The Project Gutenberg eBook of The Chapel on the Hill
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: The Chapel on the Hill

Author: Alfred Pretor

Release date: September 26, 2020 [eBook #63310]
                Most recently updated: October 18, 2024

Language: English

Credits: Transcribed from the 1904 Deighton Bell & Co. edition by David Price


*** START OF THE PROJECT GUTENBERG EBOOK THE CHAPEL ON THE HILL ***

Transcribed from the 1904 Deighton Bell & Co. edition by David Price,
email ccx074@pglaf.org





                                THE CHAPEL
                               ON THE HILL


                                * * * * *

                                    BY

                              ALFRED PRETOR

               FELLOW OF ST. CATHARINE’S COLLEGE, CAMBRIDGE
                         AUTHOR OF ‘RONALD AND I’

                                * * * * *

                 “Some falls are means the happier to arise.”

                                              —_Cymbeline_, IV. 2 _ad fin_

                                * * * * *

                                CAMBRIDGE
                           DEIGHTON BELL & CO.
                        LONDON GEORGE BELL & SONS
                                   1904

                                * * * * *

                                CAMBRIDGE
                        PRINTED BY JONATHAN PALMER
                             ALEXANDRA STREET

                                * * * * *

_To the_
_memory of_
‘_Judy_’
(_Ob. Aug. 27_, _1904_)

    “A soul she had on earth.”

                                                                   —BYRON.

    “The more I learn to know man, the better I like dogs.”

                                                      —GERMAN PHILOSOPHER.




PREFACE


_To those_, _I think a lessening number_, _who may find themselves at
variance with_ “_my Rector’s_” _theology_, _I tender the following
quotation from one of the ablest and deepest thinkers of the past
century_:

    “If, instead of the ‘glad tidings’ that there exists a Being in whom
    all the excellences which the highest human mind can conceive exist
    in a degree inconceivable to us, I am informed that the world is
    ruled by a Being whose attributes are infinite, but what they are we
    cannot learn, nor what are the principles of his government, except
    that ‘the highest human morality which we are capable of conceiving’
    does not sanction them; convince me of it, and I will bear my fate as
    I may.  But when I am told that I must believe this, and at the same
    time call this Being by the names which express and affirm the
    highest human morality, I say in plain terms I will call no being
    good who is not what I mean when I apply that epithet to my
    fellow-creatures.”—J. S. MILL, _Examination of Sir W. Hamilton’s
    Philosophy_, pp. 102, 103 (Criticism of Mansel).

_I have omitted from the above the author’s peroration_, _which is
couched in language too strong to suit the taste of the present
generation_.

_That the Bible is our one and only true guide_, _we believe_; _but we
are nowhere instructed to make an idol and a fetish of the form in which
it is presented_.  _It was written to suit all times_; _we must read it
in the language of to-day_.

_In the controversy between the Squire and himself the Rector is by no
means guiltless of plagiarism_.  _Ford_, _who knew Spain as intimately as
an Englishman can ever know it_, _advances the self-same arguments in his
comments on the national sport_.

_A word more and I have done_.  _It is reported on good authority that
one of our greatest divines—the author of_ ‘Butler’s Analogy’—_held a
confident belief in the re-existence of animals_.  _They share our doom
of suffering and death_: _why not our promise of happiness beyond_?
_They have done nothing to forfeit their reward_.

                                                                   _A. P._

CAMBRIDGE,
         _August_, 1904.




INTRODUCTION


RIVERDALE and I—to wit one Harold Stirling by name—had been close friends
almost since life began, at our private school, our public school, and
again at college.  And we were meeting now for the last time as
undergraduates in Riverdale’s rooms at Cambridge.  For the choice that
comes, once at any rate in a lifetime, to all, had come to us, and we had
chosen divergent, to some it would appear antagonistic, careers.

To judge from his personal appearance, Riverdale at any rate had chosen
wisely for himself when he elected to become an artist.  Smoking at his
ease, in a picturesque environment of flowers and ferns, pictures and
statuettes, he looked like what he was—a well-to-do indolent dreamer, who
might possibly succeed as a painter, but would never make much of life in
any other line.  Fortunately for him he had no need to trouble himself
about the future.  A kindly fate had settled all this in advance, when
his only surviving relative, an uncle, had made him a comfortable
allowance of a thousand a year, adding the still more comfortable
assurance that the family estate of Riverdale should be his when the time
came that he himself should have no further use for it.

Study him, as the glow from a reading-lamp falls full on his features,
and you will say that his personality is concentrated in his eyes.
Sapphire blue they would have been called by a casual observer, but it
always seemed to me that they held in them a deeper tint, as of violet or
purple.  But whatever their colour, they are about as rare in humanity as
is a blue rose or a green chrysanthemum among the creations of the floral
world.  Not that they betoken much character, I think.  It is simply
their beauty, and perhaps their rarity, that constitutes the attraction.
At any rate, veiled by long lashes, and set in Italian features, as was
the case with Riverdale, it is impossible to hold them indicative of
energy or activity in life.

It was a strange coincidence that had made bosom friends of two natures
so antagonistic, to all appearance, as Riverdale’s and mine.  But it was
a coincidence that occurs oftener than would at first sight seem
possible.  Perhaps it is explicable by the well-known theory that every
character is on the search for its complement.  If so, it may well be
that my own sturdy directness found its natural relaxation in the
captivating indifferentism of my friend.  Anyhow, the companionship had
begun early at school, where a mutual admiration for one’s opposite is
often the secret of a lifelong friendship.  And as Riverdale’s good looks
and careless insouciance had always been found irresistible, it was my
own commonplace personality that was envied by my schoolfellows for the
dignity it had acquired by his friendship.

And now that I have given you an idea of my friend, let me for once
attempt the impossible and try to describe myself.  An athlete I think I
may call myself, for I have raced and rowed and played cricket and
football ever since I was a boy of ten—of the type which is welcomed in
all our schools as the recognised trainer of youth.  Not so very plain, I
hope, and certainly well set up in the way of muscles and sinews.  But
quite as certainly not in any way striking like Riverdale, and without
the faintest pretension to anything remarkable in the direction of
beauty.  Finally, and to complete the portrait, fair in complexion, with
blue eyes and a slight tendency to freckles, which I abominate.  In all
respects a worthy foil to Riverdale’s dreamy picturesqueness.

Left an orphan at an early date, with a comfortable income of £300 a
year, I had never known the want of money, though I had no large balance
to waste on the luxuries that had become necessaries to my friend.
Without any real talent, and notwithstanding my devotion to athletics, I
had taken a fair degree, and learned something of theology under the
guidance of one of the leading minds at Cambridge.  Only as yet I had
come to no conclusions outside the main doctrines of our faith; and to
what end my views were shaping themselves I had never paused on my way to
consider.  Experience and circumstances, as they developed themselves,
would, I supposed, answer the question, and, having been confronted as
yet by no definite difficulties, I had not troubled to bethink me how I
should meet them.

“And now tell me, Eric,” I asked, “where are all the Cupids and Psyches
and Fauns to go while you are painting dusky Venetians and the
fair-haired beauties of Genoa?”

“Oh, I’ve taken a flat, Harold, in a house overlooking Battersea Park,
and they’ll all be transferred there as soon as I am off to-morrow.  By
the way, you must look in on them now and then, and see that they are all
right.  And you must have that little gladiator I brought from Rome for
yourself.  It would never do to separate you, for I’m sure you’d never be
happy without him.  Rather like you, I think he is, with his steady
sturdy gaze, as if he knew he had a tough business before him, but
intended to make the best of it, and worry through.  Lucky we weren’t
born in each other’s shoes, any way for me, Harold.  I couldn’t have
faced life without funds, but should have drifted down and down till I
ended the business with a dose of morphia.”

“What nonsense, Eric.  I do wish you wouldn’t cheapen yourself like that.
You’ve talent enough for both of us, and will be exhibiting in the
Academy while I’m a country curate, and a poor one at that.  By the way,
if you don’t mind, I’d sooner have that Antinous than the gladiator.  I
don’t particularly want a replica of myself, if it’s all the same to you,
while you might have posed for the Antinous, if you’d been handy; and it
will be better than nothing to have it to look at when I haven’t got the
original on the other side of the table.  And now, old friend, good-bye.
It’s past twelve already, and I’ve all my packing to do before the
morning.  For I shall be off long before a sybarite like you thinks of
stirring.  Let me hear from you now and then, and don’t let the foreign
signoras and Roman models steal all your heart from me.”

The next day we had parted; he to enjoy life and study art in all the
best galleries on the continent, and I to prepare myself for Ordination
in a quiet village of the West.




CHAPTER I


IT was a cheerful scene on which my eye rested as I looked out upon it
from the Rector’s study, while awaiting my introduction to the Rector
himself.  Two large bay windows opened on a terrace, from which a short
flight of steps led down to a lawn, fringed with gaily-coloured flower
beds.  Through the open windows streamed into the room a veritable flood
of light and air, creating an atmosphere in which sadness and depression
would have been hopelessly out of place.

“Impossible,” I murmured, “to write a gloomy Calvinistic sermon in a room
like this, though it’s strange, by the way, that his letters should have
told me nothing of his views.”

The emerald lawn in the foreground contrasted pleasantly with the violet
haze that rested on the far horizon, and the very air itself seemed
steeped in quiet and repose.  Only the song of birds and the mysterious
hum of insect-life broke the stillness of the summer day, to which the
chafing of a trout stream, as it murmured over its rocky bed at the foot
of the Rectory garden, sounded a soft accompaniment.

And out past the Rectory grounds, past the cheery meadow-land beyond,
where reaping was now in progress, I caught a glimpse of the far off sea
and the Isle of Portland lying on the line of the horizon, with a
delicate veil of summer gauze folded about its head.  The charm of it all
wove a spell upon me like a dream.

“If the Rector is as nice as his Rectory, I shall have a pleasant time of
it,” I said to myself.  And the next moment the unspoken thought was
answered in the affirmative, for I felt my hand warmly grasped by the
gentlest-looking and most benevolent of men.  And my heart went out to
him on the instant, as to one whose help and guidance I knew would never
fail me, even when my work under him should be ended, and, whether for
good or evil, laid behind me among the retrospects of life.

“Yes, you’ll do,” he said, after studying me keenly for half-a-minute
with eyes that pierced me through and through.  “You look as if you’d
work hard in the right way, and make friends with my villagers and
parishioners.  They are a queer lot—to be led, not driven.  Above all,
you look as if you had no foolish fads or fancies—the only things I can’t
tolerate when there is so much real work to be done.  And you’ll be
content to do it closely on the lines laid down for us all in the Sermon
on the Mount, before Christianity, as Christ left it, had lost its
identity among a crowd of sects and superstitions.  By the way, you must
have been surprised, I imagine, that I asked no questions in my letters
as to your opinions, and gave you no hints about my own.

“The fact is,” he continued, “I care more for what a man does than for
what he thinks, and if you will look after my cottagers, soul and
body—beginning with the body first—you and I will get on well together,
no matter what opinions you hold on all the open questions of the day.
Of course I don’t use the term ‘open’ of anything plainly taught us in
the Gospel narrative and the precepts of our Church.  Though even the
latter, as it seems to me, might have been conceived in a somewhat wider
spirit without being wide enough to embrace the Christianity of Christ.
And for this reason I am altogether opposed to commissions and enquiries
of any kind that might impose still further limits and restrictions where
He Himself has made none.  What are wanted for the Church are active
energetic workmen, and the wider the doors are thrown open the more of
them we shall get for the work.  Think what missionary effort itself
could accomplish if all its labourers were content to waive, one and all
of them, their private specifics, and preach only the clear unquestioned
truths which the Master Himself has sanctioned.

“On all questions but these you may hold what theories you will—that the
world was created in six days or in six times as many millions of years;
that the Old Testament miracles were literal facts, or allegories for the
suggestion of much-needed truths.  And you may hold, if you will, that no
creature that has life will perish.  We are told, are we not? that He
‘will save both man and beast,’ which means, if its means anything, that
other creatures besides man will have a portion in the future state.

“But think well and carefully before you teach an Eternity of Punishment.
The responsibility of doing so is far too grave to be carelessly incurred
in the light of a wider and clearer-sighted knowledge.  Almost it seems
that the guess which Charlotte Brontë hazarded in the mouth of one of her
characters will before long have crystallized into doctrine: ‘No; I
cannot believe that.  I hold another creed, which no one ever taught me,
and which I never mention, but in which I delight, and to which I cling,
for it extends hope to all; it makes eternity a rest—a mighty home, not a
terror and an abyss.’

“Above all things, do not confuse your mind and paralyse your energies
with the question, so all-engrossing now-a-days, of the co-existence of
good and evil, of joy and sorrow, in the world, which is after all no
mystery at all.  Or, if there be a mystery, surely it lies in the fact
that anyone should have thought a world of infinite perfection possible.
Why, the fallacy was refuted by Plato himself, to whom it was a
self-evident truth that the creations of The Infinite must needs be
finite and imperfect: in other words, not ‘infinitely’ but only ‘very’
good.

“Limitation, imperfection and (by consequence) evil, with their natural
development in sin and suffering and death, were the inevitable portion
of created life, but accompanied (thank heaven!) with a birthright of
possibilities for good, that, rightly used here and hereafter, shall make
us worthy of association, at the last perhaps of union, with the Infinite
Itself.

“Forgive me if my sermon has wearied you.  I can at any rate summarise it
in brief.  Teach mainly what has come to us directly from our Master’s
lips—first and foremost, the paramount duty of unselfishness; it embodies
the whole duty of man to man, and a part at least of his duty to his
Creator.  And remember that those who came after Him were after all but
men, not exempt from the bias of inclination and judgment, who sometimes
(it is quite possible) may have obscured where they thought to enlighten.
To be followed therefore with all care and caution whenever they defined
or limited what He left wide enough to embrace the world.

“Of course you will dine with me to-night,” he added cheerily, “and I’ll
try to make amends for the penance I have inflicted on you.  Besides, I
want your opinion on the trout from the Rectory stream.”




CHAPTER II


LIKE his brother at the Manor House hard by, my Rector, Mr. Richardson,
was a widower, having lost his wife only six months before my arrival.
His family was comprised of four children, whose ages descended by even
gradations from Reginald, the eldest, a handsome lad of eighteen whose
school-life had just ended, down to Aggie the youngest, a wild little
maiden of twelve.

As yet their characters were still unformed, and had been entrusted for
their development to a clever little Belgian, Josephine Armand by name,
who, in addition to the superintendence of their education, managed the
Rector’s household for him, and ruled the domestics with a rod of iron.

On the day after my arrival I was studying the church and the streets of
the village, which radiated like a fan from the foot of the hill where I
stood, when I was met by Reginald who had dined with us the evening
before.  He was to start early the next day for the continent, where he
was to pick up what foreign languages he could before he entered at
Cambridge in the following October.

By the gate of the churchyard, through which we passed to the Rectory,
stood a time-worn placard requesting visitors not to touch any of the
flowers “excepting those on their own graves.”

“A remarkable instance of realistic prevision,” said Reggie, “and far too
good to be improved away.  Fortunately our villagers are not keenly
appreciative of humour, else the best joke in the county would have been
lost to us long ago.  And what are you up to, my children?” he added,
looking in at the window of the Rectory schoolroom, where his sisters
were busily writing at the untidiest of tables, forgetful for once of the
glorious sunshine that blazed down upon the world outside.  “Some
mischief, I’ll be bound, else you’d never be so abnormally quiet.”

“You go on, and don’t disturb us, Reggie,” said Agnes, a lean wiry girl,
with hair much dishevelled under the excitement of composition.  “We are
busy preparing verses for the Attar competition prize, the new
dentifrice, you know; you may hear mine if you like.  I go in for plain
and simple fact—‘beauty unadorned’ you see:

    ‘Carbolic, camphor, chalk are done;
    Attar is all and all in one.’”

“Admirable, Aggie.  Good solid sense, and no foolish striving after the
artistic.  And now for yours, Gertie.  Being the poetess of the family,
you won’t be content with stern simplicity like that.  There’s love and
lovemaking in yours, I’ll be bound.”

“Well, Reggie, I _have_ tried to add a little romance to it.  But somehow
or other the teeth don’t seem to lend themselves readily to the genius of
poetry:

    ‘If Attar you had used in time,
    Your teeth would have been white—like mine;
    But now my love for you is dead:
    Another, ’nother girl I’ll wed.’”

“Bravo, Gertie!  You’re really brilliant.  ‘Time’ rhymes admirably with
‘mine,’ and it’s a stroke of true genius to intensify grief by the simple
process of prodelision.”

“I’m glad you like it, Reggie, though I haven’t the faintest notion of
what ‘prodelision’ means.”

“And now, Nellie, for yours.  I’ve a rooted belief that yours will be the
prize-winner.  You’ve a clever head on your shoulders, and can make a
good guess at what will pay.”

“Well, mine _is_ rather a bold venture, Reggie.  I want, you see, to
combine the allied arts of painting and poetry.  There’s to be a picture
of King Attar at the top, launching thunderbolts at a crowd of flying
dentists.  Off they go in the distance, with their implements of torture
in their hands, and at the bottom of the picture these words are written:

    ‘King Attar and the dentists see;
    Choose Attar—and the dentists flee!’

But I wish I were handier at drawing.  King Attar in his chair of state
is all out of perspective.  And the flying dentists look like a lot of
daddy-longlegs; while as for their implements, they might be anything you
please.  However, I can easily remedy that by drawing lines to the margin
with an explanation of each particular instrument—‘these are tweezers,’
‘this is a file’—like Melton Prior does in his war pictures, you know.”

“Capital!  You’ve got everything cut and dried, I see.  Though, by the
way, you needn’t talk bad grammar under the stimulus of composition.
Didn’t your governess teach you that ‘like Melton Prior does’ is bad
grammar?  If not, she isn’t worth her salt.”

“It’s our French, Reggie, that troubles her more than our English.  At
any rate, when she called us in to dinner yesterday, I said, ‘_Je suis
déjà_,’ meaning, of course, ‘I am all ready,’ and she had just the
faintest suspicion in the world that I intended it for a joke, and boxed
my ears on the chance.”

“And served you jolly well right for your cheek.  But I can’t stop
chattering here.  Give me half the prize if you get it, for the
encouragement I’ve given you.”

As the door closed upon him something suspiciously like the sound of a
kiss was heard in the corridor outside, whereupon the door re-opened and
a laughing face peeped in at the children.

A dainty little personage she was, to whom her cousin Reggie had long ago
given his heart.  And a pretty picture she made in the school-room as the
sunlight fell on her hair from the window opposite, and warmed its ruddy
glow to the famed Venetian tint.  Not the very highest type of beauty,
perhaps.  At any rate the best masters of antiquity would not have
sanctioned the tip-tilted nose and over-large mouth.  Yet even they could
have found no fault with the delicate poise of the head, the shapely
neck, above all, with the tawny hazel eyes and slyly drooping lids; and
you must have gone direct to the Faun of the Capitol if you had wished to
rival the sunny brightness of the face, and the rippling smile that
played about her lips.  Almost one expected to catch a glimpse of the
pointed ears which Donatello was supposed to conceal behind his curls.

“Well, you pickles,” she exclaimed, “and where’s your guardian angel
Josephine gone?  Not left you to your own devices if she’s a wise woman.”

“Oh! she’s off to the garden, Cousin Marion, ‘to cut a cabbage to make an
apple pie,’ as Verdant Green said.  I mean she’s gone to dig up all the
weeds and dandelions that lie handy.  ‘It must be,’ she said, ‘that I
have herbs—savage herbs—to aid the digestion.’  Only the other day she
half poisoned herself with celandine roots, which she thought looked
promising for the composition of a salad.”

“She’s as good as another gardener,” put in Gertie, “and does all the
weeding.  Besides, she’s so beautifully tidy, and consumes all that she
gets, like a well-regulated bonfire.  But do stay a minute and help us,
Marion.  We’re making poetry to win the Attar Competition.  Do give us a
verse or two; we’ve used up all our ideas.”

“What I, my child?  Why, I never made a line of poetry in my life, and
hardly ever remembered one.  See how the very thought of it has made me
fly.”  At the door she looked back laughing:

    “‘Reggie, you kissed me just outside the door;
    Use Attar, or don’t kiss me any more!’”

And, laughing still, she fled—fortunately without seeing me, who had
watched the proceedings unobtrusively from the shelter of a friendly
clematis.




CHAPTER III


I HAD found lodgings with one Peggy Ransom, whom I soon discovered to be
one of the chief characters in the village, as the Rector had reported
her.  A tiny old lady she was, with a small and shrivelled face, like a
Ribston pippin that had survived well on into April, and bright beady
eyes that always reminded me of a squirrel’s.  She had, too, something of
the same small creature’s animal vivacity, and talked in a queer little
chirpy strain that suggested its note of satisfaction when it has lighted
upon a particularly fine nut or acorn.

In dress she was scrupulously neat, though in the dress of some
pre-historic age.  For example, she never appeared without a silk
’kerchief bound over her head, because, as she said, you never “knew
where a draught might find you, and prevention was better than cure.”

On Sundays and holidays she appeared resplendent in a black silk gown,
which, she told me with pride, could “stand of itself in the days when
the Rector gave it her”—how many years before I had never had the
rudeness to enquire.  But it was still a fine article of raiment, and had
been preserved with such scrupulous care that even in its old age it
still retained its dignity.

She was not, I found, a heart-whole admirer of the Rector’s opinions.
“As good and kindly a gentleman,” she said, “as ever trod in shoeleather,
and a real Christian.  But takes things a bit too pleasantly, I allow,
and makes out the next world to be a more comfortable place than some of
us, I fear, will find it.  Not but what ’tis better that way than to go
about, as some of us do, with faces sad enough to sour the cream, finding
no pleasure in all the gifts the Almighty has showered upon us.”

She had lost her husband and all her family one by one, and found the joy
of her life in the Rector and the Rectory children, who were always in
and out of the kitchen, worrying her and hindering her work, it seemed to
me, though she would never hear a word from anyone against them.  “Bless
their hearts,” she would say, “I’d be a lone and dreary old body without
them, though I do wish that child Aggie would come up the garden path
like a Christian, instead of jumping over the flower-beds and tempting
the cats to play hide-and-seek among my lilies of the valley.”

But of all the Rectory children Reginald was her first and special
favourite.  This was unfortunate for me.  Not but what I liked the
lad—what little I had seen of him before he left for the continent.  But
it was tedious to be reminded so often of his perfections.  Besides, I
had a lively remembrance of the love-scene that had passed between him
and his cousin on the day that followed my arrival, which for some reason
or other I had thought out of place and unseasonable.  Though of course I
had no right to begrudge two cousins the pleasure of a cousinly
salutation, and perhaps, if Marion had been old and ill-favoured, I
should have found no temptation to do so.  As it was, and for whatever
reason, I was glad that Reggie was for the moment out of the field of my
vision.  And I should have tried to forget the liberty, for so I called
it, that he had taken in kissing her, if only Peggy had not so strongly
insisted on the nearness and intimacy of their relations.  She was for
ever harping on Reggie’s good looks—he was well enough I admit, but,
after all, nothing to compare with Riverdale—and what a handsome pair
they’d make, and how suitable the match would be.  “And Master Reginald
just worships the ground under her feet,” she would add; as if I couldn’t
see that much without Peggy’s interference.  And then she would look
slyly at me and say, “I suppose _you_ think her good-looking, don’t you,
sir?  The two curates who were here before you both made eyes at
her—really Peggy, I thought, you can be a little vulgar at times—indeed,
I may say it was for that reason they left us, and because they saw they
had no chance against Master Reginald.  It is true they were none too
well favoured—short and dark the first was, and the last one thin and
scraggy.  Not but what he was beautifully fair in complexion.”

For a while after this interview Peggy and I were at variance.  Every
scrap of her information had been distasteful to me, especially her
reference to the complexion of the curate who had preceded me, in which I
detected, however gratuitously, an allusion to that slight tendency to
freckles which I thought somewhat marred my own completeness.

But on the whole Peggy and I got on capitally together, and she was in
most respects an ideal landlady for a curate who was new and strange to
his surroundings.  She had lived her life in the parish, and knew its
landmarks as no one else knew them.  Besides, she amused me with her
gossip, especially when I could draw her on the subject of the Rector and
his theories, which she was never weary of discussing.

“The worst of it is,” she would say authoritatively, “he’s none too
strict, to my way of thinking, in the matter of church-going.  Only the
other day he said to me ‘Yes, Peggy, church-going is good for all of us,
not but what we may have too much of it’—did ever woman hear the like
from her minister?—or rather we may follow it to the exclusion of better
things.  To _do_ the thing we ought is better than to _listen to_ it, and
I’d come down easy on any one who stayed away from Church to do a kind
act for a neighbour.  Unluckily it’s usually to please ourselves, and not
to help our neighbours, that we fight so shy of our Church.’”

In her little peculiarities Peggy was wonderfully diverting.  For
example, whenever she found herself in difficulties, as when the potatoes
were hard, or the meat overdone, she would take refuge in the platitude,
“I’ve done my best: I can no more,” thus casting all her care upon Fate
as the inscrutable power which had wrought the mischief and must take the
responsibility.  She was also a firm believer in the guidance of
astrology, always planting her flowers and vegetables when two benign
planets were in conjunction, and avoiding with scrupulous care the
baleful influence of Mars and Saturn.  Only I wish she had abstained more
wisely from words of which she had not mastered the meaning, as when she
told me they had been “hanging a hamlet” in the Rectory garden, or
“keeping the university” of the King’s birthday!

There was something else by the way that gave Peggy Ransom a special
interest in my eyes.  She had been housekeeper at the Manor House in the
days of Marion’s youth, but had left it fifteen years before to form her
own ill-fated marriage.

It was not much, but I suppose it was better than nothing, for an
incipient lover like myself to learn at first-hand what his lady-love was
like in the days of her infancy.  But either Peggy’s memory was failing
her, or her love for the Rectory children had made her forgetful of her
earlier charge, for her reminiscences of Marion at that age were hardly
of absorbing interest, being limited for the most part to a rambling
catalogue of childish illnesses, and the skill with which Peggy had
treated them.  But possibly in the very warmest heart it would be
difficult to stimulate raptures by a record of what your lady-love was
doing at the early age of five.

This afternoon, for example, I had reached the stage at which Marion was
recovering from a vague and mysterious illness called “thrush,” when we
were interrupted by Aggie, who, as usual, made a bee-line towards us in
flying leaps and bounds across the garden beds.  “Here’s a letter for
you, Mr. Stirling,” she cried, “from the Manor House.  Uncle Edgar wants
you to dine with him this evening at eight.  I told him you had no
engagement; besides, Marion who came with him said she was dying to make
your acquaintance.  But you must hurry up and dress for it’s past seven
already.”  As she spoke, she had pounced on Peggy’s two cats—Toby and
Sambo by name—who were reposing peacefully on the porch above our heads,
and was off again home down the garden with the pair of them close at her
heels, all the three doing their level best to break off as many flowers
as possible in their passage down the garden.

There were to be only four of us at dinner that evening.  In the
ignorance of my heart I rejoiced at Reggie’s absence, little thinking
that, before the evening was over, I should have been glad to welcome his
cousinly attentions to Marion as a far less dangerous rivalry than the
one which was suddenly to burst upon me from a quarter wholly beyond the
range of my vision.




CHAPTER IV


THE old Manor House was looking its best, as half an hour later I walked
up through the avenue by which it was approached.

Planted against the south-west side of a hill, the ground gently falling
away in front of it, it caught the evening sun, which burnished the trees
on either side, and called up all the lovely shades of colour that lie
dormant in old red brick, as the fires that are latent in opal and
carbuncle wake up at the touch of light.  It is the fashion already to
disparage Ruskin, and to find that we have over-rated him like so many of
our heroes, but at any rate he was right in his devotion to the fine red
brick of Elizabethan architecture.  One marvels how any one who has
looked upon Hatfield or Aston can condescend to build in any other
medium.  There is much stone, I know—Ham Hill by preference—that takes a
lovely colouring from age, to which lichen and stonecrop and ivy would
seem to have an instinctive affinity.  But the setting provided by
Nature, and the requirements of our dull uncongenial atmosphere find
their proper complement, I think, in a brick-dust red, just as surely as
they repudiate its vile twin brother, the white and yellow clay which
time in its progress only makes more and more disreputable.

That evening, for the first time, I recognised that I was in love with
Marion—a love that must have had in it no steps and no gradations.  The
leap must have been taken at a bound on the day that I caught my first
glimpse of her in the Rectory nursery, though I suppose time added fresh
strength to my devotion by developing fresh features of sympathy and
mutual interest.

Our party, as I have said, was limited to four, and as the Rector and his
brother at once paired off for the evening, Marion was left to my care,
and our acquaintance progressed rapidly.

Squire Richardson was, in character and even in appearance, a replica of
his brother—a replica with a single difference.  The Squire loved
foxhunting with all the devotion of a country gentleman, while to the
Rector it was the one sport above all others of which he was intolerant.
They had hardly sat down to dinner when the question turned up, and it
was nearly over before they had threshed it out without the smallest
advantage to either side.  The Rector was the assailant.

“How, Edgar, you can possibly justify the cruelty of hunting an animal
which you can’t eat, or use for any purpose when you’ve killed it, I
can’t conceive.  Talk of a bull-fight—nonsense, why it’s a fair fight by
comparison.  The bull is Master of Ceremonies up to the time of its
death, and then it’s killed painlessly by a single blow.  And its flesh
serves the best purpose imaginable, for it’s distributed round among the
poor of the city, who, but for the chance, would never taste any meat but
pork from one year’s end to another.  Only the other day I had a specimen
of the methods of your sport.  A miserable fox that had been kept in
agonies of terror for half-an-hour was hunted out of its shelter behind a
rock, and deliberately torn to pieces in a shallow lake to which it had
taken itself as a last refuge.  Justify that, Edgar, if you can.”

“Nonsense, Walter,” was the Squire’s reply.  “The case was one in a
thousand.  The sport, man, is the making of the British yeoman—breeds
pluck and manliness and good riders and good fellowship, and a hundred
other virtues.  Besides, what of the horses in a bull-fight?  Have they
any of the sport which you tell me the bull enjoys?”

“Well—no.  I grant you have me there.  Only unluckily it can’t be
avoided, they told me in Spain.  There’s no man living, whatever his
skill and courage, who could tackle one of those wild Spanish bulls if it
came fresh and untired to his hand.  And the horses are poor wretched
screws whose life is valueless and worse to them.  Besides, the bull
kills them at least as painlessly as they would die by neglect or in some
knacker’s yard.  Only it’s a sport that does not bear transplanting to
the provinces.  You must see it at Seville or Madrid—or nowhere.”  And
while the argument between them raged furiously, but in a perfect spirit
of friendliness, Marion and I were left to ourselves—an opportunity of
which I was not slow to avail myself.

“Butchered to make a British holiday!” shouted the Rector.

“Rather to give mettle to our horses and manliness to our men!” shouted
back the Squire.

With a smile of despair, and a nod in my direction that answered my
unspoken query for permission to accompany her, Marion slipt quietly
through the open window out on to the terrace, and I followed her.

“They’ll go on like that,” she said, “till they’ve finished their wine.
And the best of it is they never lose their temper, but end as amicably
as they began.  It’s a really pretty object-lesson in Christian
forbearance.”

It was a glorious summer evening, soft and still, with a glow in the sky
that might have been a reflection of the noontide glare, as we went down
the steps of the terrace and across the velvet sward of the old
pleasaunce out into the shrubberies beyond.

“I wonder which side of the question you took at dinner?” I asked,
anxious to find whether the advanced theories of the Rector had found an
echo in herself.

“Oh, on the question of hunting,” she answered, “I’m with him.  It
savours, I think, of torturing.  Of course it’s difficult,” she added,
“to see where to draw the line.  For I don’t think we were intended to be
vegetarians.  We haven’t the proper teeth, have we?  And so it seems to
me that his distinction is a tenable one, and that we may kill animals
that are required for our use.  If so, one can’t reasonably object to
shooting them.  It’s as painless a death as any other, and, for his own
credit, the man who wants to shoot his game will collect the most
experienced hands he can find to do it.”

“But what about the side-issues,” I slyly asked her, “arising from the
possibility that all these animals will live again?  How shall we meet in
the next world the reproachful glances of the creatures we have slain in
this?”

“The matter doesn’t trouble me at all,” she answered, “it’s too remote.
Perhaps only the ones we loved will take the forms again in which we knew
them.  Perhaps that very love itself will be the constraining power that
shapes them to our recognition.  And, after all, something of the same
difficulty meets us in our own case.  So far as I can make a guess, it
may be a world very like the present one.  Only the animals, I hope, will
be nice and gentle, with all their bad qualities eliminated.  Anyhow, no
one, certainly not my uncle, would pretend to have a cut-and-dried
formula for mapping out the future world as they plan an undeveloped city
in America.  All he says is that life, like matter, is, in all
probability, indestructible.  Many persons, I know, regard such
speculations as worse than unprofitable.  To me, on the other hand, they
seem elevating and comforting.  And no one can say they are
unwarrantable, when we have the account of the so-called Millennium to
guide us.”

A strange conversation, you will think, for the first evening of our
meeting, and certainly not symptomatic of the love-making I foreshadowed.
But, after all, a sympathy of interests is not a bad substratum for the
growth of love.  Already I felt sure that this was no ordinary girl, and
that she was deeply interested in her uncle’s theories.  Indeed there was
perhaps just a trifle of subtlety in my suggestion that I was not
disinclined to accept them.

And so we strolled among the dimly-lighted shrubberies, chatting on less
impracticable subjects, till the light faded out of the sky, and the
shadows fell, and the Squire shouted a summons to us to join them in the
drawing-room.

The ‘pros’ and ‘cons’ for and against foxhunting having been exhausted
over their wine, the Squire and the Rector were now deep in discussion
over matters affecting the village.  Now and again I heard references to
a certain mysterious council, to a meeting of which my attendance had
been requested for the following day.  The Rector had only smiled when he
gave me the message, advising me to attend, and adding a promise of
amusement.

“I wonder why you tolerate that old institution,” said the Squire, “it’s
purely ridiculous, and only brings contempt on the parish.”

“It’s just because it is old, Edgar, that I tolerate it—and also
absolutely harmless.  The fact is I’m fearfully conservative, and never
meddle with old institutions if I can possibly avoid it.  Besides, the
members are all of them very old men, who would be sadly at a loss if
they missed their weekly reunion.  But they are to elect no new members,
and, as it is, I revise and reverse their resolutions, when necessary.
So it only means they have the pleasure of passing them.”

Something like the above I heard from time to time in the intervals of
Marion’s singing.  But I had little thought to spare on it.  My whole
attention was absorbed in a voice and execution that would have held
their own in any London concert-room.

It was a pure soprano, of the finest quality, that had been splendidly
trained (I heard afterwards) under the best masters of Leipzig and
Dresden.  She began with Tosti’s familiar ballad ‘For ever and for
ever’—a song of atrociously bad sentiment, but wedded to music that fits
it ‘like a glove.’  Only one other writer, within my own range of
knowledge, has realised with such pathos the depths of an infinite
despair, and, if only for the closing scenes of ‘Cometh up as a Flower’
and ‘Good-bye Sweetheart,’ their authoress should stand not very far
lower than the topmost pinnacle of Fame.  Then she passed to a higher
class of music and sang Blumenthal’s ‘Message’ and ‘Requital.’  And my
wonder was that even habituation could have rendered the squire and his
brother so insensitive as to prefer the discussion of their parochial
trivialities.

I was glad that no conversation followed when she had ended.  Almost in
silence, which I could see she appreciated better than words, we parted.
It was only as I turned to say good-bye that my eye rested for a moment
on a photograph which stood on a small table in a corner near the music
stand.  It was a portrait of Riverdale, and the companion picture stood
always before my eyes on my writing-table at home.  So I had gained a
fresh lesson in the disquietudes of love.  In my case, at any rate, its
course was not to lie in smooth untroubled waters.

As soon as we had started on our walk back to the village, I questioned
the Rector concerning my discovery.  “What, you know Riverdale?” he
answered, “and well enough to call him your dearest friend?  Verily the
world is small indeed, as wiser men than I have said.  He’s a distant
cousin of Marion’s, and, as soon as his work on the continent is ended,
this will be one of the first places that will see him.  For we are all
devoted to him, and look forward to some faint reflection of his glory
when he shall have become a well-known artist.  Besides, he was always
rather taken with Marion—a suitable match—very—supposing it comes off,
and I think, I may almost say I’m sure, it will.”




CHAPTER V


THE following evening, punctually at eight o’clock, I presented myself at
the door of the Council Chamber.  But the comedy which I had been
promised was not forthcoming.  To the surprise of all of us, a tragedy
was represented in its place.

It was only a self-constituted Council of four, and had nothing to do
with roadways and sanitation.  And it met in the village inn of
Fleetwater on a Saturday night, as it had met in the same room at the
same time for fifty years previously.  It was deliberative rather than
executive in character, for its one ostensible function was to select the
hymns for the Sunday services.  And when this was done it resolved itself
into a committee for discussing the affairs of the parish and the nation
at large.

“’Twill be a privilege for ye, Master Stirling, to mix for onst wi’ men
as be so much older an’ wiser nor yerself.  For wi’ all the book-learnin’
that has been yours at school and college, ’tis nowt but age an’
experience as gi’es the true wisdom.  Life must be well nigh ended afore
as ever we begins to see the drift an’ bearin’ on’t.  An’ so the young
can’t never be wise, though, ’tis true, the aged may sometimes be
foolish.”

You will gather from the above that Joseph Weyman did not begin by
flattering me.

The Old Inn where we met was a picturesque thatched cottage, that had
crept up beside the churchyard porch, either to shelter itself beneath
the churchyard trees, or to sanctify its reputation by the proximity of
things divine.  And as it lay embowered in a valley three miles from our
western shore, it was cheered rather than saddened by a gentle sighing
from the sea, alternating at times with a deep and hollow roar when a
storm was on its way towards the coast.

Neither was the Council Chamber without a certain picturesqueness of its
own.  Bare it undoubtedly was, for it boasted of only one small table,
drawn up cosily across the fire, and flanked on either side by two
settees with panelled arms and backs, designed apparently to accommodate
the number of the Council; or it may have been that the Council
pre-arranged its number to suit the accommodation supplied for it.  For
myself, as the visitor of honour, one of those fine old chairs that
surprise one occasionally in the humblest of cottages had been introduced
from the adjoining room.

Of course the Council could not deliberate without the sustenance of beer
and tobacco.  And the smoke of continuous churchwardens (I include both
the man and his pipe) had toned the colouring of the panels into a rich
and tawny brown, from which the quivering firelight was reflected as from
the ebon mirror favoured by Egyptian palmists.

The proceedings were opened by our drinking the health of the King with
solemn enthusiasm.  And then, before the business of the sitting was
begun, a few words of general conversation were held to be admissible.
It was a former Rector who formed the key-note of it, and a strange
character he must have been if all the stories were true that I heard of
him.

“’Twas a queer christenin’ you had once in this church, Mr. Weyman, or so
at least I’m told.”  The speaker was one Ebenezer Higgins, an Evangelical
of the most pronounced type.  For though he represented only a minority
of the parish, it was thought right that all phases of belief within the
Church should be represented on the Council.

“Aye, ’twas that indeed, Mr. Higgins.  You see, our old Rector was
gettin’ aged an’ hard o’ hearin’, an’ when Lucy Stone handed ’n the
child, he said in his easy-goin’ pleasant way, ‘An’ what be we to call
’n, Lucy?’

“‘Lucy, Sir,’ she whispered—for ’twas her first, ye see, an’ a terrible
shy young ’ooman she were—‘Lucy, Sir—same as me.’

“‘Lucifer!’ he cried, ‘’twill never do; ’tis heathenish, an’ wus than
heathenish.’

“An’ I had to shout in his ear, while they was a-titterin’ all round,
till I hadn’t no voice left in me to lead the hymn.”

“Reminds me, it do,” said Samuel Smiley—landlord he was of the Old Inn
where we met—“o’ when we was marryin’ Andrew and Rebecca Blake.  Andrew
was a shy man—a very shy man he were, same as Lucy Stone.  You remember
’n well, Mr. Strong.  An’ when the time came for unitin’ them in one, he
wouldn’t be pushed to the fore, nohow.  While his cousin, what was actin’
for ’n, was that forward that any stranger in the church would ha’ taken
he for the bridegroom.  So between the two on ’m Rector were fairly
puzzled, and afore he saw the right on ’t—’tis true as I sit here—he’d
married the wrong man to the wrong ’ooman.  ’Twas like to ha’ been a
troublesome business for all on us, for once ye joins a couple, there’s
no man can’t put ’em asunder.  An’ they two would never ha’ jogged along
in peace an’ harmony, one with t’ other, as I knows, who’ve lived next
door to Rebecca ever since she was a gal.  Howsomever, luck was wi’ us
that day, for ’twas discovered in the vestry as how his cousin, who was a
sailor an’ hadn’t come to Fleetwater not an hour afore, was married
already, an’ had two childern.  So back us went into Church agin an’
wedded the proper couple.  An’ rare an’ thankful we was to ’scape so
easily out o’ what might ha’ made a tidy potheration.”

“Aye, you’ve got the story right enough,” said the Chairman approvingly.
“An’ now to business, if _you_ please.  An’ thank ye kindly, Mr. Higgins,
I’ll take another glass afore we begins.  It isn’t long that’s left me
for the drinkin’ o’ good ale, seein’ I was eighty-four yesterday, an’
(thank God) never a drunkard, an’ not much time for it now.  As I told my
old gran’mother what died at eighty-six, an’ was real afeard of a
spoonful of brandy to stay her stomach: ‘Don’t ye be frettin’ yerself, my
dear old soul, ’tis they as begins sooner nor you did what has cause to
fear the drink.’”

All had been peace and amity so far, but the discussion that followed on
the choice of the hymns threatened to be acrimonious.

“There be seasons,” said the Chairman reflectively, “when marriage bain’t
that satisfaction as it ought to be.  ’Twas only just afore I came along
that I said to my wife, ‘Mary Ann,’ says I, ‘I be that downhearted an’
low-sperrit’d in my mind, for all the world as if I’d met a buryin’.  An’
I see’d a magpie by hisself to-day, an’ I took off my hat to ’n, I did.’

“‘Aye, Joseph,’ said she, when what I wanted was cheerin’ an’ cossettin’
’long of my downheartedness, ‘Aye, Joseph, we be all on us bound to go,
and p’raps ’tis yerself as’ll be the next.  ’Tis breakin’ up fast ye be,
an’ no mistake, an’ ye looks terrible rough an’ aged, ye does.  I doubt
as how ye’ll be much longer wi’ us.’  An’, to make sure as how I doesn’t
forget it, nowt’ll satisfy her to-morrow but ‘There’s no repentance in
the grave,’ or one o’ they dreary grave-diggin’ tunes as I can’t stomach
no how.  She says as how the childern of the parish be gettin’ that
oudacious that nowt won’t turn ’em from their wickedness but one of they
scarin’ terrifyin’ hymns.”

“An’ right she be, to my way o’ thinkin’,” said Ebenezer Higgins.  “’Tis
nowt we hear now a long but o’ the marcy of the Lord—not a word of His
judgments, an’ o’ the fire and brimston’ what’s in store for the wicked.
Where be the sense, I axes, o’ strainin’ an’ strivin’ after the narrer
gate an’ takin’ no part in the sins an’ wickedness o’ this wurld, if ’tis
all one at the end, whether ye’ve been on the Lord’s side or on Satan’s?”

“No, Mr. Higgins; I can’t go wi’ ye so far,” said Andrew Strong, the
advanced freethinker of the parish.  “I don’t hold nowise wi’ scarin’
souls into the path o’ peace.  An’ ’tis queer to my mind, that the ’oomen
of all people, wi’ their tender hearts as wouldn’t hurt a worm, should be
so set on punishin’ wi’ out no end to it.  An’ there be wiser men nor we,
an’ our own passon too, as doesn’t find such doctrine written in the
Book, save an’ except you twists an’ turns God’s word to suit yer own
imaginin’s.  Bain’t reasonable, it seems to I, not to gi ’us another
chance, an’ may be more nor one, same as you’d gi’ yer own childern if so
be they crossed an’ shamed ye.  An’ we be told, bain’t we? as how there’s
preachin’ to the sperrits in the wurld below?  Now where be the good o’
preachin’, I axes, if so be that no good’s to come to ’m along o’ it?
Why, even in this wurld taint no good beatin’ an’ bastin’ yer childern
wi’ out ye throws in a word o’ hope to sweeten it.”

“I think as how ye be right,” said Samuel Smiley, who was a trimmer by
nature, and felt sure of his way now that he had a majority to follow.
“An’ I gives my vote for ‘O ’twas a joyful sound to hear,’ an’ some o’
they other lively tunes what leaves ye wi’ an appetite for your vittles
and doesn’t curdle the very food in yer stomach wi’ terror.  An’ ye can
tell yer wife, Mr. Weyman, as how we don’t admit no ’oomen on this here
Council, no more nor ’postle Paul allowed ’m to be preachers an’
busybodies in the Church.  Shame on me to say it, but ’tis my hope as how
there’ll be a corner or two in Heaven where th’ ’oomen will ha’ silent
tongues.”

It was at this point, when feeling began to run high, that the situation
was saved by a remark from the Chairman.

“Heaven help us!” he said, “an’ who be that, I wonder, starin’ in at us
through the winder, just as if ’twere a raree show or a menagerie?  I’m
blessed if it bain’t old Bob (you knows him well, Mr. Smiley) what has a
pension o’ five shillings from the Government—thirteen pound a year it
be—an’ how he lives on ’t no man knows.  For ’tis too aged he be for
work, an’ spends his time now-a-long in pickin’ up odds an’ ends what
comes ashore wi’ the tide.  ’Tis miles he’ll walk for a few bits of
timber or a coil of old rope as bain’t worth sixpence when he’s got ’em.
An’ ’tis bits of firewood he’s got on his back now by the look on’t—from
the wreck, I allow, what come ashore last week.”

“No, you are wrong there, Mr. Weyman.  ’Tain’t wood from the wreck he’s
got wi’ ’n now.  That be all fine clean planks, new as new can be, for
’twas straight from Norway she came, wi’ as fine a lot of timber in her
as ever I see’d in my life.  An’ what he’s got on his back be old bits of
blackened wood what’s been floatin’ by the look on ’t for weeks in the
water.  Though why he should ha’ been at the pains to gather ’m is more
nor I can say, wi’ all that fine new stuff afore his feet, what’d keep
all the parishes along the coast in firewood for years to come.  But wi’
your permission, Mr. Chairman, we’ll call ’n in an’ axe him.  ’Tis a
quiet God-fearin’ old chap he be, wi’ a friendly word for everyone.  An’
’twere sorry I were when he left us an’ went to Bayview.”

It was Samuel Smiley who left the room in quest of him.  “No, he won’t
come in, Mr. Weyman.  An’ what’s more, I can’t get speech wi ’n.  He’s
gone down along the road towards th’ old church an’ village.  But he
turned now an’ agin as if he wanted a word wi’ us.  An’ he looks pale an’
frighted like—or so it seem’d to I in the dim light—same as if he’d had a
scare.  May be he _were_ scared to see us all seated so serious,
discussin’ questions o’ the Church and Parish.  For he’s a quiet man what
never intrudes hisself, ’cept it be to beg a plug of ’bacca now an’ agin
when he meets one on the shore.  Seems as how chewin’ be his sole
satisfaction.  Though why he can’t smoke his ’bacca sensible in a pipe
like the rest on us has allus been a puzzle to I.  May be he got the
notion in the wars agin old Boney, where he gained his pension.”

Not sorry to be interrupted in their deliberations, for the question of
the hymns had been practically settled, and discussion could only have
tended to further embitterment, the Council sallied forth, and I followed
in their wake.  We found the old man still lingering by the churchyard
porch, but, as soon as he saw we were following him, he turned and
continued his walk in the direction of the village, travelling quietly,
it is true, but still at a steady rate that surprised me in so old a man,
quicker by far than I should have imagined he could walk, especially when
encumbered with so heavy a load.

“Seems queer an’ strange,” said our Chairman, “why he don’t stop an’ talk
wi’ us, when we’ve been old friends and neighbours time out o’ memory.
An’ ’tis fast he travels for an aged man like he.  I be out o’ breath, I
be, wi’ follerin’ ’n, an’ seems as how we don’t get no nigher to ’n for
all our hurry-in’.  An’ where on earth be he bound for?  One’d fancy he
were makin’ for the shore, unless so be he intends to stop at Widder
Russell’s, for there bain’t no other buildin’ along the road, ’cept the
old church, an’ ’tain’t likely as how he be makin’ for that.”

But no; it wasn’t Widow Russell’s he was bound for.  Past the house he
went, still onwards to the shore, ever and again turning to see that we
still followed him, until he had reached the gate of the old churchyard.

Of the old church nothing was left but the chancel.  The main building
had been swept away by the sea in the hurricane of 1824, and not a stone
remained to show where it had formed a continuation of the chancel.  Of
all the eccentricities that accompany the action of water, none of a
surety was ever more surprising than this.  Sheared as by a knife from
the rest of the building, the nave had vanished; the chancel still stood,
wreathed from head to foot in a draping of ivy, but without the
displacement of a single stone, and as solid, to all appearance, as on
the day of its erection hundreds of years ago.  Our parish services had
long been transferred to the new church, safe out of harm’s way at the
head of the valley.  But the old churchyard was—and is to this day—still
used for interments.  And though the size of the parish has increased
since then, there is no fear of its being overcrowded yet.

At the gate of the churchyard he paused, and then turned into it, with a
final look behind him as if to satisfy himself that we had not abandoned
the pursuit.

“Sakes alive,” said old Weyman, “if he bain’t standin’ nigh the very bit
o’ ground as I’d mapped out in my mind’s eye for our next buryin’.  I’m
well nigh scared, I be, by the thought that what we’ve been a-follerin’
ain’t flesh an’ blood at all, but a sperrit.  Else why don’t he say a
word to I, when he sees I be spent an’ weary wi’ all this traipsin’ after
’n?  ’Stead of which ’tis speerin’ an’ pointin’ he be to that plot o’
ground as if to show us ’tis there he be choosin’ a spot for his last
restin’ place.”

But no; again he passed on and out of the churchyard through another
gate, which opened into the same road, and steadily pursued his way along
an old smuggling lane which led straight downwards to the sea.  And when
he had reached the water’s edge he paused—and vanished.

Yes; the mystery was solved at last—the quest on which he had led us was
ended and explained.  For there, in only two feet of water, lay his body,
encumbered as we had seen it with its heavy load of timber, collected, it
must have been, with infinite toil and, as we now realised, at the cost
of his life.

In default of all certainty, the theory was accepted that he had lost his
life a fortnight previously, but where and how there was no evidence to
show.  Probably he had over-balanced himself in reaching for a baulk of
floating timber, and had been drifted by the ebb and flow of each
recurring tide from the place of his death—no one knew where—to the home
of his birth where he had chosen his grave.

A humble example of the Irony of Fate, which on the day that followed his
death had strewn his path lavishly with the objects of his quest.  Only
he was not there to gather them.




CHAPTER VI


IT was high time, I felt, to reconsider my position in regard to Eric and
Marion.  At present the former knew nothing of my residence in the
neighbourhood, or of the acquaintance I had formed with his cousin.  His
letters, always few and intermittent, had for some time ceased
altogether.  He was no doubt constantly on the move from one place of
interest to another; so I had been unable to write to him the news of my
appointment to Fleetwater, and, in the light of my recent discovery, I
regarded his ignorance of my whereabouts as adding a fresh complication.

If what the Rector had told me was true, and Riverdale was really
inclined towards Marion, then my own position was about as difficult a
one as could well be imagined.  Even a man more conceited (I hope) than
myself might well have paused in the presence of such a rival.  The very
points in his personality that had won him my devotion—his beauty and
charm and careless indifference—might well prove equally attractive to
his cousin.  Add to which, there was his future and assured position,
both likely to tell with her father, if not with herself, to say nothing
of the chance that he might one day win fame and distinction as a
painter.

And against all these advantages, what had I to offer in competition?
Nothing, I assured myself repeatedly, nothing, _nothing_.  Only a poor
curacy and a moderate competence, while, of personal attraction, in
comparison with Eric, again nothing, _nothing_.  But this was the least
of all my difficulties—far worse was the being brought into competition
with my best and earliest friend; in particular, the self-consciousness
that I was a gainer by his absence.  When she began to talk of him, as
assuredly she would do, so soon as she knew of our friendship, how was I
to answer her?  My own warm love and admiration for his merits would
second and stimulate her own.  The temptation, I am thankful to say, was
gone before it was realised.  Never, not for one moment, did my heart
fail in its duty to my friend.  Never did the thought even enter my mind
of depreciating or disparaging his merits that I might better my own
position.  To have entertained the thought as possible would have seemed
to me an act of incomparable baseness.

However, the thought and self-examination induced by the difficulty ended
by dissipating it.  The position, I saw, was for the time being
irremediable, and I ended where I might have begun—by recognising that my
own part must be that of a simple and unprejudiced onlooker, till Fate
should have taken the guidance in her hand, and shown me in which
direction she intended to turn the scales.

And if my praises of him should help his chances of success—so let it be.
Love is not always given to the most attractive and deserving, while if
he succeeded, better he, I said to myself, than any other.  For him, if
for anyone, I could be content, I thought, to stand aside and efface
myself, almost without regret.

Meantime my own love, I determined, must be a silent and unsuspected one.

And so, when I met her the day after, I told her frankly of all my love
for Riverdale; how he and I had grown up together with every thought in
common, how he had befriended me at school, and stood by me at College,
and how the first great grief of my life had been our necessity of
parting.

She was pleased, I could see, with all my praise of him; pleased too, I
thought, that we had discovered this new bond of sympathy between us, and
could discuss his career with a mutual interest in his success.

“I wonder what it was,” she said one day, “that brought you and Eric so
closely together,”—thereby reproducing the very difficulty that had often
puzzled me.  “Your natures are about as far removed as the Antipodes.
Unless I’m much mistaken, yours is a strong and uncommonly decided
character, with the most practical ideas of what life’s work should be.
While he is a dear old indolent dreamer, with all the fascination of
modern Alcibiades, but with none of the energy or ambition that
characterised the splendid young Athenian.”

“Ah, there you are wrong, believe me, and will have to admit it before
the world has grown much older.  He has in him all the fire of the true
artist,—latent it may be for a while.  But sooner or later it’s bound to
come to the fore.  Even now he’s seeing things on the continent that will
stimulate it into activity, and then he’ll show what’s in him and
surprise us all.”

I had hardly entered upon this policy of masterly inactivity before I was
tempted to abandon it.  On a hot afternoon towards the end of June I was
lazily whipping the Rectory stream on the chance of a trout, when Marion
came down to me from the terrace, clad—or so it seemed to my uneducated
gaze—in a diaphanous cloud of palest lavender, and holding in her hand an
open letter.  Then and there I became faithless to my conscience, for
never had she appeared to me in prettier guise.  Her dress—and I always
like those confections of cloud-like tulle or gauze under whatever name
they are scientifically known—was in perfect harmony with the cool green
tints of the Rectory garden, while excitement, and she was excited now,
always showed her at her best.  It called up the tawny light that slept
in her hazel eyes, and flushed the paleness of her cheeks, while the
faintest breath of a summer wind saw its opportunity and played with the
tangles of her ruddy hair.

Surely, I thought, I’m hypersensitive, even in respect for a love that
has such claims on me as Eric’s.  And after all, a man owes a duty to
himself no less than to his friend.

“Good news!” she cried, as she floated to me down the steps.  “I’m off to
the archery fête, and am late already.  But I couldn’t go without telling
you that I’d heard at last from Eric, and, what’s more, we shall see him
soon.  He’s been through all the great galleries—Paris, Dresden,
Florence, and Madrid.  Since then he has been studying hard at Rome in
one of the best studios.  He says his master thinks a lot of him, and
will dismiss him soon as needing only practice and hard work, which he
can manage just as well in England as in Rome.  Meantime, he’s having a
really good time of it, making excursions between whiles to all the old
towns, and especially to Aquila and the Abruzzi, where every step an
artist takes gives him a fresh subject.

“But I must be off now,” she ran on.  “Goodbye; I wish you were coming to
the fête.  But perhaps you are well out of it—(I thought the reverse)—for
I know you don’t like archery.  It’s too statuesque and Apollo-like for
you—would suit Eric better, wouldn’t it?  You would like something a
little more real and murderous.  By the way, I wonder you didn’t make a
soldier of yourself.”

She left me almost bewildered by her beauty.  And, like a true lover, I
abandoned the Rectory trout to their own devices, while I mused and
dreamed over my lady’s perfections.  “Of course,” I said to myself,
“Shakespeare is right, as he always is.  Fancy _is_ engendered in the
eye; at least it was in my case; born before I had seen any reasons for
its birth, in fact, in spite of many reasons to the contrary, as I
recalled the well-remembered shock of Reggie’s love-scene.  And it may
either die in its cradle, or else turn to love, as mine did.  Then how is
it that the unattractive women find their husbands?  I suppose there must
be men to whom plainness, and even ugliness, can appear perfection.  The
answer is not forthcoming, and I give it up.  At any rate, love’s a phase
of feeling and an emotion (often untrue and misleading, by the way), not
a deduction or an inference.”

And then a trout took my fly, and I left off dreaming dreams and landed
it.

But her news had left me in a happier frame of mind, and I was already
beginning to look forward to Eric’s arrival with a wistful eagerness, as
certain to determine, in one direction or the other, this wearing period
of anxiety and doubt.  As a matter of fact, the issue was nearer than I
anticipated, and events that followed rapidly had practically settled the
decision before he came.




CHAPTER VII


I HAD now been some months with Mr. Richardson, and had gained a closer
acquaintance with his methods and means of influence.  To all sinners and
backsliders who admitted their frailties he was lenity itself; albeit the
sworn enemy, by instinct and persuasion, of those prim respectabilities
who never do a wrong thing or (worse still in his eyes) never a foolish
one.

For example.  To a lad who had lapsed into vice with the hot-headedness
of youth, he was a kindly adviser; but hard as the nether millstone to
the lad’s father, when he found he had ejected the prodigal from house
and home, and then taken credit to himself for having re-adjusted his
household with the wisdom of Solomon.

Of his boldness in dealing with the difficulties of his creed, I had a
notable experience in the summer days that were with us.

The evening was an exceptionally warm one, and he and I were lingering
till late on the terrace, watching them carry the last loads of hay from
the glebe that lay beyond the Rectory stream.  Everyone was working his
hardest, for it was clear to the least experienced eye that the fine
weather was nearing its end.  Thick rain clouds were gathering in the
west, and occasionally dull muffled roars, heralded by distant flashes,
ran round us on the level of the horizon.

The Rector, I thought, looked perturbed and anxious.  At last he spoke.
“I detest more than I can say that new machine which my tenant has
introduced this year.”  And he pointed to what looked like a
threshing-machine that was piling the hay from a huge elevator on to the
rick.  “Of course it saves labour, but I’m sure it’s most horribly
dangerous.  It gives the men not a moment of peace to secure their
footing, which is never too safe.  If they stop for an instant, their
work overpowers them.  And what with the dust and the noise, and the
hay-cloud in which they are buried, I wonder we’ve got along so far
without an accident.  It isn’t fair to ask a man to work under such
conditions.  Of course with a threshing-machine it’s different.  The
straw delivers itself slowly, giving the men time to place and arrange
it.”

All at once, and even as he was speaking, the din was suddenly hushed by
the stoppage of the engine, and a silence, all the more palpable for the
tumult that preceded it, fell on the crowd of busy workers.

The scene of intense unresting energy had been transformed in a moment
into a still picture of arrested life.  Like figures that the wand of
some Arabian magician had charmed into statues, each labourer stood rigid
at his post, except in the immediate neighbourhood of the rick where the
nearest of them had gathered and closed round something that lay prone
and motionless on the ground.  Only the voice of the engine was heard
through the stillness, where it stood panting under a full head of steam,
as if in protest against the indignity which had so abruptly arrested its
forces.

“Something of what I feared,” said the Rector, who was already leaving my
side.  “Pray God not the worst.  Will you wait for me here?  Later on you
may be able to help me.  But for the moment I had better go to them
alone.  As yet, you see, you are a stranger among us, but one, I am sure,
who will soon be a friend.”

“‘The only son of his mother, and she was a widow,’” I heard him
whispering on his return, “and, what is more, the best of sons.”

“It was Harry Hayman,” he added aloud, “the lad I loved most in all the
village, a splendid type of what is noblest and manliest in our country
rustics.  And the accident has happened precisely as I had expected.  The
boy had his station at the edge of the rick where the pressure is keenest
and most dangerous, and at the last it overpowered him.  He had called to
them—just one minute too late, and I’m afraid in angry words—to stop the
engine.  Another victim to the press and hurry of existence, which counts
a life well lost to save a load of hay.  But you and I must see what
comfort we can give to his mother.  Thank Heaven, he was a good and
blameless lad, and ‘as the tree falls there it lies,’ which means, I take
it, nothing more than that death has worked no violent change on him, and
that he has started anew with what advantage he had gained from a useful
and unselfish life.”

The cottage for which we were bound stood at the edge of the village,
midway between the Rectory garden and the scene of the accident.  And as
we crossed the Rectory bridge, intermittent flashes from the clouds that
had gathered overhead threw into strong relief the half-completed rick,
the engine that still sent upwards a thin thread of smoke, with the gaunt
elevator at its side, out of which the wind flung casual wisps of hay, as
if in futile effort to continue its arrested task.

The shadow of the accident was full upon us, and when the door of the
cottage was opened I expected to see a woman bowed and overwhelmed with
grief for a loss that had left her desolate indeed.

What I saw in reality was a stern hard-visaged woman, who met us with a
clear unflinching gaze, suggesting a spirit that was up in arms against
fate, and with no thought left in her for mourning or for tears.

“I am glad you be come, passon,” she said, “though ’tis little help you
can give me, I allow.  Kind and true-hearted you be to us all, and well
enough we knows it.  But even you can’t tell us, wi’ all your new-fangled
notions, that the soul which passes to its God wi’ a curse upon its lips
shall be saved in the Day of Judgment.”

It was the first and only time I was to see the Rector angry—angry and
yet ‘sinning not.’

“Woman,” he said, “the wickedness is yours,” and his voice was hard and
stern.  “Stay your words before you utter that of which all the life that
is left you will be too little for repentance.  Have you no greater faith
in God’s love and mercy than in your own?  Nay—less, far less, for even
you would have pardoned him.  An angry word, that dropt from him in great
stress of terror and excitement—is that to weigh against the record of a
life that was a model to all of us in brave unselfish effort?  And,
remember, he has left his good name in your keeping.”

I confess that I thought him hard and unfeeling, hard almost to cruelty.
But he knew—none better—the requirements of the case, and that it is
worse than useless to treat with salves a wound that needs the knife.

At the door he turned and said, “I will try and do for you what Harry
would have wished, and what he so well began.  The lodge at the Manor
House is vacant, and I think I can promise you the post.  But never
forget that it is for Harry’s sake I give it you—the lad I loved and
valued most in all the parish.”




CHAPTER VIII


THAT same night the change we had been expecting came on us, and a storm
raged furiously till the dawn.  Sometimes, but very occasionally, a
summer gale will carry as much weight in it as one of its winter
brethren.  And, when this is so, it works far wider damage both by sea
and land.  It will catch our seamen, unprepared and unsuspecting, on a
lee shore of dangerous approach, with some headland or cape to windward
that bars their only path to safety.

Less dangerous it may be to dwellers on the shore, but not less dreaded.
For it destroys, almost in a moment, the wealth of emerald foliage which
Nature in her thriftiness had meant to last for six long months, to
perish gradually in greater glory still of gold and scarlet, orange and
russet-brown.  And then one morning she wakes to find her handiwork
destroyed, at a time when it is just too late for her to repair the
damage.  Nothing left of all she has been secretly and silently creating
through the long months of winter, except a few torn and tattered leaves,
which she will make all speed she can to discard, seeing that theirs can
only be a discredited old age of uniform withered brown.

It was over a foreground like this that I looked seawards that morning.

Under my bedroom window two men were talking.  “Aye, she’s done for,”
said one of them; “it won’t be more than half-an-hour before she strikes.
With only a rag of canvas upon her, and one of her masts gone, he’d
better give it up and put her on shore as soon as he can find a quiet
place.  Though, for the matter of that, one place is no better than
another, so far as their chance of saving her goes.”

“That’s just what he’s doing,” his neighbour answered.  “Don’t you see
he’s trying to push her along just outside the breakers till he can bring
her about opposite the coastguard station, and then he’ll shove her on
shore.  I can see them watching and waiting for her; and they’ve got the
rockets ready on the beach.”  And they moved off quickly in the direction
of their gaze.

Long before our party, which included the Squire and Marion, had reached
the scene of the disaster, the busiest part of the proceedings was over.
When she first struck, a heavy sea had canted her round and laid her
broadside to the shore, where she lay, heaving and groaning like some
living creature, under the weight of the seas as they struck her and then
flung themselves over her in sheets of foam.

A rocket had carried a guiding rope well across the wreck and into the
hands of the crew.  Having secured it to the one remaining mast, they had
attached the travelling cradle, and, as we came upon the scene, were one
by one escaping to the shore.

Not a minute too soon.  For the seas were growing heavier with the rising
of the tide, and as each one struck her, the ship shuddered through all
her length, while jets of foam that burst up through her decks showed
that her timbers were yielding to the strain.  Even as we stood watching
her she rose on the top of a huge breaker, and, as she settled down again
upon the bottom, her sole remaining mast cracked and fell, and with it
went the rope and cradle that had wrought the safety of the crew.

Another moment, and, above the rush of wind and water, the plaintive howl
of a dog reached us from the deck.  A large black retriever had been
fastened to the mast, and in the hurry and confusion of their own escape
the crew had forgotten to loose him.  He had waited most patiently, poor
beast, while the crew were saving themselves, waited in the belief that
his own turn would come at last.  And all the while he had never uttered
a sound, though the seas that swept over the wreck must almost have
drowned or strangled him.

But now that he felt he was abandoned by the crew, fear had fallen on
him, which became panic when the mast to which he was tethered crashed
down at his side, leaving only the stump standing to which he had been
chained.  We could see him struggling violently as the seas swept over
him, while now and again he uttered a piteous howl, looking appealingly
landwards as if to call attention to his despair.  His terror wrought
painfully on all our hearts.  It was no sight for a woman to see, and I
shuddered to think that Marion was there to see it.

“Oh! it’s too cruel,” she cried.  “Will no one, no one save him?  I would
give anything to see him safe.”

“Anything? really _anything_?” I asked, bending my head to hers, for the
roar of wind and water made speech and hearing difficult.

She looked me steadily in the face, as if trying to read my meaning in my
eyes.  And then her own eyes fell before mine.  “Yes, anything,” she
said, and the word came to me like an echo of the question I had asked
her, “anything that friend may claim and I can give.”

It may be that her answer determined me though I think I should have
tried it, even without the incentive she had given.  It was intolerable
to see the poor brute drowning before our eyes without an effort being
made to save him, especially when he had faced the danger so bravely,
while he had watched us rescuing the crew and felt there was still a
chance for him of life.  Only, if it was to be done at all, I saw it must
be quickly done.  Each sea as it came in was higher than the last, and a
seam that had opened in her side towards us showed us that the ship was
going fast.

My only chance, I saw, was to follow a spent wave and gain the deck if
possible before the next one broke on her.  It was all in my favour that
she lay broadside to the shore, for her bulk acted as a breakwater
against the sea, making it fairly calm water on the side of her that
faced us.  This would save me, I saw, from the worst danger of all, that
of being carried out to sea by the retreating wave, though it brought
with it another and almost graver peril in the risk that I might be
caught and crushed against her side by the force of its retreat.

In any case now, if ever, my muscular training must stand me in good
stead.  First of all I wound a rope about me, leaving the shore-end of it
in the hands of the coastguards, as I relied on their help to ensure my
safety in case I should be overpowered by the rush of the retiring wave.
Then I watched and waited my time while one, two, three seas broke over
her; but none of them retreated far enough to serve my purpose.  The
fourth was the heaviest of all, and when it had spent itself, retreated
further in proportion.  Seizing the opportunity, I dashed through the
lake of foam that lay between us and the wreck, and, grasping a rope that
hung adrift over her side, and which I had long marked as my one hope on
the chance of its being well secured at the further end, I swung myself
by means of it up and on to the deck.

Only just in time; for as I landed on the deck a plank broke loose at my
feet, through which I saw that her whole side seawards was gone, and that
the cargo had nearly all washed out of her.  The next blow, I saw, would
finish her.  So, loosing the dog and dropping him over the side, I hung
for a moment while the wave surged round me before I lowered myself.  And
on the calm that followed the wave’s retreat the watchers drew me to the
shore.  And then, with a crash that echoed high above the storm, she
parted amidships, and the sea poured in volumes through the rent in the
severed hull.

I walked straight to the place where Marion was sitting with the dog at
her feet.

A word of thanks—no more.  But it satisfied me, for a light had sprung
into her eyes that told me I had won her love.




CHAPTER IX


PEGGY had come to my study in sore dismay.

There was to be a break and interlude, it seemed, in the monotony of our
household arrangements, which, for myself, I was inclined to welcome.
Peggy, however, regarded it with extreme displeasure, not unmixed with
anxiety.

“You see, sir,” she said, “’tis Miss Gertie’s birthday next Tuesday, and
the Rectory’s to be full of the visitors they’ve invited to come for it.
Now, you’d think that woman Josephine would know better,”—Peggy always
had a shy shot at Josephine whom she detested as a foreigner and
interloper—“but no, not she.  She’s chosen this very time to invite her
brother—I hope he _is_ her brother—no doubt because she thinks it will be
fine and lively for him with all these rejoicings.  And as they can’t
find room for him at the Rectory, what does my lady do but coolly propose
that you and I should take him in?  Now, if he were a healthy honest
Englishman I wouldn’t mind.  But I can’t abide these foreigners who wont
trouble to talk our language,”—Peggy always premised that to speak
English by intuition was the birthright of every baby both at home and
abroad—“and who live on toads and snails so that one don’t know how to
cook for them.”

“Now, my dear Peggy, don’t worry yourself and me; I’m just in the middle
of my sermon.  Let him come by all means.  I know a smattering of French,
and shall be rather glad of a chance of improving my accent.  Besides,
I’ll order the dinners and take all the responsibility off your hands.”
Never was heavy charge undertaken with so light a heart.

So Peggy retired, muttering her discontent in the little querulous tones,
that, as usual, reminded me of a squirrel when it finds that it has been
robbed of its hoard.  “I’ll do my best; I can no more; but I’m not going
to cook frogs and snails for any foreigner,” was what I heard more and
more faintly as her voice receded to the kitchen.

In one respect, at any rate, Peggy was hopelessly astray.  Josephine’s
friend was an American, and came from Chicago, so that the hopes I had
formed of furbishing up my French were doomed to disappointment.  It was
in a dialect which suggested no possible connection with the French that
he opened the conversation immediately on his arrival.

“I don’t care what ‘tucker’ you give me, only I must have cereals.”

So he began.

In my ignorance I read the word “serials,” and imagined that what he
wanted was intellectual nourishment while he dined, so I promptly offered
him the choice between “Pearson’s” and the “Strand.”  “Perhaps,” thought
I, “he wishes to study the statistics—amply supplied by these
periodicals—of how large an animal would be forthcoming if all the oxen
consumed by England in a year were rolled into one.”

But he wanted nothing of the kind.  “It is absurd,” he said, “the way you
Britishers tamper with your digestions, filling yourselves with heavy,
heating food, when all that nature requires is corn and oil and wine—and
the less of the latter the better,” he added as an after-thought.

I cordially acquiesced, for he was not a man, I saw, to stand
contradiction in any form.  But all the while I was troubling myself
anent the dinner I had in store for him.

He had arrived late in the afternoon, and in my innocence I had ordered
for him a typical English repast—soup, roast beef, and a ‘fondu’ of
cheese.

He waved the soup aside impatiently.  “I never touch soup,” he said, “it
interferes with my digestion.”  It was the same with the roast beef.  But
the Yorkshire pudding saved me.  “I can eat the fat of the beef,” he said
condescendingly—“spread on the pudding, it is highly digestible.”

“Rich,” I thought, “much too rich for the ordinary stomach.”  But I
resigned it to him willingly, yes, all of it—and it was a remarkably fat
sirloin—if only because my own inclination did not lie that way.  So we
got on well for the first day.

But I still had something to learn.  I had no idea that “cereals”
comprehended the be-all and end-all of his dietary.  So I thought to
tempt him with what was really a very delicate menu.

A clear soup, red mullet, ptarmigan, with a savoury to follow, was the
not un-appetising fare I set before him.

The soup he declined as before, with the air of one who refuses to
re-open a question.

When the mullet followed I felt sure of his approval.  Not the veriest
epicure could have resisted the tempting aroma and the sight of the
nut-brown envelopes which enshrouded the “woodcock of the sea.”  But no.
“This fish has not been cleaned,” was the objection; “how careless of
your cook.”

Of course this criticism put him outside the pale.  A man who would clean
a red mullet would reject the soft roe of a herring or (on occasion)
murder his mother-in-law.

“The fact is,” he repeated—this time a little angrily—“I can’t dine
without cereals.”

My heart sank within me but I said with assumed confidence, “The cereals
will follow later on.  You see we outsiders like something a little more
solid to begin with.”  But my bravery was all on the surface.  For how
was he to sustain nature on one small savoury, even if he sampled the
whole of it?  If only I had ordered Peggy to supply the ample rice
pudding or elegant dumplings of nursery tradition!  But it was too late
now, for the ptarmigan was already on the table.

“What, no greens?” he said, “broccoli, or beans, or at any rate cabbage?”

I represented to him with deference that none of these dainties were
regarded by epicures as the natural concomitants of ptarmigan.

“More of your silly English customs,” he said, “to reject simple
nourishing food, and heat the blood with these unnatural kickshaws.”

Whereupon a happy thought struck me, and I commandeered from the kitchen
the vegetables which I knew were even then simmering to perfection for
Peggy’s supper.  A noble broccoli was the result—the very largest I ever
saw—and reposing on the very largest dish.  How his eyes glistened!  It
was transferred bodily to his plate, and, drenched in a bottle of salad
oil, was, he admitted, no bad substitute for the “cereals” of commerce.

Again I followed up my fortunate idea, and defrauded Peggy of five noble
apple dumplings, four of which he accounted for on the spot, and begged
(with a smile of repletion which comforted me exceedingly) that the
remaining one might be reserved to furnish forth his breakfast table
before he went his way in the morning.  But the attempt to reorganise my
kitchen on a system to suit his digestion proved too heavy a problem for
Peggy and me.  So for the remainder of his visit he and I went our
separate ways, as far as the meals were concerned.  At dinner he seemed
happy with vegetables and puddings, and for the rest of the day he drank
tea unlimited, and refreshed himself at intervals with apples, bananas,
nuts and cakes, with which I was careful to garnish the sideboard during
the remainder of his stay.  “Monkey Brand,” I called him, and he did not
resent the title, “being proud,” he said, “to resemble his ancestors.”
For he was a kindly genial fellow, and never took a joke amiss.

Indeed, his simplicity and cheeriness quite won my heart, and reconciled
me almost to the trouble of catering for him.

But Peggy was far less amenable, and never became tolerant of his ways.
I believe she persuaded herself to the end that he was a Frenchman, who
for some evil purpose was masquerading as an American, and pretended,
from sheer ‘contrariness’ or worse, to have forgotten his mother-tongue.




CHAPTER X


IT was Gertie’s birthday at the Rectory, and there was a sound of
merry-making in the air, but what form it would take was held a secret
from all of us who were not required to take an active part in its
celebration.  Only I saw great signs of preparation in progress both at
the Rectory and the Manor House.  Peggy’s aid was called in to help in
the cutting and sewing of many mysterious garments.  Music, too, I saw
was to be held in requisition, for there was a sound of constant
rehearsals in the Rectory and Manor House drawing-rooms.

But what puzzled me most was the refurbishing of an enormous array of old
lanterns—not adapted to illumination or calculated to add lustre to the
festivities of the day.  No; lanterns these of a past and antiquated
type, resembling in some degree the lanterns of horn which, as
illuminators, have long ago passed out of fashion, and are only to be
found occasionally in some stable or cowshed that has lapsed far behind
the progress of the age.

Never did I imagine that female tongues—girlish tongues more
especially—could keep a secret so rigidly.  Not a word was let slip by
Marion or the Rectory party in explanation of their proceedings, so all I
could do was to possess my soul in patience, thankful that my own
presence was not a necessary part in the due performance of these
mysteries.

I have told you, I think, something of the position of the Manor House.
But of its greatest, and perhaps unique attraction, I have said nothing.
In olden times a monastery of large dimensions had held possession of the
ground that lay between the Manor House and the Rectory.  Of this the
Refectory was the only perfect fragment, a magnificent vaulted building
just visible from the Manor House windows where it lay in the valley
beneath.  Built of some fine grey stone that had taken to itself all the
colouring of which lichens are capable, it was tinted now with soft-toned
yellows in every possible gradation, and, in the sunlight of an autumn
evening, literally glowed in the warmth of the reflected rays.  Only a
barn now, and the labourers who went in and out of it, to store and stack
the produce of the glebe, never bethought themselves of the glory from
which it had fallen.

The river that brought us the Rectory trout lower down in its course had
been arrested on its way by the monks, and formed a lake, with a
tree-clad island in the midst, from which they supplied themselves with
Lenten fare.  On the ground that rose between the lake and the Manor,
scattered fragments of ruins—here an unsupported arch, hard by a standing
column or fragment of wall—with sarcophagi, at intervals, that had been
removed from their niches and desecrated of their contents, all testified
to the power and wide extent of the original community.  These ruins lay
within the precincts of the Manor House.  But just outside the boundary,
on the summit of an adjoining hill, there rose into the thin air the
wondrous shape of a tiny chapel, beside the perfection of which even the
Refectory itself looked coarse and material.  Coloured by a growth of
lichen of the same soft tones, and with all its delicate tracery
untouched by the lapse of some five hundred years, it seemed the product
of some fairy hand.  But the hand must have known its business well, for,
in spite of the delicate workmanship, every needless point and pinnacle
had been rigidly cut down, that the gales which fell full upon it from
the broad Atlantic might find no grip or holding ground.  Even the
buttresses and gargoyles had been allowed no useless ornamentation or
finish; all the adornment had wisely been lavished on the interior.  It
had been fashioned in one single nave, and the fans which sprang from the
columns on either side gave a lightness and delicacy to the roof that
minuter decoration would have only impaired, while a tiny tower, uprising
at the end that over-looked the sea and pierced by a narrow winding
stair, supplied just what was needed to break the monotony of the
exterior outline.

It was to this wondrous place, I found, that the birthday festivities
were directed.

As evening approached, all who were to take part in the ceremonial
assembled at the Refectory.  In what took place within, no outsider was
allowed to participate.  But at eight o’clock, and just as the moon was
rising, a long procession of robed and cowled monks issued from the
building, and holding, each of them, a lantern in his hand, entered on
the slow and winding ascent that led to the chapel on the hill.  And as
they wended their way round and round the grass-clad cone, their voices
came to us in slow and solemn hymns for the sailors on the sea.  The
course of time had been reversed, and once again, as in the days when the
chapel was built, we saw re-enacted before us the ritual for which it was
intended.  It was difficult even for ourselves, who knew well and
intimately every one of those cowled monks, to believe that we were not
living five centuries before our time, and assisting once again in a
ceremonial that, in the early days of the monastery, must have taken
place again and again when storm and tempest were raging.  Only to-night
there was no storm and tempest.  The necessities of modern comfort and
convention had so far interfered with the celebration, that it was
re-enacted at a time when the chief requirements for its enactment were
obtrusively wanting.  And when the summit of the hill had been reached,
we watched and waited till the final development came.

On a sudden from the tower that crowned the chapel a light flashed out
and burned steadily from a brazier on its summit.  Any sailors who were
voyaging along that calm and moonlit sea must have been startled by a
light that warned them they were approaching a rough and inhospitable
coast, of which, in a brightness that was clear as the day, no ship could
by any possibility have been ignorant, unless the look-out had been
hopelessly and disgracefully incapable.

The light burned on for an hour, then vanished.

And the festivities of Gertie’s birthday were ended.

                                * * * * *

I was beginning to descend the hill among the more belated of the
revellers, when a gentle hand was laid on my shoulder, and I turned and
saw Marion.

“I’ve been looking everywhere for you, Harold,” she said, “but in all the
crowd and confusion you were undiscoverable.  Birthday festivities for
Gertie, and birthday festivities for you and me, dear—the birthday of our
love.”

And then we dropped purposely behind the crowd, who were sweeping in all
directions down the hill.

“Let us go back to the chapel, Harold,” she whispered.  “We may never see
the view on such a night again.  Even the tropics couldn’t supply a scene
to smile more sweetly on our love.”

“No, that they couldn’t, dearest.  What is it the poet says?—

    ‘Come away! the heavens above
    Just have light enough for love.’

Well, the heavens have been kinder still to you and me, Marion, and
lighted us a lamp by which I can read every glance in your eye, and every
smile on your lips.  And are you really happy, dear, I wonder?  I can
never hear you say it too often.”

“Yes, Harold, happy as I never expected or deserved to be.”  And then she
would say no more—only drew closer to my side—for she was new and strange
to the expression of her love.  “By the way,” she added, “don’t you
wonder how they got up the turret-stairs to light the lamp?  I’ve tried
them again and again and could never manage more than half of them, even
in the daylight.  Many of them are gone altogether, and all of them are
crumbling and dangerous.”

“Ah! that was part of the secret, dear, they kept so well, though I
thought that you at any rate had been entrusted with it.  The girls, you
see, wanted a man to manage that for them, and so they condescended to
trust me with the business.  There have been carpenters at work in the
tower for days, but always in the late evening and when no one was about.
And they’ve made quite a decent flight of wooden steps.  Suppose we try
them.  The view from the top will be finer even than this; and, better
still, we shall be alone together for once in the day.”

We did well to climb the turret, for the panorama all around us was clear
as on the clearest day.

The chapel hill, on which we stood, rose from the centre of a valley
which was itself encompassed by a ring of distant hills, except on the
side towards the sea, on which two or three small steamers were passing,
like flies across a silver shield.

All the deep places of the valley were shrouded in a moonlit mist.  Only
here and there a tree-top, or some ruined fragment of the monastery
beneath, rose high enough to pierce the silver cloud.  In the distance
the hills shone bright and clear, their smooth and regular outline broken
at intervals by rounded tumuli, fit emblems of the Mighty Mother who had
taken her children back again to her bosom for their last sleep.

On the velvet sward below us lay the form of another chapel, designed, or
so it might have seemed, in ebony or jet.  So black and well-defined was
the shadow that it seemed more real and substantial than the fabric on
which we stood.  Each point and parapet of the building was reproduced in
clearest silhouette, even to the outline of the hideous gargoyles, of
which our own two figures where we leaned upon the parapet might have
been modern imitations in a less outlandish form.

At our feet stood the brazier, its weird and slender form reprinted on
the platform of the tower, wherein a few live coals, remnant of the spent
beacon-fire, still showed a dull and lurid glare.  In the moonlight they
shone like coloured fruits piled in a basket of ribbed and frosted
silver.

“It might be the tripod of the Delphic shrine,” I said, “ready prepared
for some solemn incantation.  Suppose we try its efficacy, Marion, by
swearing fealty to our love.”  And then, with only the solemn hills
around us and the silence of the moonlit night, my love and I crossed
hands above the glowing embers and prayed that the flame of our love
might burn undimmed till the change which men call death should renew it
in another and more perfect form.

    “Love’s pious flame for ever burneth;
    From Heaven it came, to Heaven returneth,”

quoted Marion, “which is true enough, though Southey was no poet; else
he’d have put such a pretty idea in more poetic form.”

“I wonder how you came to love me, Marion,” I said, “especially as I am
sure that Eric was my rival.  And you know I’m nothing to him in looks or
prospects or anything.”

“What, fishing for compliments already, are you?  Though perhaps it’s
true.  He’s a dear old fellow and I love him almost as much as I do you.
Only, you see, in another way.  And perhaps for a husband one wants
something to lean upon—something more manly, it may be, and less
picturesque.  You aren’t offended, are you, by the implied compliment?
And there was the wreck, and that settled it.  You didn’t give me a
chance.  Why, I never look at Bruno,”—this was the name of the dog, for
the captain had given him to her—“without thinking how you risked your
life to please my idle fancy.  Though indeed it was no fancy, for I
should always have been dreaming of him if that poor dog had died.  And
yet, perhaps—_perhaps_—I cannot tell.  Sometimes I think I might have
ended by marrying Eric, if you had stayed away.”

A footstep sounded on the platform behind us, and there, confronting us
as we turned to go, stood Riverdale himself.  He had heard, I felt sure,
Marion’s concluding words.




CHAPTER XI


I HAD won my mistress, but my mind misgave me that I had lost my friend.
Not from any signs of disappointment on his part, or any token that the
world outside us could have recognised.  Even to myself, who had known
his innermost soul for years, there were times when I could cheat myself
into the belief that all was well between us.  But, just as there are
times and seasons when Nature’s face and influence seem out of harmony
with our mental and physical being, even so, and quite as surely, it was
borne in upon me that his love for me was gone.

He had taken the news of my engagement well—too well, or so it seemed to
me.

Perhaps the greatest charm of our friendship in the good old days had
been the thought that I, alone of all his friends, had gained admission
to his innermost heart.  By all the rest of the world his easy-going air
of calm indifference had been accepted for the reality.  I alone knew
what deep intensities of passion burned beneath that calm exterior.

And this, I take it, is the very highest crown and glory of a love—to
feel that you alone have gained admission where no one else may tread.

Now, something, an indefinite something, had come between us.  To all but
me the change was impalpable; only, if possible, an added charm and
courtesy in his relations with Marion and me.  Nothing, I think, that she
herself could realise or detect, for his manner towards her had always
held in it a studied gentleness; only the gentleness was accentuated now.

But between him and me the veil had fallen.  To those who did not know
him, it would seem strange, no doubt, that Eric had not long ago declared
his love.  That he had never done so, I knew from Marion herself.  Most
affectionate, she said, most devoted he had been; but never a word that
bordered upon love.  At the last she had begun to doubt whether it really
existed at all, especially when his letters that reached her were so few
and silent on the subject.

But I, who knew him better than she did, saw in this very self-restraint
and reticence concerning his feelings only an additional indication of
their strength.  His, I knew, was a singularly proud temperament, that
would never have ventured to risk the final issue till he had well
assured himself that failure was impossible.  And for this assurance he
had been waiting—waiting through all his studentship at Rome, rarely
writing and never allowing an intimation of it to betray him in his
letters.  Simply waiting, till the artist-fire within him should have
realised itself in action, and then offering his first great picture,
together with the gift of his love, at Marion’s feet.

And then, just when he had realised his heart’s desire of fame, and saw
the world’s honours placed within his grasp, he had come home only to
find that he had been forestalled by me, and that he had lost beyond
recall the greater prize of Marion’s love.  Truly a test that might
imperil even the friendship of a life.

I would have given much to prevent him, had it been possible, from
hearing Marion’s last words on the chapel tower.  Not that I could blame
myself in any wise.  I had acted loyally to him throughout, and should
have continued to do so, had not Fate on a sudden taken the arbitrament
into her own hands, and left me no faintest loophole for deciding
otherwise than I did.  But considering that I had satisfied my
conscience, I felt strangely disquieted by the result.  Of the reticence
I had imposed on myself through long months, and of my determination to
await his return for the decision of the issue, he could know nothing.
And if he had gained the faintest suspicion that I knew of his love, my
action, I felt sure, must wear the appearance of one who had been
deliberately working to supplant his friend; worse still, had
precipitated the issue so soon as the rumour was forthcoming of his
probable return.  Worse, too, than all was the possibility that he had
heard nothing of my residence at Fleetwater or my growing love for
Marion.  All this, though wholly unavoidable, as I neither knew nor could
discover his address, must needs in his eye seem the very silence of
premeditation, which had been waiting to make the disclosure till the
result should be irremediable.

But if he had indeed heard our conversation, of which I could feel no
doubt, he never by a word alluded to it.  With the warmth with which we
had parted, with the same he met me again.  “He was glad,” he said, “that
his two best friends were to be drawn closer to him still,” and, laughing
in his old frank way, had added that “we two had not been long in
discovering the affinity between us.”  This faintest gleam of satire was
the only intimation he allowed himself of the feeling that lay buried in
his heart.

Eric had hurried his departure from Rome, because the summer heat had set
in earlier than usual that year, and because the work still left for him
to do could be done equally well at home as abroad.  Then he entered with
spirit into the history of his travels.  And how it was the Museum at
Madrid, and the work of Velasquez in particular, that had fired his
imagination and stimulated his activity to try and do likewise.

“You should just see his pictures,” he said, “and what that man can do.
Why, his horses and riders come galloping to you out of the canvas!  Even
that scoundrel Philip II., perhaps the worst and basest coward that ever
lived in history, gains something of distinction and nobility by the
touch of his pencil.  And he can paint you an atmosphere and distance in
which a man can breathe and walk.  And what does he do it all with?  No
flaming, gorgeous colours like Titian’s and Tintoret’s, but all in quiet
greens and greys and browns that would be dull as ditchwater in any other
hand.  Opinions, I know, differ, but to me at any rate he has always
seemed the greatest of Art’s great Trinity—Titian, Rembrandt, and
himself.  And to him I owe everything.  He it was who read me the lesson
that I have tried to learn—to decide what I wanted to paint, and then go
straight for it, letting all the accessories and inessentials come in at
the end where they can.”

Yes; it was another and a different Eric who was talking to us now from
the one with whom I had parted nearly two years ago.  The indolent
dreamer of those days had been transfigured into the man with a purpose.
And I hoped, as I heard him, that he had made a mistress of his art, and
might find in his devotion to her the happiness which we are told she
always gives to those who worship her with a whole and undivided purpose.

Three days later he left us, to finish, he told us, the first great
picture he had attempted.  It was already too late for the Academy, but
competent judges thought so highly of its merits that he intended to risk
its first appearance in the almost fiercer light of a London show-room.
“Of course,” he added, “you two must be the first to see it.”




CHAPTER XII


IN the general chorus of congratulation that welcomed our engagement I
must include a letter I received from my erstwhile rival, Reggie.  We had
found time during his vacations to become fast friends, and he wrote to
me from my old rooms in Trinity, where, by some strange freak of fortune,
he was now installed.

    “Dear Stirling,

    “I congratulate you heartily on your engagement to Marion, and think
    you lucky beyond the majority of mankind.  If I hadn’t been her
    cousin, and much too infantine in years, I would have done my level
    best to supplant you.  Peggy, I fancy, would have co-operated with
    me, as I am sure she believes even now that, if you had only gone the
    way of the other curates and left me a fair field, I should have won
    easily in a canter.

    “Not only do I congratulate you, but I also send you a
    wedding-present, which is unlike ordinary presents of the kind in
    that it will be valuable to you while it will cost me nothing.  In
    fact, I am only presenting to you what is already your own property.
    The picture which I forward herewith was found in the cupboard of
    your gyp-room.  If age is valuable as well as venerable, there is
    little doubt that I have been happy in the choice of my
    wedding-present.

    “You will forgive me, I hope, for my unseasonable jocularity.  It is
    intended to comfort your heart by proving to you that my youthful
    affections have not been so seriously blighted as at one time you had
    cause to imagine.

    “Yours, without envy or uncharitableness,

                                                                 “REGGIE.”

“The young rascal,” I muttered.  “He must have known all the time—perhaps
his sisters told him—that I had been a witness of his youthful escapade.
Well, the lad’s got a sense of humour in him at any rate.  But I wonder
what picture he means?  Oh, no doubt it’s the one that’s been in our
family for a hundred years at least.  My grandfather, I think it was,
brought it from Spain, and thought a lot of it too; though why and
wherefore, passes my comprehension.  But it’s certainly old and dirty
enough, as Reggie says, to be valuable.  I was always intending to have
it re-framed and always forgot it.”

When the picture arrived a day later, the first thing I did was to carry
out my intention of having it cleaned and re-framed.  We had always
supposed it to be the portrait of some cardinal, a faint glow of red
being the only colour that had power in it to pierce the dirt of ages.

But now at last was revealed a face of marvellous beauty, and (strange to
say) of a pronounced English type.  The pale refined features and sunny
hair resembled nothing that one encounters among the native types of
Italy and Spain.

I should have put him down from his dress as an acolyte or choir boy, or,
it might be, some cardinal’s page.  But who he was, or how he found
himself in Spain, or why he should have clothed himself from head to foot
in scarlet, even to his very cap, it was beyond my power to fathom.  It
was a remarkable coincidence, too, that he much reminded me of a famous
portrait by Bronzino that had taken my fancy at Madrid, in connection
with which I had been met years before by the self-same difficulty, when
the official catalogue, so far as I remembered, had been equally
incompetent to solve it.

It was a mystery, furthermore, how my grandfather could have secured so
good a copy.  For the possession of the finest gallery in the world has
never tempted the Spaniard of to-day to cultivate art, nor has he
established in his capital city a community of copyists like that which
flourishes at Rome.  With such fine traditions of painting to his credit,
he is therewith content, and a copy of real excellence, which this
undoubtedly was, would, I felt sure, be wholly beyond the range of his
capacity.

With the difficulties of the picture still unsolved, I dismissed it from
my thoughts, merely telling Peggy to hang it in my sitting-room, where it
would find itself in congenial harmony with Eric’s _Antinous_.  Peggy, I
could see, resented its introduction altogether, as savouring of Papistry
and the Scarlet Woman, and would have preferred to turn it with its face
to the wall; only I declined to consider her feelings.  “I wonder what
Eric would say of the picture?  I’ll ask him some day,” I said to Marion,
who was in raptures over the delicate beauty of the portrait.

My happiness during all this period, but for my anxiety about Riverdale,
would have been whole and unalloyed.  No one was more surprised than
myself to find how many friends I had made during my short residence at
Fleetwater.  Peggy was the only one who held aloof and was chary of
congratulation.

Naturally the Rectory girls were wild with delight.  Hardly had they
recovered their equanimity after the excitement of Gertie’s birthday,
when, lo and behold, they foresaw in the near distance a vision of other
and greater festivities that promised to outrival even the ceremonial on
Chapel Hill.

From the first the Rector had shown himself a warm friend, and whenever I
was free of my duties in the parish, the chances were you would have
found me in his company, either helping him to keep down the trout in the
Rectory stream, or taking lessons from him in gardening, whereat Marion
and I formed the students of his class.

“No arrangement—none, Stirling,” he said, “could have been more in
accordance with my plans for the future.  So soon as I am too old for
work—and I’ve had a twinge or two of gout already—you and Marion will
come to the Rectory, while I retire to a little property lower down the
river, where I’ll catch all the trout that you allow to escape you in
their travels past the garden.  You know, of course, that the Park and
Manor House are strictly entailed, and will go to a distant cousin.  So,
for the present, I shall consider that I only hold the living in keeping
for you.”

Information privately received from Marion had left me in no fear
concerning the result of my proposed interview with the Squire.  From the
first he had shown a warm liking for me—all the warmer, perhaps, because
I was staunch, from his point of view, on the question of fox-hunting;
thinking, as I honestly did, that the Rector was hardly so fair as usual
in his denunciation of the sport.

I was to dine alone with him that evening, and when Marion had left us to
our wine he came at once to the subject.  “I am perfectly satisfied,
Stirling,” he said, “with Marion’s choice.  Personally I have a strong
liking for you, and have no ambition whatever that she should make what
is called a great marriage.  Though I honestly confess I am somewhat
disappointed that she has thrown over Riverdale, who I am sure is devoted
to her, and would infallibly have proposed later on.  Indeed, it’s been a
puzzle to me and to all of us why he’s held back so long.  However, all
this is none of our business.  I would never prejudice a girl’s
inclination by so much as a word.  But, to speak candidly, I could not
have given her to you or to any man who had not a small fortune of his
own to start with.  And this, not so much for her sake—she will have
enough and to spare—as her husband’s.  There is nothing that places a man
in a more false situation than the fact of his being entirely dependent
on his wife’s property.  Indeed, no man of any spirit would accept the
position.

“There is only one thing more, and then I will dismiss you to join Marion
in the drawing-room.  To make your income secure, I would suggest to
you—simply as a friend—that you remove the part of your capital which you
have in the bank—these new concerns are none of them too safe—and place
it in some good security that can be recognised by trustees.  And now,
for I know you are longing to join Marion, I’ll only say that I
congratulate you on your success as heartily as I congratulate myself.”

In the drawing-room Marion sang to me my favourite songs, amongst them,
of course, ‘The Message’ and ‘The Requital.’  Last of all I asked for ‘My
Queen,’ the song which above all others realises the entire
self-abandonment which is the very hall-mark of love.  For a love that is
true and worth the name will impose on itself no restrictions and no
limitations, giving itself wholly and unreservedly, without asking the
reason why and wherefore, to the object of its worship.

And then we wandered out through the gardens and the park down to the
site of the monastery beyond, strolling in and out between the ruined
walls and arches, while a nightingale, who night after night gave a
concert to his mate at the same hour from the same tree, sang to us his
own idea of love.

Not talking this time, either of us, as to the mysteries or pleasures of
a world to come—too happy, I am afraid, with this one.  And certainly
dreaming nothing of a danger that was already drawing nearer and still
nearer with the intent to wreck our happiness.




CHAPTER XIII


MEANWHILE the wreck still lay in shattered fragments on the beach, and
had brought discredit and disaster to at least one family in the village
before it disappeared in another and still heavier gale.

It was the best-looking young woman in the parish and the best-looking
young man whom I had united to-day in the holy bond of matrimony.  And
now the wedding-dance was being held in a room twelve feet by twelve,
while the wedding-feast of light refreshments was spread in the
wash-house adjoining.

Ned Baker was a young fellow of the pale, refined type, looking younger
even than his years, and they numbered only twenty-four—a type rarely met
with in a country village, with clean and well-cut features, light wavy
hair, and the slim hand and tapering fingers that one assigns to a
musician, and associates not at all with the rough training of a village
carpenter.  More fitted, you would say, to stand behind a London counter
and minister yards of drapery to some west-end beauty.  Perhaps his
refinement may have been partially due to delicate health since boyhood;
nothing serious his friends would tell you, but just sufficient to unfit
him for out-door labour, and direct the tenor of his life to the
comparative ease of a carpenter’s workshop.

His wife in all probability, judging from her appearance, would rule the
roost.  A woman of the strong, well-bosomed order, outcome oftener of the
village than the town, with the wild westerly breezes and salt sea air of
the Atlantic mantling in her cheek.

Truth to say, Ned was hardly a popular inmate of what was now his native
village.  In appearance and refinement he was far above the tribe of
fishermen who inhabited the scattered hamlet, and won a precarious
livelihood from fishing and boating—sometimes, ’twas said, from the
jetson cast up by the sea beyond, when a wreck, such as still lay in
fragments not one hundred yards from their doors, would strew the shore
for miles and miles with drift of freight and timber.

It was natural, perhaps, that they should resent a superiority which
contrasted only too strongly with their own rough and rugged natures.
Besides, he was an alien—literally a drift from the sea—cast up and laid
for dead upon the sand some twenty years ago.

No one knew aught of him—he did not know anything of himself—though his
wavy sun-locks and bright blue eyes might have proclaimed him of the
north, the fragile incarnation of some Viking of the past.  But all was
guess-work and mystery, for he was a little lad of three years old when
the sea laid him at their doors, after claiming for its own the ship and
everything, dead or living, that it had carried for its freight.

Kindly hands had welcomed him.  An old fisherman and his wife, without
children or relations of their own, had loved and cherished the boy to
manhood.  But they were dead and gone, and for years since he had lived
his life alone, till Arabella Bond, the beauty of the village, had been
won by the very grace and refinement which had made him alien and outcast
from the other villagers.

Indeed, with the single exception of the couple who had reared him,
Arabella had been his first and only friend.  Three or four years older
than himself, she had, as a child, taken him under her special
protection, comforting him in all his troubles, and waging incessant war
with the lads of the village on his behalf.  Her strong motherly
instincts, fired as time went on by a warm passion of love, had gone out
in pity to the youth who had been flung, alien and isolated, among a
world of strangers.  And her devotion never wavered.  Even now her
feeling towards him was rather that of the mother than the wife, and, but
for her, his prayer would have been that the sea might yet reclaim its
gift of life.  Nameless and unknown, he was from the first an object of
suspicion to the villagers.  Add to which, he had been cast up by the
sea, and the awe which clings round such a one, and the peril that it
foreshadows to his preservers, were for ever present in their minds.

With a race of men animated by their traditions King Arthur himself, if
he had been cast upon their shore, would never have gained their
confidence.  And with Ned’s growth in years the feeling against him had
only become stronger and more accentuated.  A high regard for
honour—honour in every word and deed—was the dominant characteristic of
his life, shown in nothing more conspicuously than in his scrupulous
honesty respecting all property recovered from the sea.  Such views were
in hopeless antagonism to all the traditions of the neighbourhood, where
the villagers, whose ancestors may have smuggled a little in the days
gone by, held a rooted belief that the sea was their property, placed
where it was by a beneficent Providence to afford them a livelihood, and
sometimes, though not half so often as they wished, to present them with
an unearned increment in the shape of a wreck and the perquisites that
followed from it.

And, most unfortunately for Ned, no one held this faith with stronger
persistence than Arabella’s mother.  To discover, if possible, the owner
of such property, or to report it to the recognised authorities would
have been judged by her a superlative act of folly, a wanton flying in
the face of Providence, which sent them such windfalls, as it did the
mackerel and the herrings—only with less regularity.  It may be, I fancy,
that the northern nations, from whom Ned inherited his birthright, are as
punctilious in the practice of honour as southerners are in the
profession of it.

Anyhow, Ned and his folly were perpetual irritants to Arabella’s mother.
And matters were in no wise improved when he became a suitor for her
daughter’s hand.  Even his personal appearance and his love-locks,
“clustering o’er his fair forehead like a girl’s,” came in for her abuse.
“A fine gen’elman you be,” she would say, “to teach us all our duties,
and make out as how we be thieves an’ liars.  Why, you bain’t no better
nor a gal—an’ a poor ’un at that—wi’ all your long hair a-danglin’ about
your forehead, an’ no strength in ye to pull an oar or gi’ a hand to the
fishin’-tackle or the lobster-pots.  Blest if I can tell what Arabella
sees in ye.  But there—there’s no accountin’ for tastes.  ’Twas sommat
liker to a man that would ha’ suited I, when I was lookin’ round me for a
husband.”

Then Arabella would heal the wound and say: “Never ’e mind, Ned.  ’Tis
because ye be so much better than they that they hates ye so cruel.  Wi’
yer fine language and looks that shames ’em all every time they meets ye,
no wonder they can’t stomach ye.  Not but what you be learnin’ a lot of
our talk now along, and ye clips yer words fine, same a’ most as we does.
May be they’ll think the better of ye by and bye, when you gets a bit
liker to ’em.  Not that I wishes it, my dear, never think it.  ’Tisn’t I
that would have loved ye so fondly if ye hadn’t been better an’ cleverer
an’ handsomer than all the rest of ’m.”

But to-day all past animosities were forgotten, and the company who had
been called to the festivities could only bethink themselves of the
arrangements provided for their comfort.




CHAPTER XIV


“’TIS a rare sight this, granfer, for a weddin’.  I only wish as how my
old mother what’s bedridden upstairs—her’s ninety, come Thursday—could
crawl down along and glad her aged eyes wi’ it.  But that’s more a’most
than we can claim o’ the Almighty, seein’ she’s kept her bed now for nigh
on five years.  Not but what she’s rare and hearty still, and can eat her
bread an’ cheese and drain a pot of beer most as well as I can.  ’Tis a
wonderful strong and lusty constitution, to _be_ sure.  Her eyesight
don’t fail her—only her limbs ain’t so strong as once they was.  And no
wonder, what wi’ lyin’ a-bed all this ’ere time, which she thinks more
comferable and gives less trouble.  Wi’ her pipe, too, most allus a
goin’, and some day there’ll be the ’ouse o’ fire along o’ it, I’m
afeard.  And how cleverly she do hid’ en, to be sure—right under piller
or blanket ’e goes, smokin’ hot—soon as ever she hears passon’s footstep
on the stairs.  Talk of good ’bacca hurtin’ a man.  They Lunnon doctors
should come and ha’ a look at she, and they’ll see an ole woman what’s
smoked her ounce of shag a day for twenty years to _my_ sure and sartain
knowledge.”

“Aye, ’tis a grand sight truly this ’ere weddin’, and a credit to the
village and yerself, Michael.  Such a company o’ rare young maids and
lusty young fellows I don’t know as ever I see’d congregated together in
one room.  And the beer and the sperrits you’ve provided for ’em!  I’ve
been into that there wash-house of yourn, and made glad my eyes wi’ as
rare a cask of strong beer—none of your fourpenny ale, I allow—and as
neat a keg o’ sperrits as ever I cast eyes on.  The wenches to-night need
have comeliness and grace to tempt the young fellows out o’ that there
shed.  For ale and sperrits is better nor beauty, Michael; ’tis so at
least when men be gettin’ in the vale, the likes o’ you and I.  And
what’s more, I’ll go and sample it, just that I may tell the others what
’tis like, ’fore as ever the dancin’ begins.  Not but what I likes a
funeral better nor a weddin’.  ’Tis quieter and more sober-like, and you
takes your vittles more peaceable.  None of this ’ere het an’ dust an’
potheration what comes o’ the dancin’.  No, gi’ I a funeral for comfort,
specially when ye be a bit aged.  Not but what ’tis disperitin’, and
craves a mortal lot of stimmilent to carry one thro’ wi’ it.  An’ some
there be what doesn’t hold wi’ feastin’ on the dead.  But ’tis mostly
they of a savin’ sullen nature, what grudges the vittles, an’ finds no
comfort in thanksgivin’ an’ the voice o’ merriment.”

The fun was at its height, and the ale cask and the spirit keg would have
been valued at one half their original cost, when the company were
startled by two hurriedly-repeated knocks at the door, and a young girl
stood panting in their midst.  No wedding guest this—rather a ghost in
all but the strong and youthful grace of budding womanhood.

“Heaven help us!  What’s happened to ’e, Meg?  Why on earth do you bust
in upon a house o’ merriment lookin’ like a corpse?  Out wi’ it, lass,
and don’t stand gapin’ there, scarin’ us out of our wits, for all the
world like a frighted owl.”

“’Tis the p’leece!” she cried.

“Be ye gone stark starin’ mad, you fule of a girl?  We ain’t that drunk
and disorderly yet that we need fear to look a p’leeceman in the face.
P’leece indeed—to a decent respectable woman what’s had no dealin’s wi’
such truck, time out of memory.”

“’Tain’t the drink—’tis the copper off the ship that was wrecked while
ago on the Rudge.  Some of us ha’ been handlin’ it, and they’re a-comin’
round to every house in the village, wi’ a search-warrant they calls it,
and they’re at top o’ street now, an’ ’ll be punchin’ at your door afore
you can say Jack Robinson.”

Fear—was it fear for themselves or for others?—had sobered the guests on
the instant.  Silent and shamed they slunk away into corners, as if they
prayed for the earth to swallow them, or were assisting at a funeral
instead of a wedding.

Only the mistress of the house retained her self-possession.  With a nod
at her husband to follow her she retreated with him for consultation into
an adjoining room.  When they returned—“We’ve been thinkin’ this ’ere
matter over,” she said, “and there’s nowt to be done but a corpse in the
house.”

“Sakes alive!” cried grandfer, “and whose is the corpse?  Not mine, I
tell ’e straight.  I be as full o’ life and health as the youngest among
’e.  Not but what they tell I that I be nearin’ life’s end.  Not a bit of
it, says I; I be younger and lustier, I be, than this time last year, and
lustier then than the year afore.  I be intended, I allow, to follow
Methusalum, and show what we can do now-along when we sets ourselves
serious to the job of livin’.”

“Stop yer silly nonsense, you old fule,” cried the dame, “we’ve no time
to listen to your fulery, and none of us wants yer corpse.  Not but what
a corpse we must have—or maybe a dyin’ man’ll do.  Then they wont dare
search the house, and we’ll ha’ time to pick up the odds and ends of
copper and bury it in the garden.  Bad luck that ever I set eyes on it.
And ’tis young Ned there that must be the dyin’ man.  He’s far and away
the most nesh and tender-lookin’ of all of us.  And crop his hair short,
and lay him in bed wi’ a bandage full over his face, and no one’ll know
whether he’s dyin’ or dead.  And he was allus that weakly and bad in his
breath that we can say he was taken wi’ heart disease, or summat, along
o’ the dancin’, and no one’ll be the wiser.  Besides, ’tis he what took
the copper, so ’tis only fair as he should be at the trouble o’ savin’
on’t.  An’ we’ll put ye in Arabella’s room, Ned—sure ’tis no shame to do
so for as how ye be a wedded couple.  An’ ’tis safer the copper’ll be,
seein’ it be stored under her bed, the main of it; not but what there’s
two sheets as was flatter nor the rest, an’ they lies ’twixt mattress and
blanket.  Rare an’ uncomferable ’twill be for ye to lay on, but ’tis
yourself what made the bed an’ you must lay on’t.  An’ we’ll come an’ let
’e out as soon as ever the p’leece be gone, an’ ’twon’t be long as
they’ll stay, soon as ever they hears we’ve dead an’ dyin’ in the house.
Up wi’ ’e, Ned, and we’ll have ’e tucked up afore as ever they come nigh
the place.  Sure ’tis no falsity neither, for what wi’ the scare and the
fright ye looks most dead already, so help me, ye does.”

It was not till the end of this harangue that Ned’s temper broke loose,
though an angry flush that flamed on his delicate cheek had showed he was
nearing the end of his self-control.

“Shame on ye, woman,” he cried, as the last of the guests filed out of
the room, “shame on ye to belie me thus afore the face of your own
daughter, and her my wedded wife.  I’d a’ saved the copper for ye
willingly—rot the stuff—and I’ll save it now if I can.  An’ I’ve kept
silence afore all your company rather than let ’em know you was lying.
But I’ll not begin wedded life wi’ disgrace ’twixt me an’ my wife.  So I
tell ye, Arabella, where ye stand, and glad I am of the chance, that I
never fingered aught of the copper—only to help ’em in hidin’ it—and
’twas your own father and mother what stript it and stored it, and you
needn’t be afeared but what you’ve wedded an honest man.  And now,”
turning to his mother-in-law, “I’m ready to go along wi’ ye.  May be I’ll
save your honour; we can’t make worse o’ mine.”

In ten minute’s time the house that had been ablaze with lights was
shrouded in darkness, and resumed its ordinary well-conditioned aspect.
The blinds were drawn, articles of furniture that had been ousted and
piled to meet the requirements of the dancing had been re-placed in
position.  The guests had slunk away, more or less disquieted according
to the state of each man’s inner consciousness, and, to the onlooker from
without, it was as reposeful and undisturbed as any of its neighbours in
the quiet well-ordered street.

Scarcely had this transformation scene been effected when the expected
summons came.  “Sorry to disturb ye, Mrs. Bond, when ye be all arranged
so quiet for the night.  But ’tis our bounden duty, ma’am, and we’ve a
very particular reason here (exhibiting the warrant) for wishin’ to look
through your premises, if so be as you has no objection.”

“Aye, ye can come in, Bob Davis.  An’ if I can’t gi’ ye a hearty welcome,
’tis only yerself you has to thank for it.  ’Twould ha’ been more
neighbour-like, I’m thinkin’, if ye’d come in open daylight, ’stead o’
disturbin’ a peaceful family at this hour o’ the night.  An’ we wi’
sickness in the house that’s like to be death afore the mornin’.  For
sure as ever Ned sees yer face an’ that great lout you’ve brought in wi’
ye, ’twill scare the life breath out on ’m.  An’ ’tis more nor that scrap
o’ paper you’ll be needin’ then to make yer peace, wi’ murder on yer
soul.”

“Come, old lady, none of that gammon; it’s too good for us.  Don’t we
know that your daughter has been married this very day, and that you was
a-keepin’ the weddin’ wi’ a fiddle and dancin’ till half-an-hour ago?
Besides, there’s a strong suspicion that some of the copper we’re
a-lookin’ for is to be found in this here house—and perhaps that’s why
you shut up so sharp, hearin’ that we were comin’ along to have a look at
ye.”

But when the search elsewhere was ended, and the door of Arabella’s room
had been opened to admit them, Mrs. Bond enjoyed a short-lived triumph.
Not the most strenuous of officials, urged by the strongest sense of
duty, but would have paused in the presence of what looked like death.

“No, ma’am—though thank you kindly—we’ll not intrude.  We’ve done our
duty, an’ the law itself can’t call on us for more.  An’ you’ll look
after that lad of yourn, Mrs. Bond; you’ll excuse me for sayin’ it.  ’Tis
close on death he looks, though glad I’d be to be mistaken.  An’ if so be
’twill ease your mind, I’ll make time to go an’ fetch the doctor for ye
afore as ever I goes home to-night.”

But in the bedroom upstairs, as the steps of the officers were heard
retreating down the street, the bride was saying: “Up wi’ you, Ned!
You’ll be glad, I allow, that I be come to release you.  ’Tain’t becomin’
no wise that a bridegroom on the night of his weddin’ should be lyin’ all
stark an’ streaked like a corpse.  Not but what you look finer and
grander-like than ever you’ll do in life agin.  Up wi’ you, man, though I
be most sorry, that I be, to untie ye.”

But no voice or sound made answer from the bed.  Only the jaw had fallen,
and the eyes stared full on the speaker, and the silence of death—death
itself—was in the room.  Fear and excitement had done their work on an
enfeebled heart, and Ned had crossed the narrow borderland—the “space
between the spears” the ancients called it—which separates God’s great
twin armies, the living and the dead.

The villagers will tell you that Death came to him in anger, because of
the jest that travestied his grim prerogative.  Rather, I think, it was
in pity for the lad, and to save him from disillusions sadder still, that

                  “God’s finger touched him, and he slept.”

So the marriage was followed by a death, and the lighter refreshments of
the dance were merged in the splendours of a funeral feast.  And the soul
of granfer Wiseman was satisfied withal.

The Rector was sorely troubled by the disaster that had taken from him
another of his prime favourites among the lads of the village.

But of the events that had led up to it he was strangely tolerant.  “It’s
heredity,” he said, “and you can’t fight against it.  Not an angel from
heaven could persuade them that the sea has not made over to them all the
property it lays at their doors.  It mayn’t be good law,” he added, “but,
after all, there’s something to be said in favour of their view.”




CHAPTER XV


AND now, during the calm and quiet summer months that followed, my life
took its tone from the harmony of Nature, and rested itself for a while
in one great calm.  Taking its rest like Nature, the better to prepare
itself against the advent of stress and storm.

Hardly a day passed during this halcyon time that I did not see Marion.
Sometimes it would be at the Rectory, sometimes at the Manor House;
oftener still in some cottage where there was sickness or trouble which
she could comfort and relieve.  To ourselves, at any rate, life in those
days was full of interest; it may be, for that very reason, void of
interest to those who only watched its progress from without.

One day the rooks re-appeared in the trees of the Manor House farm.  I
suppose it was one of the periodical visits which they are accustomed to
pay, off and on, before they close their summer establishment finally to
take up their abode in some mysterious winter residence.  In my boyish
days it seemed to me the height of unwisdom to abandon your city of
habitation just when the winter gales were due.  But perhaps a rook lives
his real life elsewhere, and only comes down to rusticate in the country
as a volunteer or militiaman goes into camp, _i.e._ for duty’s sake,
which, in the case of the rook, means the fatigue duty of rearing and
raising a family.  Somewhere (in the pages of the ‘Encyclopaedia
Britannica’ for example) and some day I will look up their winter
address.  In this neighbourhood it is probably among the cliffs of
Portland or on the rock-bound promontory of St. Aldhelm’s Head that a
letter would find them.  Anyhow, they were with us again to-day.

“Do you think they talk to one another, Peggy?” I said, as they were
making a great to-do in the trees adjoining our garden.

“I can’t say, sir, I’m sure; but if they do, it’s pretty much, I allow,
on the same subject.  Seems like a warning of some kind to my ears.”

“Perhaps it may be, Peggy, and, so far as I can read it, couched in very
classical language.  It sounds to me exactly like the Latin word ‘cave,’
which your favourite Reggie must often have told you means ‘take care.’
We pronounce the word now-a-days ‘caue,’ which, in the clipt
pronunciation of an excited rook, might easily have degenerated into
‘caw.’  If so, they are very lavish of their presentiments at the present
moment.”

“And no wonder,” was Peggy’s reply, “for there’s trouble enough and to
spare in the village to-day.  And will be through all the country round
for the matter of that.  You know, I suppose, sir, that the bank has
failed?  There were whispers of it in the street last evening, and to-day
the postman tells me that the shutters are up.”

I glanced at the letters on the table before me—at an aggressive-looking
blue one in particular, which might possibly contain a bill—a letter of
the kind that one ordinarily leaves unopened till the last.  In it was a
short circular, confirming the fact of the failure in the plain
unsympathetic language with which a disaster that spells ruin to hundreds
is officially announced.

There are many ways in which a bank may fail, though the result in all of
them is pretty much the same in the end.  Sometimes it dies of inanition,
by a slow decay of life and credit, and this is the form of suicide that
novelists and journalists prefer.  For it offers a fine field for
sensational writing—the whispers in the air, the mysteries and doubts;
then the ‘run,’ with all its train of interesting incidents, the
reinforcements of gold that are hurried down post haste from London, the
noise and tumult of desperate claimants, with the cashier’s final
announcement that his resources are exhausted.

Sometimes, on the other hand, the suicide is sudden, without preliminary
word or warning—‘foudroyant,’ as the French would call it.  And this is
how our bank elected to fall.  To the last it drew in money and paid it
out, and then on a grey November morning the shutters were up, for the
bank had died in the night.  But for us in Fleetwater there was not even
the poor satisfaction of watching its last hours or gazing upon the
closed shutters.  For the bank had died elsewhere, at the county town
some miles away, and the news had only filtered to us at second hand (as
Peggy told me) through the postman.

Most people, I suppose, were stunned at first by the novelty of the
disaster.  I can remember that for some definite period, how long I never
knew, I studied the circular before me dreamily, with a strange feeling
that it would be bad for some other people, but never realising what it
meant for me.  “What will Peggy do?” I asked myself.  “She had all her
savings, I know, invested in it.  And what again of Richard Smiley, who
only two days ago placed in it all that the Old Inn has earned for him in
twenty years?”

Worse still, I thought, for Andrew Strong and his widowed mother, before
whom I saw nothing but the refuge of the Union, for they were old and
feeble now, and had been living, I knew, for years on the slender
pittance they drew in driblets from the bank.  And so by degrees, and
through many vague wanderings of thought, by realising all that it meant
for others, I came at last to realise all that it meant for me.

At this point in my meditations I did what it would have been wiser for
me to do a few months earlier, when I should have been in time to act
upon the Squire’s advice.  I bethought me of turning up the original
prospectus of the bank where it had lain forgotten among a number of old
papers, mostly unimportant, that had come into my possession at the time
of my father’s death.  The information that I gained from it was
startling.  It was to the effect that the company had been registered in
shares of £50 each, only half of which had been as yet called up.  So I
had no need to go to London to win the knowledge that I was a ruined man.

This time I did not lose myself in vain misgivings.  I had become, I
suppose, already somewhat callous to surprise.  But I set myself the task
of looking the future in the face by thinking and working out my plans on
the basis of this new discovery.  And I took the business in hand with
something of that strange unquestioning instinct which leads the fatalist
to work out his destiny in a crisis that has come upon him suddenly, and
over which he has lost the control.

Whereby I saw that, under the best possible conditions, I had no right to
continue my claim to Marion’s hand.  Even now there were rumours afloat
in the village that the failure was a bad one, and that the bank would
only pay a small dividend.  And, though I could not satisfy myself on
this point till I had been to London to consult my agents, as I intended
to do on the following day, it was already perfectly clear that the
company would have to call up all its capital, and that, dividend or no
dividend, the result to me would be the loss of most of my small fortune.

And this meant, first of all, the loss of Marion.  How could I ask her
father to consent to our marriage, even if his opinion on a contingency
which was now realised had been less plainly given at the time of our
engagement?

No; neither he nor I could have consented to it.  And so the failure
meant to me the loss of all that, for the time at any rate, made life
worth living.  Other work I could get, of course; possibly other friends.
But a love like Marion’s never again.  And, for the time, I could bring
myself to think of nothing save the loss of her.  I was young, it is
true, but not weak, I think, in character; and I could never picture
myself in the future as loving another with such love as I had given her.
Yet she and I must surely part.  The clearest and most decisive judgment
dictated it.  And I must be the one to go.

Even if I had been content to remain among my present surroundings, every
smallest detail of which reminded me of her, yet for her sake my
continuance in Fleetwater was impossible.  If I stayed, it would mean for
her nothing less than banishment from her father and her home.

I had asked the Rector to tell her of my discovery and of the changes
that must follow from it.  Not yet could I see her personally.  Only I
asked her to meet me a few hours later for a walk in the adjoining
forest.  Perhaps that few hours’ interval might tell me in what words to
greet her.

With the Rector my arrangements were quickly made.  Once put in
possession of the facts he saw, clearly as I had done, that I had decided
on the only course that was open to me under the circumstances of the
case.  “No honourable man could have done otherwise,” he said, and, as he
grasped my hand at parting, the same kindly look came into his eye that
had welcomed me on the first day we met in the Rectory study.  Only time
and our warm friendship had strengthened it into the look with which a
father greets his well-beloved son.




CHAPTER XVI


THE Squire was wise enough not to embitter my position by attempting to
alter my resolution.  He had meant what he said at our former interview,
and remembered it too.  It was too late for him to retract now, even if
he had been tempted to do so from a false regard for his daughter’s
happiness.

The walk with Marion, to which I had looked forward with something of
dread, was made almost a happiness by her quiet fortitude.  I need not, I
found, have steeled my heart and strengthened my mind with arguments for
leaving her.  She was not the woman to make of my sorrow a burden heavier
still to bear.  She might have told her love in the words of which
quotation has made a platitude:—

    “I could not love thee, dear, so much,
    Loved I not honour more.”

Not by so much as a suggestion would she have made the path before me
more difficult.  She had realised, almost before I had told her my
intention, that not only my honour, but even my very love for her,
necessitated our parting.  Only, instead of the parting almost without
hope as I had pictured it, she made of it a parting that had in it sure
promise that we should meet again.

We knew each other’s love too well by now for need of speech.  Our walk
was almost a silent one, except for the words with which she ever and
again encouraged my despondency, and directed it, by her own strong
confidence, towards the hopefulness she was determined I should share.

Instinctively, and without acknowledged purpose, our steps led us to a
spot that we had visited again and again in the earlier part of the
summer that was gone.

It was a miniature forest, embedded in a sheltered valley that lay beyond
the outskirts of the village between the elbows of two mighty hills.
Protected by these watchful guardians, it was safe from the withering
gales that swept up from the Atlantic.  When all the surrounding trees
stood bare and blighted by recurrent storms, Nature, in this quiet nook,
was permitted to fulfil her perfect work, changing her garb, as month by
month passed on, from emerald to sober green, but always keeping her
brightest tints to weave her funeral robe, folding it at last upon her
bosom with the air of one who has lived her life and done her work, and
now falls peacefully to sleep in painless, restful weariness.

It was one of those perfect days in latest autumn that seem intended to
give us, just once or twice in the year, and especially before it leaves
us, an idea of all the glorious adornments Nature has in her keeping.
Perhaps the brightest beds in a nobleman’s _parterre_ might suggest the
colouring.  But the stiff arrangement and orderly rows of bloom are the
very antipodes of Nature’s handiwork.  A flush of crimson mountain-ash,
thrusting itself in irregular patches between groups of dusky pines, and
these in their turn lost among beeches of burnished gold, with oak and
hornbeam and ash to give the softer intermediate tones is, at best, a
poverty-stricken catalogue of the colours that flamed all round us on
that autumn day.  No marvel that to a dweller by our storm-swept seas,
when a gale in August will wither all the rest of our foliage two months
before it falls, the scene I am describing should be the one we chose to
close around our parting.

It was in the depths of this fairy forest that we lost ourselves—Marion
and I.  We met no one by the way.  Nothing but the silent trees above us
with their mist of tangled colours, and at our feet a maze of undergrowth
only just less brilliant in colouring than the tree-tops overhead, with
an occasional squirrel or blackbird or thrush to suggest the life with
which the scene had palpitated in the sweltering summer heat.  Even the
voices of the birds were silent.  They would only have marred the
peaceful stillness of that wondrous day.  Till the early autumn evening
began to close about us, and it was time to set our faces homewards.

And after we had left the forest we turned aside through a bye-lane of
the village to mount once more the Chapel hill, feeling, both of us, that
the spot which had seen the consecration of our love would be the fitting
witness of its untimely end.  And there we said good-bye.  “I shall never
marry, Harold,” Marion said, “till you come back again to claim me.  For
come again you surely will.  And never think I blame you for this
parting.  In honour you could not have done otherwise than leave me now.
And hard as it is, dear, for us to part so soon, my love (if that be
possible) is only made the stronger by the parting.”

And so she left me—with none of the prayers and protests that would only
have made my duty harder for me.  With nothing but a confident hope, in
which I could not bring myself as yet to share, that time in its course
would smooth away all difficulties in the fulfilment of our love.

“When that day comes,” and these were her last words, “we will meet once
more, Harold, in this same place, and dedicate anew the love which
chances like this will have been powerless to change.”

The next day we parted: I on my visit to Eric in London, and she to a
relative in the Midlands, with whom she was to stay during the month I
should remain at Fleetwater.




CHAPTER XVII


“OF course you’re going to stay with me, old man?” said Eric, when he met
me at Waterloo station next day.  “You surely didn’t imagine I should let
you go to an hotel?”

Nothing in these few words of the studied tone of unimpeachable
politeness to which he had accustomed me at our last meeting.  This was
the hearty undergraduate greeting of old, and I needed no more to tell me
that his sorrow on my account had dispersed the cloud that lay between
us.

It was good to see him again; to feel the grasp of his strong hand, and
read the look of welcome in his troubled eyes.  And then we went to dine
at ‘Simpson’s’ in reminiscence of the past, when I had had a pleasant
balance to draw upon, and banks had not taken to breaking.  And then for
a long stroll and back again to his rooms.

“You see I’ve got them all ready for you, and the lobster supper that you
always favoured, though how on earth you manage to sleep after it, passes
my comprehension.  And then we’ll chat on as in the good old days, and
fancy ourselves undergraduates again, and that all this trouble is an
evil dream.  And remember that a room will always be kept ready for you
in the future.  Send me a wire when you want to use it, and the oftener
you come and the longer you stay the better for me.  But it’s late in the
day of our friendship to be telling you all this, as if you hadn’t known
it years and years ago.”

All my vague misgivings had vanished before his welcome, and it has dwelt
with me since as a pleasurable thought that Eric, I am sure, meant fairly
by me then, and that for what happened later on between us, the blame in
part must rest with me, who had spread, however unwittingly, a snare
before his feet.

After supper we drew up our chairs side-by-side before the fire—for the
autumn evenings had become chilly now in town—and discussed the situation
from every possible view and bearing, without, I candidly admit, finding
any means of bettering it.

Eric was far too wise to offer me monetary help.  But his hand-grasp told
me I might have had it for the asking—aye, anything he could have given
me.  And I grew cheerier and more hopeful of the future, and thought with
thankfulness how much it means to any man to have just one true friend in
life.  How few of us can say as much, especially when life’s sun begins
to verge towards its setting, and the friends we have made are gone
before us, and ourselves have lost the will and opportunity to win us new
ones.

To-night I was tasting this cup of happiness in fullest measure.  Time
for me had rolled backwards, and he and I were together again—the friend
in whom I could see no change; the lad who in days gone by had slipped up
with me from Cambridge for many an evening just like this.

The next morning I went to call upon my agents, after arranging with Eric
to meet him in the Strand at the private gallery where his picture was on
view.

In those early days there was little information, I knew, to be expected
from them, and such as it was it only went to confirm my gloomy forecast.
The bank, they told me, was irretrievably ruined, and all the capital it
could command would infallibly be called up.

Afterwards I joined Eric in the Strand, and he took me into a room from
which all natural light had been carefully excluded.  And as I stood
looking at a curtain which shrouded the farther wall, it suddenly rolled
back, and under a perfect light, and with all the accessories that art
could lend to its environment, I saw before me the picture that had made
him famous.

It was in no wise a sensational subject.  Only a precipitous rock, rent
in twain by a huge fissure, through which I looked down upon a valley
which opened and fell away in front of me.  From its foot a mountain
stream foamed and fretted down a steep incline.  And on either side of
the valley, wherever a projection or an eminence promised safety from the
torrents that scored the declivities, tiny sparks of fire, few and far
between, flickered from the cottage windows, with a pleasant suggestion
of the cheeriness within.  Crowning the precipice which occupied the
foreground on the right hand of the picture, I could see the outline of
the village church, where glowed a larger, ruddier flame, from the lamp,
no doubt, which burned before the altar of the sanctuary.

It was a wonderful piece of work for a lad so young in years.  I am no
painter, and the defects there may have been in it were all invisible to
me.  But the cleverness of the composition, and the marvellous adjustment
of the lights and shadows, flung by the afterglow upon the surrounding
hills, could only have been inspired by genius.  No wonder that his work
had made him famous.

He had entitled it “Val Verde.”

“It commemorates a story, Harold,” he whispered—for there were visitors
besides ourselves—“that has grown up around a picture which forms the
altar-piece of the church.  Whether the legend rests on any historic
ground-work, I could never satisfactorily determine.  I only know that
versions of it, in many various forms, are current in most of the
adjoining villages.  But this evening, if you like, I will tell it to you
precisely as it was told to me by the curé of the parish.  True or
untrue, it is interesting enough as a story, though I could wish we had
fallen upon a more cheerful topic for the enlivenment of our last
evening.”

As we were leaving the gallery, I bethought me of the picture which
Reggie had unearthed for me at Cambridge.

“By the way, Eric,” I said, “I’ve got a picture, too, in my possession,
on which I want your opinion.  If you don’t mind the trouble, old man,
I’ll send it up to you when I get home to-morrow.  It’s only a copy, for
I’ve seen the original.  But it’s a fairly good one, unless I am much
mistaken.  And in these days, when I don’t know where to look for a
five-pound note, anything, however small, will come in handy.  So, if you
think it’s worth a few pounds, please do the best you can for me, and
I’ll be awfully grateful.”




CHAPTER XVIII


IN the evening, as we sat before the fire, Eric told me the story. {190}

“I had lost my way in the Abruzzi.  All the day long I had wandered in
fruitless quest of a subject to complete my series of Italian sketches.
And now the twilight had fallen upon me with the suddenness of an Italian
autumn.  Up to this time I had followed the guidance of a faint
bridle-path, but on a sudden the ground shelved downwards, and I found
myself at the entrance of a narrow ravine, confronted by a blank,
precipitous rock, while the path I had been following wandered off to the
left, and was lost in the obscurity of the moor beyond.  Nothing in the
shape of a village, nothing that promised me a shelter for the night, was
visible on the moorland I had been traversing.  So my only hope lay in
the chance of what might lie beyond the rock that barred my progress.

“Stumbling and halting at every step, for the night was falling rapidly
and progress rendered difficult by boulders and watercourses, I at length
made my way past the obstruction through a fissure at the side, and found
to my delight that the subject of my picture lay before me.  What it was
you have seen to-day.

“Cheered by my good fortune, for the wind was rising rapidly, and there
was every suggestion of an autumn gale, I made for one of the larger
cottages that faced me.  I had chosen well, as the event proved, for I
found it to be the residence of the village priest—a kindly and refined
old man—who met me at the door with outstretched hands, and with a
welcome that in England we accord only to long-established friends.

“‘You are welcome, my son, most welcome,’ he began.  ‘Few visitors reach
me in this Val Verde—for so I have christened it, not very appropriately,
I fear, but in memory of my home in Spain—and when they do come we keep
them, be assured, for as long as they will stay.  But now let me show you
my guest-chamber.  Poor as it is, it is better than would have fallen to
your lot if you had missed the entrance to our valley.  And in an hour
Annetta will be ready with our evening meal, and afterwards we will sit
and talk over a flask of Chianti till late into the night.  Or rather,
you shall talk and I will listen, for news of the outer world is the
payment we exact from our visitors for such welcome as we can give them.’

“Annetta was still busy with her preparations when I rejoined him in the
little sitting-room, so comfortable in its contrast with the world
outside, where a hurricane raged and roared through the ravines that fell
away from either side of the house.

“I went to the window and looked out at the tiny lights blinking from the
cottages like glow-worms that had lost their confidence.  And right on
the top of the grim rock facing me gleamed the red light from the church
that crowned its summit.

“‘The story of a terrible tragedy attaches to that lamp,’ said my host,
who had come forward to join me.  And his words, by a strange
coincidence, came almost as an answer to my thought.  ‘When we settle
down,’ he added, ‘for our evening chat, my contribution to our
entertainment shall be the story of the tragedy that it commemorates.
Meanwhile, as Annetta is behindhand with her preparations, and will not
serve us yet awhile, do you feel bold enough to climb that hill with me
in face of the storm, and see for yourself what my church contains?  It
can boast, at any rate, of one good picture, which, by the way, you ought
to study before you hear the story I have promised you, and with which it
is connected.’

“‘With pleasure,’ was my reply, ‘though surely it is hardly fair to judge
a picture on a night like this, and by what looks like the glimmer of one
feeble lamp.  It would be difficult, I imagine, to devise worse
conditions for appreciating an artist’s work.’

“‘As a rule, no doubt.  But remember that pictures, like music, may be
composed to suit certain accompaniments; and this is one of them, as I
think you will admit, if you are content to take my words on trust and
brave the storm in faith of them.’

“Lantern in hand, the old man sallied forth, and I followed him.  The
distance was not so great as I had anticipated, nor the wind so
overpowering.  The church was really nearer than I had judged it to be in
the twilight of the approaching night, and the precipice up which our
pathway lay acted as a barrier to the wind, which had gathered in the
moorland beyond, and, parted into two currents, swept the defiles on
either side of us.

“On entering the church I saw at once that the main building was in
darkness, save for the glimmering flame before the sanctuary.  But from a
side chapel that opened on the choir streamed another and fuller
radiance, which had been concentrated by a careful adjustment on the
picture I had come to study.

“It was a ‘Descent from the Cross,’ left by the artist, as I gathered at
a glance, in an unfinished state.  Nothing indeed had been attempted
except the central Figure, which lay unattended and alone at the foot of
the Cross.  One weak and wavering line, visible only to the expert’s eye,
might have been taken to imply that, worn out by his task, the painter
had flung down his brush, and, satisfied or dissatisfied with the result,
had never cared to re-touch his work.

“Yet satisfied he surely must have been, for, in spite of numerous
faults, it was great, immeasurably great, in rough untutored power.  What
most impressed me was the terrible truthfulness with which he had
realised the details.  Surely, such total collapse, such limp and inert
limbs, such lights and shadows on the livid skin, were never the outcome
of the painter’s consciousness?  Death alone, and death that was only
just not life, had been the model from which he drew.

“And then, as I studied it more closely, other minor details grew out of
the obscurity and impressed themselves upon me.  It was unfinished, as I
said, and had been painted with lightning rapidity, probably at a single
sitting.  It had been painted, too, by artificial light—the tone of the
colouring proved it—but painted certainly to suit its surroundings, and
probably on the very spot where we stood to view it.  Now and again, as
the wind forced its way through the time-worn casement, it swayed the
draperies that hung around the picture—only another accessory, or so it
seemed, to which the painter had attuned his work.

“‘Strong and terrible as a Ribera,’ was my verdict, ‘but a Ribera
inspired and glorified.’  For this was no morbid study of Death the
Destroyer’s handiwork.  No; the artist had carried his subject far beyond
the dominion of Death, when he transfigured the Face on the canvas with
the light of an Everlasting Love.”




CHAPTER XIX


IN the evening after supper Eric told me the story of the picture as he
had heard it from his friend the priest.

“Years ago,” he said—“for so I heard the story on my arrival in the
parish—a rich Englishman, travelling for pleasure, found his way to our
village, and, intending to stay three weeks, was detained for eight.  For
he had caught the fever which prevails in the lower valleys, and only
recovered from it thanks to the care he received from my predecessor in
the house to which it has been my pleasure to welcome you.  On his
departure he left a hundred pounds with the priest as a thank-offering
for his recovery, on the understanding that it was to be employed in the
purchase of an altar-piece for our church, painted, if possible, by some
local artist from the surrounding district.  Many competed, but it was
felt from the first that the honour was as good as won by Agostino
Villari, a young painter of extraordinary talent, who lived in the house
I showed you at the further end of the village.  At that time he was only
twenty—hardly more than a boy—and his talent was almost wholly
undeveloped.  But he only wanted time and teaching.  The power was there,
as you have seen for yourself to-day.  Well, Agostino had but one great
friend, a cousin, who shared his house, sat for his model, and whose
single hope and assurance was that Agostino would live to be a famous
painter.  Cecco, for so he was called, was about thirty, a pale sedate
man, of a gentle loving nature.  But why describe him?  You have seen him
to-day, pictured by his friend’s hand as no words of mine could paint
him.

“As the time for the competition drew on, the two friends were wholly
absorbed in anticipating the result.  Agostino was to be immortalised as
the painter, Cecco as the model.  And their love for each other made them
wholly unselfish; each hoped for success solely in the interest of his
friend.  Nothing short of a perfect likeness would satisfy Agostino,
nothing short of a perfect picture would satisfy Cecco’s ambition for his
friend.

“On the night before the pictures were to be sent in, the two went up
together to the church, to place the painting in position and to judge of
its effect, taking with them the materials for retouching it if it should
be required.  It was a wild night—a night like this (for the story is
precise in its details)—and the two friends had a hard climb up the hill
to the church, where they placed the picture in the side chapel, because
they could utilise the stronger light to throw into relief the details of
the composition.

“You ask for the result?  Well, Cecco was in raptures.  ‘It is
immortality, ’Tino,’ he cried, ‘for both of us.  How great you are!  It
is I—I myself, and to the very life—only grander, nobler, spiritualised.’
‘Yes, it is you,’ said ’Tino hesitatingly, ‘you, no doubt, and to the
very life, as you say.  But will that do?  Look at that face, that chest,
those firm and muscular limbs.  True to life, I admit, well-drawn and
well-painted.  But life, not death, and _death_ is what we wanted.  Strip
yourself, Cecco, and lie at the foot of the Cross; see if you can help
me.  You know I can never paint the smallest detail without a model.
There—fling yourself down in a heap as if you had lost all strength, all
energy.  Yes, that is well.  You have given me the attitude.  But the
blood, the rich colouring in your face and limbs—it is life, vigorous
life, all of it—and I cannot even picture what they would be like, shrunk
and colourless and lifeless.  If you could only faint, Cecco, I might do
something.  Can’t you faint—just for one moment—just to oblige me?’  ‘No,
’Tino, but I will do more for you and the picture than that.  Only
promise to finish it—here, this evening, before you leave the church.
’Tino, remember, _I count upon your promise_.’

“One short swift stroke, and he had dealt himself the blow before ’Tino’s
hand could stay him.

“But ’Tino set up his easel beside the corpse, and all the night through
he painted—painted as if the Furies were upon him—till the dawn looked in
at the window and his friend’s form took shape on the canvas, and the
task that had been appointed him was done.

“Then ’Tino, too, vanished from among us, leaving the story of Cecco’s
death in writing beside the corpse.

“And it was said by some, but never believed by those who knew him, that
’Tino had slain his friend.”

                                * * * * *

It was some time before I or Eric spoke.

“I wonder what became of ’Tino,” I murmured.  “Stay; do not tell me, even
if the legend has recorded it.  I can picture it without words.  Lonely
he must have been, for he had seen that which must have built a barrier
for ever between him and the world outside.  And I can assume with equal
certainty that he never handled brush or palette again.  And
sometimes—always at night—he would reappear at the church and watch
through the darkness in company with his friend.  Yes, lonely he must
have been—but not unhappy, brightened by a great love here and by a
vision of the Greater beyond.”




CHAPTER XX


WHEN I returned to Fleetwater, Marion was gone.  It was better so, I
felt, much as I missed her.  Indeed, our last good-bye had been said in
the place she had chosen for it,—on the Chapel Hill where she had turned
and left me.

Two days later Eric’s verdict on the picture came.  It was short and to
the point.

    “Dear Harold,

    “Why, it’s a Bronzino (he wrote), the great Bronzino at Madrid.  I
    mean, of course, a copy.  But a remarkably good one, and worth
    something if only for the excellence of the work.  I’ll do what I can
    with it.  The original is safe, as you know, in the Museum at
    Madrid—at least it was, unless you have stolen it since I left the
    place last autumn.

                            “Yours affectionately,

                                                                   “ERIC.”

I do not know what other answer we could have expected.  But
notwithstanding, it was a disappointment to all of us.  Most fortunate it
proved that I had seen the original at Madrid, and been able, in
consequence, to repress the growing confidence of those around me in the
value of the picture.  Indeed, I had been obliged to insist on this point
again and again in my conversations with the Rector and Marion, neither
of whom could in any wise be persuaded that it was only a copy.  Marion,
if possible, had been the more obstinate of the two, and had almost
succeeded in convincing me that I had never seen the original at all.  “I
believe it was a dream, Harold,” she would say, “and that you only
fancied you saw it.  Why, I’ve had the same feeling a hundred times over.
Dreams with me often take such a real and tangible form that I’ve found
myself hunting again and again for some article which I was sure I had in
my possession, and which very possibly never existed at all.  Reason in
such cases is absolutely powerless.  Even to this very day I constantly
wake up with a belief that I’ve bought a whole gallery of pictures, and
am short of the money to pay for them.  And so real is the fancy that I
could describe to you at this moment the shop where I bought them, the
man who sold them to me, and the subject of each picture in detail.

“Besides, you must have been picture-blind by the time you got to Madrid.
By your own showing it came at the end of a long round of galleries, and
I suspect that this dream-picture of yours is a sort of blend of all the
best pictures you’d been seeing at Rome and Florence and Dresden.  A
cardinal gave you the dress, and Bindo Altoviti the face, and lo and
behold you had your portrait complete.”

And the Rector, who had a fine eye for drawing and colouring, had been
not one whit more easy to persuade.  “I can’t solve the mystery,
Stirling.  But of one thing I’m certain—that no copyist did it.  Do you
mean to tell me that a painter who could do work like that would waste
his time on the slavish task of copying?  Why, the man who painted that
picture might command the Royal Academy.  It’s no such easy matter,
remember, to reproduce a picture in flaming scarlet, without a touch of
any other colour to relieve it.  Try it, my boy—you’re a dabbler in the
art yourself—and see if you can produce anything on the same lines that
will be worth hanging as a signboard on the village Inn.”

Even Peggy, too, had had her fling at my unbelief.  “Why, it’s simply
lovely, Mr. Stirling,” she’d tell me, “though I say it as shouldn’t, for
it goes sore against my conscience to praise that idolatrous young
heathen, who, but for the cut of his dress, might be the Scarlet Woman
herself.  And even she couldn’t have chosen herself a more beautiful
material; I will say that for it, scarlet or no scarlet.  You can’t find
such a texture as that in a shop now-a-days for love or money.  Look at
the gloss and sheen on it, and the beautiful folds that it makes, that’ll
never show a crease in them till years after that young jackanapes has
grown out of it.”

Well, I had my revenge on all of them at last when Eric’s letter came,
confirming my statement that I had left the original at Madrid.

But I question whether revenge is ever at any time satisfactory; it
certainly was not so to me.




CHAPTER XXI


IN the days that followed, my life took a dull sad monotone, lightened at
intervals by the reflection of past memories, which lay along its path
like the sunlit pools left on a shore by the receding tide.

Leave-takings are bad enough at any time, unless they form the prelude to
a brighter future.  And future before me I had none, except a grim
monotony of work in a curacy at the East End, into which I intended to
throw all the energy I could command, if only to keep my thoughts from
brooding on the past.

And yet of quiet happiness there was something left me still.  For
everyone at Fleetwater seemed sorry at my going.  Even Higgins, our one
great Calvinist, with whom on questions of theology the Rector and I had
found ourselves at bitter feud, was troubled at my leaving.  He had
hoped, I think, to convert me to his theories.  But as his arguments went
chiefly to prove that one of the great pleasures of the righteous in the
world to come would be to listen to the tortures of the wicked, I
declined his ministrations, and became to him in his own words as “the
deaf adder that stoppeth her ears.”

Stranger still, even Peggy was sorry, now that the time had come for me
to go the way of all the curates, even though I was fulfilling my
preordained destiny, and going on the question of Marion’s love.  Not
even the knowledge that Reggie would soon be home again, to find a fair
field and plenty of her own favour, could reconcile her wholly to the
parting.

And at the Rectory all was sadness and dismay.  The Rector seldom alluded
to my going; I think he could not trust himself.  But the children, who
had been always fond of me, were less reticent of their grief, especially
as they saw before them a blank future, from which the wedding and its
attendant festivities had been suddenly withdrawn.

And still the dreary days went on.  Each day a Good-bye said to some one
who had become a kindly friend, and each day a Good-bye to some haunt in
which Marion and I had walked and loved.

If only I could have shared in her firm confidence, the task before me
would have been lightened.  But each day I heard news of the bank that
increased more and more my hopelessness.  Already I had been obliged to
borrow funds to meet the calls that were in prospect, and, when they
should have been paid in full, I foresaw myself starting anew in life
with a load of encumbrances about my neck that, out of a curate’s slender
pittance, there was small hope of reducing, granted that I could find the
means of paying the annual interest.

Even now I found myself hampered by the expenses necessitated by my
leaving.  And it was in the hope of getting something to relieve my
present embarrassment that I wrote again to Eric, reminding him of his
promise, and asking him in so many words if he had been able to do
anything towards finding me a market for the picture.

He delayed his answer for many days, from the difficulty, I thought, he
had found in getting any offer that he would be warranted in accepting.

And then, when the last day of my time at Fleetwater was come, and I had
almost given up the hope of hearing any news from him, his answer reached
me.




CHAPTER XXII


    “DEAR HAROLD,

    “I have been behaving like a cad.

    Your picture is an original Bronzino, worth quite enough to free you
    from all the difficulties brought about by the bank.  Any copyist who
    could do such work could expend his time more profitably on a picture
    of his own.  Besides, it’s a _tour de force_ in colouring that no
    sane copyist would dream of imitating.  Bronzino, I suppose, fancied
    his subject, and, like some other great painters, reproduced it in
    duplicate, with just the smallest amount of alteration that would
    serve to characterize and identify it.

    “And now for my own part in this sorry business.  It was a mean
    trick, but, thank Heaven, I hadn’t the strength, and, I hope, not the
    will to carry it through.  You see I wanted her so badly that I
    couldn’t give her up even to you.  And then the question of the
    picture turned up, and, unluckily, I found in it my opportunity.
    Till then, believe me, I had kept my honour safe.  All of a sudden,
    the words she had used of me on Chapel hill, the night of the show,
    flashed across my mind, and I thought that, if you were out of the
    way for a time, I might win her still.  And it _was_ hard for me, you
    know, when I had waited for her all these years, and had come home at
    last to claim her, to find that you had won her love.

    “Believe me, Harold, when I say I am sorry.  I have sinned against
    the friend of my youth and the woman of my love.  But try, old
    friend—not now but in the future—to win my pardon from Marion and
    yourself.  You will have time to do so, for I leave England to-morrow
    for the East, and shall not return, if I ever do, till I can face
    your happiness without a thought of envy or regret.  Don’t tell
    Marion more than you can help.  Old friend, good-bye.

                                                                   “ERIC.”

“P.S.—I enclose Christie and Manson’s receipt for your picture, which
will go into their next sale.  ‘Bronzino _at his best_’ the critics
pronounce it, which in his case means a big difference.  I am forwarding
you my own picture of ‘Val Verde,’ which I always intended for Marion.”




EPILOGUE


ERIC, I fancy, will never marry.  At least, he says so, and the words
mean more with him than they would do on the lips of other men.

His was not a character—I recognised at last—to love lightly, or to
change the object easily where once it had given its love.  In every
single point he had falsified the career which I had mapped out for him
at starting.  Not always, it is clear, does Cicero’s rule hold
good—“_Imago animi vultus_; _indices oculi_.”  Eric, for one, had
demonstrated its incompleteness.  I had thought him weak and vacillating.
And his weakness, if ever it existed, had become his strength.  Strong he
had shown himself (in spite of his own words) both for the friend of his
youth and the woman of his choice; strong to build himself a grand
career; strong above all to conquer a temptation before which the
strongest might have fallen; strong finally to fall and rise again, which
is greater and grander, I take it, than not to fall.  True of him, if of
anyone—

    “That men may rise on stepping-stones
    Of their dead selves to higher things.”

Thank Heaven! there is no shadow of a cloud between us now.  And though I
cannot look for him at Fleetwater as yet, where the tantalising proximity
of all he held most dear would make life for a time unbearable; yet
surely, most surely, I know that we shall see him there some time, some
day.

In appearance he is not altered much from the lad I loved at school and
college, and from whom I parted not quite three years ago in his rooms at
Trinity, starting, each of us, so confidently on the journey of a life
for which I had made forecast of such different results.  Only a weary
look in his eyes, which time, I think, will surely lighten; only a line
or two on his forehead, which time, I think, will surely smooth away.

And when he left us again for a long round of travel in Italy, Egypt, and
the East, to enlarge his ideas and find fresh subjects for his pencil, it
was with a heart full of hope and thankfulness that I bade him Godspeed.

For surely, most surely, I know that we shall have him once again with
us—the Eric of the past, the dearest friend, save one, I ever knew—to
share in and complete the happiness he had won for us out of the strong
heart that only failed him once, and made out of failure a greater and
far more glorious recovery.  For time has been quietly perfecting its
work, and when he comes to us again, we shall meet, I know, the Eric of
the future, too, uprising from the Eric of the past.

                                * * * * *

                                 THE END.




FOOTNOTE.


{190}  The following legend formed the subject of a short story in the
“Cambridge Review,” June 1903.

                                * * * * *





                               Ronald and I


                  Crown 8vo.  Illustrated.  3s. 6d. net.

                         _OPINIONS OF THE PRESS_

_ST. JAMES’S GAZETTE_.—“Stones and Sketches . . .  There is not one which
is not of its kind perfect.”

_BIRKENHEAD NEWS_.—“There is literature here, and that of the very best,
witness ‘The Cruel Crawling Foam.’”

_LITERATURE_.—“We had finished Mr. Pretor’s book, and had been refreshed
by the knowledge and humour and tenderness underlying his descriptions of
‘Our Rector,’ ‘Our Professor,’ and ‘Bindo.’”

_CAMBRIDGE REVIEW_.—“Mr. Pretor’s power for delicate delineation is
unequalled.  His style is alone a charm.  We have read the book with
genuine delight, and we think it appeals to all cultivated people who
care for simple yet well drawn pictures of real life.”

_ACADEMY_.—“A series of studies, grim, humorous, fanciful and pathetic . . .
The pleasant mixture is dedicated to Mrs. Thomas Hardy.”

_SPECTATOR_.—“A volume of clever sketches.  Indeed, there is more than
cleverness in them.  There is feeling, often expressed with no little
subtlety and skill, and plenty of humour.  Some of the stories are of the
strangest.”

_SATURDAY REVIEW_.—“Mr. Thomas Hardy did well to encourage.”

_LITERARY WORLD_.—“Mr. Pretor possesses the panoply of a successful
writer unless we are much mistaken.”

                                * * * * *

                      Cambridge Deighton Bell & Co.
                        London George Bell & Sons.



*** END OF THE PROJECT GUTENBERG EBOOK THE CHAPEL ON THE HILL ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.