Title: The poems of Mary Howitt
Author: Mary Howitt
Release date: May 6, 2025 [eBook #76027]
Language: English
Original publication: Philadelphia: John Locken, 1844
Credits: The Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
MARY HOWITT.
CHILDHOOD.
Go little book, and to the young and kind,
Speak there of pleasant hours and goodly things.
PHILADELPHIA:
PUBLISHED BY JOHN LOCKEN,
No. 311 Market Street.
1844.
Stereotyped by S. DOUGLAS WYETH.
PRINTED BY T. K. & P. G. COLLINS.
[Pg iii]
PAGE. | |
---|---|
The Poor Scholar | 11 |
The Sorrow of Teresa | 27 |
HYMNS AND FIRE-SIDE VERSES. | |
Marien’s Pilgrimage: | |
Part I. | 56 |
Part II. | 62 |
Part III. | 67 |
Part IV. | 73 |
Part V. | 77 |
Part VI. | 83 |
Part VII. | 89 |
Part VIII. | 93 |
Part IX. | 98 |
Part X. | 105 |
Part XI. | 112 |
Part XII. | 121 |
Old Christmas | 130 |
The Twelfth Hour | 133 |
The Blind Boy and his Sister | 134 |
The Poor Child’s Hymn | 138[Pg iv] |
The Boy of the Southern Isle: | |
Part I. | 139 |
Part II. | 145 |
Part III. | 149 |
Easter Hymns: | |
Hymn I.—The Two Marys | 153 |
II.—The Angel | 154 |
III.—The Lord Jesus | 155 |
IV.—The Eleven | 157 |
The Two Estates | 158 |
Life’s Matins | 161 |
A Life’s Sorrow | 164 |
The Old Friend and the New | 172 |
Mabel on Midsummer Day: | |
Part I. | 174 |
Part II. | 177 |
BIRDS AND FLOWERS, AND OTHER COUNTRY THINGS: | |
The Stormy Peterel | 184 |
The Poor Man’s Garden | 186 |
The Oak-Tree | 190 |
The Carolina Parrot | 192 |
Morning Thoughts | 198 |
Harvest Field-Flowers | 199 |
Summer Woods | 200 |
The Cuckoo | 203 |
The Use of Flowers | 206 |
Sunshine | 207 |
Summer | 209 |
The Child and the Flowers | 211 |
[Pg v] Childhood | 212 |
L’Envoi | 216 |
SKETCHES OF NATURAL HISTORY: | |
The Coot | 219 |
The Eagle | 221 |
The Garden | 223 |
The Spider and the Fly | 226 |
TALES IN VERSE: | |
Andrew Lee | 230 |
The Wanderer’s Return | 232 |
A Swinging Song | 239 |
Ellen More | 240 |
A Day of Disaster | 244 |
The Young Mourner | 249 |
The Soldier’s Story | 251 |
The Child’s Lament | 257 |
A Day of Hard Work | 260 |
The Old Man and the Carrion Crow | 264 |
The Little Mariner | 268 |
MISCELLANEOUS PIECES: | |
The Sale of the pet Lamb of the Cottage | 274 |
America | 278 |
Mourning on Earth | 291 |
Rejoicing in Heaven | 292 |
An English Grave at Mussooree | 293 |
A Forest Scene in the days of Wickliffe | 297 |
[Pg 7]
Mary Howitt was born at Coleford, in Gloucestershire, where her parents were making a temporary residence; but shortly after her birth they returned to their accustomed abode at Uttoxeter, in Staffordshire, where she spent her youth. The beautiful Arcadian scenery of this part of Staffordshire was of a character to foster a deep love of the country; and is described with great accuracy in her recent prose work “Wood Leighton.” By her mother she is descended from an ancient Irish family, and also from Wood, the ill-used Irish patentee, who was ruined by the selfish malignity of Dean Swift,—from whose aspersions his character was vindicated by Sir Isaac Newton. A true statement of the whole affair may be seen in Ruding’s “Annals of Coinage.” Charles Wood,[Pg 8] her grandfather, was the first who introduced platina into England from Jamaica, where he was assay-master. Her parents being strict members of the society of Friends, and her father being, indeed, of an old line who suffered persecution in the early days of Quakerism, her education was of an exclusive character; and her knowledge of books confined to those approved of by the most strict of her own people, till a later period than most young persons become acquainted with them. Their effect upon her mind was, consequently, so much the more vivid. Indeed, she describes her overwhelming astonishment and delight in the treasures of general and modern literature, to be like what Keates says his feelings were when a new world of poetry opened upon him, through Chapman’s “Homer,”—as to the astronomer,
Among poetry there was none which made a stronger impression than our simple old ballad, which she and a sister near her own age, and of similar taste and temperament used to revel in, making at the same time many young attempts in epic, dramatic, and ballad poetry. In her twenty-first year she was married to William Howitt, a gentleman well calculated to encourage and promote her poetical and intellectual taste,—himself a poet of considerable genius, and the author of various well-known works. We have reason to believe that her domestic life has been a singularly happy one. Mr. and Mrs. Howitt[Pg 9] spent the year after their marriage in Staffordshire. They then removed to Nottingham, where they continued to reside until a few years ago, and are now living at Esher, in Surrey.
Mary Howitt published jointly with her husband two volumes of miscellaneous poems, in 1823; and, in 1834, she gave to the world “The Seven Temptations,” a series of dramatic poems; a work which, in other times, would have been alone sufficient to have made and secured a very high reputation: her dramas are full of keen perceptions, strong and accurate delineations, and powerful displays of character. She afterwards prepared for the press a collection of her most popular ballads, a class of writing in which she greatly excels all her contemporaries. She is also well known to the young by her “Sketches of Natural History,” “Tales in Verse,” and other productions written expressly for their use and pleasure.
Mrs. Howitt is distinguished by the mild, unaffected, and conciliatory manners, for which “the people called Quakers” have always been remarkable. Her writings, too, are in keeping with her character: in all there is evidence of peace and good-will; a tender and a trusting nature; a gentle sympathy with humanity; and a deep and fervent love of all the beautiful works which the Great Hand has scattered so plentifully before those by whom they can be felt and appreciated. She has mixed but little with the world; the home-duties of wife and mother have been to her productive of more pleasant and far happier results than struggles for distinction amid crowds; she has made her reputation quietly but securely;[Pg 10] and has laboured successfully as well as earnestly to inculcate virtue as the noblest attribute of an English woman. If there be some of her contemporaries who have surpassed her in the higher qualities of poetry,—some who have soared higher, and others who have taken a wider range,—there are none whose writings are better calculated to delight as well as inform. Her poems are always graceful and beautiful, and often vigorous; but they are essentially feminine; they afford evidence of a kind and generous nature, as well as of a fertile imagination, and a safely-cultivated mind. She is entitled to a high place among the Poets of Great Britain; and a still higher among those of her sex by whom the intellectual rank of women has been asserted without presumption, and maintained without display.
[Pg 11]
THE POOR SCHOLAR.
ACHZIB, THE PHILOSOPHER.
THE MOTHER.
LITTLE BOY.
The Scholar’s Room—Evening.
THE POOR SCHOLAR AND LITTLE BOY.
Little Boy, reading. “These things have I spoken unto you, that in me ye might have peace. In the world ye shall have tribulation: but be of good cheer, I have overcome the world.” Here endeth the 16th chapter of the Gospel according to St. John.
[The Poor Scholar sits for some time as
[Pg 14]in meditation, then rising and putting
away all his books, except the Bible,
he sits down again.
[A slight knocking is heard at the door,
and the Philosopher enters.
[He covers his face for a moment, then, rises up with sudden energy.
[The Philosopher goes out, abashed. The scholar falls back into his chair, exhausted; after some time recovering, he faintly raises himself.
[He opens his Bible and inscribes it.
[He lays a small sum of money with the Bible.
[He writes a few words, which he incloses with them, and making all into a packet, seals them up.
[Shortly after this is done, he becomes suddenly paler—a convulsive spasm passes over him; when he recovers, he slowly rises, and kneels upon his pallet-bed.
[He falls speechless upon the bed. His mother enters hurriedly.
[Pg 25]
[Pg 27]
OLAF.
TERESA, HIS WIFE.
PAOLO, THEIR CHILD.
ACHZIB, AS A NORTHERN HUNTER.
HULDA, AN OLD WOMAN.
A little chapel in a gloomy northern forest—Teresa on her knees before the image of the Virgin.
[Pg 28][She bows her head, kneeling in silence—as she prepares to leave the chapel, enter PAOLO, with a few snow-drops in his hand.
[She again bows herself before the Virgin, then taking the child’s hand, goes out.
Night—the same forest; the pine trees are old and splintered, and covered with snow; it is a scene[Pg 29] of desolation—at a little distance a small house is seen through an opening of the wood.
Enter ACHZIB, as a northern hunter.
[He goes farther into the forest.
[Pg 31]
The following morning—the interior of the house in the forest—Teresa sitting near the fire—Paolo kneeling upon a footstool at her side.
[She sings in a low recitative.
[He goes out.
Enter OLAF, muffled in his hunting dress.
Enter PAOLO; he runs to his mother’s side.
He goes out.
Near sunset—a dreary, desolate region, surrounded with ice-mountains—the Hunter drives a sledge rapidly forward, in the back part of which sit Olaf and Paolo.
[He fires.
[He puts his last charge into his piece.
[The horse in dashing forward, breaks
from the sledge; the wolves fall
upon him instantly.
[They turn among the ice-mountains, and
soon are out of sight.
A chaotic wilderness of icebergs.
Enter the HUNTER, and OLAF carrying PAOLO, who appears faint.
[The wolves surround them; and the hunter
snatching up Paolo throws him among
them.
[He dashes among the wolves with his
hunting knife, and then springs forward
after the hunter.
Night—the interior of Olaf’s house—Teresa alone—a bright fire burns on the hearth—refreshments are set out, and clothes hanging by the fire for Olaf and Paolo.
[She puts fresh logs on the fire.
Enter HULDA, with a very dejected countenance; she takes down PAOLO’S clothes, and folds them up.
Enter the HUNTER, hastily.
[Teresa clasps her hands, and stands
in speechless agony.
[She falls insensible to the floor.
[She bears Teresa out.
[He goes out.
The following day—the interior of the chapel—Teresa on her knees before the image of the Virgin.
[She bows her face, and after a time of
silence, rises.
[Pg 49]
[She goes slowly out.
Many weeks afterwards—a chamber of Olaf’s house—Olaf near death, lying upon his bed—Teresa sits beside him.
[Olaf remains perfectly quiet, and after
some time a light slumber comes over
Teresa, during which she hears dream-like
voices singing.
[She bends over the body for a few moments;
then kneeling down and covering her face,
she remains in silent prayer.
[Pg 53]
TO
CAROLINE BOWLES,
AN
HONOURED FELLOW-LABOURER,
THIS LITTLE BOOK,
THE DESIGN OF WHICH IS
TO MAKE THE SPIRIT OF CHRISTIANITY
AN ENDEARED AND FAMILIAR
FIRE-SIDE GUEST,
IS AFFECTIONATELY INSCRIBED.
[Pg 54]
[Pg 56]
Christianity, like a child, goes wandering over the world. Fearless in its innocence, it is not abashed before princes, nor confounded by the wisdom of synods. Before it the blood-stained warrior sheathes his sword, and plucks the laurel from his brow;—the midnight murderer turns from his purpose, and, like the heart-smitten disciple, goes out and weeps bitterly. It brings liberty to the captive, joy to the mourner, freedom to the slave, repentance and forgiveness to the sinner, hope to the faint-hearted, and assurance to the dying.
It enters the huts of poor men, and sits down with them and their children; it makes them contented in the midst of privations, and leaves behind an everlasting blessing. It walks through great cities, amid all their pomp and splendour, their unimaginable pride, and their unutterable misery, a purifying, ennobling, correcting, and redeeming angel.
It is alike the beautiful companion of childhood and the comfortable associate of age. It[Pg 57] ennobles the noble; gives wisdom to the wise, and new grace to the lovely. The patriot, the priest, the poet, and the eloquent man, all derive their sublime power from its influence.
Thanks be to the Eternal Father, who has made us one with Him through the benign Spirit of Christianity!
[Pg 73]
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[Pg 139]
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[Pg 153]
[Pg 157]
[Pg 184]
Parrots, with all their cleverness, are not capable of keeping up a dialogue; otherwise we might suppose something like the following to be in character with their humour and experience.
Exit Poll.
[Pg 198]
[Pg 206]
[Pg 218]
TO
ANNA MARY AND ALFRED WILLIAM HOWITT,
THESE SKETCHES,
ORIGINALLY WRITTEN FOR THEIR AMUSEMENT,
ARE AFFECTIONATELY INSCRIBED.
[Pg 219]
[Pg 230]
[Pg 239]
[Pg 244]
[Pg 257]
[Pg 260]
[Pg 264]
[Pg 274]
“I was at William Penn’s country-house, called Pensbury, in Pennsylvania, where I staid some days. Much of my time I spent in seeing William Penn, and many of the chief men among the Indians, in council concerning their former covenant, now renewed on his going away for England. To pass by several particulars, I may mention the following: ‘They never broke covenant with any people,’ said one of their great chiefs; and, smiting his hand upon his head, he said, ‘they made not their covenants there, but here,’ said he, smiting on his breast three times.
“I, being walking in the woods, espied several wigwams, and drew towards them. The love of God filled my heart; and I felt it right to look for an interpreter, which I did. Then I signified that I was come from a far country with[Pg 279] a message from the Great Spirit (as they call God,) and my message was to endeavour to persuade them that they should not be drunkards, nor steal, nor kill one another, nor fight, nor put away their wives for small faults; for if they did these things, the Great Spirit would be angry with them, and would not prosper them, but bring trouble on them. On the contrary, if they were careful to refrain from these evils, then would he love them, and prosper them, and speak peace to them. And when the interpreter expressed these things to them in their own language, they wept till tears ran down their naked bodies.
“They manifested much love towards me in their way, as they did mostly to upright, plain-dealing Friends; and whilst I was amongst them my spirit was very easy: nor did I feel that power of darkness to oppress me, as I had done in many places amongst people calling themselves Christians.”—Journal of John Richardson, one of the early Friends.
[Pg 291]
Mussooree, the site of a station which is now one of the chief resorts of the visiters from the plains, stands at an elevation of seven thousand five hundred feet above the level of the sea, and is situated on the southern face of the ridge called the Landour Range, and overlooking the village of that name, which has been chosen for the establishment of a military sanitarium, for those officers and privates belonging to the Bengal army, who have lost their health in the plains.
Nothing can be imagined more delicious to an invalid, half dying under the burning sun of India, than the being removed into the fine, bracing, and cool atmosphere of this[Pg 294] station. All round him are the most sublime natural objects—the most stupendous rivers and mountains of the world, but all subdued into a character of astonishing beauty; while the growth of the hills, and of the very ground under his feet, must transport him back into his native Britain.
THE END.