The Project Gutenberg eBook of The laughter of Toffee
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: The laughter of Toffee

Author: Henry Farrell

Release date: August 8, 2021 [eBook #66014]
                Most recently updated: October 18, 2024

Language: English

Credits: Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net


*** START OF THE PROJECT GUTENBERG EBOOK THE LAUGHTER OF TOFFEE ***

                        THE LAUGHTER OF TOFFEE

                          By Charles F. Myers

               Marc's troubles began the moment Hotshot
            Harold planted the miracle elixir on him. Then
            came a bevy of cops--Toffee--and X-ray eyes....

           [Transcriber's Note: This etext was produced from
              Imagination Stories of Science and Fantasy
                             October 1954
         Extensive research did not uncover any evidence that
         the U.S. copyright on this publication was renewed.]


To the casual observer that morning Marc Pillsworth presented only the
picture of a rather loose-jointed, yet constrained, businessman on his
way to another orderly day at the office. One would hardly have guessed
that he was striding forward into the first leg of a journey that was
destined to take him on a shrieking, streaking sleigh ride of madness,
frenzy and crime. Indeed, Marc himself would never have dreamed that
such a thing was even possible.

The trouble was, of course, that this was the first day of spring.
The world had finally shrugged itself free of winter and, with a toss
of its golden curls, was unmistakably casting about for some sort of
foolishness to get into. The sun was burgeoning bright in the sky,
green things were intruding their heads impertinently through the warm
soil along the sidewalks and the breezes, gentle and flirtatious,
were fingering the voluminous skirts of the passing shop girls. The
inhabitants of the city, to the man, were feeling pleasantly silly in
the head.

To the man, that is, except for Marc.

Marc, founder, president, guiding genius and devoted slave to the
Pillsworth Advertising Agency, felt merely dyspeptic. Making his way
past the shops with their blossoming window boxes, he loathed the
spring. At the moment, in fact, there was only one thing that Marc
loathed more than the spring and that was Mario Matalini, the eminent
Italian portrait artist.

Marc had never before experienced jealousy and it came to him now as a
singularly unpleasant sensation. For one thing, it gave him gas.

Though he had been married long enough to have achieved a certain
complacency about matrimony in general, every time he thought of
Julie and Mario alone at the country house, he automatically burped.
Italians, it was said, were notoriously affected by cold blonde beauty,
and Julie on occasion, resembled nothing so much as a tantalizing and
unattainable angel carved from ice. It was a combination that was not
reassuring.

The trip to the country, of course, had been Mario's idea. It had come
to him in a gaudy flash of inspiration the very evening Julie had
commissioned him to do her portrait.

"Ah, Madonna Mia!" the mustachioed artist had crooned revoltingly. "You
shall be my masterpiece! I can feel it now. There is the season of
spring in your lovely face--the enigma, the withholding, the promise!"
His dark eyes caressed her classic features, and he leaned forward
abruptly. "I know!" he breathed. "I shall paint you surrounded by
nature--on the very first day of spring! You will be like a goddess,
with the new grasses and the first green leaves everywhere around you!"
He sighed delicately. "I have never done a portrait in this manner,
but how can I confine such a subject to a dismal studio?" He smiled at
Julie as though Marc were not even in the room. "It is true, is it not,
that you own one of the handsomest country houses in the state?"

Marc had opened his mouth to protest, but Julie's eyes were aglow with
the vision of herself as a spring-time goddess. The damage had been
done and there was no patching it up.

The two of them had been at the country house for a week now, looking
for the perfect setting for the portrait, waiting for the perfect day
to begin it. With each passing day Marc had grown a bit uneasier. Of
course Mr. Busby, the caretaker, made a splendid chaperon, but there
was still something about Mario that just naturally put your teeth on
edge.

Business had prevented his joining the pilgrimage to the country;
the summer advertising campaigns, now in preparation, demanded the
last measure of his personal attention. As an active guardian of his
castle and his wife's virtue, he found himself seriously hampered. With
this dark thought looming in his mind, he burped anew and halted his
office-bound progress to enter a drug store. A man could hardly expect
to retain his clients' good will by belching in their faces.

       *       *       *       *       *

Inside the store, he proceeded to the pharmacist's counter at the rear.
There, he found himself confronted by a balding, fastidious individual
in a white jacket whose gaze was fastened tenaciously on the remarkable
legs of the silken brunette who presided at the nearby cosmetics
counter. As Marc cleared his throat, the man looked up with eyes that
were gently bemused.

"Yes?" he inquired disinterestedly.

Marc leaned forward. "I need something for gas," he said.

The druggist smiled blandly, but his gaze drifted back to the
fascinating legs. "Grass?" he murmured dreamily. "Grass seed is at the
front of the store.

"Not grass," Marc said. "I don't want grass. 'Gas' is what I said."

"Gas?" the druggist sighed. "We don't carry gas. May I suggest a
filling station?"

"You don't understand," Marc said. "I don't _want_ gas, I want to get
rid of it."

The druggist regarded him uncertainly. "No sale, pal," he said. "I
don't need any."

"Don't need any what?" Marc asked. The conversation was beginning to
make him feel a bit dizzy.

"Gas," the druggist said. "Are you selling, door to door, or are you
giving it away in samples?"

"I'd certainly like to give it away," Marc said testily. "I know just
the person for it."

"No one will take it, eh?" the druggist said. "That's human nature
for you. It's like this fellow who tried to give away hundred dollar
bills...."

"I think we're at cross-purposes here," Marc broke in anxiously. "I
have this gas, you see, and I want to get rid of it. Can you help me or
can't you?"

"Well," the druggist said undecidedly, "I suppose I can ask around.
But tell me this, why do you want to get rid of this gas? Is there
something funny about it?"

"I'd hardly call it funny," Marc said stiffly. "It makes an awful
noise."

"Noise?" the druggist said. "Why should it make a noise?"

"It just does!" Marc said angrily. "I can't control it."

"Then no wonder no one will take it. There's your answer right there."

"I think you must be mad," Marc said shortly.

"I think one of us must be," the druggist agreed. He surveyed Marc's
lean frame wonderingly. "Why do you keep on with this gas of yours if
it makes these disgusting noises?"

"I don't want to keep on with it," Marc said desperately. "That's why I
came to you."

"And on such a beautiful day, too," the druggist murmured sadly. A new
thought struck him and he glanced up sharply. "Where do you keep this
awful gas of yours?"

"On my stomach, of course," Marc said hotly. "Where would I keep it?"

Slowly the light of realization dawned in the druggist's face. "Oh!
What you mean is you have gas on the stomach!"

"Yes," Marc said, drawing himself up. "But there's no need to shout it
out to the entire store, is there?"

"You'll have to excuse me," the druggist said apologetically. "I don't
know what's come over me today." His gaze reverted briefly to the legs
across the aisle. "I guess there's something in the air this morning."

"I guess so," Marc said shortly. "But do you have something for my
gas?"

"Why, surely," the druggist said grandly. He reached under the counter
and produced a small brown bottle filled with a syrupy liquid. "A
little mixture of my own. Just drink it down and your worries are over.
Just put it in your pocket. I couldn't charge you after all we've been
through together."

Marc slipped the bottle into his coat pocket. He started to murmur his
thanks, but the druggist's attention had returned permanently to harbor
at the cosmetics counter. Marc shrugged and walked out of the store.

There certainly was something in the air, Marc reflected as he strode
toward the corner, an almost tangible kind of madness. The coming of
spring had turned the world giddy. You could feel it everywhere. In the
country, where spring was so much more in evidence, the feeling was
probably just that much more intense.... But he tried not to dwell on
that.

       *       *       *       *       *

At the corner the signal turned to red and as the traffic moved forward
in a rush, Marc stepped back to the curb to wait. Lost in his own
thought, he was not aware of the small hawk-beaked individual who
had stopped beside him until a pallid, nervous hand tugged lightly at
his sleeve. From his height of six feet two, he turned to look down
annoyedly at the crown of a drab bowler hat and the shoulders of a
shabby brown suit. Shiftily the little man glanced sideways, then
grinned up at him.

"Hey, man," he said furtively, "how about a look at some hot stuff
straight from Paris, France. It's the real thing."

"I beg your pardon?" Marc said stiffly.

"You know," the little man said with an odious wink, "dames with their
skin showin'--all the way down." With the quick movement of a conjurer
he turned his hand and produced for Marc's edification the photograph
of a dark-haired, not-so-young lady, peering back lasciviously over a
shoulder that was bare clear down to the soles of her feet. Flushing
with surprise and embarrassment, Marc looked away.

"That's one of the tame ones," the little hustler said. "Man, the
others will stone you! Dig?"

"I do not dig," Marc said tersely, "and I do not wish to be stoned.
Please go away."

"You mean you don't care about feminine pulchritude?" the little man
asked in a scandalized tone.

"I am not interested in dirty postcards," Marc said. "As a respectable
married man...."

The little man made a sharp sound of alarm. "You got trouble, man,"
he said. "Respectable and married too! I bet you're a big bomb around
the house. There's nothin' a woman hates worse than bein' married to a
respectable married man."

Mercifully, the light chose that moment to change, and Marc turned
away. The nervous hand, however, again caught at his sleeve.

"Hold up, man," the little man said urgently. He produced a small brown
bottle from the inner reaches of his disreputable suit. "I like to see
people happy, man, and if ever I saw a guy in a bind, it's you. So, in
your case, I'll make you an extra special exception. I'll give you a
crack at this single last remaining bottle of genuine French Elixir."

"Let go of my sleeve," Marc said evenly.

The hand, nevertheless, remained. "You see here, right in front of
your own eyes, one of the rare, unattainable hard-to-get exotic spring
tonics of the world. It lifts the spirit and opens the eyes. It ain't
harmful or habit-formin'."

Marc frowned severely. "I am not, nor do I care to become, a dope
addict."

"This ain't no dope, man," the little man insisted. "I told you! It
gives a guy a new perspective."

"From which he can more clearly look at the photographs of naked
ladies? If that's your idea of...."

Marc stopped, for his adversary, seemed suddenly to go mad. Blanching,
the little man hurled himself forward, apparently out of control.
Colliding with Marc, he grabbled wildly with him for a moment, then
abruptly shoved himself away. For a moment Marc was completely at a
loss to explain this startling performance; then he caught sight of the
policeman approaching from across the street.

"Sorry, man!" the purveyor of erotics said hastily and, with that, he
darted off down the street.

In almost the same instant, the policeman gained the curbing on the
run. He cast Marc a swift glance but kept on rapidly down the street.

Marc watched the chase bemusedly as it continued half way up the block,
then out of sight into the entrance of an alley. He hoped the little
peddler would be caught; a salesman of smutty pictures only added
to the loose atmosphere of the day. He turned away, heading for the
office. And then he stopped.

       *       *       *       *       *

Actually it was the little man's remark about the wives of respectable
married men that halted Marc's step. Suddenly it struck him that
perhaps this message had been delivered to him, through Fate, as a
sort of warning. He pondered for a moment with furrowed brow, then,
resolutely, he turned again and started back the way he had come. He
had definitely made up his mind. Julie had taken the convertible, but
the coupe was still in the garage. If he started out now, he could be
at the country house well before noon, and Mario could be fired, packed
and sent on his way before sunset. Business, for this one day, would
have to wait.

His course of action set, Marc continued determinedly down the
street. His only fear, now, was that he might be too late. Julie,
quite extraordinarily, had taken her prized and priceless collection
of jewels to the country, a fact which was so highly significant and
disturbing. Julie was so inordinately proud of her jewels that she
never removed them from the vault except for the most special of
special occasions. Just what sort of special occasion she had been
contemplating this time, Marc dreaded to think. By the time he had
reached the alley, he had quite forgotten about the little man and
the pursuing policeman. He started violently, therefore, when the
policeman suddenly materialized from the mouth of the alley and grabbed
him roughly by the shoulder.

"Here you!" the policeman snarled. "Hold up there!"

"Who?" Marc said weakly. "Me?"

"Not your Aunt Fanny," the cop said sourly. His face was an angry
crimson from running. "I seen you back there with Hotstuff."

"Hotstuff?" Marc said. "Oh, you mean the pictures that...."

"Don't give me that, mac," the cop growled. "Don't tell me you are just
an innocent bystander. If you ain't that guy's confederate...."

"Confederate!" Marc wheezed. "Now, do I look like the sort of person
who...."

"Exactly, mac," the cop said. "I'm used to you smooth operators." He
reached in Marc's pocket and deftly removed a small packet of picture
postcards. "And these look exactly like the kind of pictures you'd be
sellin'."

Marc gazed down dumbly at the postcards. "Those aren't mine!" he
gasped. "He must have planted them on me."

"Yeah," the cop drawled, "I've heard that one before, too."

"Now, officer," Marc said reasonably, "can you honestly think for one
minute...."

"I honestly can, mac," the cop said heavily. "Now come along quietly."
He took Marc's arm in an iron grasp. "Be my guest."

       *       *       *       *       *

Marc surveyed the cold grey boundaries of his cell and burped furiously.

"Tell it to the judge," the guard said and, extracting the key from the
lock, ambled off down the passage.

"I certainly shall!" Marc yelled after him. "This is the most flagrant
abuse of authority...." He gave it up and looked around at the
two-tiered bunk against the wall. He walked over to it and sat down
gingerly on the edge of the lower section and rested his chin in his
hand. Raking back an unruly shock of sandy hair he gazed down at the
floor with bewildered helplessness.

It was astonishing how swiftly life could become a rotten apple. Only a
few minutes ago he had been a free and respected citizen on his way to
a day of honest work; now he was a jail bird held on a charge of moral
wrong-doing. The results could be disastrous, both to his business and
his marriage. Julie would not regard the affair lightly; after all the
pictures _had_ been found on his person, no matter how they happened to
be there.

Now, his desire to get to the country was twofold. His mind filled with
gloom, his gaze wandered across the floor and to the opposite wall. It
lingered for a moment at the lower area of the wall, then leaped upward
to a drawing which evidently was the handiwork of a previous inmate.

Whoever the artist had been, his eye for the feminine form was both
exact and subtle. The girl of the drawing, though scantily clad, was,
unlike the nude photographs, in no way distasteful. She reclined in
space, one slender leg outstretched, a look of artful speculation in
her eyes. Her hand was at her hair, having caught its silken strands
between her tapering fingers.

Marc's gaze held to the drawing with unaccountable fascination. It
wasn't just the excellence of the sketch that held him, but something
more. Staring fixedly at the girl on the wall, it came to him that
perhaps she reminded him of someone he knew. Then suddenly it came to
him in a flash.

"Toffee!" he whispered.

He withdrew his gaze hastily from the drawing, trying to force his
thoughts into other, less dangerous channels. At the moment, Toffee was
the last thing he wanted on his mind.

The truth of the matter was that Toffee was a phenomenon to which Marc
would never completely adjust. The thought that, within the depths
of his own subconscious, there was a personality of such force and
completeness that she had assumed a will and strength all her own,
was simply too much for him. It would always upset Marc that his mere
awareness of Toffee was enough to project into reality a living,
breathing, hell-raising creature who was very much flesh and bone.

It was also alarming that Toffee was so completely untouched by worldly
inhibitions. Not of this earthly realm, and therefore unaware of its
mores and social dogmas, the girl had an absolute genius for saying and
doing, in any given situation, the very thing most likely to curdle the
blood and curl the hair. Worse still, though, was her curious sense of
economy which caused her to regard her own physical perfection--her
flaming red hair, her vivid green eyes and her scandalously voluptuous
figure--as mere commodities that could not possibly be permitted to
languish. To her way of thinking, that these remarkable gifts should be
left unobserved, unadmired and unused was purely and shockingly sinful.

Not by any stretch of the imagination was Toffee the proper subject
with which to concern one's thoughts in a jail cell. With a shudder,
Marc forced his attention to his immediate predicament and leaned back
in his bunk.

The shock of his incarceration was beginning to wear off a bit now, and
with its passing it suddenly occurred to him that, as yet, he hadn't
even been permitted to call his lawyer. Righteous indignation surging
through him, and unmindful of the steel support immediately above his
head, he jumped up.

The results were immediate and decisive. From Marc's point of view
there was merely a sudden surprising explosion of brilliant lights
inside his skull as his head struck the metal support, and the floor,
insanely, began to rise, embracingly, almost seductively, to meet him.

       *       *       *       *       *

In the next moment he was enfolded into a world of dark beauty where
illusive glimmerings in the distance gave off a curious sound that was
the tinkling of very small bells. For a moment he floated langorously,
then, taking bearings on a shimmering blue star, he glided forward.
Just as he drew close to it, however, it shattered into a million
glittering fragments and vanished.

Then he fell.

He landed on his back in a sprawl and, as he did so, the scene, like
a motion picture hastily projected on a screen, leaped, all at once,
into being. He glanced around at the mossy, gently-sloping hillside,
the grove of finely plumed trees and the playful blue mists trailing
lightly down the rise.

Marc observed these surroundings without alarm. He knew at a glance
that he had retreated into the valley of his subconscious mind and, now
that he was there, he was just as glad. He ran his hand sensuously over
the soft greenness upon which he lay and turned his eyes heavenward to
the warmly glowing, yet sunless, sky. Then, folding his hands beneath
his head, he lay back and closed his eyes.

A moment passed, then there was a quick stirring at his side. Two
slender fingers closed viciously over his left ear and twisted.

"Stinker!" a voice hissed. "Redolent reptile!"

Marc sat up abruptly. "Hey!" he yelled. Toffee's pert face was almost
nose to nose with his own. "Let go!"

"If I do," Toffee threatened, "it will only be to grab something much
worse!"

"Don't be vulgar," Marc said uneasily.

She was kneeling beside him, her red hair cascading like inverted
flame on one beautifully-molded shoulder. Her green eyes were aglitter
with a lovely fury. As always, she was clothed only in the brief
emerald tunic which, because of its extreme transparency, did nothing
to hide her lithesome body, though it made up for this failure by
accentuating each softly-curved perfection to the utmost. On her feet
was a pair of gold sandals of some undetermined material.

"I should twist your faithless head off," she said. "In fact I've been
keeping some plasma on ice just in case I decide to murder you in cold
blood."

"This is hardly the greeting I expected," Marc said, nursing his ear.

"Of course not," Toffee said. "You expected me to fawn on you. You
wanted me to chuck you under the chin and stroke your brow. Well, if I
ever do, it will probably be with a ball bat."

"I'm darned if I see what you're so sore about," Marc said injuredly.

"You don't?" Toffee said. "I should be content, I suppose, just because
you're here! Well, I'm not. I saw what you were thinking about me a
while ago."

"What I was thinking?"

"Good old Toffee!" Toffee sighed. "Keep her repressed. Let her
languish. Let her rot. Who cares that this is the first day of spring
and everyone else is enjoying it?" She traced the curve of his jaw
fatefully with her finger. "I ought to bust you one."

"But I was having so much trouble...." Marc protested weakly.

"Trouble!" Toffee said. "You just _thought_ you had trouble."

Marc met her insinuating gaze with a sense of inner trembling. "What do
you mean by that?" he asked.

"Guess," Toffee said. "Just guess."

"You wouldn't materialize, would you? You wouldn't...."

"Give the man a cigar, a baby doll and a kick in the pants," Toffee
said lightly. "You got it right on the first try."

Marc paled. "But you can't!" he said. "Not now!"

"Can't I?"

"But you mustn't!"

       *       *       *       *       *

Toffee lowered herself sinuously to his side and leaned close to him.
She observed him amusedly through langorously lowered lids. "You're
going to see a lot of me, lover," she crooned, "in more ways than one.
If you want a word of sound advice, just relax and enjoy it. That way,
you won't get quite so messed up."

"Now, don't ..." Marc said thinly. "This is no time for nonsense!"

"This is precisely the time for nonsense," Toffee said, slipping a
cool, slim arm determinedly around his neck.

"Don't start anything!" Marc cried, trying without success to
disentangle himself. "Let go of me, you thinly-draped hussy."

"I only wonder why I'm so good to you," Toffee sighed. "I suppose it's
because you may not live much longer--if you don't behave yourself."

"You're not good to me!" Marc said desperately. "You're awful! You're
worse than...."

Whatever Toffee was worse than never came to light, for Marc's words
were smothered beneath a warm, lingering kiss that went beyond words. A
moment passed before she released him.

"There," Toffee said. "Now it doesn't matter if you survive; your life
has been rich and full."

"Now, see here, you," Marc said forcefully. "If you're thinking I'm
going to lounge around with you...."

"I'm only wondering if you're strong enough," Toffee said.

"Stop saying things like that!" Marc said, holding his voice steady
with an effort. "I'm not exaggerating when I say that you absolutely
must not materialize--not even a finger!"

"Oh, never just a finger!" Toffee said with false alarm. "I intend to
go much farther than that."

"Evidently," Marc said. "But you must realize...."

He stopped, for suddenly the valley had begun to blur, strangely, as
though it were seen through a panel of water-washed glass. Even as the
words died in his throat, a heavy greyness dripped through the sky,
dulling its radiance. On the horizon, the odd, feathery trees seemed
to melt and merge, and the grass upon which they were sitting became a
wavering sea of misty green.

"Oh, my gosh!" Marc gasped. He turned to Toffee, his eyes filled with
alarm. "Now, you've got to take me seriously...."

"Oh, I will!" Toffee said happily, locking her arms around his neck.
"I'm going to be positively grim about you!"

"No!" Marc cried. "Let go of me!" The darkness was coming rapidly now,
and the last traces of the sky were nearly gone. "Let go!"

"If I feel myself slipping," Toffee said breathlessly, "I'll just hook
my fingers in your ears." She drew her lips close to his ear. "Lover,"
she murmured, "I'm going to stick to you like a barnacle on a boat.
You'll never scrape me off!"

       *       *       *       *       *

Marc stirred. He inched his hand forward tentatively over the cold
relentless surface of the floor and opened his eyes. For a moment he
couldn't think where he was, then the dull grey walls and the barred-in
opening that looked out on the passage brought it all back to him. He
raised himself to his knees and crawled forward. He grasped the bars
and dragged himself partially upright. Then he froze, staring fixedly
ahead.

At first it seemed only that his sight had dulled. Then slowly, out in
the passage, the haziness before him began to take form, languidly,
easily, gathering itself into a dismaying solidity. A bit at a time,
Toffee, working from the toes up, appeared in all her vivid aliveness
on the other side of the bars. Standing there against the background of
iron greyness, she seemed even more outrageously alive and lovely than
she had in his subconscious mind. And also more naked. She turned to
Marc and regarded him quizzically.

"Oh, no!" Marc wailed. "No, no! You can't be here!"

"But I am," Toffee said brightly. She studied the bars between them
with an air of bafflement. "What are you doing in that cage? Why don't
you come out?"

"I can't come out," Marc said. "This is a jail. I'm locked in."

"And I'm locked out," Toffee observed without favor. "We'll never get
anywhere that way. Where do I go to get the key?"

"You can't get the key," Marc said. "The jailer--or somebody--has
it--out there." He made a vague gesture toward the iron door at the end
of the passage.

"Then, I'll go ask him for it," Toffee said blandly and started away.

"No!" Marc yelled. "Don't go out there! Not like that!" He pressed
urgently against the bars. "Come back here!"

Perhaps it was the effort or maybe it was the awful thought of Toffee
loose in the jail, but suddenly it was all too much for him. Marc's
knees buckled and he slid toward the floor. Slowly he crumpled and
sprawled backwards. With an anguished murmur he passed out.

At the end of the passage, reaching for the door, Toffee quickly faded
and vanished into thin air.

It was only three minutes later when Sergeant Feeney, absorbed in a
copy of Shocking Stories, looked up apprehensively over the edge of the
magazine and turned a ghastly white. If he had not been mistaken--and
he certainly had not--there was an odd sort of fuzziness in the air
just beyond his feet at the other side of the desk. As he watched this
clouded bit of atmosphere, it alarmingly solidified, a bit at a time,
and became a strikingly beautiful redhead, clothed merely in what
appeared to be a pair of translucent kitchen curtains. The sergeant
gulped, and the magazine, which was already trembling like a leaf in a
wind storm, dropped from his nerveless hand.

"Here, now!" Sergeant Feeney gulped. "What do you think you are up to,
you?"

As soon as he had spoken, the sergeant was overwhelmed with a sense of
his own utter foolishness; the girl was obviously nothing more than a
trick of imagination and everyone knew that such things, no matter how
industriously one might question them, could not answer back.

"I'm looking for the key," Toffee replied amiably. "Marc fainted, but
I guess he's better now, or I wouldn't be here, would I? I have to go
away when he's asleep but when he wakes up I come right back again."

       *       *       *       *       *

The sergeant jumped to his feet, upsetting his chair with a deafening
clatter. "Here, now!" he yelled. "Stop that!"

"Stop what?" Toffee asked innocently.

"Stop talking to me, now!" Sergeant Feeney gasped. "I'm a sober upright
minion of the law, and it's not right that the likes of you should come
jabberin' around so's I can hear it."

"Well, I don't see why not," Toffee said bewilderedly. "How am I going
to get the key, if I don't ask you for it?"

"There you go again!" the sergeant wailed. Trembling in every fiber of
his great hulking being, he turned away from her. "If you don't stop
it, now," he said, "I'm going to close my eyes, and then you won't be
there."

"But I have to have the key," Toffee protested.

"That does it!" the sergeant said woundedly. He closed his eyes so
tightly they might never have existed. "There, now!"

"Where?" Toffee said.

The sergeant visibly flinched. "Where what?" he asked faintly.

"Where's the key?"

"What key, for heaven's sake?"

"The key to the cages, of course. Where is it?"

The sergeant sighed. Then he straightened, and when he spoke again
there was an edge of craftiness to his voice. "If I point out the key
to you, will you take it and go away?"

"Instantly," Toffee agreed.

Promptly the sergeant pointed to the wall where the key hung on a metal
hook. "Help yourself," he said grandly. "And a pleasant journey to you."

"Thank you very much," Toffee said. "For so complete an imbecile,
you've been most cooperative." Moving to the hook, she removed the key,
and swinging it lightly on her finger, left the room.

The sergeant waited until he heard the door close, then opened his
eyes. Looking about, he began to chuckle to himself.

"Now, isn't it a wonder how easy you can outsmart a hallucination?" he
said to himself. "She's gone away happy as a lark, and anybody knows a
mere thing out of the thin air could never steal a key."

       *       *       *       *       *

Only five minutes later Marc and Toffee descended the steps of the jail
and paused for a moment in the sun. Marc, still a little woozy in the
head, waited for his thoughts to clear.

"Are you sure he gave you that key?" he asked.

"He fairly begged me to take it," Toffee said. She glanced around
happily at the bright spring day. "What wonderful weather," she said.
"It makes you want to buy things, doesn't it, scandalous things that
hold you in just enough so that you can go all out. If you know what I
mean."

Marc glanced down at her brief costume. In the morning sun it seemed
almost non-existent. Quickly he took off his coat and held it out to
her. "Here!" he said imperatively, "put this on!"

"On one condition," Toffee said. "I want a new dress. I'm through
hinting about it."

"And you shall have one," Marc agreed. "No one ever needed one more
acutely."

With mild regret Toffee put the coat on. In it, she looked rather
like a shapely scarecrow whose lack of hands had been more than amply
compensated for by a pair of stunningly formed legs. This settled,
Marc shook his head, just to get the remaining cobwebs out, and looked
around.

"Are you sure this is all right," he asked, "my leaving like this?"

"The man gave me the key, didn't he?" Toffee said.

"I don't know," Marc said doubtfully. "I can't think quite clearly, but
somehow it doesn't seem quite regular."

"Regularity is so dull," Toffee said, "in spite of what all those
cereal manufacturers say."

Shrugging, Marc followed along as she started off down the street. A
passing delivery boy, catching sight of the briefly-draped redhead,
paused to whistle. Toffee waved at him happily and whistled back.

"Don't do that!" Marc said. "Stop attracting attention to yourself!"

Toffee grinned up at him. "It's myself that attracts attention to me,"
she said. "You made me that way and I must say I dearly love you for
it." Glancing down the street, her gaze stopped at a tall department
store building which was fronted by long, gleaming show windows. She
pointed to it eagerly. "That looks wonderfully extravagant," she said.
"Let's go charge things to your account."

As they approached the store, Marc's step became firmer, his head
unclouded. He stopped just outside the entrance with an abrupt burp.

"I just remembered," he said. "I've got to get out to the country
house. I.... What am I going to do with you, though?"

"You're going to buy me a ridiculous dress at a ridiculous price,"
Toffee said. "We'll worry about Julie and her shabby amours with that
lecherous paint-dauber later."

"How did you know about that?" Marc asked.

"From sitting around in that arid mind of yours," Toffee said.
"Sometimes I tune in on what's going on just out of sheer boredom."

       *       *       *       *       *

Meanwhile, within the jail, a moiling drama of considerable scope was
swiftly reaching a head. Sergeant Feeney had discovered, with much
goggling of the eyes, that hallucinations not only could steal keys,
but had. With a thrill of horror he called in the members of the force
on duty, six in all, and instituted an inspection of the cells. In due
time, it was noted that the jail's prize prisoner had flown the coop.

"Mary, mother of triplets!" Sergeant Feeney shrieked. "We gotta get
that bird back in his cage before the chief hears of this!"

"He couldn't have gotten too far away, sergeant," one of the city's
hearties observed moodily. "We better scour the streets, I think."

"That's it!" Sergeant Feeney rasped, rushing blindly toward the
hallway. "Scour the streets men! Everybody scour! Follow me!"

       *       *       *       *       *

Thus it was that Marc and Toffee, standing before the entrance to the
store, glanced casually back along the street just in time to witness
a disquieting eruption of blue-clad figures from the doorway of the
jail. So astonishing was the sight that they stood for a moment too
long watching it; Sergeant Feeney, catching sight of them, pointed an
excited finger in their direction.

"There they are!" he roared. "After them, men!"

"The bloodhounds!" Toffee yelled. Taking Marc's arm, she dragged him
forcibly through the entrance and inside the store. Counters laden with
colorful spring merchandise stretched before them in what seemed like
endless rows. A floor manager observed them curiously, and then moved
away.

"Come on!" Toffee said.

"You're insane!" Marc said. By now Toffee had led him to the stairs.
"We can't be bothered with dresses at a time like this."

"I'm going to have a spring dress," Toffee said determinedly. "No
matter what!"

A dark browed lady, upon overhearing this snatch of dialogue,
observed the ascending pair with brooding thoughtfulness. She turned
triumphantly to the pallid, grey-suited individual at her side, on whom
had befallen the misfortune of becoming her husband.

"There!" she said, pointing up the stairs to Toffee's flashing legs.
"That's exactly what I'm going to do next time I tell you I haven't
anything to wear and you ignore me. I'm going to strip down to the skin
and shame you in public. Then we'll see!"

"Then, everyone will see," the man observed gloomily. "There will
probably be fainting in the streets."

At this juncture, as Marc and Toffee disappeared up the stairs, there
was a blast at the entrance of the store, announcing that Sergeant
Feeney, his redoubtable six and his whistle had arrived and the
situation was slipping rapidly out of hand.

"Everyone stay where you are!" the good sergeant bellowed, charging
about frenziedly. "Everyone keep calm!" And so saying he dashed
headlong into a small grey-haired lady and knocked her forthwith to the
floor.

Displaying an agility not to be looked for in so old a party, the
sergeant's victim leaped to her feet and snatched up her parasol.

"Fool!" she snapped. "Idiot!"

"Stop hopping about!" the sergeant yelled, sitting up. "Everybody stay
still!"

"How can I stay still when you keep knocking me down?" the little woman
demanded hotly. She rapped the sergeant smartly across the bridge of
the nose to emphasize her point. "Lummox!"

The sergeant grabbed at his nose and observed the lady with deep-seated
hostility. "Lady," he said, "you're tamperin' with the law, you are!"

"You've tampered with worse than that!" the little lady retorted. "If I
were a little younger I'd have you for mashing!"

Meanwhile, Marc and Toffee, taking the stairs two at a time, had
reached the third floor where, in a dim cavern of soft lights and muted
music, the Parisian styles were being displayed, as they should be, on
lovely living models. Marc turned to Toffee and burped impatiently.

"If you're determined to do this," he said, "be quick about it." He
burped again. "The law is practically breathing down our necks!"

"Why do you keep making that revolting noise?" Toffee asked
interestedly. "It sounds like hogs rooting in the mire."

Marc winced at her indelicacy. "I can't help it," he said. "When I'm
upset it affects my stomach."

"Then do something about it," Toffee commanded airily and drifted away.

Marc started to protest that there was very little he could do about
it as long as she kept him upset, when he remembered the bottle the
druggist had given him and took it from his pocket. Removing the cap,
he took a deep, hurried draft. This done, he screwed the cap back on
and replaced the bottle in his pocket.

       *       *       *       *       *

He completed this maneuver just in time, for no sooner did the syrup
hit his gullet than he issued an explosive cough and staggered forward
as though he had received a healthy blow from and to the rear. The
liquid burned inside him like liquid fire.

Gasping, he beat his chest for relief and steadied himself against the
wall with a trembling hand. The dizziness that he had only just gotten
rid of, returned. He closed his eyes in the hope that it would pass.

His eyes were still closed when the scream issued piercingly from
across the room. Opening them, he glanced across to where the models
appeared and almost wished he hadn't bothered. It was too insane.

Toffee had evidently found the dress she wanted, an ethereal affair
consisting of a couple of scraps of filmy stuff arranged to make its
wearer look like nothing so much as a gift-wrapped Diana out for
the kill. As Parisian dresses went, Marc supposed that this flimsy
confection was only a little bit worse than most, but it had one
glaring flaw which almost anyone--anyone, that is, but Toffee--would
have noticed at a glance; the dress was still on the model. Toffee,
however, was not deterred, not even by the girl's desperate screams.
She was industriously disrobing the poor creature before the startled
eyes of the other customers.

Marc, forgetting his dizziness, shoved himself away from the wall and
ran forward. "Stop!" he yelled. "You can't do that!"

Toffee cast him a fleeting glance over her shoulder, but did not stop
her frantic efforts with the illusive dress and the struggling model.

"It's difficult all right," she shot back, "but I think I can manage."

"Madam, please!" the model shrieked, her air of aloof stateliness
demolished. "Oh, _please_!"

From a curtained doorway, a small dark woman, the manageress of the
department, looked out and emitted a thin cry of disbelief. The model,
now stripped to the waist, was hugging herself in a paroxysm of horror.
Throwing back the curtains, the manageress ran forward.

"Madam!" she cried. "Madam! You really mustn't!" She hastened to
Toffee's side and tried to pull her away from the terrified girl. "If
you like the dress, please step back to the fitting room."

"Step back to the fitting room yourself!" Toffee snapped. "And don't
call me madam!"

"But the model...."

"She'll have to take her chances," Toffee gritted determinedly. "I need
this dress worse than she does." The skirt came free in her hand,
revealing the model in nothing more than a pair of very sheer panties.

"Oh, madam!" the girl wailed.

"Well, don't just stand there, exposing yourself!" the manageress
cried. "Grab something and put it on!"

Gazing about frantically, the girl's eyes shot to the next model who
had been displaying a negligee when all the trouble started. Reaching
out, she deftly grabbed the zipper and yanked. The garment relinquished
its hold and slithered to the floor in a vaporous cloud. The first
model snatched it up and hurriedly put it on. The second model, finding
herself revealed in the flesh, announced her shock in a shrill scream
and made a wild grab for the mink coat that lay in the lap of a nearby
customer. The customer, however, was too quick for her. Despite her
over-padded figure, she shot out of her chair on the run.

"No you don't!" she screamed, "not after all I went through to get
this!"

"Come back here!" the model yelled determinedly and took out in hot
pursuit.

       *       *       *       *       *

As bedlam became the general order of the day in the salon, Sergeant
Feeney and his crew charged heroically up the stairway, announcing
their arrival with a shrill blast from the sergeant's whistle. At the
sight of the scrambling customers and models, the men in blue jolted to
a flat-footed halt.

"Lord in heaven!" the sergeant gasped, removing the whistle from
his lips. The fur-bearing customer and denuded model shot past him,
collided with a plaster manniquin and tumbled to the floor in a frantic
tangle of arms, legs and mink. The sergeant flushed furiously and
turned back to his followers. "Scour lightly here, men," he said. "We
don't want nobody bruised."

Taking advantage of the sergeant's momentary dismay, Marc shoved a bill
into the hand of the screaming manageress, grabbed Toffee, who had now
struggled into the dress, and, flanking the befuddled law, led her
quickly to the stairs.

"Hurry!" he said. "And be quiet."

"You're under arrest!" the sergeant roared behind them. "Everybody's
under arrest--probably!"

In record time, Marc and Toffee gained the level of the second floor
and kept on running. As they ran, Toffee returned Marc's coat and he
slipped it on.

The pain from the gas medicine had departed now, and Marc was feeling
better. In fact, now that he stopped to think about it, he was feeling
so much better he was actually beginning to enjoy himself. Striding
forward, counters, customers and gaping clerks fading rapidly into the
background, he even found time to admire Toffee's new finery.

"That's probably the briefest dress known to man," he remarked amiably.

"I hope it shall be well-known to man," Toffee returned happily. "One
man in particular. At least I shall endeavor to make it count for the
most."

"Or the least," Marc said.

Arms and legs flashing, they quitted the china department and,
according to the signs, entered Sportswear on the left and Imported
Liquors on the right. Thinking this a curious arrangement of
merchandise, Marc turned to Toffee. He started to speak, then jolted to
a halt with a thin wheeze of astonishment. Toffee stopped and turned
back.

"What's the matter?" she asked. "What are you gaping at?"

Marc could hardly believe his eyes. He had turned to Toffee only to
observe one of the most astonishing and upsetting things he had ever
witnessed. Before his very gaze, her new dress was slowly dissolving
into nothing. Already, the skirt had melted away to her thighs.

"Holy smoke!" Marc gasped. Then, feeling that affairs were rapidly
going too far, he looked quickly away. He fixed his eyes firmly on a
female manniquin costumed for tennis.

"What's the matter with you?" Toffee demanded.

"Your dress ..." Marc said weakly.

"My dress?" Toffee said. "What's the matter with my dress? I thought
you liked it."

Marc opened his mouth to answer, but the words refused to come;
suddenly he was confronted by still another cause for alarm. The
phenomenon that had so mysteriously struck Toffee had now transferred
itself to the manniquin. As he stared at it, the clothes began to fade
from its plaster torso with unbelievable rapidity.

"Good heavens!" Marc rasped. "Look at that!"

"Look at what?" Toffee said, staring at the manniquin. "What are you
carrying on so about?"

Marc took a breath. "Don't you see anything funny about that dummy?"

Toffee observed the dummy more closely. "Very dull," she said. "No sex
appeal. Maybe it's those shorts she's wearing."

"Shorts?" Marc said. "You mean you can still see shorts--and things?"

"What are you babbling about?" Toffee said hopelessly. "What's wrong
with that dummy, anyway?"

Marc stared at the manniquin wonderingly. "Good Lord!" he breathed,
"I've developed X-ray eyes! As far as I'm concerned that dummy's as
naked as a plucked chicken."

"But that's impossible!" Toffee said.

"Yes," Marc said, "but it's true. To me, that dummy is sheer unadorned
plaster and nothing else. This is awful!"

"Maybe it will wear off," Toffee said uneasily.

       *       *       *       *       *

Just then a bejewelled matron appeared at the end of the aisle.
Inadvertently Marc glanced in her direction, then shudderingly looked
away again; the woman's dress had melted away and she had been left
strolling amongst the counters in only her girdle. Marc lowered his
head and waited for her to pass.

"This is shocking!" he groaned. "I can't go around like this, seeing
everyone without their clothes! It's indecent!"

"But how did it happen?" Toffee asked. "If we knew what caused it,
maybe we could do something about it."

There was not time for Marc to answer this, for right on cue, with a
blast from his whistle, Sergeant Feeney and his underlings swarmed at
the head of the aisle.

"Duck!" Toffee hissed and, crouching down, vanished swiftly into the
inner reaches of Imported Liquors.

Marc, followed this example, dropped to his hands and knees and
scrambled behind the nearest counter in Sportswear. The official
scufflings at the entrance grew louder.

"Spread out, men!" Sergeant Feeney thundered. "Check everybody!"

Behind the counter Marc settled back against the merchandise drawers.
Then he jumped as a feminine voice sounded close beside him.

"May I help you, sir?" the voice inquired.

Marc, without thinking, looked around. A large, brassy blonde with
circles under her eyes had hunkered down beside him. She smiled broadly
at his glance.

"It's nice to get down here away from the noise and confusion, isn't
it, sir?" she said throatily. "The customer is always right in this
store--especially as far as I'm concerned."

As she spoke, the upper half of her dress slowly disappeared,
revealing the most remarkably full net brassiere. Coloring prettily,
Marc hastily snapped his eyes shut.

"Leave me alone!" he said in tones of anguish. "Please go away!"

"Go away?" the blonde said woundedly. "But I thought.... Three men have
pinched me already today and, the way you crept in here, I thought
maybe you were the more earnest type."

"I'm quite earnest," Marc said soberly. "In fact...."

"Goody," the girl said. She snuggled down beside him. "Now, what do we
do?"

"I don't know what to do," Marc said miserably, "that's just it!"

"You don't?" the girl said unbelievingly. "You certainly don't expect
me to tell you, do you?"

"How could you?" Marc asked reasonably.

"Well, I could, I guess, if I wasn't a lady," the girl said with a
touch of pique. "Why are you squinting at me like that."

"The light hurts my eyes," Marc said briefly. "Really, I think you
ought to go away."

The girl sighed deflatedly. "I guess I might as well," she said.
"You're too ignorant and I'm too refined. I must say, though," she
added wistfully, "for a minute there I expected great things." She
started to move away.

"Just a minute!" Marc said quickly.

The girl fairly whirled around again. "Yes?" she said. "Have you
thought of something?"

"Yes," Marc said. "Since this is the sportswear department, I assume
you have dark glasses?"

The girl sighed again. "There are some around somewhere," she said.

"Well, find me some," Marc said, "only make them darker--dark enough
that I won't be able to see through them at all. Paste cardboard inside
them or something."

The girl looked at him quizzically, then shrugged. "Okay," she said. "I
know when I'm licked."

"And hurry," Marc urged. "There's no time to lose."

       *       *       *       *       *

The blonde departed, and Marc's attention was taken by a hurried
scuffling in the aisle. He opened his eyes and cautiously peered out.
A series of blue-clad legs, that, even as he watched them, turned bare
and hairy, raced by. When they had passed, Marc leaned back again and
gave himself over to a moment of quiet and confused contemplation.

He tried hard to find some clue to the cause of his extraordinary eye
affliction, but arrived at nothing definite. There was a rustling at
his side and he turned to find that the blonde had rejoined him. He
closed his eyes again as the net brassiere, for a second time, began to
appear from beneath the fading fabric of her dress.

"Here are the glasses," the blonde said coldly. "I put tape on the
inside of the lenses." Marc held out his hand and she gave them to him.
"Your eyes certainly must be sensitive."

"You'll never know," Marc said gloomily and slipped the glasses on.

"Can you see anything at all?" the blonde asked inquisitively.

"Not a thing," Marc said. "It's a great relief."

"Mister," the blonde said flatly, "I guess I just don't understand you."

There was the sound of stealthy approach from the direction of
the aisle, and Marc quickly lowered the glasses to observe Toffee
approaching on tip-toe. She was carrying a bottle of champagne under
each arm and she looked enormously pleased.

"I think they've gone," she said. Then, seeing the blonde, suspicion
flickered in her eyes. "Leave it to you; all I have to do is turn my
back and you're snuggled up with some big blonde."

"I'm not snuggled up," Marc said. "I've been making a purchase."

"Of what?" Toffee said sharply.

"These glasses," Marc said. "The young lady was good enough to fix them
so you can't see through them."

"Just glasses," the blonde murmured regretfully. "And that's all." She
made a small sound of disillusionment. "And I thought this was going to
be my lucky day, too."

"It is," Toffee said. "If anything had passed between you two besides
a pair of glasses, you'd be wearing your neck off the shoulder this
season."

"Where did you get the champagne?" Marc broke in. "Or is that a subject
too delicate to discuss?"

"Almost," Toffee said grandly. "I ran into a salesman in Imported
Liquors with foreign ideas. We indulged in a bit of hand-wrestling
amongst the East Indian wines, and he lost. He's resting quietly now,
however." She held out one of the bottles of champagne. "I used this
to defend myself." She shoved the bottle into Marc's hand. "Let's get
slightly damp."

Meanwhile the blonde had begun to edge away.

"Leaving?" Marc asked pleasantly.

"I'm going over to Imported Liquors," the blonde said.

She departed, and Marc extracted the cork from the bottle with a
fruity pop and handed it back to Toffee.

"A pause for refreshment," he said, "and then we've got to do something
about my eyesight. Did you say the cops have gone?"

"The last I saw of them," Toffee said, "they were lumpering through
ladies' lingerie, headed for silverware and china." She paused for a
deep drink from the bottle. "With the head of steam they had worked up
they should be far beyond the horizon by now."

"Good," Marc said. He received the bottle from Toffee and drank
thirstily. "Cops have a positive talent for being disagreeable."

"A bad lot," Toffee nodded. "They tend to weigh on the spirit. And
speaking of spirits don't keep sucking at that bottle all day. Save
some for me."

       *       *       *       *       *

Twenty minutes later, one bottle depleted, the other tucked
protectively beneath Toffee's arm, the two emerged unsteadily from
behind the counter and started on an uneven course down the aisle.

"You'll have to lead me," Marc said thickly. "I can't see a thing."

Toffee took his hand. "Blind as a drunken bat," she giggled.

"You will probably lead me astray," Marc said happily.

"I shall do my best," Toffee said. "Luckily, I'm familiar with the
route."

Marc held back for a moment. "I've just figured it out," he said. "It
was that burp medicine that affected my eyes. We've got to go look up
that druggist."

"All right," Toffee said. "But if I had X-ray eyes I would be content
to stand on street corners and whistle."

This concluded, they tottered on to the end of the aisle and down the
stairs.

"Going astray!" Marc sang vaporishly. "Going astray! I'm jus' going
astray!"

With a wild lurch the two fugitives precariously left the stairs and
emerged onto the first floor. As they started unsteadily down the aisle
a veiled and voluminous lady in black turned from her examination of
a silk blouse and observed their progress with smiling approval. She
turned benignly to the sales girl who was serving her.

"Isn't that sweet?" she murmured. "Imagine a stunning girl like that
sacrificing a day to take her poor old blind father shopping."

Toffee and Marc proceeded in a more or less orderly fashion to the
doorway, leaving the good Sergeant to ransack a store now empty of its
quarry.

       *       *       *       *       *

Five minutes later and three blocks removed from the department
store, the two law-evaders paused to reconnoitre. Or at least Toffee
reconnoitred while Marc, still sightless behind his glasses, awaited
directions. He held out his hand in readiness, waiting to be led. At
his side, Toffee momentarily broke her mood of concentration.

"As I see it," she said, "our next move is to flee the city."

"But what about the druggist?" Marc said. "I've got to find out about
my eyes." He stopped as he became aware of a nervous tugging at his
sleeve.

"Hey, man," a voice said, "I've been lookin' for you everywheres."

Marc hastily lowered his glasses. He glanced down to find a familiar
shifty-eyed, weasel-like face peering up at him.

"You!" he said.

"Yeah, man," the diminutive peddler of lewd pictures grinned. "You
still got the cool stuff, huh?"

"The cool stuff?" Marc said with sudden stiffness. "If you mean that
collection of disgusting pictures, no I haven't got them. At the
moment, I believe they're listed as Exhibit A in the case of The People
against Marcus G. Pillsworth."

"Man!" the little man wailed. "You mean somebody goofed and the cops
got 'em?"

"Precisely," Marc said frigidly.

"Who's this Pillsworth cube?"

Marc drew himself up into a living tower of glowering hauteur. "I am
Marcus G. Pillsworth," he said nastily.

"You!" the little man said. "You got hooked with the goods?"

"I got hooked," Marc said flatly, "with the goods just where you
planted it on me."

"Jeez!" the little man cried despairingly. "You just can't rely on
nobody no more." He chewed his lip for a moment, then looked up at Marc
anxiously. "What about the French Elixir? Did the bulls heist that,
too?"

"French Elixir?" Marc said. "I don't know anything about your French
Elixir."

"The hell you don't, man," the little man said. "I faded it into your
coat pocket. Did they find it?"

Marc paused. A chill of apprehension skittered up his spine. "Into my
coat pocket," he said. "A small brown bottle?"

"It wasn't a big blue jug," the little man said impatiently. "You still
got it?"

Marc reached into his pocket and pulled out, first one brown bottle,
then another. They were almost identical except that the liquid in the
one marked 'French Elixir' had been depleted by approximately one
fourth.

"Good night!" Marc yelled. "I drank the wrong stuff!"

"You drank the Elixir!" the little man said. He snatched the bottle
from Marc's hand. "You _drank_ it?"

"I said I drank it," Marc said distractedly.

"Then, you owe me twenty bucks, man. That bottle of genuine,
hard-to-get French Elixir sells for fifty, sixty dollars." He held out
his hand. "Pad my palm, friend."

"I certainly will not pad your palm," Marc said indignantly. "Do you
know what that stuff's done to me?"

"Huh?" The little man paused reflectively. "How should I know what
it done," he said. "They say all sorts of stuff could happen to you,
according to how you're repressed." He regarded Marc interestedly.
"What happened?"

"I've got X-ray eyes!" Marc said dramatically. "That's what happened."

The little man looked at him skeptically. "What's X-ray eyes?"

"When I look at people," Marc said, "I see right through their clothes.
If I didn't have these glasses on everyone on this street would be
stark naked."

       *       *       *       *       *

The little man made a thin whistling sound, then began to chuckle.
"Lord, man," he laughed, "you ain't got X-ray eyes, you just got a
dirty mind!"

"What!" Marc said.

"That's all!" the little man said. "It was all explained to me. The
stuff works different on different people. It lets out what you've been
pluggin' up inside. Oh, man," he chortled, "and you gave me the freeze
for showin' you those French postcards!"

"I do not have a dirty mind," Marc said, "and even if I did, it would
hardly be any business of yours. The point is that this awful elixir of
yours has made a mess of things."

"At least," Toffee put in, "it's given us a devil of a handicap."

The little man looked at Toffee directly for the first time and
obviously was struck by what he saw. "Who's the cool chunk of stuff?"
he asked. He moved in close to Toffee and put a hand casually on her
shoulder. "Just call me Hotstuff Harold, honey," he murmured. "That's
how I'm referred to by all my intimate friends."

"If you don't keep your grimy little paws to yourself," Toffee said
evenly, "they'll soon be referring to you as 'the deceased.'"

"It's nice that you two are acquainted," Marc said sourly, "but that
still doesn't solve my problem." Peering over the top of his glasses,
he fixed Hotstuff Harold with a beady eye. "How do I get rid of the
effects of this awful elixir of yours?"

"As far as I know," Hotstuff said, "all you can do is wait for it to
wear off."

"And how long will that take?"

"Who knows?" Hotstuff shrugged. "I ain't never messed with the stuff.
Maybe I been repressin' a better nature and it would come out and ruin
my life's work."

"I doubt it," Marc said. "But there must be something I can do about
this."

"If I was you, man, I'd go sit in a Marilyn Monroe picture until they
kicked me out." Hotstuff put his hand to Marc's sleeve. "You still owe
me some bucks, boy. Twenty for the pictures and twenty more for the
shot of elixir."

"Now, look here," Marc said sternly, "if you think...."

He stopped, for Hotstuff, a businessman of some agility, already had
Marc's wallet in his hand and was counting out the money. Marc snatched
it back from him.

"Here, now!" he said.

Harold grinned modestly. "Mother taught me how to take up public
collections while I was still in rompers. They say I was the cutest
little dip that ever worked the Stem."

"Well, this is one stem you're not clipping," Marc said hotly. "Keep
your hands to yourself."

"I ain't goin' to leave till I get paid," Hotstuff said without
animosity.

"Just a minute." Toffee broke in. "While you two are arguing, time is
running down the drain. If we're going to the country we'd better get
started."

Marc turned to her with a sigh. "I thought I explained to you that...."

"But I've got it all figured out," Toffee said complacently. "While
you've been wasting your time with this grifter, I've been working out
a plan."

"I'm sorry," Marc said wearily, "but I don't think I could stand
another one of your plans. Not today."

"But this will work," Toffee said brightly. "Now the problem, to put it
succinctly, is for me to go to the country, but not to be noticed by
Julie. Well, actually, that's the easiest thing in the world."

"Oh?" Marc said. "If you imagine that Julie is likely to overlook a
half-naked redhead...."

"Now, look at it this way," Toffee interrupted, "if you wanted to hide
yourself where would be the best place?"

"Me," Hotstuff interjected, "I always go out and mix with the crowds
when I'm on the dodge."

"Exactly!" Toffee said. She looked on Hotstuff with new respect, then,
glancing back to Marc, pointed across the street. "See that bus?"

       *       *       *       *       *

Tilting his glasses, Marc followed the direction of her pointing
finger. Diagonally across the street was parked a large yellow
sight-seeing bus of a vintage so distant as to defy memory. At the
front of the bus stood a tall, cadaverous looking individual in shirt
sleeves, about whom was an atmosphere of listless resignation. Inside
the bus, the seats were starkly uninhabited.

"What we do," Toffee went on enthusiastically, "is hire that bus and
fill it up with a lot of people. Then we drive out to the country, and
when Julie sees this great gang knocking about the place she'll never
pay any special attention to anyone in particular. She'll never notice
me."

"That's ridiculous," Marc said. "In the first place I doubt I'd ever be
able to hire the bus privately."

"From the looks of business," Hotstuff said, "you could probably have
it for a song."

"Even so," Marc said doggedly, "we are not a crowd. We are only two
people, and I'm positive Julie is quite capable of picking a strange
young lady out of a group of two."

"I'd be very happy to accompany you," Hotstuff said. "In fact I insist
on it, so's I can protect my investment."

"There!" Toffee said. "We're forming a crowd already. All we need are
about twenty more."

"And where are we going to get them?" Marc asked serenely.

"I could have a number of my business acquaintances and
their--uh--molls--out here on the corner in a flash," Hotstuff offered
obligingly. "I know a number of personalities who are quite hot to get
out of town for various reasons."

"Go get them!" Toffee said. "We'll hire the bus while you're gone."

"Now, just a second...." Marc yelled, but Hotstuff had already scurried
off down the street toward the corner poolhall.

       *       *       *       *       *

The deal for the bus was concluded in almost the same instant that Marc
approached the gangling individual on the sidewalk.

"Sure, mister," the man said sadly. "Why not? A day in the country
would suit me fine. You can have the bus and me for whatever you want
to offer, and you can bring along all the friends you want."

Marc fatefully handed over a couple of bills and glanced, not without
apprehension, down the street. "The others should be along any moment
now," he said. He turned to Toffee. "Just how are we going to explain
all these people to Julie. We can't just say I asked them out for
dinner."

"Well, then," Toffee said, "we'll just say you're a group of botany
students on a field trip." As though that satisfactorily explained
everything she started into the bus. "Heigh, ho! Oh, for a day of
biology in the open air!"

"I thought you said botany," Marc said, uneasily.

"One can always hope," she said grandly.

True to his word, Hotstuff was back almost instantly, trailing after
him a cast of characters the likes of which is rarely seen on the
streets before sundown. The men, five of them in all, were heavy-browed
and flashily dressed. Their female counterparts--or molls, as Hotstuff
had described them--were so unanimous in their endorsement of low
necklines, high heels, dyed hair and ankle bracelets that they seemed
almost to be in uniform.

At the approach of this strange swarming, Marc lowered his glasses
only to replace them even a bit more quickly than was entirely
necessary.

"Good Lord!" he groaned. "It looks like Saturday night at the police
lineup."

At that moment, however, Hotstuff arrived at the front of the bus, his
questionable companions crowding close behind him.

"These is some of my best chums," he announced with beaming pride.
"I would introduce you to them only they don't like their names
mentioned." He drew forward a crimson-lipped creature who had crossed
the street close to his side.

"This is Floss, my mouse," he said.

Floss, whose hair ran the gamut of colors from jet at the roots
to orange-red at the ends--with blond, brown and platinum
intervening--gazed at Marc from beneath mascara-encrusted eyelashes.

"Hi, tallstuff," she said in a smoky tone, "ain't I seen you somewheres
before?"

"Knock it off, Floss," Hotstuff said. "Today's vacation. Besides, the
gent can't see you through those glasses, so don't waste your wattage."
He grinned at Marc. "She likes you, man."

"I always like to improve public relations," Floss said delicately.

"I'm much obliged," Marc said, edging away. "Well, I suppose we ought
to be on our way."

"Okay, everybody!" Hotstuff yelled. "Climb aboard! We're off to
mingle with nature!" He took Marc's arm and guided him to the steps.
"Everybody brought a couple of bottles," he said. "All you have to do
is supply the grub. Boy! is this going to be some party!"

"Yes," Marc said fatefully, "it probably is."

       *       *       *       *       *

It was not until the bus left the city and was churning its way into
the fresh-budding atmosphere of the country that the little assemblage
began to get into the true spirit of the trip.

Until then they had been content to sit quietly drinking from their
bottles, but now, with the green fields and trees unfolding before them
they were moved to song. Lifting their voices in shattering discord,
they howled out a little number about an unfortunate heroine called
Underslung Fannie whose amorous exploits, according to the lyrics, were
distressingly uncanny. At the rear of the bus, Marc slunk in his seat
and turned to Toffee.

"Leave it to you," he moaned. "How am I ever going to palm off this
tight little segment of the underworld as a bunch of fun-loving
botanists?"

"Oh, they're not so bad," Toffee said. "At least you don't have to
worry about whether they're bad or not. You know they're bad right from
the beginning."

"And so are you," Marc said dryly. "However, I suppose everyone seeks
his own level. I might have expected this."

Toffee generously patted his cheek. "You're just overwrought," she
said. "You need a drink." Reaching under her seat, she brought out the
bottle of champagne. "Take some of this and you will see everything in
a happy glow."

"Behind these glasses?" Marc asked.

"You may even find the nerve to take them off," Toffee said.

"In this crowd?" Marc said. "Heaven forbid!"

Nevertheless, after several lengthy drafts from the bottle, Marc did
begin to see things more brightly, and he did remove his glasses. It
gave the congregation before him a strange, bare-shouldered look, but
the effect, since everyone was seated, was hardly shocking. He was
careful, however, to keep his gaze averted from the passing landscape,
particularly after a startling view of a pink-skinned, full-formed
farmgirl scattering feed to a flock of hideously defeathered chickens.
After a time he began to look on his new-found companions a bit more
fondly.

"At least," he yawned, mellowed by the champagne and the warm sun,
"they're a happy bunch of criminals."

As though to prove his words correct, the company suddenly roared with
laughter, and Marc, content that things were going well, put his head
back against the seat and dozed off.

The burst of laughter, however, had Marc listened more closely to it,
was more a cause for alarm than complacency. In its gleeful, boisterous
tones was the announcement that the drunken little band of miscreants
had found still a new outlet for their antisocial tendencies.

A blowsy blonde named Dora, spotting a cop lounging against his
motorcycle along the highway, had observed the prescribed amenities
between the law and the underworld by leaning out the window and making
a series of rude and meaningful gestures. Admiring Dora's finesse in
this affair, her escort, a blue-jawed second-story artist named Moose,
leaned out beside her and dispatched a depleted whiskey bottle at the
cop's head, scoring a solid hit along side the ear. Their friends and
companions, as a result, had fairly collapsed in their seats with
helpless laughter.

       *       *       *       *       *

In this sordid incident were the beginnings of a well-routined game.
The criminals, seeing no end of fun in this little sport, organized
themselves into a team so that it might be pursued with the greatest
efficiency and dispatch. Splitting themselves into cop-watchers,
cop-insulters and cop-smackers, they became a yelling, yowling
menace to every patrolman and peace-enforcer along the highway. As
Marc continued to slumber, a chorus of sirens began to wail and
shriek in the wake of the lumbering bus. Of those involved in this
not-so-innocent diversion, only the bus driver was distressed.

"Now, cut it out, you!" he yelled back at his cop-assaulting
passengers. "Lay off before you get me into serious trouble!"

"Step on the gas, you hacky!" Moose roared. "Give it the gun!" And
having delivered this command, he snatched up another bottle and sent
it sizzling through the window toward the head of an unsuspecting
sheriff's deputy.

"Got him!" Floss shrieked with childish glee and collapsed to the aisle
in a fit of giggles.

The sirens following the bus had reached a many-throated scream before
Marc finally awoke. Opening his eyes with a start, he gazed about,
firmly convinced that the world had gone mad. A glance toward the
front of the bus and another out the rear, however, swiftly told him
the frightful truth of the matter.

"Stop that!" he yelled. "Stop it this instant!"

"Look, mister!" the bus driver hollered. "Either you quiet down those
maniacs or I'm going to drive this bus right off a cliff somewhere!"

Marc looked ahead down the highway. Mercifully, deliverance, of a sort,
was at hand.

"Just around the next bend!" he yelled. "Take the drive to the left!"

"Golly!" Toffee cried happily, "isn't this exciting!"

Marc cast her a brief, scathing glance and concentrated on the road
ahead. The bus, traveling at maximum speed, was rattling and creaking
in every joint. Tires squealing, the driver took the turn ahead, then
cut sharply to the left and through the gateway that bore the sign,
'Pillsworth Acres.'

The bus careened up the circle of the drive, spitting gravel and dirt
from beneath its tires. A rambling, stone-faced house loomed rapidly
ahead. Green, tree-studded lawns stretched away on all sides. Down the
rise to the west a swimming pool flashed by, studding the greenness
like a glimmering, intermittent sapphire. With a scream of the brakes,
the bus ground to a terrifying stop at the entrance to the house. In
the distance, back on the highway, the avenging sirens grew louder,
then faded swiftly away into the distance. The driver at the front of
the bus went limp in his seat.

"All out!" he gritted. "Get the hell out of here before I go nuts!"

Marc whirled about to Toffee. "Why didn't you wake me up?" he demanded.

"What for?" Toffee asked blithely. "You'd only have worried. And
everything turned out fine, didn't it?"

As the company of undesirables staggered, reeled and toppled from the
bus onto the lawn, Marc and Toffee followed after. Marc refitted his
glasses to his nose and paused before the driver's extended hand.

"Yes?" he asked.

"Look, buddy," the driver said, "where can I hide this hack? Those cops
may be comin' back here any minute."

"Seems a shame to hide it," Marc said acidly, "when we've spent so many
happy hours together in it."

"I gotta hide it, mister," the driver said. "I don't want to get into
any trouble. You see, this ain't my bus."

"What?" Marc said.

       *       *       *       *       *

The driver shook his head woefully. "I was just standing there when
you came along and offered to hire it. The guy who owns it was in a
java joint down the street. I just got fired off my job this morning,
and when you came along and made me that offer, well, it was such a
beautiful day and all...."

"You, too!" Marc said, aghast. "Isn't anybody legitimate today?"

"I still think I ought to hide this can."

"Hide it by all means!" Marc agreed. "Remove all trace of it." He
motioned toward the woods. "Drive it out there, where it will never be
seen again."

Hotstuff, who had overheard this exchange, moved in confidentially. "Me
and my pals are experts at obscurin' the evidence," he offered. "We
could convert it into an icebox, so's they'd never know the difference."

The driver shook his head. "I think the woods are better," he said. He
sighed. "Besides, I want to be off by myself for a while, where I can
take a nap."

Toffee held out the bottle of champagne which was still half full.
"Take this with you," she said. "You need it."

"I sure do, lady," the driver said gratefully, accepting the bottle. "I
need every drop of it. I'm going to get so drunk I won't even know who
I am."

At this point Mr. Busby, Marc's paunchy, genteel caretaker, tottered
curiously down the steps and approached the bus with evident caution.

"'Afternoon, Mr. Pillsworth," he said uncertainly. "I see you brought
along some--uh--guests."

"Why, yes, Busby," Marc said, with an attempt at nonchalance. "I
brought them up for a little outing. A group of business associates and
their wives."

At this description, Floss straightened her skirt and put a hand to her
hair. Hotstuff removed his hand gracefully from a companion's pocket
and smiled ingratiatingly.

"I see," Busby said quietly, but in his pale eyes there was an enormous
doubt.

"Where is Mrs. Pillsworth?" Marc asked casually. "And Mario?"

"I'm not just certain," Busby said. "They took their paints and a lunch
hamper and went off into the woods." He pointed to the south. "They
were headed out that way."

"I think I'll hunt them out and have a word with them," Marc said.

"And your--uh--associates?"

"Oh, yes," Marc said. He leaned a bit closer to Busby. "What do you
think would amuse them, Busby?"

"I don't suppose I should say it, sir," Busby said, "but I think I
ought to slip inside and put the silver and Mrs. Pillsworth's jewels in
the vault. As for amusing them, we haven't any dope or revolvers on the
premises, but, then, perhaps they've brought their own."

"I shouldn't be surprised," Marc said.

"And while I'm about it, sir," Busby went on, "I think I'd better put
the lock on the wine cellar."

"Wine cellar!"

It was Hotstuff, the ever-present eavesdropper, who spoke up. "Hey,
gang, there's a wine cellar!" he announced. "Cool, huh?"

"Say," Floss drawled, sidling up to Marc, "you've really got class,
huh? A wine cellar is right up my alley. The lower I get the better I
like it."

       *       *       *       *       *

Toffee stepped forward, eyes glittering. "You may get lower than you
care to, doll, if you keep on like that. You may find yourself six feet
under with a very dim out-look."

"Listen, sister," Floss said belligerently, "I'll tangle with you any
time."

"You may never get untangled if you do," Toffee flared. "You may wind
up wearing that fright wig of yours on your bustle!"

"I'll risk it, carrot-top!"

"There's no risk involved," Toffee said, doubling her fists. "I'll make
you a money-back guarantee!"

"Well, well," Hotstuff said approvingly, "the girls are getting real
well acquainted, ain't they?"

"Too well," Marc said. "We'd better separate them before they get
downright intimate." He turned to Busby. "Show the guests to the wine
cellar."

"But, sir...."

"I know, Busby," Marc said, "but they'll probably be quiet there--at
least for a while."

"I suppose so, sir," Busby said dully. He started back toward the
house, and the raucous little band fell in behind him. As they
departed, Toffee stared after Floss malevolently.

"I may belt that kid one yet," she murmured.

Behind them, the bus started up, lurched crazily forward, shot through
the hedge bordering the drive and took off drunkenly across the lawn
and into the trees.

"Oh well," Marc sighed. "I suppose it might be worse--though I can't
imagine how."

"Devastation seems to be prevalent today," Toffee agreed.

"And with you helping it along," Marc said, "I seem to have gotten a
double order." Lifting his glasses briefly, he stared off toward the
woods. "I suppose I'd better get going. The sooner I settle things the
better."

"If you want my advice," Toffee said, "take a gun."

"What in the world would I do with a gun?" Marc asked.

"It would give weight to your argument," Toffee said. "These Latin
lovers expect jealous husbands to carry guns."

"I am not jealous," Marc said stiffly, "I'm just worried, that's all."

"In that case," Toffee said, "why don't we just wait here until they
get back? We could join the party in the cellar."

"It's this spring-time daffiness that really upsets me," Marc said.
"Everyone seems out of control."

"Look," Toffee said, "if they went to the woods in that direction,
why don't we go to them in the other direction and let Julie do the
worrying for a change. Fair's fair, isn't it?"

"How could that possibly worry Julie," Marc asked. "She wouldn't even
know we were there."

"That's right," Toffee said evilly, "she wouldn't, would she?"

"Unprincipled little trollop," Marc said.

"Unprincipled to the bone," Toffee agreed. She sighed. "But what good
does it do me?"

"I suppose I should drop in on my guests before I leave," Marc said,
"just to make sure they're comfortable."

"They're probably so comfortable by now, they're unconscious."

"They're better that way," Marc said.

This settled, he turned away, then turned quickly back again as Busby,
wringing his hands with desperation, suddenly flew through the door and
down the steps.

"Sir! Sir!" he yelled. "They've done it already, sir! I can't
imagine.... They must be quick as cats!"

"What are you talking about, Busby?" Marc asked.

"The silver, sir!" Busby wailed. "And Mrs. Pillsworth's jewels!
Your--associates cleaned out the lot! And they merely passed through
the house, sir!"

"Like corn through a goose," Toffee murmured.

"Oh, Mrs. Pillsworth will be furious, sir!" Busby lamented. "Mrs.
Pillsworth puts great store by her silver and jewels!"

       *       *       *       *       *

Marc shuddered with apprehension. Julie would be more than furious; she
would be livid. And, worse than that, she would be livid at him! Since
the pack of thieves who had taken the things were his guests, the whole
thing, therefore, would be all his fault. She would never forgive him.

"We'll have to get them back!" he said.

"I could call the police, sir!"

"No!" Marc fairly yelled. "No, Busby, don't call the police." He
frowned concernedly. "Are they all down in the cellar now?"

"Revelling," Busby said hauntedly. "Revelling and shouting and
guzzling. I don't think I'd go down there if I were you. It's a regular
den of vice."

"Nevertheless," Marc said, "they need a good talking to. It's hardly
good manners to accept a man's hospitality and steal his wife's jewels."

"It was probably Floss," Toffee said vengefully. "She's got her eye out
for a good thing, all right."

Together, the three of them entered the house, crossed the wide, cool
hall at the front, passed through the solarium and kitchen and drew
up at the doorway that led down to the cellar. The sound of coarse
laughter momentarily halted their steps. From inside his jacket, Busby
extracted a revolver.

"Perhaps you should have this, sir," he said. "I keep it for
emergencies."

"And this is certainly an emergency," Marc said. Taking the gun, he
faced the stairway. "I will speak to them firmly and if that doesn't
work, I'll--I'll--"

"Call the police, sir?"

"No! No, I'll--I'll hope for the best."

"With that mob," Busby said dismally, "the best is bound to be
something worse than the worst, if you get my meaning."

"Nevertheless," Marc said, "we will have to face them with it." He
led the way through the door and down the steps into the dim, musty
sweetness of the cellar. As they descended, a second roar of laughter
rose to greet them.

"Hey!" a voice called roughly out of the shadows. "Mine host
approaches--with vassals?"

"Vassals of what?" another voice inquired woozily. "Or do you mean
sea-going vassals?"

Marc peered into the dimness and held up a hand. "Ladies and
gentlemen," he said, not without a note of irony. "Ladies and
gentlemen, Busby, here, has just told me a most shocking story."

There was a stirring in the dark. "Old Busby did that?" a voice said
interestedly. "He hardly looks like he'd know any shockin' stories."

"Shame on Busby!" a feminine voice giggled out of the distance.

A form moved out of the shadows and proved to be Floss. "Let's hear
this shockin' story," she said eagerly. "Ain't nothin' like a good
shockin' story to get the party goin'."

Marc put up his hand again. "No," he said, "you don't understand; it's
not that kind of a shocking story."

"A true confession, huh?" a voice said sullenly from behind the wine
bins. "Don't sign it, Busby. Get a good shyster before you put your
name to it."

"Please!" Marc said. "Let me tell you...."

"Not if it makes us accessories to the fact!" the voice came back. "I
don't want to hear it. I'm putting my fingers in my ears!"

"Let's all put our fingers in our ears!" a blonde-sounding voice
tittered. "It tickles!"

"Now, just a minute!" Marc yelled. "Listen! Someone here has stolen the
silver and my wife's jewels, and I've got to have them back. The only
thing I can do is appeal to you as a friend."

"You'd appeal to me even as an enemy," Floss giggled tipsily. "Advance,
friend and be recognized."

"If he does," Toffee snarled, "he'll also be cauterized. Stay back, you
two-bit lollypop!"

But Marc was not to be distracted from the matter at hand. "Now, which
one of you did it?" he asked. "There won't be any arrest if you will
just return the things."

       *       *       *       *       *

There was a dense silence. Hotstuff shuffled out of the dimness and
took up his place unsteadily at Marc's side.

"Okay, you crazy cats!" he hollered. "Which one of you pinched Mrs.
Pillsworth's rocks?"

"Was she wearin' them at the time?" a female voice inquired.

"No, she wasn't," Marc said. "What has that got to do with it?"

"Plenty," the voice said. "If she was wearin' them there might have
been a hell of a lot more pinched than just her jewelry." The speaker
sighed with understanding. "Sometimes a girl likes to be pinched just
for herself alone."

"You're gonna get slugged just for yourself alone if you don't shut
up," Hotstuff snapped. He paused significantly. "Ain't no one gonna
sing?" He turned back to Marc. "Was the stuff insured?"

"Yes," Marc said, "but it's not as simple as that." Resignedly, he
launched into the story of his domestic problems. "So, you see," he
concluded imploringly, "I have to have the original jewels back or I
might lose my wife."

"And she's out two-timin' you with this Mario creep?" a voice said
indignantly. "Disgustin'!"

"You gotta take your rod and blast the guy," another voice said hotly.
"Defendin' your home, you could get off scot free."

"Hey!" Hotstuff broke in suddenly, "I got a great idea!" He grinned at
his unseen audience with triumph. "Here we are, enjoyin' a healthful,
restful day in the country, all at Mr. Pillsworth's expense. Well, now,
don't it seem like we owe him some kind of token of thanks?"

"Yeah!" Floss said happily. "Like an ash tray made like a toilet seat!"

"Naw, Floss, nothin' like that," Hotstuff frowned. "What I mean is
something real useful that he needs."

"Yeah?" a voice asked eagerly. "Like what?"

"Well, now I was thinkin'," Hotstuff said, "what Pillsworth, here,
needs most is to have this Mario removed outa the way. Naturally, he
can't go knock the guy off himself; he just ain't the type. So, what I
got the idea for, is why don't we do the job for him? Kind of like a
thank-you present because we're havin' such a nice time!"

"Hey!" a voice growled enthusiastically, "that's a solid idea. It's got
a lot of sentiment, too. Like one good turn deserves another."

There was a general murmur of assent.

"After all," the blond-sounding voice said soddenly, "what are friends
for, except to go around and help out one another?" There was the
sound of loud snuffling. "It kind of gets you when you stop and think
about it. Who's got a rod that ain't hot?"

"Now, wait a minute!" Marc yelled. "You can't do that! It's murder!"

"But we gotta make up for the jewels, don't we?" Hotstuff said. "We
gotta be honest with you, don't we?"

Already, the murderous drunks had begun to swarm out of the dimness.
The blue-jawed Moose appeared brandishing a wicked looking .38.

"We'll all take shots at him," he chuckled, "and say it was a huntin'
accident. That way, they won't be able to pin it on no one in
particular."

"Now, listen!" Marc rasped desperately. "I can't permit you to do this!"

"Oh, it's really nothin'," Hotstuff said modestly. He motioned to his
followers. "Come on, friends, to the woods!"

"You mustn't do this!" Marc cried.

"What a guy!" Moose growled admiringly. "You gotta practically fight
him to even do him a little favor."

       *       *       *       *       *

The band swarmed past Marc and up the steps. "We'll spread out and
force him into the open!" Hotstuff yelled.

"Stop!" Marc hollered. "Don't do it! I don't want you to!"

But the last of the assassins reached the top of the steps and
disappeared out the door. Marc turned hopelessly to Toffee.

"I should have stayed in jail!" he said. "I can just see the newspapers
when all this is over. Julie will divorce me for certain!"

"Well, don't just stand there wringing your hands," Toffee said. "Let's
go out and warn them. We'll have to hide this Mario character until
they've cooled down and gone away."

"I suppose so," Marc said. He turned and, with Toffee's guidance,
started up the steps. "At least we know where to look. Maybe we can
beat them to it."

They hurried up the stairs and out the back door. Marc turned briefly
back to Busby.

"You stay here," he said. "If Mrs. Pillsworth and Mario return warn
them to stay out of sight."

"Yes, sir," Busby said. "And I think I'll stay out of sight myself."

Marc and Toffee started out.

"They're probably down along the stream somewhere," Marc said. "Let's
hurry."

It was when they had reached the end of the lawns and were starting
into the brush that Marc stumbled and lost his glasses. After looking
about them then, hurriedly, he gave them up.

"I'll just have to do without them," he said.

"This is hardly the time to indulge your Puritan sensitivities," Toffee
agreed. "Come on!"

They forged ahead over rocks and through bushes until they came to the
edge of the stream. There they stopped, scanning the banks for as far
as they could see, but there was no one.

"You go in that direction," Toffee said quickly, "And I'll go upstream.
If I find them I'll whistle."

Marc nodded agreement and struck out, shoving his way through a thick
tangle of foliage. He moved along carefully toward a clearing that
he remembered to be ahead. Finally, starting through the last leafy
barrier, he caught his coat on a branch. He turned back to loosen it,
at the same time backing out into the opening, pulling against the hold
of the branch. The gun in his hand, however, made the maneuver awkward.
As the coat finally came loose, he fell backwards, landing on the grass.

He was just starting to boost himself up, when he heard the scream
behind him. It was a shrill scream and filled with horror. There was
an ensuing moment of silence, then the sound of swiftly padding feet,
scurrying in all directions. Marc turned and looked.

At first glance he was deeply startled, having forgotten momentarily
the condition of his eyes. A large collection of humanity, glistening
pinkly in the afternoon sunlight, were disappearing frenziedly into the
surrounding greenery. As their unclad backsides vanished behind cover,
Marc noticed that they had left behind them a number of picnic baskets,
thermos jugs and blankets.

He sat for a moment, getting back his breath, then, on brief
reflection, it came to him that these picnickers, whoever they
were, had behaved with singular strangeness. Why should they run so
desperately for cover just because he had fallen into the clearing?

He had only begun to ponder this curious equation when he realized
that perhaps his falling there really had nothing to do with it at
all. Perhaps something else, something much more formidable than a
mere intruder, had panicked them. Visions of man-consuming cobras and
slavering tigers flashed through his mind. Whatever it was that had
so upset these people, he wasn't going to hang around to welcome it
single-handedly. Leaping to his feet, he also ran for cover.

       *       *       *       *       *

He crashed through the scratchy frontier of brush and came to an
abrupt stop. Crouching before him, her back fortunately turned, was
a plumpish, dark-haired woman, hiding her face in her hands. Marc
crouched quickly down beside her and for a moment there was a tense
silence. It was as though they waited for a bomb to drop. As the
moments passed, however, and nothing occurred, Marc cleared his throat.
The woman flinched nervously.

"Shh!" she hissed. "Be quiet!"

"What for?" Marc asked. "What happened?"

"Didn't you see?" the woman asked.

"I must have missed it," Marc said.

"Well, just be quiet," the woman said again, and once more the silence
returned.

Finally, out of sheer curiosity, Marc was forced to reopen the
conversation.

"This seems to be my day for crouching down with women," he said,
trying a social tone.

"Is it?" the woman said. "I suppose there's a reason why?"

"I don't know," Marc said, feeling that this exchange was not destined
to make a great deal of sense. "But I'm beginning to be just a little
stiff from it."

"From what?" the woman asked absently.

"From crouching down with women," Marc said, wishing he hadn't started
the discussion in the first place.

"Do you mean you get stiffer from crouching down with women than with
men?" the woman asked.

"Well, I don't know about that," Marc said. "I've never crouched
down with any men. Do you suppose it would matter if I stood up and
stretched a bit?"

"For heaven's sake!" the woman gasped. "Do you want to be seen?"

"Why shouldn't I be seen?" Marc asked.

"You know very well," the woman said, "the way you are."

"The way I am?"

"Certainly," the woman said. "You know how people get about that sort
of thing."

"Oh?" Marc said, completely lost. "Say, how am I, anyway?"

"How should I know how you are?" the woman said primly. "I don't allow
myself to think about those things."

"But you were just talking about it," Marc said, "and about how people
get about it."

"Your mind should be above it all," the woman said. "If you're asking
for compliments, you've come to the wrong party."

"I persistently get the feeling," Marc said, "that we're talking about
two different things."

"Weren't you at the last meeting when the citizen's committee showed up
and started chasing us around?"

"Why no," Marc said interestedly, "I guess I missed that one."

"The way people act," the woman said peevishly, "you'd think we nudists
aren't decent or something."

"_Nudists!_" Marc yelped. "Then, you really haven't any clothes on
after all!"

"Of course I haven't," the woman said self-righteously. "And you...."
Suddenly a quiver of realization coursed through her plump body and,
removing her hands from her eyes, she looked around at Marc with a
glance of horror. Her lips parted and she screamed.

"You're dressed!" she cried. "You're the man with the gun! Get away
from me. Don't come near me!"

"I wouldn't think of it!" Marc said, leaping to his feet. "Good
heavens, don't turn around!"

"Don't worry," the woman said fervently, "I don't think I could even if
I wanted to! I'm just going to sit here and yell." And just to prove
it, apparently, she screamed again. "He's here!" she shrieked. "He's
here, with all his clothes on!" Her tone implied a nasty accusation.

"Good grief!" Marc said. "You don't have to tell everybody, do you?"

       *       *       *       *       *

Now that the alarm was out, the landscape came madly to life. Nudes of
all sizes and descriptions, clutching bits of greenery to themselves
where it was most needed, began leaping about through the brush like
fish in a net.

Swiftly it developed into a full-blown stampede. Marc goggled with
disbelief as tanned figures rushed across the clearing and flashed out
of sight along the banks of the stream.

"Well, I'll be darned!" Marc breathed and glanced down at the leavings
of the picnic. He shrugged and started on, hoping fervently that he
wouldn't overtake them again. With his eyes behaving so strangely
everything became so fraught with complexities. When, for instance, was
a nude not a nude?

       *       *       *       *       *

Meanwhile, in another clearing just a bit farther along, Julie, her
blonde hair glinting golden in the sunshine, sat in a leafy bower with
her wide yellow skirts spread artfully about her long, aristocratic
legs. The hypnotic whisper of the stream was in her ears and the spell
of the first day of spring was in her blue eyes. From beneath drowsily
lowered lids, she watched Mario as he arranged his canvas and paints
and then, looking up, came toward her.

"The neck of the blouse, Madonna mia," he said, "it needs to be just a
trifle lower so as to display more of the--uh--shoulder." He reached
out a slender hand. "May I?"

Julie looked up, and for a moment her eyes met his. She glanced quickly
away, wondering what in the world was coming over her; she had never
felt this odd melting sensation before. Inwardly, she gave herself
a little shake, as a reminder that she was not a predatory creature
of impulse, no matter how much she felt like one. Then Mario's hand
touched her shoulder and she shivered. For just that one instant it
was as though Marc had never existed; the spell of the spring was too
strong.

"Mario!" she breathed.

"Madonna!" Mario whispered fervently, dropping to her side. "You are
exquisite! You are like a rare jewel in the sunlight!" And his arm
moved practicedly toward her shoulder.

Their eyes met, and for a moment the tableau of romantic danger held,
suspended in time, it seemed. Then it shattered as the greenery
suddenly parted around them and a host of naked figures, desperately
clutching bunches of leaves to themselves, flooded into the clearing.
Julie looked up frightenedly and screamed.

"Good heavens!" she cried.

The undraped stampeders stopped short. There was an interval of stunned
silence, then the leafy interlopers, seized with a fit of modesty,
hastily huddled together and crouched down.

"My God!" a small round-eyed man gasped. "We're surrounded. Everybody's
wearing clothes today."

"Everywhere you look," said a tousled-looking blond, "there's
concealment!"

The silence returned, more awkwardly this time. The nudists stared
worriedly at Julie and Mario and they, too stunned for words, stared
back. Julie, from sheer nervousness, finally spoke.

"You--you haven't any clothes on!" she observed rather foolishly.

"We are aware of that, madam," a bald-pated gentleman said miserably.
"And we're growing more aware of it every minute. You don't have to
tell us."

"Don't you even care?" Julie asked shakenly. "Don't you _want_ to have
any on?"

"No, we don't," the first man said defiantly. "We feel that for the
sake of our health--and morals, too--we shouldn't have."

"It may be wonderful for your health," Julie said doubtfully, "but I
can't think it would do much for your morals."

"That's because you don't understand," a woman snapped. "You're not a
right-thinker."

"Well, it hardly matters now whether I understand or not," Julie said.
"Are you going to go on like that indefinitely?"

"Not wearing clothes?" the man asked.

"No," Julie said. "Crouching there, I mean, staring around. You are
making me terribly uncomfortable."

"If we stood up," a skinny man said, "we'd make you a lot more
uncomfortable."

"Yes," Julie agreed quickly. "I suppose you would. Still, we can't just
all sit here like this, can we?"

"I don't know about you, lady," the skinny man said, "But I'd rather
not."

"Then, what will we do?" Julie said. "If we close our eyes will you
promise to go away--very quietly."

"But where will we go?" the man asked. "The woods are alive with
non-nudists today. We hardly know which way to turn."

"You should have thought of that before you took your clothes off,"
Julie said edgily.

       *       *       *       *       *

At the far end of the clearing there was a dry parting of the bushes
and Marc ambled into range. His gaze went no farther than the nearest
nudist and, despite the gun, he put his hands over his eyes.

"Marc!" Julie cried.

At the sound of Julie's voice Marc's face drained of all color. The
worst had happened, just as he had suspected. Under Mario's degrading
influence, Julie had not only gone astray, she had even joined the
nudists.

"Julie!" he cried forlornly. "How could you do a thing like this?"

"A thing like what?" Julie asked, getting to her feet. "What are you
talking about?"

"Running around--like that!" Marc said.

"I'm not running around," Julie said, inching her neckline up guiltily.
"Why are you holding your hands over your eyes like that? And what are
you doing with that gun?"

"I can't bear to look," Marc said. "I may shoot myself."

"What!" Julie said, then smiled. "Oh, it's all this bare skin that
upsets you, eh?"

Marc winced anew. "Doesn't it bother you?" he asked.

"You'll never know how much," Julie said, "but they say it's good for
the health and the morals."

"Morals!" Marc said. "I'm surprised you even know the word any longer.
I think I'd better leave."

"Well, if I can face all this, surely you can, too," Julie said. "You
still haven't explained what you're doing with that gun."

The skinny nude gentleman stirred anxiously. "Are you people going to
go on chatting all day?" he asked plaintively. "My leaves are beginning
to wilt."

"Your leaves," Julie said tartly, "are no concern of ours."

"If they droop just a little bit farther they'll be everybody's
concern," the man said wanly.

"Yes, they certainly will," Marc shuddered. He turned in Julie's
direction. "I hope your leaves are holding up all right."

"I don't have any leaves," Julie said. "Why should I have? Why are you
acting so strange?"

Marc started forward. As he did so, he caught his toe on a projecting
root and stumbled. Lurching forward, he threw out his hand blindly and
inadvertently pulled the trigger of the gun. There was a deafening
report and a bullet sailed into the air. Julie, clutching at Mario's
arm screamed at the top of her lungs.

"He's trying to kill us!" she yelled. "Run, Mario, run!"

Mario hardly needed the invitation; even before it was completed, he
had begun to put his feet into motion. Dragging Julie after him, he
crashed into the brush, and the two of them disappeared from sight.

"Julie!" Marc said brokenly. He opened his eyes and looked in the
direction of their departure. He glanced back at the nudists. "I hope
you're satisfied!"

"We're not, mister," the skinny man wailed. "We can't hold onto these
leaves forever. What will we do then?"

"I wouldn't be surprised at anything," Marc said nastily, "not from a
gang like you."

Like a belated echo in the distance, there was the sound of a loud
report from the direction in which Julie and Mario had departed.

"Good Lord!" Marc said, leaping forward. "I forgot!" He started toward
the bushes just in time to collide with Toffee who darted suddenly into
the open.

"They're after them!" Toffee cried. "They heard your shot and closed
in!" There was the sound of two more shots. Marc started forward, but
Toffee held him back.

"Don't go out there!" she cried. "They're in a mood to shoot anything
that moves!"

"But if they kill Mario, Julie will swear I did it!" Marc said. "I've
got to stop them!"

       *       *       *       *       *

Suddenly the air rattled with gunfire, this time closer at hand. In
the quiet that followed there was the sound of swiftly approaching
footsteps. An instant later, Moose crashed into the clearing and
jounced to a stop against Marc's chest.

"Get outa the way, you civilian!" the thug yelled blindly. "The joint
is swarmin' with bulls!"

Marc had only barely digested this frenzied bulletin when Floss,
Hotstuff, the blousy blonde and the other assorted criminals hurtled
drunkenly through the opening.

"Cops everywhere!" Hotstuff wailed. He fixed Marc with a cold eye. "Who
tipped 'em off, huh?"

"I didn't," Marc said. "Where are they?"

"Fannin' out!" Floss whined. "Closin' in!"

"Both at the same time?" Toffee asked curiously.

"Well, I suppose it's better than murder," Marc said hopelessly.

During this exchange, the fugitives had collected themselves enough to
be aware of the nudists, who, rising, were clutching their greenery to
them with trembling fright.

"Holy gee!" Floss said. "Will you look at them! What's goin' on here,
an open air smoker?"

"We do it for our health," the plump woman said defensively.

"That's a new angle," Floss said interestedly.

"The police!" the skinny man moaned, unaware of Floss' roving eye.
"They'll arrest us!"

"Boy," Floss said evilly, "what a place for a pair of prunin' shears!"

"Floss!" Hotstuff said severely. "This is no time for fun. The cops
will be swarmin' all over us in a minute!"

"Are we just going to stand here and let them arrest us?" Toffee said.

"We're surrounded," Moose said. "We'll have to shoot our way out."

"No!" Marc yelled. "Absolutely no more shooting!"

"We nudists," the skinny man announced quaveringly, "refuse to have any
part in all this."

"You shut up!" Moose snarled. The sound of a wailing siren approached
from the distance. "Good God, they're on wheels now! They've got us
out-pointed."

There was a general nervous shuffling as the assembled law-offenders
moved forward to view their oncoming fate. The movement was suddenly
arrested, however, as a roaring sound, accompanied by the snap and
crunch of despoiled underbrush, echoed near at hand.

"Holy smoke!" Marc cried, "they're sending in tanks!"

"Everybody grab something!" Floss said hysterically. "A lady must
defend herself to the end!"

"And then what?" Toffee inquired bitterly.

Already, the trees and bushes at the end of the clearing were starting
to thrash about with frenzied agitation. A tree crashed to earth and,
plowing over it, in a veering rush, came the yellow sight-seeing bus.
The driver, markedly foggy of eye, leaned his head out the window.

"The cops!" he yelled. "They're after me! They've been chasing me to
hell and gone all over the place!" With a great grinding of brakes, the
bus jolted to a stop. "I gotta get outa here!" He peered down at Marc.
"Which way do I go, mister?"

"Hey, wait!" Toffee said. "We've all got to get out of here!" She ran
around to the door of the bus. "Open up!"

There was a crush of humanity as nudists and thugs alike struggled to
climb into the palpitating bus.

"Snap into it!" the driver barked. "They're comin' in droves, those
cops, and they're all sore as hell!"

       *       *       *       *       *

Marc and Toffee stumbled to the rear of the bus and dropped into
adjoining seats.

"At least we've got a running start," Toffee said breathlessly.

"Toward what, though?" Marc asked dismally. "The law thinks I'm an
undesirable and my wife thinks I'm a homicidal maniac. Have I thanked
you sufficiently for your wonderful help in this affair?"

"At least I tried," Toffee said. "You might show a little gratitude for
that."

But Marc wasn't listening. He was gaping at the others as they climbed
aboard and fell into their seats up ahead.

"My gosh!" he breathed.

"What is it?" Toffee asked.

"In all this excitement--and with all those nudists around--I didn't
notice."

"Notice what?"

"The elixir is wearing off. Now, everybody's in their underwear! Except
the nudists, of course."

"Well, at least," Toffee sighed, "you can keep your eyes open now."

"I'm not so sure," Marc said. "You should see Hotstuff's
underwear--begonias on a field of purple."

"No!" Toffee said delightedly. "I suppose even he has his poetic side."

The conversation stopped short as the bus leaped ahead, throwing the
passengers back in their seats.

"We'll try to circle around them!" the driver called out. "Hang on!"

There was a crash as the bus lunged back into the foliage. Branches
lashed frenetically at the windows and skittered back into the
distance. There was a communal scream as a large oak loomed before the
windshield, but the driver, pulling frantically at the wheel, managed
to send the bus swerving around it. Presently, the leaping, bucking
vehicle fought its way clear of the wilds and emerged onto the green
expanse of the lawns.

It all happened too quickly for any of the participants to have a very
clear view of exactly what happened. One thing, though, was woefully
evident; the driver had gotten mixed up in his directions. As they
quitted the undergrowth, they suddenly found themselves in a head-on
rush toward the charging ranks of the law. All at once the landscape
was fairly littered with scrambling, dissembling cops. A siren shrieked
with mechanical outrage.

"Give it the gas!" the passengers yelled. "Give it hell!"

The driver reacted automatically and pressed his foot down on the gas
with everything he had. The bus shot ahead, wildly out of control,
and headed into a zig-zag course toward the house. In the path there
suddenly loomed a pair of distracted figures who, at the sound of the
churning bus, looked back and instantly froze in their tracks.

"Julie!" Marc screamed, leaping from his seat and fighting his way to a
position beside the driver. "Julie! Run!"

Outside, Julie merely covered her face with her hands. "Oh, Lord!" she
wailed. "Now he's after us with a bus!"

At the last second Marc grabbed the wheel from the driver and yanked at
it furiously. The bus careened to one side as Julie and Mario leaped or
fainted to the grass, out of the way. The bus roared on, while in the
background the siren hurled its piercing tone to the sky. Somewhere in
the distance a voice barked hoarsely.

"Fire!" it bellowed. "Get 'em in the tires! That bus is packed with
lunatics!"

There was an instantaneous volley of gunfire and suddenly the bus
skittered to one side, teetered precariously on two wheels, then
righted itself and plunged dead-on into the substantial trunk of a
weeping willow. There was a thunderous crash, a rising chorus of
terrified voices and then silence.

By fighting her way through the mass of struggling bodies in the aisle,
Toffee managed to reach Marc's prone figure. She dropped down beside
him and drew his head gently into her lap.

"Are you all right?" she asked.

Marc opened his eyes and looked at her mistily. "I think so," he said.
"I feel so drowsy, though." Then suddenly he frowned.

"What is it?" Toffee asked quickly.

"Julie...." Marc said.

"Julie? What about her?"

"She wasn't with the nudists after all," Marc murmured. "I mean she
wasn't one of them."

"Well, what's so bad about that?"

Marc sighed unhappily. "She's wearing pink lace underwear!" he said.
"And she's never worn it before." With that, as though the thought were
too much for him, he closed his eyes and went limp in her arms.

Toffee, like a drifting, though shapely, cloud of smoke, faded rapidly
into thin air.

"Jeez!" breathed a cop who had reached the door of the bus just in
time to witness this phenomenon. "This gang is even creepier than we
thought!"

       *       *       *       *       *

Judge Frennish plainly boggled at the sight that greeted his
astonished eyes as he ascended the bench.

The defendants had split themselves into definite factions. At one
side of the court the nudists had huddled together in a tight little
protective unit, while the thugs and their dolls had disdainfully
withdrawn to the other side. Marc, still in a state of slumber, had
been casually deposited in a chair, mid-distant between the two groups.

Briefly, the judge studied these separate crime camps and turned
a disillusioned gaze toward Sergeant Feeney who had reluctantly
accompanied him to the bench.

"Good grief, Feeney," he said, "do you mean to say you picked up this
gang all in one place?"

"All in one place," Sergeant Feeney nodded wearily.

"Good Lord!"

"Definitely, your honor," Sergeant Feeney agreed. "The ones without any
clothes claim they were havin' a picnic."

"I'll just bet they were," the judge said. "Though I shouldn't think
they'd care to be so frank about it." He sighed tremulously. "And the
others? I see many familiar and loathsome faces there."

"They explained that they were botany students out for a field day.
They're still quite drunk, your honor."

"Isn't that Hotstuff Harold there in the middle?"

"Yes, your honor," Sergeant Feeney said thinly, "he insists he's the
head of the class."

"Quite a haul," the judge said. "I only wish they'd haul them somewhere
else. What about that tall fellow there who seems to be asleep? Is he
the one who was turned in earlier on the morals charge?"

"Yes, your honor. There's nothin' rightly wrong with him, accordin' to
the doctor. Either he's shammin' or he's been takin' dope."

"A nasty business, Feeney," the judge commented sourly. He glanced
around the room as though hoping to find some unexpected avenue of
escape, then shrugged. "I suppose I might as well plunge in." Picking
up the gavel, he banged it heavily on the bench. The defendants and the
spectators looked up apprehensively.

"The court will come to order!" the judge announced, a severe look
coming into his dark eyes. "It had darned well better, anyway." He
fixed the nudists with a steely glance. "Is there a spokesman for this
shameless group over here?"

The skinny man edged forward, clutching his badly drooping leaves. He
flushed embarrassedly.

"I suppose I am, your honor," he said weakly.

The judge eyed him without pleasure. "Why are you crouched down like
that? Got a bellyache?"

"No, sir," the skinny man said. "It's just that I can't stand up--the
way my leaves are. It wouldn't look right."

"It doesn't look right now," the judge said tersely. "It looks
perfectly dreadful."

The skinny man flushed a still deeper shade of red and agitated his
leaves. "I'm sorry, your honor."

"It's too late to be sorry," the judge said. "Now, suppose you just
tell me what you people were doing, running around indecently exposed."

"Well, your honor," the skinny man said hopefully, "we were having a
picnic."

       *       *       *       *       *

The judge blanched a mottled grey. "So I've heard," he said. "There's
no need to be defiant about it, you know."

"It was all very nice and orderly," the man offered, "until Mr.
Pillsworth showed up."

"And then it got disorderly?"

"Everything got completely out of hand."

The judge's gaze swiveled toward Marc with gloomy speculation. "This
fellow Pillsworth must exert a powerful influence everywhere he goes,"
he said. He turned back to the nudist.

"Just how out of hand did everything get, would you say?"

"I don't know exactly," the skinny man said. "Everyone was leaping
about and running. It got pretty hard to follow. I don't think there
were any broken bones, though."

"Broken bones!" the judge wheezed. He closed his eyes, as though to
blot out a vision too awful for observation. When he opened them again,
they were fixed on Hotstuff Harold.

"And how did you and your disreputable friends get mixed up in this?"
he asked malevolently.

"We weren't mixed up in it," Hotstuff Harold said innocently. "We
didn't know anything about these nudists until close to the end. We
were very shocked at them."

"I dare say," the judge said dryly. "And may I ask, since you were out
merely sniffing the flowers, how you all happened to be armed with
guns?"

"Well," Hotstuff said vaguely, "we botanists can't be too careful, you
know. There might be snakes."

"There _are_ snakes," the judge said evenly, "and this courtroom is
fairly crawling with them. Don't tell me that you were shooting up the
countryside just to be on the safe side. Don't tell me that!"

"No, sir," Hotstuff said sullenly. "I was goin' to, but I won't."

Floss stepped forward, her hair in wild disarray. "Look, your honor,"
she said, "I guess we might as well come clean. We was only out doin' a
little job for Pillsworth."

"What!" the judge said. "You mean to say this Pillsworth commissioned
you to do murder for him?"

"Well, not exactly murder," Floss said ingenuously. "We was just
arrangin' a little accident--outa gratitude."

"This Pillsworth is a veritable fiend!" the judge said hollowly. "He's
even managed to corrupt the underworld!" He glanced around the room.
"Where's this bus thief I've heard about?"

The disconsolate driver shuffled forward. "That's me, I guess," he said.

The judge studied the man pettishly. "You admit stealing this bus?"

"I guess I did steal it," the driver said, "if you want to be technical
about it."

"And I do," the judge said. "Do you have anything to say for yourself?"

"Well," the driver reflected, "I didn't exactly steal it with malice
aforethought. That is I wasn't even thinking about stealing it until
Pillsworth came along and asked me about it."

"Don't tell me this Pillsworth persuaded you to take the bus?"

"Well, the money was quite an inducement."

       *       *       *       *       *

For a moment, the judge appeared to brood into space, then, decisively,
he turned to Sergeant Feeney.

"Wake this Pillsworth monster up," he said.

"Yes, your honor," the sergeant said and advanced toward Marc.

"I'll help," Floss said, joining him. "I'll loosen his tie."

"Thanks, miss," the sergeant said. "And I'll rub his wrists."

The court became quiet with speculation as Floss and the sergeant
labored to arouse Marc. The stillness was soon shattered, however, as
the door at the rear flew open and Julie, followed by Mario, flew down
the aisle, her eyes ablaze.

"Stop!" she yelled. "Stop everything!"

"Madam!" the judge said, "the court is in session!"

"That's just fine," Julie said. She looked around wildly. "Where is he?
Have you got him under restraint?"

"Have we got whom under restraint?"

"My husband, Marcus Pillsworth. Is he tied up?"

"He's under arrest," the judge said. "Should he be under restraint,
too?"

"Should he!" Julie said. "He's mad! He tried to shoot us and when that
didn't work he chased us with this frightful bus!"

"How awful!" the judge said. "Your husband appears to be a one-man
crime wave."

"Then he took the silver and my jewelry!" Julie nodded. She turned to
Mario. "Isn't that right, Mario?"

"Yes, Madonna," Mario said.

The judge shook his head. "Your husband hasn't missed a trick today. I
never saw anyone so hell-bent for criminality."

"I want a divorce!" Julie cried. "I...."

The judge held up a hand. "Just a minute!" he cried. "I'm losing
track." He consulted the sheaf of reports before him. "Now, taking it
from the beginning, your husband's crimes, since only this morning,
include possession of lewd pictures, jail breaking, destruction of
private property, resisting arrest, disturbing the peace, assaulting
seven officers, collusion in an automobile theft, lewd and immoral
conduct, two attempts at murder, harboring criminals and, now, grand
larceny and perhaps an insurance swindle." The judge paused for breath.
"That's just hitting the high points."

"I want a divorce!" Julie insisted.

"You certainly shouldn't have any trouble getting one," the judge said
firmly.

The skinny nudist, stirred uneasily. "Your honor," he said timidly,
"what about our leaves? Now, they're beginning to dry out. They may
even fall!"

The judge started, banging the gavel with reflexive nervousness. "Your
leaves are entirely your own responsibility!" he snapped. "If they're
drying out, then just don't rustle them."

"That doesn't allow us much freedom of movement," the nudist said.

"From what I've heard, that's probably all for the best. And if I hear
any rustling I'll know what to make of it." The judge turned back to
Julie. "After your husband answers the charges...."

At this point, Marc, responding to treatment, sat up and opened his
eyes. He looked around at the assemblage and smiled bewilderedly.

"Fiend!" the judge thundered.

"Hold him back!" Julie screamed. "Don't let him near me!"

Marc started violently, and Floss put out a hand to steady him.

"Get your sticky hands off that man!" a voice hissed.

       *       *       *       *       *

Everyone turned in surprise to see Toffee, newly reinstated to the
realm of reality, move forward.

"I was only tryin' to help," Floss said defensively.

"I saw you palm that wallet," Toffee said hotly. "Put it back, you
camp-following kewpie before I crack your plaster!"

"Okay," Floss said, replacing the wallet, "but I guess I've got as much
right to him as you."

"You've also got a right to be carried out of here feet first!" Toffee
said. Doubling her fists, she stepped forward. "What kind of flowers do
you want on your coffin?"

"Why, you redheaded hellcat...."

The gavel banged thunderously. "Just what's going on here?" the judge
roared, leaning across the bench. He pointed to Toffee. "How did you
get in here?"

Toffee moved sinuously toward the bench. "Don't upset yourself with
worrisome details, judge," she smiled. "Let's just stop flubbing around
here and get on the ball."

"What!" the judge yelled.

"You're far too upset to handle the situation sensibly. Anyone can see
that."

"Are you in contempt of court?" the judge wheezed.

"Please don't ask me that, judge," Toffee said sweetly. "Let's be
friends."

"Now, look here...."

"Be calm, judge!" Toffee said. "If you don't settle down we'll have to
find someone else. Now, who's being charged with what around here?"

"Who is that woman?" Julie demanded sharply.

Toffee smiled at her winsomely. "It would only upset you to know,
dear," she murmured.

The gavel banged again, announcing that the judge had regained the gift
of speech. "Silence in the court!" he bellowed. He turned eyes heavy
with vexation on Toffee's pert face. "If I give you a resume of the
court's activities until the awful moment of your intrusion, will that
make you feel sufficiently included in things?"

"That would be fine, judge," Toffee said pleasantly.

"God in heaven!" the judge moaned and took a deep breath. In a rumbling
voice he enumerated again the list of Marc's crimes. As he did so,
Marc's expression became more and more incredulous.

"But that's not true!" he cried out. "Almost none of it, judge!"

"Certainly it isn't," Toffee said. "In the first place, those lewd
pictures were planted on him."

"That's right, judge," Hotstuff said contritely. "I eased 'em onto him."

"And he didn't wreck any store, either," Toffee said hotly. "It was the
sergeant and his clumsy chums. As for assaulting them, I'd be happy to
oblige."

"And about the bus," Marc said. "I hadn't any reason to suspect it was
stolen."

"I guess that's right, judge," the driver said sadly. "I didn't tell
him it wasn't mine."

"There's something else you didn't get straight, judge," the skinny
nudist said. "His behavior wasn't lewd or immoral. It was just that he
had his clothes on. Naturally, we were upset."

"He wasn't shootin' at anyone, either," Moose put in. "He was just
tryin' to stop us."

"Wait a minute!" the judge yelled. "In a minute you'll be trying to
tell me this Pillsworth is a saint." He coughed excitedly. "I'm pleased
that you've all decided to incriminate yourselves, but you still
haven't succeeded in clearing Pillsworth. There are still the charges
of jail breaking and jewel robbery." He levelled his gaze on Marc.
"What have you got to say to that?"

       *       *       *       *       *

Marc's interest, however, had been diverted by Hotstuff, who, for the
past several minutes had been staring with unbroken fascination at
Mario. Overlooking Hotstuff's begonia infested shorts, Marc followed
the pickpocket's gaze across the courtroom.

The first thing Marc noticed was that Mario was not comfortable under
Hotstuff's curious stare. The second was a large birthmark, roughly the
shape of an eagle, on Mario's forearm.

"My word!" Marc murmured.

"Mr. Pillsworth!" the judge said. "Would you mind giving your attention
to the court?"

"Oh, yes, your honor," Marc said, "I was just noticing the birthmark on
Mr. Matalini's arm. Its resemblance to an eagle is remarkable."

"Birthmark?" the judge said, glancing at Mario. "What birthmark?"

"Well, judge," Marc said, "you can't see it. But with my eyes the way
they are...."

"Mayfair Marvin!" Hotstuff ejaculated loudly. "Well, I'll be damned!"

"You be quiet!" the judge said. "No one asked you anything."

"But I'm telling you something!" Hotstuff said excitedly. "That guy is
Mayfair Marvin with a dye job and a moustache. He's one of the hottest
international jewel thieves in the racket!"

"What!" the judge said. "Isn't there anyone innocent in this court?"

Mario, who had suddenly lost his ruddy complexion, edged toward the
exit. "That's preposterous!" he said.

"Yeah?" Hotstuff drawled. "Let's check that birthmark with the official
descriptions." He turned to Julie. "If you want to know where your
jewelry is, lady, just ask this bum."

Stricken, Julie turned to Mario, who refused to meet her gaze.

"How about it, Marvin?" Hotstuff said. "Do you fork over the rocks or
do I tell the court about that job in London when...."

"All right!" the bogus Mario said weakly. He turned to Julie. "If you
look under the hedge at the end of the drive you'll find your jewelry
buried there. I meant to come back for it later, after a fortuitous
call to the bedside of my dying mother."

"Sergeant Feeney," the judge said, "grab that man and have him locked
up."

"Yes, your honor," Sergeant Feeney said and, taking Mario by the arm,
relievedly escorted him from the room. As he did so, Julie buried her
face in her hands and began to cry.

"There!" Toffee said elatedly, turning to the judge, "you see? There
goes another charge!"

"There's still the one of jail breaking," the judge said spitefully.
"It simply means that the charges, instead of being centralized with
one man, are now more evenly distributed. In a minute now I'm going to
start throwing sentences around here like rice at a wedding. The lot of
you--with the exception of Mrs. Pillsworth--can start planning a nice
long retirement."

       *       *       *       *       *

As the judge leaned down to study and rearrange the reports before him,
Toffee turned quickly to Marc.

"Do you still have the elixir?" she asked.

"Huh?" Marc said, his eyes on Julie.

"The elixir," Toffee said. "Give it to me!"

"Oh, that," Marc murmured. He reached into his pocket, extracted the
partially filled bottle and handed it over. "Here."

"Thanks," Toffee said. She advanced happily to the bench and stood for
a moment gazing soulfully into the judge's scowling countenance.

"If you need some help," she said demurely, "I'll be glad to give you a
hand. You'll probably never figure it out all by yourself."

"What!" the judge said, infuriated.

"Well, let's face it," Toffee said innocently, "with a muckle-head like
you running the show we'll never get anywhere."

"You _are_ in contempt!" the judge screamed. "I thought so all along!"

"Well, you must admit it's a pretty contemptible court," Toffee said.
"Nothing personal, judge, but...."

"Silence!" the judge cried. "Don't say another word or I may have
to send myself up for murder! I...." The rest was lost in a fit of
coughing.

Quickly, a triumphant gleam in her eye, Toffee reached to the water
pitcher at the side of the bench, emptied the elixir into it and poured
a draft for the judge.

"Here, judge," she said, "pull yourself together."

The judge drained the glass and, closing his eyes, leaned back in his
chair. Through the ensuing silence, Toffee returned to Marc's side.

"His honor may see things a little differently now," she mused.

"Why should he?" Marc said angrily. "All you've done is insult him."

"I also fed him the elixir."

"You--you gave him that!"

"In the water," Toffee nodded. "I hope it works."

"But it's unpredictable! There's no telling how he'll react."

"Any change," Toffee said, "is bound to be an improvement."

During this exchange, the judge seemed to have fallen into a doze.
For a time, while the court waited breathlessly, he remained still,
then he stirred. Drowsily, he opened his eyes and sat up. Looking
enormously refreshed, he surveyed the defendants before him blankly for
a moment and then, quite astonishingly, grinned with a sort of gentle
mischievousness. He looked around at Sergeant Feeney, who had just
returned from the cells.

"Well, hello, sergeant," he said. He made an inquiring gesture toward
the defendants. "Who are all these attractive people?"

"Huh?" grunted Sergeant Feeney. "Why they're bein' tried, your honor."

"Tried?" the judge said. "How do you mean?"

"You're tryin' them, that's all," Sergeant Feeney said, puzzled.

"I am!" the judge said. "Then I must stop it instantly. I assume that
when you say they're being tried, you mean someone has been very trying
with them. I can see, now that you mention it, they look a bit put out.
Well, we'll have to do something about that." He smiled at Marc and
Toffee and the others with winning graciousness. "I want you to know
that I'm grateful to you all for coming today, and I'm sorry if I've
bored you." He turned back to Sergeant Feeney. "Have I been lecturing
on the life of the mollusk again, or something like that?"

       *       *       *       *       *

Sergeant Feeney observed the judge quizzically. "Your honor, this is a
gang of desperate criminals and you're the judge who's...."

"Oh, no, no!" the judge laughed suddenly. "Oh, you're mistaken,
sergeant! I'm no judge." His expression, however, became thoughtful.
"It's curious, though, that you should think that, because I do have a
vague recollection that I once was a judge--though it may have been a
dream--and I wanted nothing more than to forget it. I got so weary of
having to be virtuous all the time. But, I'm sure it was only a dream.
Aren't you?"

"Your honor!" the skinny nudist said plaintively. "I really think
something ought to be done about our leaves!"

"Your leaves?" the judge asked.

"Yes, your honor. We need fresh ones desperately."

"My, my," the judge said admiringly, "don't you all look cool and
comfortable, though?"

"Huh?" the nudist said. "You mean you aren't sore at us any more for
being nudists?"

"Sore at you?" the judge said. "Why should I be sore at you? As a
matter of fact I'll tell you a little secret." Abandoning the bench and
descending to the floor, he lifted his robes to display a pair of bare
and knobby knees. "On warm days I never wear pants!" he chortled.

"My gosh!" the nudist said.

"Hey, what about us?" Hotstuff said. "Are you going to let them off and
send us up for taking pot shots at Mario?"

"Did you do _that_!" the judge said delightedly. "Of course I don't
know this Mario of yours, but I'm sure it did the scamp a world of good
to have his pot shot at." He looked around fondly at the assemblage.
"But what are we all doing indoors on a lovely day like this? Why don't
we all go on a picnic or something?"

"Then you mean we're all dismissed?" Toffee asked. "We can go?"

"Why certainly, you lovely child," the judge said benignly. "Run along
and get into some sort of beautiful mischief. And if there's anything I
can do to help...."

"You've already done it," Toffee said. She turned to Marc. "Come on!"

But Marc was watching Julie as she turned and started disconsolately to
leave the court.

"Julie!" he called. "Julie!"

"Hey, now," Toffee said, "don't tell me you're going to go chasing
after that thin blonde just because you married her once!"

Marc remained heedless. "Julie!" he cried, starting after her. "Wait a
minute!"

"Oh, yeah!" Toffee said and, deftly, she put her foot in front of his.

Marc shot out into space head first and came up abruptly against
the leg of a table. He dropped to the floor, made a small twitching
movement and went limp.

"Julie!" he murmured.

"That'll show you, you big stiff," Toffee said. "You can't just toss me
aside like a...."

And then, as Marc passed out, she, like the words she never finished,
faded away into nothing....

"What a stunning girl," the judge murmured thoughtfully. "There's
something so elusive about her."

At his side, Sergeant Feeney fainted dead away.

       *       *       *       *       *

In his subconscious world of gently-sloping knolls and strange feathery
trees, Marc lounged on the cool greenness and smiled up at Toffee.

"Sometimes," he said, "I'm not certain which is truly real, this world
or the other."

"Reality is only relative," Toffee said sagely. "After all, if you
didn't believe in me, I wouldn't exist." She leaned down close and
brushed her lips across his. "You wouldn't even be able to feel my
kiss. Reality can be happy or sad, depending on how you look at it. If
you see only the happy side of things...."

She paused as the light began to flicker uncertainly in the glowing sky
above them. "It's time for you to go back now; I'll have to continue
this little sermon another time." She touched his cheek. "It's been a
lovely day, Marc. Goodbye--until we can do it all over again...."

"Goodbye," Marc said, "and thanks."

The light flickered again and was gone. Marc felt himself begin to
drift.

"Goodbye...."

       *       *       *       *       *

"Marc!" the voice cried.

Marc looked up to find Julie bending over him. He was relieved to note
that she now appeared fully dressed.

"Oh, can you ever forgive me?" Julie said. "It was Mario who suggested
I take the jewels to the country--in case he needed them for the
portrait. And when we were out by the stream this afternoon...."

"Never mind," Marc said. "It's all over now, let's forget it. Will you
help me up?"

Taking his arm, Julie guided him to his feet.

"Look, dear," she said, "couldn't you drive back to the country with
me? A few days vacation wouldn't hurt too much, surely. You'd like to,
wouldn't you?"

"I'd love to," Marc said suddenly. He took her hand in his. "Let's go."

"You poor dear," Julie murmured. "I wonder how you stood it, with
everyone saying such awful things about you when you really hadn't done
anything at all."

Together, they left the court and started down the walk toward the
convertible.

As they left the city and started into the country, Marc pulled the car
over to the side of the highway and gave his attention to the drama of
the brilliant sunset.

"Well," he sighed, "there it goes, the first day of spring."

"Thank heavens," Julie said. "Now we can relax and enjoy it."

But there was still a question nagging at the back of Marc's mind.

"I was just thinking, dear," he said, "about your birthday...."

"Birthday!" Julie said. "But that's months away yet!"

"But, still," Marc said, "I was wondering what you'd like for a gift. I
thought maybe some nice pink lace underwear...."

"Pink lace underwear!" Julie said. She began to laugh.

"What's so funny?" Marc asked suspiciously.

"Darling," Julie said, "don't you remember the pink lace underwear
mother gave me for Christmas and how I loathed it? Well, I brought it
to the country where it wouldn't matter just so I could wear it out and
get rid of it."

Marc's relief came to the surface in a smile. "Then pink lace is out,
huh?"

"Definitely," Julie said. "But if you insist on lingerie, get me
something wicked and black. No true siren would ever dream of letting
herself be caught in pink."

Marc reached across the seat and drew her close to him. "In the spring
time," he said, "a young man's likely to get fancy."

The sun, on the horizon, slid conveniently out of sight and was gone.
As it did, a breeze blew lightly through the car and somewhere, it
seemed, there was laughter.



*** END OF THE PROJECT GUTENBERG EBOOK THE LAUGHTER OF TOFFEE ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.