutions which Isabel had undergone had indeed preyed upon her
reason as well as her health; and, in her brief intervals of respite
from the rage of the uncle, the insults of the aunt, and, worse than
all, the addresses of the intended bridegroom, her mind, shocked and
unhinged, reverted with such intensity to the sufferings she endured
as to give her musings the character of insanity.  It was in one of
these moments that she had written to Mordaunt; and had the contest
continued much longer the reason of the unfortunate and persecuted
girl would have totally deserted her.

She was a person of acute, and even poignant, sensibilities, and these
the imperfect nature of her education had but little served to guide
or to correct; but as her habits were pure and good, the impulses
which spring from habit were also sinless and exalted, and, if they
erred, "they leaned on virtue's side," and partook rather of a
romantic and excessive generosity than of the weakness of womanhood or
the selfishness of passion.  All the misery and debasement of her
equivocal and dependent situation had not been able to drive her into
compliance with Mordaunt's passionate and urgent prayers; and her
heart was proof even to the eloquence of love, when that eloquence
pointed towards the worldly injury and depreciation of her lover: but
this new persecution was utterly unforeseen in its nature and
intolerable from its cause.  To marry another; to be torn forever from
one in whom her whole heart was wrapped; to be forced not only to
forego his love, but to feel that the very thought of him was a
crime,--all this, backed by the vehement and galling insults of her
relations, and the sullen and unmoved meanness of her intended
bridegroom, who answered her candour and confession with a stubborn
indifference and renewed overtures, made a load of evil which could
neither be borne with resignation nor contemplated with patience.

She was sitting, after she had sent her letter, with her two
relations, for they seldom trusted her out of their sight, when Mr.
Glumford was announced.  Now, Mr. George Glumford was a country
gentleman of what might be termed a third-rate family in the county:
he possessed about twelve hundred a year, to say nothing of the odd
pounds, shillings, and pence, which, however, did not meet with such
contempt in his memory or estimation; was of a race which could date
as far back as Charles the Second; had been educated at a country
school with sixty others, chiefly inferior to himself in rank; and had
received the last finish at a very small hall at Oxford.  In addition
to these advantages, he had been indebted to nature for a person five
feet eight inches high, and stout in proportion; for hair very short,
very straight, and of a red hue, which even through powder cast out a
yellow glow; for an obstinate dogged sort of nose, beginning in snub,
and ending in bottle; for cold, small, gray eyes, a very small mouth,
pinched up and avaricious; and very large, very freckled, yet rather
white hands, the nails of which were punctiliously cut into a point
every other day, with a pair of scissors which Mr. Glumford often
boasted had been in his possession since his eighth year; namely, for
about thirty-two legitimate revolutions of the sun.

He was one of those persons who are equally close and adventurous; who
love the eclat of a little speculation, but take exceeding good care
that it should be, in their own graceful phrase, "on the safe side of
the hedge."  In pursuance of this characteristic of mind, he had
resolved to fall in love with Miss Isabel St. Leger; for she being
very dependent, he could boast to her of his disinterestedness, and
hope that she would be economical through a principle of gratitude;
and being the nearest relation to the opulent General St. Leger and
his unmarried sister there seemed to be every rational probability of
her inheriting the bulk of their fortunes.  Upon these hints of
prudence spake Mr. George Glumford.

Now, when Isabel, partly in her ingenuous frankness, partly from the
passionate promptings of her despair, revealed to him her attachment
to another, and her resolution never, with her own consent, to become
his, it seemed to the slow but not uncalculating mind of Mr. Glumford
not by any means desirable that he should forego his present
intentions, but by all means desirable that he should make this
reluctance of Isabel an excuse for sounding the intentions and
increasing the posthumous liberality of the East Indian and his
sister.

"The girl is of my nearest blood," said the Major-General, "and if I
don't leave my fortune to her, who the devil should I leave it to,
sir?" and so saying, the speaker, who was in a fell paroxysm of the
gout, looked so fiercely at the hinting wooer that Mr. George
Glumford, who was no Achilles, was somewhat frightened, and thought it
expedient to hint no more.

"My brother," said Miss Diana, "is so odd; but he is the most generous
of men: besides, the girl has claims upon him."  Upon these speeches
Mr. Glumford thought himself secure; and inly resolving to punish the
fool for her sulkiness and bad taste as soon as he lawfully could, he
continued his daily visits and told his sporting acquaintance that his
time was coming.

Revenons a nos moutons.  Forgive this preliminary detail, and let us
return to Mr. Glumford himself, whom we left at the door, pulling and
fumbling at the glove which covered his right hand, in order to
present the naked palm to Miss Diana St. Leger.  After this act was
performed, he approached Isabel, and drawing his chair near to her,
proceeded to converse with her as the Ogre did with Puss in Boots;
namely, "as civilly as an Ogre could do."

This penance had not proceeded far, before the door was again opened,
and Mr. Morris Brown presented himself to the conclave.

"Your servant, General; your servant, Madam.  I took the liberty of
coming back again, Madam, because I forgot to show you some very fine
silks, the most extraordinary bargain in the world,--quite presents;
and I have a Sevres bowl here, a superb article, from the cabinet of
the late Lady Waddilove."

Now Mr. Brown was a very old acquaintance of Miss Diana St. Leger, for
there is a certain class of old maids with whom our fair readers are
no doubt acquainted, who join to a great love of expense a great love
of bargains, and who never purchase at the regular place if they can
find any irregular vendor.  They are great friends of Jews and
itinerants, hand-in-glove with smugglers, Ladies Bountiful to pedlers,
are diligent readers of puffs and advertisements, and eternal haunters
of sales and auctions.  Of this class was Miss Diana a most prominent
individual: judge, then, how acceptable to her was the acquaintance of
Mr. Brown.  That indefatigable merchant of miscellanies had, indeed,
at a time when brokers were perhaps rather more rare and respectable
than now, a numerous country acquaintance, and thrice a year he
performed a sort of circuit to all his customers and connections;
hence his visit to St. Leger House, and hence Isabel's opportunity of
conveying her epistle.

"Pray," said Mr. Glumford, who had heard much of Mr. Brown's
"presents" from Miss Diana,--"pray don't you furnish rooms, and things
of that sort?"

"Certainly, sir, certainly, in the best manner possible."

"Oh, very well; I shall want some rooms furnished soon,--a bedroom and
a dressing-room, and things of that sort, you know.  And so--perhaps
you may have something in your box that will suit me, gloves or
handkerchiefs or shirts or things of that sort."

"Yes, sir, everything, I sell everything," said Mr. Brown, opening his
box.  "I beg pardon, Miss Isabel, I have dropped my handkerchief by
your chair; allow me to stoop," and Mr. Brown, stooping under the
table, managed to effect his purpose; unseen by the rest, a note was
slipped into Isabel's hand, and under pretence of stooping too, she
managed to secure the treasure.  Love need well be honest if, even
when it is most true, it leads us into so much that is false!

Mr. Brown's box was now unfolded before the eyes of the crafty Mr.
Glumford, who, having selected three pair of gloves, offered the exact
half of the sum demanded.

Mr. Brown lifted up his hands and eyes.

"You see," said the imperturbable Glumford, "that if you let me have
them for that, and they last me well, and don't come unsewn, and stand
cleaning, you'll have my custom in furnishing the house, and rooms,
and--things of that sort."

Struck with the grandeur of this opening, Mr. Brown yielded, and the
gloves were bought.

"The fool!" thought the noble George, laughing in his sleeve, "as if I
should ever furnish the house from his box!"  Strange that some men
should be proud of being mean!  The moment Isabel escaped to dress for
dinner, she opened her lover's note.  It was as follows.--

Be in the room, your retreat, at nine this evening.  Let the window be
left unclosed.  Precisely at that hour I will be with you.  I shall
have everything in readiness for your flight.  Be sure, dearest
Isabel, that nothing prevents your meeting me there, even if all your
house follow or attend you.  I will bear you from all.  Oh, Isabel! in
spite of the mystery and wretchedness of your letter, I feel too
happy, too blest at the thought that our fates will be at length
united, and that the union is at hand.  Remember nine.
                                                    A. M.

Love is a feeling which has so little to do with the world, a passion
so little regulated by the known laws of our more steady and settled
emotions, that the thoughts which it produces are always more or less
connected with exaggeration and romance.  To the secret spirit of
enterprise which, however chilled by his pursuits and habits, still
burned within Mordaunt's breast, there was a wild pleasure in the
thought of bearing off his mistress and his bride from the very home
and hold of her false friends and real foes; while in the
contradictions of the same passion, Isabel, so far from exulting at
her approaching escape, trembled at her danger and blushed for her
temerity; and the fear and the modesty of woman almost triumphed over
her brief energy and fluctuating resolve.




CHAPTER XXVII.

    We haste,-the chosen and the lovely bringing;
      Love still goes with her from her place of birth;
    Deep, silent joy, within her soul is springing,
      Though in her glance the light no more is mirth.--Mrs. HEMANS.

"Damn it!" said the General.

"The vile creature!" cried Miss Diana.

"I don't understand things of that sort," ejaculated the bewildered
Mr. Glumford.

"She has certainly gone," said the valiant General.

"Certainly!" grunted Miss Diana.

"Gone!" echoed the bridegroom not to be.

And she was gone!  Never did more loving and tender heart forsake all,
and cling to a more loyal and generous nature.  The skies were
darkened with clouds,--

    "And the dim stars rushed through them rare and fast;"

and the winds wailed with a loud and ominous voice; and the moon came
forth, with a faint and sickly smile, from her chamber in the mist,
and then shrank back, and was seen no more; but neither omen nor fear
was upon Mordaunt's breast, as it swelled beneath the dark locks of
Isabel, which were pressed against it.

As Faith clings the more to the cross of life, while the wastes deepen
around her steps, and the adders creep forth upon her path, so love
clasps that which is its hope and comfort the closer, for the desert
which encompasses and the dangers which harass its way.

They had fled to London, and Isabel had been placed with a very
distant and very poor, though very high-born, relative of Algernon,
till the necessary preliminaries could be passed and the final bond
knit.  Yet still the generous Isabel would have refused, despite the
injury to her own fame, to have ratified a union which filled her with
gloomy presentiments for Mordaunt's fate; and still Mordaunt by little
and little broke down her tender scruples and self-immolating
resolves, and ceased not his eloquence and his suit till the day of
his nuptials was set and come.

The morning was bright and clear; the autumn was drawing towards its
close, and seemed willing to leave its last remembrance tinged with
the warmth and softness of its parent summer, rather than with the
stern gloom and severity of its chilling successor.

And they stood beside the altar, and their vows were exchanged.  A
slight tremor came over Algernon's frame, a slight shade darkened his
countenance; for even in that bridal hour an icy and thrilling
foreboding curdled to his heart; it passed,--the ceremony was over,
and Mordaunt bore his blushing and weeping bride from the church.  His
carriage was in attendance; for, not knowing how long the home of his
ancestors might be his, he was impatient to return to it.  The old
Countess d'Arcy, Mordaunt's relation, with whom Isabel had been
staying, called them back to bless them; for, even through the
coldness of old age, she was touched by the singularity of their love
and affected by their nobleness of heart.  She laid her wan and
shrivelled hand upon each, as she bade them farewell, and each shrank
back involuntarily, for the cold and light touch seemed like the
fingers of the dead.

Fearful, indeed, is the vicinity of death and life,--the bridal
chamber and the charnel.  That night the old woman died.  It appeared
as if Fate had set its seal upon the union it had so long forbidden,
and had woven a dark thread even in the marriage-bond.  At least, it
tore from two hearts, over which the cloud and the blast lay couched
in a "grim repose," the last shelter, which, however frail and
distant, seemed left to them upon the inhospitable earth.




CHAPTER XXVIII.

    Live while ye may, yet happy pair; enjoy
    Short pleasures, for long woes are to succeed.--MILTON.

The autumn and the winter passed away; Mordaunt's relation continued
implacable.  Algernon grieved for this, independent of worldly
circumstances; for, though he had seldom seen that relation, yet he
loved him for former kindness--rather promised, to be sure, than yet
shown--with the natural warmth of an affection which has but few
objects.  However, the old gentleman (a very short, very fat person;
very short and very fat people, when they are surly, are the devil and
all; for the humours of their mind, like those of their body, have
something corrupt and unpurgeable in them) wrote him one bluff,
contemptuous letter, in a witty strain,--for he was a bit of a
humourist,--disowned his connection, and very shortly afterwards died,
and left all his fortune to the very Mr. Vavasour who was at law with
Mordaunt, and for whom he had always openly expressed the strongest
personal dislike: spite to one relation is a marvellous tie to
another.  Meanwhile the lawsuit went on less slowly than lawsuits
usually do, and the final decision was very speedily to be given.

We said the autumn and the winter were gone; and it was in one of
those latter days in March, when, like a hoyden girl subsiding into
dawning womanhood, the rude weather mellows into a softer and tenderer
month, that, by the side of a stream, overshadowed by many a brake and
tree, sat two persons.

"I know not, dearest Algernon," said one, who was a female, "if this
is not almost the sweetest month in the year, because it is the month
of Hope."

"Ay, Isabel; and they did it wrong who called it harsh, and dedicated
it to Mars.  I exult even in the fresh winds which hardier frames than
mine shrink from, and I love feeling their wild breath fan my cheek as
I ride against it.  I remember," continued Algernon, musingly, "that
on this very day three years ago, I was travelling through Germany,
alone and on horseback, and I paused, not far from Ens, on the banks
of the Danube; the waters of the river were disturbed and fierce, and
the winds came loud and angry against my face, dashing the spray of
the waves upon me, and filling my spirit with a buoyant and glad
delight; and at that time I had been indulging old dreams of poetry,
and had laid my philosophy aside; and, in the inspiration of the
moment, I lifted up my hand towards the quarter whence the winds came,
and questioned them audibly of their birthplace and their bourne; and,
as the enthusiasm increased, I compared them to our human life, which
a moment is, and then is not; and, proceeding from folly to folly, I
asked them, as if they were the interpreters of heaven, for a type and
sign of my future lot."

"And what said they?" inquired Isabel, smiling, yet smiling timidly.

"They answered not," replied Mordaunt; "but a voice within me seemed
to say, 'Look above!' and I raised my eyes,--but I did not see thee,
love,--so the Book of Fate lied."

"Nay, Algernon, what did you see?" asked Isabel, more earnestly than
the question deserved.

"I saw a thin cloud, alone amidst many dense and dark ones scattered
around; and as I gazed it seemed to take the likeness of a funeral
procession--coffin, bearers, priests, all--as clear in the cloud as I
have seen them on the earth: and I shuddered as I saw; but the winds
blew the vapour onwards, and it mingled with the broader masses of
cloud; and then, Isabel, the sun shone forth for a moment, and I
mistook, love, when I said you were not there, for that sun was you;
but suddenly the winds ceased, and the rain came on fast and heavy: so
my romance cooled, and my fever slacked; I thought on the inn at Ens,
and the blessings of a wood fire, which is lighted in a moment, and I
spurred on my horse accordingly."

"It is very strange," said Isabel.

"What, love?" whispered Algernon, kissing her cheek.

"Nothing, dearest, nothing."

At that instant, the deer, which lay waving their lordly antlers to
and fro beneath the avenue which sloped upward from the stream to the
house, rose hurriedly and in confusion, and stood gazing, with
watchful eyes, upon a man advancing towards the pair.

It was one of the servants with a letter.  Isabel saw a faint change
(which none else could have seen) in Mordaunt's countenance, as he
recognized the writing and broke the seal.  When he had read the
letter, his eyes fell upon the ground, and then, with a slight start,
he lifted them up, and gazed long and eagerly around.  Wistfully did
he drink, as it were, into his heart the beautiful and expanded scene
which lay stretched on either side; the noble avenue which his
forefathers had planted as a shelter to their sons, and which now in
its majestic growth and its waving boughs seemed to say, "Lo! ye are
repaid!" and the never silent and silver stream, by which his boyhood
had sat for hours, lulled by its music, and inhaling the fragrance of
the reed and wild flower that decoyed the bee to its glossy banks; and
the deer, to whose melancholy belling be had listened so often in the
gray twilight with a rapt and dreaming ear; and the green fern waving
on the gentle hill, from whose shade his young feet had startled the
hare and the infant fawn; and far and faintly gleaming through the
thick trees, which clasped it as with a girdle, the old Hall, so
associated with vague hopes and musing dreams, and the dim legends of
gone time, and the lofty prejudices of ancestral pride,--all seemed to
sink within him, as he gazed, like the last looks of departing
friends; and when Isabel, who had not dared to break a silence which
partook so strongly of gloom, at length laid her hand upon his arm,
and lifted her dark, deep, tender eyes to his, he said, as he drew her
towards him, and a faint and sickly smile played upon his lips,--

"It is past, Isabel: henceforth we have no wealth but in each other.
The cause has been decided--and--and--we are beggars!"




CHAPTER XXIX.

We expose our life to a quotidian ague of frigid impertinences, which
would make a wise man tremble to think of.--COWLEY.

We must suppose a lapse of four years from the date of those events
which concluded the last chapter; and, to recompence the reader, who I
know has a little penchant for "High Life," even in the last century,
for having hitherto shown him human beings in a state of society not
wholly artificial, I beg him to picture to himself a large room,
brilliantly illuminated, and crowded "with the magnates of the land."
Here, some in saltatory motion, some in sedentary rest, are dispersed
various groups of young ladies and attendant swains, talking upon the
subject of Lord Rochester's celebrated poem,--namely, "Nothing!"--and
lounging around the doors, meditating probably upon the same subject,
stand those unhappy victims of dancing daughters, denominated "Papas."

The music has ceased; the dancers have broken up; and there is a
general but gentle sweep towards the refreshment-room.  In the crowd--
having just entered--there glided a young man of an air more
distinguished and somewhat more joyous than the rest.

"How do you do, Mr. Linden?" said a tall and (though somewhat passe)
very handsome woman, blazing with diamonds; "are you just come?"

And, here, by the way, I cannot resist pausing to observe that a
friend of mine, meditating a novel, submitted a part of the manuscript
to a friendly publisher.  "Sir," said the bookseller, "your book is
very clever, but it wants dialogue."

"Dialogue!" cried my friend: "you mistake; it is all dialogue."

"Ay, sir, but not what we call dialogue; we want a little conversation
in fashionable life,--a little elegant chit-chat or so: and, as you
must have seen so much of the beau monde, you could do it to the life:
we must have something light and witty and entertaining."

"Light, witty, and entertaining!" said our poor friend; "and how the
deuce, then, is it to be like conversation in 'fashionable life'?
When the very best conversation one can get is so insufferably dull,
how do you think people will be amused by reading a copy of the very
worst?"

"They are amused, sir," said the publisher; "and works of this kind
sell!"

"I am convinced," said my friend; for he was a man of a placid temper:
he took the hint, and his book did sell!

Now this anecdote rushed into my mind after the penning of the little
address of the lady in diamonds,--"How do you do, Mr. Linden?  Are you
just come?"--and it received an additional weight from my utter
inability to put into the mouth of Mr. Linden--notwithstanding my
desire of representing him in the most brilliant colours--any more
happy and eloquent answer than, "Only this instant!"

However, as this is in the true spirit of elegant dialogue, I trust my
readers find it as light, witty, and entertaining as, according to the
said publisher, the said dialogue is always found by the public.

While Clarence was engaged in talking with this lady, a very pretty,
lively, animated girl, with laughing blue eyes, which, joined to the
dazzling fairness of her complexion, gave a Hebe-like youth to her
features and expression, was led up to the said lady by a tall young
man, and consigned, with the ceremonious bow of the vieille tour, to
her protection.

"Ah, Mr. Linden," cried the young lady, "I am very glad to see you,--
such a beautiful ball!--Everybody here that I most like.  Have you had
any refreshments, Mamma?  But I need not ask, for I am sure you have
not; do come, Mr. Linden will be our cavalier."

"Well, Flora, as you please," said the elderly lady, with a proud and
fond look at her beautiful daughter; and they proceeded to the
refreshment-room.

No sooner were they seated at one of the tables, than they were
accosted by Lord St. George, a nobleman whom Clarence, before he left
England, had met more than once at Mr. Talbot's.

"London," said his lordship to her of the diamonds, "has not seemed
like the same place since Lady Westborough arrived; your presence
brings out all the other luminaries: and therefore a young
acquaintance of mine--God bless me, there he is, seated by Lady Flora--
very justly called you the 'evening star.'"

"Was that Mr. Linden's pretty saying?" said Lady Westborough, smiling.

"It was," answered Lord St. George; "and, by the by, he is a very
sensible, pleasant person, and greatly improved since he left England
last."

"What!" said Lady Westborough, in a low tone (for Clarence, though in
earnest conversation with Lady Flora, was within hearing), and making
room for Lord St. George beside her, "what! did you know him before he
went to ----?  You can probably tell me, then, who--that is to say--
what family he is exactly of--the Lindens of Devonshire, or--or--"

"Why, really," said Lord St. George, a little confused, for no man
likes to be acquainted with persons whose pedigree he cannot explain,
"I don't know what may be his family: I met him at Talbot's four or
five years ago; he was then a mere boy, but he struck me as being very
clever, and Talbot since told me that he was a nephew of his own."

"Talbot," said Lady Westborough, musingly, "what Talbot?"

"Oh! the Talbot--the ci-devant jeune homme!"

"What, that charming, clever, animated old gentleman, who used to
dress so oddly, and had been so celebrated a beau garcon in his day?"

"Exactly so," said Lord St. George, taking snuff, and delighted to
find he had set his young acquaintance on so honourable a footing.

"I did not know he was still alive," said Lady Westborough, and then,
turning her eyes towards Clarence and her daughter, she added
carelessly, "Mr. Talbot is very rich, is he not?"

"Rich as Croesus," replied Lord St. George, with a sigh.

"And Mr. Linden is his heir, I suppose?"

"In all probability," answered Lord St. George; "though I believe I
can boast a distant relationship to Talbot.  However, I could not make
him fully understand it the other day, though I took particular pains
to explain it."

While this conversation was going on between the Marchioness of
Westborough and Lord St. George, a dialogue equally interesting to the
parties concerned, and I hope, equally light, witty, and entertaining
to readers in general, was sustained between Clarence and Lady Flora.

"How long shall you stay in England?" asked the latter, looking down.

"I have not yet been able to decide," replied Clarence, "for it rests
with the ministers, not me.  Directly Lord Aspeden obtains another
appointment, I am promised the office of Secretary of Legation; but
till then, I am--

    "'A captive in Augusta's towers
      To beauty and her train.'"

"Oh!" cried Lady Flora, laughing, "you mean Mrs. Desborough and her
train: see where they sweep!  Pray go and render her homage."

"It is rendered," said Linden, in a low voice, "without so long a
pilgrimage, but perhaps despised."

Lady Flora's laugh was hushed; the deepest blushes suffused her
cheeks, and the whole character of that face, before so playful and
joyous, seemed changed, as by a spell, into a grave, subdued, and even
timid look.

Linden resumed, and his voice scarcely rose above a whisper.  A
whisper!  O delicate and fairy sound! music that speaketh to the
heart, as if loth to break the spell that binds it while it listens!
Sigh breathed into words, and freighting love in tones languid, like
homeward bees, by the very sweets with which they are charged!  "Do
you remember," said he, "that evening at ---- when we last parted? and
the boldness which at that time you were gentle enough to forgive?"

Lady Flora replied not.

"And do you remember," continued Clarence, "that I told you that it
was not as an unknown and obscure adventurer that I would claim the
hand of her whose heart as an adventurer I had won?"

Lady Flora raised her eyes for one moment, and encountering the ardent
gaze of Clarence, as instantly dropped them.

"The time is not yet come," said Linden, "for the fulfilment of this
promise; but may I--dare I hope, that when it does, I shall not be--"

"Flora, my love," said Lady Westborough, "let me introduce to you Lord
Borodaile."

Lady Flora turned: the spell was broken; and the lovers were instantly
transformed into ordinary mortals.  But, as Flora, after returning
Lord Borodaile's address, glanced her eye towards Clarence, she was
struck with the sudden and singular change of his countenance; the
flush of youth and passion was fled, his complexion was deadly pale,
and his eyes were fixed with a searching and unaccountable meaning
upon the face of the young nobleman, who was alternately addressing,
with a quiet and somewhat haughty fluency, the beautiful mother, and
the more lovely though less commanding daughter.  Directly Linden
perceived that he was observed, he rose, turned away, and was soon
lost among the crowd.

Lord Borodaile, the son and heir of the powerful Earl of Ulswater, was
about the age of thirty, small, slight, and rather handsome than
otherwise, though his complexion was dark and sallow; and a very
aquiline nose gave a stern and somewhat severe air to his countenance.
He had been for several years abroad, in various parts of the
Continent, and (no other field for an adventurous and fierce spirit
presenting itself) had served with the gallant Earl of Effingham, in
the war between the Turks and Russians, as a volunteer in the armies
of the latter.  In this service he had been highly distinguished for
courage and conduct; and, on his return to England about a twelvemonth
since, had obtained the command of a cavalry regiment.  Passionately
fond of his profession, he entered into its minutest duties with a
zeal not exceeded by the youngest and poorest subaltern in the army.

His manners were very cold, haughty, collected, and self-possessed,
and his conversation that of a man who has cultivated his intellect
rather in the world than the closet.  I mean, that, perfectly ignorant
of things, he was driven to converse solely upon persons, and, having
imbibed no other philosophy than that which worldly deceits and
disappointments bestow, his remarks, though shrewd, were bitterly
sarcastic, and partook of all the ill-nature for which a very scanty
knowledge of the world gives a sour and malevolent mind so ready an
excuse.

"How very disagreeable Lord Borodaile is!" said Lady Flora, when the
object of the remark turned away and rejoined some idlers of his
corps.

"Disagreeable!" said Lady Westborough.  "I think him charming: he is
so sensible.  How true his remarks on the world are!"

Thus is it always; the young judge harshly of those who undeceive or
revolt their enthusiasm; and the more advanced in years, who have not
learned by a diviner wisdom to look upon the human follies and errors
by which they have suffered with a pitying and lenient eye, consider
every maxim of severity on those frailties as the proof of a superior
knowledge, and praise that as a profundity of thought which in reality
is but an infirmity of temper.

Clarence is now engaged in a minuet de la tour with the beautiful
Countess of ----, the best dancer of the day in England.  Lady Flora
is flirting with half a dozen beaux, the more violently in proportion
as she observes the animation with which Clarence converses, and the
grace with which his partner moves; and, having thus left our two
principal personages occupied and engaged, let us turn for a moment to
a room which we have not entered.

This is a forlorn, deserted chamber, destined to cards, which are
never played in this temple of Terpsichore.  At the far end of this
room, opposite to the fireplace, are seated four men, engaged in
earnest conversation.

The tallest of these was Lord Quintown, a nobleman remarkable at that
day for his personal advantages, his good fortune with the beau sexe,
his attempts at parliamentary eloquence, in which he was lamentably
unsuccessful, and his adherence to Lord North.  Next to him sat Mr.
St. George, the younger brother of Lord St. George, a gentleman to
whom power and place seemed married without hope of divorce; for,
whatever had been the changes of ministry for the last twelve years,
he, secure in a lucrative though subordinate situation, had "smiled at
the whirlwind and defied the storm," and, while all things shifted and
vanished round him, like clouds and vapours, had remained fixed and
stationary as a star.  "Solid St. George," was his appellative by his
friends, and his enemies did not grudge him the title.  The third was
the minister for ----; and the fourth was Clarence's friend, Lord
Aspeden.  Now this nobleman, blessed with a benevolent, smooth, calm
countenance, valued himself especially upon his diplomatic elegance in
turning a compliment.

Having a great taste for literature as well as diplomacy, this
respected and respectable peer also possessed a curious felicity for
applying quotation; and nothing rejoiced him so much as when, in the
same phrase, he was enabled to set the two jewels of his courtliness
of flattery and his profundity of erudition.  Unhappily enough, his
compliments were seldom as well taken as they were meant; and, whether
from the ingratitude of the persons complimented or the ill fortune of
the noble adulator, seemed sometimes to produce indignation in place
of delight.  It has been said that his civilities had cost Lord
Aspeden four duels and one beating; but these reports were probably
the malicious invention of those who had never tasted the delicacies
of his flattery.

Now these four persons being all members of the Privy Council, and
being thus engaged in close and earnest conference were, you will
suppose, employed in discussing their gravities and secrets of state:
no such thing; that whisper from Lord Quintown, the handsome nobleman,
to Mr. St. George, is no hoarded and valuable information which would
rejoice the heart of the editor of an Opposition paper, no direful
murmur, "perplexing monarchs with the dread of change;" it is only a
recent piece of scandal, touching the virtue of a lady of the court,
which (albeit the sage listener seems to pay so devout an attention to
the news) is far more interesting to the gallant and handsome
informant than to his brother statesman; and that emphatic and
vehement tone with which Lord Aspeden is assuring the minister for
---- of some fact, is merely an angry denunciation of the chicanery
practised at the last Newmarket.

"By the by, Aspeden," said Lord Quintown, "who is that good-looking
fellow always flirting with Lady Flora Ardenne,--an attache of yours,
is he not?"

"Oh! Linden, I suppose you mean.  A very sensible, clever young
fellow, who has a great genius for business and plays the flute
admirably.  I must have him for my secretary, my dear lord, mind
that."

"With such a recommendation, Lord Aspeden," said the minister, with a
bow, "the state would be a great loser did it not elect your attache,
who plays so admirably on the flute, to the office of your secretary.
Let us join the dancers."

"I shall go and talk with Count B----," quoth Mr. St. George.

"And I shall make my court to his beautiful wife," said the minister,
sauntering into the ballroom, to which his fine person and graceful
manners were much better adapted than was his genius to the cabinet or
his eloquence to the senate.

The morning had long dawned, and Clarence, for whose mind pleasure was
more fatiguing than business, lingered near the door, to catch one
last look of Lady Flora before he retired.  He saw her leaning on the
arm of Lord Borodaile, and hastening to join the dancers with her
usual light step and laughing air; for Clarence's short conference
with her had, in spite of his subsequent flirtations, rendered her
happier than she had ever felt before.  Again a change passed over
Clarence's countenance,--a change which I find it difficult to express
without borrowing from those celebrated German dramatists who could
portray in such exact colours "a look of mingled joy, sorrow, hope,
passion, rapture, and despair;" for the look was not that of jealousy
alone, although it certainly partook of its nature, but a little also
of interest, and a little of sorrow; and when he turned away, and
slowly descended the stairs, his eyes were full of tears, and his
thoughts far--far away;--whither?




CHAPTER XXX.

    Quae fert adolescentia
    Ea ne me celet consuefeci filium.--TERENCE.

    ["The things which youth proposes I accustomed
    my son that he should never conceal from me."]

The next morning Clarence was lounging over his breakfast, and
glancing listlessly now at the pages of the newspapers, now at the
various engagements for the week, which lay confusedly upon his table,
when he received a note from Talbot, requesting to see him as soon as
possible.

"Had it not been for that man," said Clarence to himself, "what should
I have been now?  But, at least, I have not disgraced his friendship.
I have already ascended the roughest because the lowest steps on the
hill where Fortune builds her temple.  I have already won for the name
I have chosen some 'golden opinions' to gild its obscurity.  One year
more may confirm my destiny and ripen hope into success: then--then, I
may perhaps throw off a disguise that, while it befriended, has not
degraded me, and avow myself to her!  Yet how much better to dignify
the name I have assumed than to owe respect only to that which I have
not been deemed worthy to inherit!  Well, well, these are bitter
thoughts; let me turn to others.  How beautiful Flora looked last
night! and, he--he--but enough of this: I must dress, and then to
Talbot."

Muttering these wayward fancies, Clarence rose, completed his toilet,
sent for his horses, and repaired to a village about seven miles from
London, where Talbot, having yielded to Clarence's fears and
solicitations, and left his former insecure tenement, now resided
under the guard and care of an especial and private watchman.

It was a pretty, quiet villa, surrounded by a plantation and pleasure-
ground of some extent for a suburban residence, in which the old
philosopher (for though in some respects still frail and prejudiced,
Talbot deserved that name) held his home.  The ancient servant, on
whom four years had passed lightly and favouringly, opened the door to
Clarence, with his usual smile of greeting and familiar yet respectful
salutation, and ushered our hero into a room, furnished with the usual
fastidious and rather feminine luxury which characterized Talbot's
tastes.  Sitting with his back turned to the light, in a large easy-
chair, Clarence found the wreck of the once gallant, gay Lothario.

There was not much alteration in his countenance since we last saw
him; the lines, it is true, were a little more decided, and the cheeks
a little more sunken; but the dark eye beamed with all its wonted
vivacity, and the delicate contour of the mouth preserved all its
physiognomical characteristics of the inward man.  He rose with
somewhat more difficulty than he was formerly wont to do, and his
limbs had lost much of their symmetrical proportions; yet the kind
clasp of his hand was as firm and warm as when it had pressed that of
the boyish attache four years since; and the voice which expressed his
salutation yet breathed its unconquered suavity and distinctness of
modulation.  After the customary greetings and inquiries were given
and returned, the young man drew his chair near to Talbot's, and
said,--

"You sent for me, dear sir; have you anything more important than
usual to impart to me?--or--and I hope this is the case--have you at
last thought of any commission, however trifling, in the execution of
which I can be of use?"

"Yes, Clarence, I wish your judgment to select me some strawberries,--
you know that I am a great epicure in fruit,--and get me the new work
Dr. Johnson has just published.  There, are you contented?  And now,
tell me all about your horse; does he step well?  Has he the true
English head and shoulder?  Are his legs fine, yet strong?  Is he full
of spirit and devoid of vice?"

"He is all this, sir, thanks to you for him."

"Ah!" cried Talbot,--

    "'Old as I am, for riding feats unfit,
     The shape of horses I remember yet'"

"And now let us hear how you like Ranelagh; and above all how you liked
the ball last night."

And the vivacious old man listened with the profoundest appearance of
interest to all the particulars of Clarence's animated detail.  His
vanity, which made him wish to be loved, had long since taught him the
surest method of becoming so; and with him, every visitor, old, young,
the man of books, or the disciple of the world, was sure to find the
readiest and even eagerest sympathy in every amusement or occupation.
But for Clarence, this interest lay deeper than in the surface of
courtly breeding.  Gratitude had first bound to him his adopted son,
then a tie yet unexplained, and lastly, but not least, the pride of
protection.  He was vain of the personal and mental attractions of his
protege, and eager for the success of one whose honours would reflect
credit on himself.

But there was one part of Clarence's account of the last night to
which the philosopher paid a still deeper attention, and on which he
was more minute in his advice; what this was, I cannot, as yet, reveal
to the reader.

The conversation then turned on light and general matters,--the
scandal, the literature, the politics, the on dits of the day; and
lastly upon women; thence Talbot dropped into his office of Mentor.

"A celebrated cardinal said, very wisely, that few ever did anything
among men until women were no longer an object to them.  That is the
reason, by the by, why I never succeeded with the former, and why
people seldom acquire any reputation, except for a hat, or a horse,
till they marry.  Look round at the various occupations of life.  How
few bachelors are eminent in any of them!  So you see, Clarence, you
will have my leave to marry Lady Flora as soon as you please."

Clarence coloured, and rose to depart.  Talbot followed him to the
door, and then said, in a careless way, "By the by, I had almost
forgotten to tell you that, as you have now many new expenses, you
will find the yearly sum you have hitherto received doubled.  To give
you this information is the chief reason why I sent for you this
morning.  God bless you, my dear boy."

And Talbot shut the door, despite his politeness, in the face and
thanks of his adopted son.




CHAPTER XXXI.

There is a great difference between seeking to raise a laugh from
everything, and seeking in everything what justly may be laughed at.
                                             LORD SHAFTESBURY.

Behold our hero, now in the zenith of distinguished dissipations!
Courteous, attentive, and animated, the women did not esteem him the
less for admiring them rather than himself; while, by the gravity of
his demeanour to men,--the eloquent, yet unpretending flow of his
conversation, whenever topics of intellectual interest were discussed,
the plain and solid sense which he threw into his remarks, and the
avidity with which he courted the society of all distinguished for
literary or political eminence,--he was silently but surely
establishing himself in esteem as well as popularity, and laying the
certain foundation of future honour and success.

Thus, although he had only been four months returned to England, he
was already known and courted in every circle, and universally spoken
of as among "the most rising young gentlemen" whom fortune and the
administration had marked for their own.  His history, during the four
years in which we have lost sight of him, is briefly told.

He soon won his way into the good graces of Lord Aspeden; became his
private secretary and occasionally his confidant.  Universally admired
for his attraction of form and manner, and, though aiming at
reputation, not averse to pleasure, he had that position which fashion
confers at the court of ----, when Lady Westborough and her beautiful
daughter, then only seventeen, came to ----, in the progress of a
Continental tour, about a year before his return to England.  Clarence
and Lady Flora were naturally brought much together in the restricted
circle of a small court, and intimacy soon ripened into attachment.

Lord Aspeden being recalled, Clarence accompanied him to England; and
the ex-minister, really liking much one who was so useful to him, had
faithfully promised to procure him the office and honour of secretary
whenever his lordship should be reappointed minister.

Three intimate acquaintances had Clarence Linden.  The one was the
Honourable Henry Trollolop, the second Mr. Callythorpe, and the third
Sir Christopher Findlater.  We will sketch them to you in an instant.
Mr. Trollolop was a short, stout gentleman, with a very thoughtful
countenance,-that is to say, he wore spectacles and took snuff.

Mr. Trollolop--we delight in pronouncing that soft liquid name--was
eminently distinguished by a love of metaphysics,--metaphysics were in
a great measure the order of the day; but Fate had endowed Mr.
Trollolop with a singular and felicitous confusion of idea.  Reid,
Berkeley, Cudworth, Hobbes, all lay jumbled together in most edifying
chaos at the bottom of Mr. Trollolop's capacious mind; and whenever he
opened his mouth, the imprisoned enemies came rushing and scrambling
out, overturning and contradicting each other in a manner quite
astounding to the ignorant spectator.  Mr. Callythorpe was meagre,
thin, sharp, and yellow.  Whether from having a great propensity for
nailing stray acquaintances, or being particularly heavy company, or
from any other cause better known to the wits of the period than to
us, he was occasionally termed by his friends the "yellow hammer."
The peculiar characteristics of this gentleman were his sincerity and
friendship.  These qualities led him into saying things the most
disagreeable, with the civilest and coolest manner in the world,--
always prefacing them with, "You know, my dear so-and-so, I am your
true friend."  If this proof of amity was now and then productive of
altercation, Mr. Callythorpe, who was ha great patriot, had another and
a nobler plea,--"Sir," he would say, putting his hand to his heart,--
"sir, I'm an Englishman: I know not what it is to feign."  Of a very
different stamp was Sir Christopher Findlater.  Little cared he for
the subtleties of the human mind, and not much more for the
disagreeable duties of "an Englishman."  Honest and jovial, red in the
cheeks, empty in the head, born to twelve thousand a year, educated in
the country, and heir to an earldom, Sir Christopher Findlater piqued
himself, notwithstanding his worldly advantages, usually so
destructive to the kindlier affections, on having the best heart in
the world, and this good heart, having a very bad head to regulate and
support it, was the perpetual cause of error to the owner and evil to
the public.

One evening, when Clarence was alone in his rooms, Mr. Trollolop
entered.

"My dear Linden," said the visitor, "how are you?"

"I am, as I hope you are, very well," answered Clarence.

"The human mind," said Trollolop, taking off his greatcoat,--

"Sir Christopher Findlater and Mr. Callythorpe, sir," said the valet.

"Pshaw! What has Sir Christopher Findlater to do with the human mind?"
muttered Mr. Trollolop.

Sir Christopher entered with a swagger and a laugh.  "Well, old
fellow, how do you do?  Deuced cold this evening."

"Though it is an evening in May," observed Clarence; "but then, this
cursed climate."

"Climate!" interrupted Mr. Callythorpe, "it is the best climate in the
world: I am an Englishman, and I never abuse my country."

    "'England, with all thy faults, I love thee still!'"

"As to climate," said Trollolop, "there is no climate, neither here
nor elsewhere: the climate is in your mind, the chair is in your mind,
and the table too, though I dare say you are stupid enough to think
the two latter are in the room; the human mind, my dear Findlater--"

"Don't mind me, Trollolop," cried the baronet, "I can't bear your
clever heads: give me a good heart; that's worth all the heads in the
world; d--n me if it is not!  Eh, Linden?"

"Your good heart," cried Trollolop, in a passion (for all your self-
called philosophers are a little choleric), "your good heart is all
cant and nonsense: there is no heart at all; we are all mind."

"I be hanged if I'm all mind," said the baronet.

"At least," quoth Linden, gravely, "no one ever accused you of it
before."

"We are all mind," pursued the reasoner; "we are all mind, un moulin a
raisonnement.  Our ideas are derived from two sources, sensation or
memory.  That neither our thoughts nor passions, nor our ideas formed
by the imagination, exist without the mind, everybody will allow;
[Berkeley, Sect. iii., "Principles of Human Knowledge."] therefore,
you see, the human mind is--in short, there is nothing in the world
but the human mind!"

"Nothing could be better demonstrated," said Clarence.

"I don't believe it," quoth the baronet.

"But you do believe it, and you must believe it," cried Trollolop;
"for 'the Supreme Being has implanted within us the principle of
credulity,' and therefore you do believe it!"

"But I don't," cried Sir Christopher.

"You are mistaken," replied the metaphysician, calmly; "because I must
speak truth."

"Why must you, pray?" said the baronet.

"Because," answered Trollolop, taking snuff, "there is a principle of
veracity implanted in our nature."

"I wish I were a metaphysician," said Clarence, with a sigh.

"I am glad to hear you say so; for you know, my dear Linden," said
Callythorpe, "that I am your true friend, and I must therefore tell
you that you are shamefully ignorant.  You are not offended?"

"Not at all!" said Clarence, trying to smile.

"And you, my dear Findlater" (turning to the baronet), "you know that
I wish you well; you know that I never flatter; I'm your real friend,
so you must not be angry; but you really are not considered a
Solomon."

"Mr. Callythorpe!" exclaimed the baronet in a rage (the best-hearted
people can't always bear truth), "what do you mean?"

"You must not be angry, my good sir; you must not, really.  I can't
help telling you of your faults; for I am a true Briton, sir, a true
Briton, and leave lying to slaves and Frenchmen."

"You are in an error," said Trollolop; "Frenchmen don't lie, at least
not naturally, for in the human mind, as I before said, the Divine
Author has implanted a principle of veracity which--"

"My dear sir," interrupted Callythorpe, very affectionately, "you
remind me of what people say of you."

"Memory may be reduced to sensation, since it is only a weaker
sensation," quoth Trollolop; "but proceed."

"You know, Trollolop," said Callythorpe, in a singularly endearing
intonation of voice, "you know that I never flatter; flattery is
unbecoming a true friend,--nay, more, it is unbecoming a native of our
happy isles, and people do say of you that you know nothing
whatsoever, no, not an iota, of all that nonsensical, worthless
philosophy of which you are always talking.  Lord St. George said the
other day 'that you were very conceited.'--'No, not conceited,'
replied Dr. ----, 'only ignorant;' so if I were you, Trollolop, I
would cut metaphysics; you're not offended?"

"By no means," cried Trollolop, foaming at the mouth.

"For my part," said the good-hearted Sir Christopher, whose wrath had
now subsided, rubbing his hands,--"for my part, I see no good in any
of those things: I never read--never--and I don't see how I'm a bit
the worse for it.  A good man, Linden, in my opinion, only wants to do
his duty, and that is very easily done."

"A good man; and what is good?" cried the metaphysician, triumphantly.
"Is it implanted within us?  Hobbes, according to Reid, who is our
last, and consequently best, philosopher, endeavours to demonstrate
that there is no difference between right and wrong."

"I have no idea of what you mean," cried Sir Christopher.

"Idea!" exclaimed the pious philosopher.  "Sir, give me leave to tell
you that no solid proof has ever been advanced of the existence of
ideas: they are a mere fiction and hypothesis.  Nay, sir, 'hence
arises that scepticism which disgraces our philosophy of the mind.'
Ideas!--Findlater, you are a sceptic and an idealist."

"I?" cried the affrighted baronet; "upon my honour I am no such thing.
Everybody knows that I am a Christian, and--"

"Ah!" interrupted  Callythorpe, with a solemn look, "everybody knows
that you are not one of those horrid persons,--those atrocious deists
and atheists and sceptics, from whom the Church and freedom of old
England have suffered such danger.  I am a true Briton of the good old
school; and I confess, Mr. Trollolop, that I do not like to hear any
opinions but the right ones."

"Right ones being only those which Mr. Callythorpe professes," said
Clarence.

"Exactly so!" rejoined Mr. Callythorpe.

"The human mind," commenced Mr. Trollolop, stirring the fire; when
Clarence, who began to be somewhat tired of this conversation, rose.
"You will excuse me," said he, "but I am particularly engaged, and it
is time to dress.  Harrison will get you tea or whatever else you are
inclined for."

"The human mind," renewed Trollolop, not heeding the interruption; and
Clarence forthwith left the room.




CHAPTER XXXII.

You blame Marcius for being proud.--Coriolanus.
Here is another fellow, a marvellous pretty hand at fashioning a
compliment.-The Tanner of Tyburn.

There was a brilliant ball at Lady T----'s, a personage who, every one
knows, did in the year 17-- give the best balls, and have the best-
dressed people at them, in London.  It was about half-past twelve,
when Clarence, released from his three friends, arrived at the
countess's.  When he entered, the first thing which struck him was
Lord Borodaile in close conversation with Lady Flora.

Clarence paused for a few moments, and then, sauntering towards them,
caught Flora's eye,--coloured, and advanced.  Now, if there was a
haughty man in Europe, it was Lord Borodaile.  He was not proud of his
birth, nor fortune, but he was proud of himself; and, next to that
pride, he was proud of being a gentleman.  He had an exceeding horror
of all common people; a Claverhouse sort of supreme contempt to
"puddle blood;" his lip seemed to wear scorn as a garment; a lofty and
stern self-admiration, rather than self-love, sat upon his forehead as
on a throne.  He had, as it were, an awe of himself; his thoughts were
so many mirrors of Viscount Borodaile dressed en dieu.  His mind was a
little Versailles, in which self sat like Louis XIV., and saw nothing
but pictures of its self, sometimes as Jupiter and sometimes as Apollo.
What marvel then, that Lord Borodaile was a very unpleasant companion?
for every human being he had "something of contempt."  His eye was
always eloquent in disdaining; to the plebeian it said, "You are not a
gentleman;" to the prince, "You are not Lord Borodaile."

Yet, with all this, he had his good points.  He was brave as a lion;
strictly honourable; and though very ignorant, and very self-
sufficient, had that sort of dogged good sense which one very often
finds in men of stern hearts, who, if they have many prejudices, have
little feeling, to overcome.

Very stiffly and very haughtily did Lord Borodaile draw up, when
Clarence approached and addressed Lady Flora; much more stiffly and
much more haughtily did he return, though with old-fashioned precision
of courtesy, Clarence's bow, when Lady Westborough introduced them to
each other.  Not that this hauteur was intended as a particular
affront: it was only the agreeability of his lordship's general
manner.

"Are you engaged?" said Clarence to Flora.

"I am, at present, to Lord Borodaile."

"After him, may I hope?"

Lady Flora nodded assent, and disappeared with Lord Borodaile.

His Royal Highness the Duke of ---- came up to Lady Westborough; and
Clarence, with a smiling countenance and an absent heart, plunged into
the crowd.  There he met Lord Aspeden, in conversation with the Earl
of Holdenworth, one of the administration.

"Ah, Linden," said the diplomatist, "let me introduce you to Lord
Holdenworth,--a clever young man, my dear lord, and plays the flute
beautifully."  With this eulogium, Lord Aspeden glided away; and Lord
Holdenworth, after some conversation with Linden, honoured him by an
invitation to dinner the next day.




CHAPTER XXXIII.

    'T is true his nature may with faults abound;
    But who will cavil when the heart is sound?--STEPHEN MONTAGUE.

    Dum vitant stulti vitia, in contraria currant.-HORACE.
    ["The foolish while avoiding vice run into the opposite
    extremes."]

The next day Sir Christopher Findlater called on Clarence.  "Let us
lounge in the park," said he.

"With pleasure," replied Clarence; and into the park they lounged.

By the way they met a crowd, who were hurrying a man to prison.  The
good-hearted Sir Christopher stopped: "Who is that poor fellow?" said
he.

"It is the celebrated" (in England all criminals are celebrated.
Thurtell was a hero, Thistlewood a patriot, and Fauntleroy was
discovered to be exactly like Buonaparte!) "it is the celebrated
robber, John Jefferies, who broke into Mrs. Wilson's house, and cut
the throats of herself and her husband, wounded the maid-servant, and
split the child's skull with the poker."  Clarence pressed forward: "I
have seen that man before," thought he.  He looked again, and
recognized the face of the robber who had escaped from Talbot's house
on the eventful night which had made Clarence's fortune.  It was a
strongly-marked and rather handsome countenance, which would not be
easily forgotten; and a single circumstance of excitement will stamp
features on the memory as deeply as the commonplace intercourse of
years.

"John Jefferies!" exclaimed the baronet; "let us come away."

"Linden," continued Sir Christopher, "that fellow was my servant once.
He robbed me to some considerable extent.  I caught him.  He appealed
to my heart; and you know, my dear fellow, that was irresistible, so I
let him off.  Who could have thought he would have turned out so?"
And the baronet proceeded to eulogize his own good-nature, by which it
is just necessary to remark that one miscreant had been saved for a
few years from transportation, in order to rob and murder ad libitum,
and, having fulfilled the office of a common pest, to suffer on the
gallows at last.  What a fine thing it is to have a good heart!  Both
our gentlemen now sank into a revery, from which they were awakened,
at the entrance of the park, by a young man in rags who, with a
piteous tone, supplicated charity.  Clarence, who, to his honour be it
spoken, spent an allotted and considerable part of his income in
judicious and laborious benevolence, had read a little of political
morals, then beginning to be understood, and walked on.  The good-
hearted baronet put his hand in his pocket, and gave the beggar half a
guinea, by which a young, strong man, who had only just commenced the
trade, was confirmed in his imposition for the rest of his life; and,
instead of the useful support, became the pernicious incumbrance of
society.

Sir Christopher had now recovered his spirits.  "What's like a good
action?" said he to Clarence, with a swelling breast.

The park was crowded to excess; our loungers were joined by Lord St.
George.  His lordship was a stanch Tory.  He could not endure Wilkes,
liberty, or general education.  He launched out against the
enlightenment of domestics.  [The ancestors of our present footmen, if
we may believe Sir William Temple, seem to have been to the full as
intellectual as their descendants.  "I have had," observes the
philosophic statesman, "several servants far gone in divinity, others
in poetry; have known, in the families of some friends; a keeper deep
in the Rosicrucian mysteries and a laundress firm in those of
Epicurus."]

"What has made you so bitter?" said Sir Christopher.

"My valet," cried Lord St. George,--"he has invented a new toasting-
fork, is going to take out a patent, make his fortune, and leave me;
that's what I call ingratitude, Sir Christopher; for I ordered his
wages to be raised five pounds but last year."

"It was very ungrateful," said the ironical Clarence.

"Very!" reiterated the good-hearted Sir Christopher.

"You cannot recommend me a valet, Findlater," renewed his lordship, "a
good, honest, sensible fellow, who can neither read nor write?"

"N-o-o,--that is to say, yes!  I can; my old servant Collard is out of
place, and is as ignorant as--as--"

"I--or you are?" said Lord St. George, with a laugh.

"Precisely," replied the baronet.

"Well, then, I take your recommendation: send him to me to-morrow at
twelve."

"I will," said Sir Christopher.

"My dear Findlater," cried Clarence, when Lord St. George was gone,
"did you not tell me, some time ago, that Collard was a great rascal,
and very intimate with Jefferies? and now you recommend him to Lord
St. George!"

"Hush, hush, hush!" said the baronet; "he was a great rogue to be
sure: but, poor fellow, he came to me yesterday with tears in his
eyes, and said he should starve if I would not give him a character;
so what could I do?"

"At least, tell Lord St. George the truth," observed Clarence.

"But then Lord St. George would not take him!" rejoined the good-
hearted Sir Christopher, with forcible naivete.  "No, no, Linden, we
must not be so hard-hearted; we must forgive and forget;" and so
saying, the baronet threw out his chest, with the conscious exultation
of a man who has uttered a noble sentiment.  The moral of this little
history is that Lord St. George, having been pillaged "through thick
and thin," as the proverb has it, for two years, at last missed a gold
watch, and Monsieur Collard finished his career as his exemplary
tutor, Mr. John Jefferies, had done before him.  Ah! what a fine thing
it is to have a good heart!

But to return.  Just as our wanderers had arrived at the farther end
of the park, Lady Westborough and her daughter passed them.  Clarence,
excusing himself to his friend, hastened towards them, and was soon
occupied in saying the prettiest things in the world to the prettiest
person, at least in his eyes; while Sir Christopher, having done as
much mischief as a good heart well can do in a walk of an hour,
returned home to write a long letter to his mother, against "learning
and all such nonsense, which only served to blunt the affections and
harden the heart."

"Admirable young man!" cried the mother, with tears in her eyes.  "A
good heart is better than all the heads in the world."

Amen!




CHAPTER XXXIV.

"Make way, Sir Geoffrey Peveril, or you will compel me to do that I
may be sorry for!"

"You shall make no way here but at your peril," said Sir Geoffrey;"
this is my ground."--Peveril of the Peak.


One night on returning home from a party at Lady Westborough's in
Hanover Square, Clarence observed a man before him walking with an
uneven and agitated step.  His right hand was clenched, and he
frequently raised it as with a sudden impulse, and struck fiercely as
if at some imagined enemy.

The stranger slackened his pace.  Clarence passed him, and, turning
round to satisfy the idle curiosity which the man's eccentric gestures
had provoked, his eye met a dark, lowering, iron countenance, which,
despite the lapse of four years, he recognized on the moment: it was
Wolfe, the republican.

Clarence moved, involuntarily, with a quicker step; but in a few
minutes, Wolfe, who was vehemently talking to himself, once more
passed him; the direction he took was also Clarence's way homeward,
and he therefore followed the republican, though at some slight
distance, and on the opposite side of the way.  A gentleman on foot,
apparently returning from a party, met Wolfe, and, with an air half
haughty, half unconscious, took the wall; though, according to old-
fashioned rules of street courtesy, he was on the wrong side for
asserting the claim.  The stern republican started, drew himself up to
his full height, and sturdily and doggedly placed himself directly in
the way of the unjust claimant.  Clarence was now nearly opposite to
the two, and saw all that was going on.

With a motion a little rude and very contemptuous, the passenger
attempted to put Wolfe aside, and win his path.  Little did he know of
the unyielding nature he had to do with; the next instant the
republican, with a strong hand, forced him from the pavement into the
very kennel, and silently and coldly continued his way.

The wrath of the discomfited passenger was vehemently kindled.

"Insolent dog!" cried he, in a loud and arrogant tone, "your baseness
is your protection."  Wolfe turned rapidly, and made but two strides
before he was once more by the side of his defeated opponent.

"What did you say?" he asked, in his low, deep, hoarse voice.

Clarence stopped.  "There will be mischief done here," thought he, as
he called to mind the stern temper of the republican.

"Merely," said the other, struggling with his rage, "that it is not
for men of my rank to avenge the insults offered us by those of
yours!"

"Your rank!" said Wolfe, bitterly retorting the contempt of the
stranger, in a tone of the loftiest disdain; "your rank! poor
changeling!  And what are you, that you should lord it over me?  Are
your limbs stronger? your muscles firmer? your proportions juster?
your mind acuter? your conscience clearer?  Fool! fool! go home and
measure yourself with lackeys!"

The republican ceased, and pushing the stranger aside, turned slowly
away.  But this last insult enraged the passenger beyond all prudence.
Before Wolfe had proceeded two paces, he muttered a desperate but
brief oath, and struck the reformer with a strength so much beyond
what his figure (which was small and slight) appeared to possess, that
the powerful and gaunt frame of Wolfe recoiled backward several steps,
and, had it not been for the iron railing of the neighbouring area,
would have fallen to the ground.

Clarence pressed forward: the face of the rash aggressor was turned
towards him; the features were Lord Borodaile's.  He had scarcely time
to make this discovery, before Wolfe had recovered himself.  With a
wild and savage cry, rather than exclamation, he threw himself upon
his antagonist, twined his sinewy arms round the frame of the
struggling but powerless nobleman, raised him in the air with the easy
strength of a man lifting a child, held him aloft for one moment with
a bitter and scornful laugh of wrathful derision, and then dashed him
to the ground, and planting his foot upon Borodaile's breast said,--

"So shall it be with all of you: there shall be but one instant
between your last offence and your first but final debasement.  Lie
there! it is your proper place!  By the only law which you yourself
acknowledge, the law which gives the right divine to the strongest; if
you stir limb or muscle, I will crush the breath from your body."

But Clarence was now by the side of Wolfe, a new and more powerful
opponent.

"Look you," said he: "you have received an insult, and you have done
justice yourself.  I condemn the offence, and quarrel not with you for
the punishment; but that punishment is now past: remove your foot, or--"

"What?" shouted Wolfe, fiercely, his lurid and vindictive eye flashing
with the released fire of long-pent and cherished passions.

"Or," answered Clarence, calmly, "I will hinder you from committing
murder."

At that instant the watchman's voice was heard, and the night's
guardian himself was seen hastening from the far end of the street
towards the place of contest. Whether this circumstance, or Clarence's
answer, somewhat changed the current of the republican's thoughts, or
whether his anger, suddenly raised, was now as suddenly subsiding, it
is not easy to decide; but he slowly and deliberately moved his foot
from the breast of his baffled foe, and bending down seemed
endeavouring to ascertain the mischief he had done.  Lord Borodaile
was perfectly insensible.

"You have killed him!" cried Clarence in a voice of horror, "but you
shall not escape;" and he placed a desperate and nervous hand on the
republican.

"Stand off," said Wolfe, "my blood is up!  I would not do more
violence to-night than I have done.  Stand off! the man moves; see!"

And Lord Borodaile, uttering a long sigh, and attempting to rise,
Clarence released his hold of the republican, and bent down to assist
the fallen nobleman.  Meanwhile, Wolfe, muttering to himself, turned
from the spot, and strode haughtily away.

The watchman now came up, and, with his aid, Clarence raised Lord
Borodaile.  Bruised, stunned, half insensible as he was, that
personage lost none of his characteristic stateliness; he shook off
the watchman's arm, as if there was contamination in the touch; and
his countenance, still menacing and defying in its expression, turned
abruptly towards Clarence, as if he yet expected to meet and struggle
with a foe.

"How are you, my lord?" said Linden; "not severely hurt, I trust?"

"Well, quite well," cried Borodaile.  "Mr. Linden, I think?--I thank
you cordially for your assistance; but the dog, the rascal, where is
he?"

"Gone," said Clarence.

"Gone!  Where--where?" cried Borodaile; "that living man should insult
me, and yet escape!"

"Which way did the fellow go?" said the watchman, anticipative of
half-a-crown.  "I will run after him in a trice, your honour: I
warrant I nab him."

"No--no--" said Borodaile, haughtily,  "I leave my quarrels to no man;
if I could not master him myself, no one else shall do it for me.  Mr.
Linden, excuse me, but I am perfectly recovered, and can walk very
well without your polite assistance.  Mr. Watchman, I am obliged to
you: there is a guinea to reward your trouble."

With these words, intended as a farewell, the proud patrician,
smothering his pain, bowed with extreme courtesy to Clarence, again
thanked him, and walked on unaided and alone.

"He is a game blood," said the watchman, pocketing the guinea.

"He is worthy his name," thought Clarence; "though he was in the
wrong, my heart yearns to him."




CHAPTER XXXV.

Things wear a vizard which I think to like not.--Tanner of Tyburn.

Clarence, from that night, appeared to have formed a sudden attachment
to Lord Borodaile.  He took every opportunity of cultivating his
intimacy, and invariably treated him with a degree of consideration
which his knowledge of the world told him was well calculated to gain
the good will of his haughty and arrogant acquaintance; but all this
was in effectual in conquering Borodaile's coldness and reserve.  To
have been once seen in a humiliating and degrading situation is quite
sufficient to make a proud man hate the spectator, and, with the
confusion of all prejudiced minds, to transfer the sore remembrance of
the event to the association of the witness.  Lord Borodaile, though
always ceremoniously civil, was immovably distant; and avoided as well
as he was able Clarence's insinuating approaches and address.  To add
to his indisposition to increase his acquaintance with Linden, a
friend of his, a captain in the Guards, once asked him who that Mr.
Linden was? and, on his lordship's replying that he did not know, Mr.
Percy Bobus, the son of a wine-merchant, though the nephew of a duke,
rejoined, "Nobody does know."

"Insolent intruder!" thought Lord Borodaile: "a man whom nobody knows
to make such advances to me!"

A still greater cause of dislike to Clarence arose from jealousy.
Ever since the first night of his acquaintance with Lady Flora, Lord
Borodaile had paid her unceasing attention.  In good earnest, he was
greatly struck by her beauty, and had for the last year meditated the
necessity of presenting the world with a Lady Borodaile.  Now, though
his lordship did look upon himself in as favourable a light as a man
well can do, yet he could not but own that Clarence was very handsome,
had a devilish gentlemanlike air, talked with a better grace than the
generality of young men, and danced to perfection.  "I detest that
fellow!" said Lord Borodaile, involuntarily and aloud, as these
unwilling truths forced themselves upon his mind.

"Whom do you detest?" asked Mr. Percy Bobus, who was lying on the sofa
in Lord Borodaile's drawing-room, and admiring a pair of red-heeled
shoes which decorated his feet.

"That puppy Linden!" said Lord Borodaile, adjusting his cravat.

"He is a deuced puppy, certainly!" rejoined Mr. Percy Bobus, turning
round in order to contemplate more exactly the shape of his right
shoe.  "I can't bear conceit, Borodaile."

"Nor I: I abhor it; it is so d--d disgusting!" replied Lord Borodaile,
leaning his chin upon his two hands, and looking full into the glass.
"Do you use MacNeile's divine pomatum?"

"No, it's too hard; I get mine from Paris: shall I send you some?"

"Do," said Lord Borodaile.

"Mr. Linden, my lord," said the servant, throwing open the door; and
Clarence entered.

"I am very fortunate," said he, with that smile which so few ever
resisted, "to find you at home, Lord Borodaile; but as the day was wet,
I thought I should have some chance of that pleasure; I therefore
wrapped myself up in my roquelaure, and here I am."

Now, nothing could be more diplomatic than the compliment of choosing
a wet day for a visit, and exposing one's self to "the pitiless
shower," for the greater probability of finding the person visited at
home.  Not so thought Lord Borodaile; he drew himself up, bowed very
solemnly, and said, with cold gravity,--

"You are very obliging, Mr. Linden."

Clarence coloured, and bit his lip as he seated himself.  Mr. Percy
Bobus, with true insular breeding, took up the newspaper.

"I think I saw you at Lady C.'s last night," said Clarence; "did you
stay there long?"

"No, indeed," answered Borodaile; "I hate her parties."

"One does meet such odd people there," observed Mr. Percy Bobus;
"creatures one never sees anywhere else:"

"I hear," said Clarence, who never abused any one, even the givers of
stupid parties, if he could help it, and therefore thought it best to
change the conversation,--"I hear, Lord Borodaile, that some hunters
of yours are to be sold.  I purpose being a bidder for Thunderbolt."

"I have a horse to sell you, Mr. Linden," cried Mr. Percy Bobus,
springing from the sofa into civility; "a superb creature."

"Thank you," said Clarence, laughing; "but I can only afford to buy
one, and I have taken a great fancy to Thunderbolt."

Lord Borodaile, whose manners were very antiquated in their
affability, bowed.  Mr. Bobus sank back into his sofa, and resumed the
paper.

A pause ensued.  Clarence was chilled in spite of himself.  Lord
Borodaile played with a paper-cutter.

"Have you been to Lady Westborough's lately?" said Clarence, breaking
silence.

"I was there last night," replied Lord Borodaile.

"Indeed!" cried Clarence.  "I wonder I did not see you there, for I
dined with them."

Lord Borodaile's hair curled of itself.  "He dined there, and I only
asked in the evening!" thought he; but his sarcastic temper suggested
a very different reply.

"Ah," said he, elevating his eyebrows, "Lady Westborough told me she
had had some people to dinner whom she had been obliged to ask.
Bobus, is that the 'Public Advertiser'?  See whether that d--d fellow
Junius has been writing any more of his venomous letters."

Clarence was not a man apt to take offence, but he felt his bile rise.
"It will not do to show it," thought he; so he made some further
remark in a jesting vein; and, after a very ill-sustained conversation
of some minutes longer, rose, apparently in the best humour possible,
and departed, with a solemn intention never again to enter the house.
Thence he went to Lady Westborough's.

The marchioness was in her boudoir: Clarence was as usual admitted;
for Lady Westborough loved amusement above all things in the world,
and Clarence had the art of affording it better than any young man of
her acquaintance.  On entering, he saw Lady Flora hastily retreating
through an opposite door.  She turned her face towards him for one
moment: that moment was sufficient to freeze his blood: the large
tears were rolling down her cheeks, which were as white as death, and
the expression of those features, usually so laughing and joyous, was
that of utter and ineffable despair.

Lady Westborough was as lively, as bland, and as agreeable as ever:
but Clarence thought he detected something restrained and embarrassed
lurking beneath all the graces of her exterior manner; and the single
glance he had caught of the pale and altered face of Lady Flora was
not calculated to reassure his mind or animate his spirits.  His visit
was short; when he left the room, he lingered for a few moments in the
ante-chamber in the hope of again seeing Lady Flora.  While thus
loitering, his ear caught the sound of Lady Westborough's voice: "When
Mr. Linden calls again, you have my orders never to admit him into
this room; he will be shown into the drawing-room."

With a hasty step and a burning cheek Clarence quitted the house, and
hurried, first to his solitary apartments, and thence, impatient of
loneliness, to the peaceful retreat of his benefactor.




CHAPTER XXXVI.

    A maiden's thoughts do check my trembling hand.--DRAYTON.

There is something very delightful in turning from the unquietness and
agitation, the fever, the ambition, the harsh and worldly realities of
man's character to the gentle and deep recesses of woman's more secret
heart.  Within her musings is a realm of haunted and fairy thought, to
which the things of this turbid and troubled life have no entrance.
What to her are the changes of state, the rivalries and contentions
which form the staple of our existence?  For her there is an intense
and fond philosophy, before whose eye substances flit and fade like
shadows, and shadows grow glowingly into truth.  Her soul's creations
are not as the moving and mortal images seen in the common day: they
are things, like spirits steeped in the dim moonlight, heard when all
else are still, and busy when earth's labourers are at rest!  They are

                   "Such stuff
    As dreams are made of, and their little life
    Is rounded by a sleep."

Hers is the real and uncentred poetry of being, which pervades and
surrounds her as with an air, which peoples her visions and animates
her love, which shrinks from earth into itself, and finds marvel and
meditation in all that it beholds within, and which spreads even over
the heaven in whose faith she so ardently believes the mystery and the
tenderness of romance.


LETTER I.

FROM LADY FLORA ARDENNE TO MISS ELEANOR TREVANION.

You say that I have not written to you so punctually of late as I used
to do before I came to London, and you impute my negligence to the
gayeties and pleasures by which I am surrounded.  Eh bien! my dear
Eleanor, could you have thought of a better excuse for me?  You know
how fond we--ay, dearest, you as well as I--used to be of dancing, and
how earnestly we were wont to anticipate those children's balls at my
uncle's, which were the only ones we were ever permitted to attend.  I
found a stick the other day, on which I had cut seven notches,
significant of seven days more to the next ball; we reckoned time by
balls then, and danced chronologically.  Well, my dear Eleanor, here I
am now, brought out, tolerably well-behaved, only not dignified
enough, according to Mamma,--as fond of laughing, talking, and dancing
as ever; and yet, do you know, a ball, though still very delightful,
is far from being the most important event in creation; its
anticipation does not keep me awake of a night: and what is more to
the purpose, its recollection does not make me lock up my writing-
desk, burn my portefeuille, and forget you, all of which you seem to
imagine it has been able to effect.

No, dearest Eleanor, you are mistaken; for, were she twice as giddy
and ten times as volatile as she is, your own Flora could never, never
forget you, nor the happy hours we have spent together, nor the pretty
goldfinches we had in common, nor the little Scotch duets we used to
sing together, nor our longings to change them into Italian, nor our
disappointment when we did so, nor our laughter at Signor Shrikalini,
nor our tears when poor darling Bijou died.  And do you remember,
dearest, the charming green lawn where we used to play together, and
plan tricks for your governess?  She was very, very cross, though, I
think, we were a little to blame too.  However, I was much the worst!
And pray, Eleanor, don't you remember how we used to like being called
pretty, and told of the conquests we should make?  Do you like all
that now?  For my part, I am tired of it, at least from the generality
of one's flatterers.

Ah! Eleanor, or "heigho!" as the young ladies in novels write, do you
remember how jealous I was of you at ----, and how spiteful I was, and
how you were an angel, and bore with me, and kissed me, and told me
that--that I had nothing to fear?  Well, Clar--I mean Mr. Linden, is
now in town and so popular, and so admired!  I wish we were at ----
again, for there we saw him every day, and now we don't meet more than
three times a week; and though I like hearing him praised above all
things, yet I feel very uncomfortable when that praise comes from
very, very pretty women.  I wish we were at ---- again!  Mamma, who is
looking more beautiful than ever, is, very kind! she says nothing to
be sure, but she must see how--that is to say--she must know that--
that I--I mean that Clarence is very attentive to me, and that I blush
and look exceedingly silly whenever he is; and therefore I suppose
that whenever Clarence thinks fit to ask me, I shall not be under the
necessity of getting up at six o'clock, and travelling to Gretna
Green, through that odious North Road, up the Highgate Hill, and over
Finchley Common.

"But when will he ask you?"  My dearest Eleanor, that is more than I
can say.  To tell you the truth, there is something about Linden which
I cannot thoroughly understand.  They say he is nephew and heir to the
Mr. Talbot whom you may have heard Papa talk of; but if so, why the
hints, the insinuations, of not being what he seems, which Clarence
perpetually throws out, and which only excite my interest without
gratifying my curiosity?  'It is not,' he has said, more than once,
'as an obscure adventurer that I will claim your love;' and if I
venture, which is very seldom (for I am a little afraid of him), to
question his meaning, he either sinks into utter silence, for which,
if I had loved according to book, and not so naturally, I should be
very angry with him, or twists his words into another signification,
such as that he would not claim me till he had become something higher
and nobler than he is now.  Alas, my dear Eleanor, it takes a long
time to make an ambassador out of an attache.

See now if you reproached me justly with scanty correspondences.  If I
write a line more, I must begin a new sheet, and that will be beyond
the power of a frank,--a thing which would, I know, break the heart of
your dear, good, generous, but a little too prudent aunt, and
irrevocably ruin me in her esteem.  So God bless you, dearest Eleanor,
and believe me most affectionately yours,           FLORA ARDENNE.

LETTER II.

FROM THE SAME TO THE SAME.

Pray, dearest Eleanor, does that good aunt of yours--now don't frown,
I am not going to speak disrespectfully of her--ever take a liking to
young gentlemen whom you detest, and insist upon the fallacy of your
opinion and the unerring rectitude of hers?  If so, you can pity and
comprehend my grief.  Mamma has formed quite an attachment to a very
disagreeable person!  He is Lord Borodaile, the eldest, and I believe,
the only son of Lord Ulswater.  Perhaps you may have met him abroad,
for he has been a great traveller: his family is among the most
ancient in England, and his father's estate covers half a county.  All
this Mamma tells me, with the most earnest air in the world, whenever
I declaim upon his impertinence or disagreeability (is there such a
word? there ought to be).  "Well," said I to-day, "what's that to me?"
"It may be a great deal to you," replied Mamma, significantly, and the
blood rushed from my face to my heart.  She could not, Eleanor, she
could not mean, after all her kindness to Clarence, and in spite of
all her penetration into my heart,--oh, no, no,--she could not.  How
terribly suspicious this love makes one!

But if I disliked Lord Borodaile at first, I have hated him of late;
for, somehow or other, he is always in the way.  If I see Clarence
hastening through the crowd to ask me to dance, at that very instant
up steps Lord Borodaile with his cold, changeless face, and his
haughty old-fashioned bow, and his abominable dark complexion; and
Mamma smiles; and he hopes he finds me disengaged; and I am hurried
off; and poor Clarence looks so disappointed and so wretched!  You
have no idea how ill-tempered this makes me.  I could not help asking
Lord Borodaile yesterday if he was never going abroad again, and the
hateful creature played with his cravat, and answered "Never!"  I was
in hopes that my sullenness would drive his lordship away: tout au
contraire; "Nothing," said he to me the other day, when he was in full
pout, "nothing is so plebeian as good-humour!"

I wish, then, Eleanor, that he could see your governess: she must be
majesty itself in his eyes!

Ah, dearest, how we belie ourselves!  At this moment, when you might
think, from the idle, rattling, silly flow of my letter, that my heart
was as light and free as it was when we used to play on the green
lawn, and under the sunny trees, in the merry days of our childhood,
the tears are running down my cheeks; see where they have fallen on
the page, and my head throbs as if my thoughts were too full and heavy
for it to contain.  It is past one!  I am alone, and in my own room.
Mamma is gone to a rout at H---- House, but I knew I should not meet
Clarence there, and so said I was ill, and remained at home.  I have
done so often of late, whenever I have learned from him that he was
not going to the same place as Mamma.  Indeed, I love much better to
sit alone and think over his words and looks; and I have drawn, after
repeated attempts, a profile likeness of him; and oh, Eleanor, I
cannot tell you how dear it is to me; and yet there is not a line, not
a look of his countenance which I have not learned by heart, without
such useless aids to my memory.  But I am ashamed of telling you all
this, and my eyes ache so, that I can write no more.

Ever, as ever, dearest Eleanor, your affectionate friend.      F. A.

LETTER III.

FROM THE SAME TO THE SAME.

Eleanor, I am undone!  My mother--my mother has been so cruel; but she
cannot, she cannot intend it, or she knows very little of my heart.
With some ties may be as easily broken as formed; with others they are
twined around life itself.

Clarence dined with us yesterday, and was unusually animated and
agreeable.  He was engaged on business with Lord Aspeden afterwards,
and left us early.  We had a few people in the evening, Lord Borodaile
among the rest; and my mother spoke of Clarence, and his relationship
to and expectations from Mr. Talbot.  Lord Borodaile sneered; "You are
mistaken," said he, sarcastically; "Mr. Linden may feel it convenient
to give out that he is related to so old a family as the Talbots; and
since Heaven only knows who or what he is, he may as well claim
alliance with one person as another; but he is certainly not the
nephew of Mr. Talbot of Scarsdale Park, for that gentleman had no
sisters and but one brother, who left an only daughter; that daughter
had also but one child, certainly no relation to Mr. Linden.  I can
vouch for the truth of this statement; for the Talbots are related to,
or at least nearly connected with, myself; and I thank Heaven that I
have a pedigree, even in its collateral branches, worth learning by
heart."  And then Lord Borodaile--I little thought, when I railed
against him, what serious cause I should have to hate him--turned to
me and harassed me with his tedious attentions the whole of the
evening.

This morning Mamma sent for me into her boudoir.  "I have observed,"
said she, with the greatest indifference, "that Mr. Linden has, of
late, been much too particular in his manner towards you: your foolish
and undue familiarity with every one has perhaps given him
encouragement.  After the gross imposition which Lord Borodaile
exposed to us last night, I cannot but consider the young man as a
mere adventurer, and must not only insist on your putting a total
termination to civilities which we must henceforth consider
presumption, but I myself shall consider it incumbent upon me greatly
to limit the advances he has thought proper to make towards my
acquaintance."

You may guess how thunderstruck I was by this speech.  I could not
answer; my tongue literally clove to my mouth, and I was only relieved
by a sudden and violent burst of tears.  Mamma looked exceedingly
displeased, and was just going to speak, when the servant threw open
the door and announced Mr. Linden.  I rose hastily, and had only just
time to escape, as he entered; but when I heard that dear, dear voice,
I could not resist turning for one moment.  He saw me; and was struck
mute, for the agony of my soul was stamped visibly on my countenance.
That moment was over: with a violent effort I tore myself away.

Eleanor, I can now write no more.  God bless you! and me too; for I am
very, very unhappy.                              F. A.







*** END OF THE PROJECT GUTENBERG EBOOK THE DISOWNED — VOLUME 03 ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.