The Project Gutenberg eBook of Index of the Project Gutenberg Works of Frank E. Smedley This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Index of the Project Gutenberg Works of Frank E. Smedley Author: Frank E. Smedley Editor: David Widger Release date: August 2, 2018 [eBook #57626] Language: English Credits: Produced by David Widger from page images generously provided by the Internet Archive *** START OF THE PROJECT GUTENBERG EBOOK INDEX OF THE PROJECT GUTENBERG WORKS OF FRANK E. SMEDLEY *** Produced by David Widger from page images generously provided by the Internet Archive INDEX OF THE PROJECT GUTENBERG WORKS OF FRANK E. SMEDLEY Compiled by David Widger CONTENTS ## FRANK FAIRLEGH ## HARRY COVERDALE’S COURTSHIP ## FORTUNES OF THE COLVILLE FAMILY ## LEWIS ARUNDEL TABLES OF CONTENTS OF VOLUMES FRANK FAIRLEGH SCENES FROM THE LIFE OF A PRIVATE PUPIL BY FRANK E. SMEDLEY WITH TWENTY-EIGHT ILLUSTRATIONS BY GEORGE CRUIKSHANK A NEW EDITION METHUEN & CO. LONDON 1904 This Issue is founded on the First Edition, published by A. Hall, Virtue, & Co., in the year 1850. Contents FRANK FAIRLEGH CHAPTER I ALL RIGHT! OFF WE GO! CHAPTER II LOSS AND GAIN CHAPTER III COLD-WATER CURE FOR THE HEARTACHE CHAPTER IV THE ADVENTURE OF THE MACINTOSH CHAPTER V MAD BESS CHAPTER VI LAWLESS GETS THOROUGHLY PUT OUT CHAPTER VII THE BOARD OF GREEN CLOTH CHAPTER VIII GOOD RESOLUTIONS CHAPTER IX A DENOUEMENT CHAPTER X THE BOATING PARTY CHAPTER XI BREAKERS AHEAD! CHAPTER XII DEATH AND CHANGE CHAPTER XIII CATCHING A SHRIMP CHAPTER XIV THE BALL CHAPTER XV RINGING THE CURFEW CHAPTER XVI THE ROMAN FATHER CHAPTER XVII THE INVISIBLE GIRL CHAPTER XVIII THE GAME IN BARSTONE PARK CHAPTER XIX TURNING THE TABLES CHAPTER XX ALMA MATER CHAPTER XXI THE WINE-PARTY CHAPTER XXII TAMING A SHREW CHAPTER XXIII WHAT HARRY AND I FOUND WHEN LOST CHAPTER XXIV HOW OAKLANDS BROKE HIS HORSEWHIP CHAPTER XXV THE CHALLENGE CHAPTER XXVI COMING EVENTS CAST THEIR SHADOWS CHAPTER XXVII THE DUEL CHAPTER XXVIII THE SUBSTANCE OF THE SHADOW CHAPTER XXIX THE STRUGGLE IN CHESTERTON MEADOW CHAPTER XXX MR. FRAMPTON'S INTRODUCTION TO A TIGER CHAPTER XXXI HOW I RISE A DEGREE CHAPTER XXXII CATCHING SIGHT OF AN OLD FLAME CHAPTER XXXIII WOMAN'S A RIDDLE CHAPTER XXXIV THE RIDDLE BAFFLES ME! CHAPTER XXXV A MYSTERIOUS LETTER CHAPTER XXXVI THE RIDDLE SOLVED CHAPTER XXXVII THE FORLORN HOPE CHAPTER XXXVIII PACING THE ENEMY CHAPTER XXXIX THE COUNCIL OF WAR CHAPTER XL LAWLESS'S MATINÉE MUSICALE CHAPTER XLI HOW LAWLESS BECAME A LADY'S MAN CHAPTER XLII THE MEET AT EVERSLEY GORSE CHAPTER XLIII A CHARADE — NOT ALL ACTING CHAPTER XLIV CONFESSIONS CHAPTER XLV HELPING A LAME DOG OVER A STILE CHAPTER XLVI TEARS AND SMILES CHAPTER XLVII A CURE FOR THE HEARTACHE CHAPTER XLVIII PAYING OFF OLD SCORES CHAPTER XLIX MR. FRAMPTON MAKES A DISCOVERY CHAPTER L A RAY OF SUNSHINE CHAPTER LI FREDDY COLEMAN FALLS INTO DIFFICULTIES CHAPTER LII LAWLESS ASTONISHES MR. COLEMAN CHAPTER LIII A COMEDY OF ERRORS CHAPTER LIV MR. VERNOR MEETS HIS MATCH CHAPTER LV THE PURSUIT CHAPTER LVI RETRIBUTION CHAPTER THE LAST WOO'D AND MARRIED AND List of Illustrations Page27 —— Caught in a Trap Page29 —— Ornamenting a Writing Desk Page44 —— Mad Bess Page56 —— Lawless Finds his Level Page79 —— The Doctor Makes a Discovery Page90 —— The Doctor Expels a Pupil Page104 ——Frank Rescues Coleman Page124 ——Fall of the Cadelabrum Page133 ——Freddy Mystifies the Beadle Page135 ——Eloping With the Fire-engine Page167 ——The Wine Party Page190 ——The Roused Lion Page216 ——Result of Giving Satisfaction Page231 ——Fairlegh to the Rescue Page246 ——Hurrah! Room for the Governor Page249 ——Shy Young Gentleman Page253 —— A Mysterious Bonnet Page266 —— An Unexpected Reverie Page281 —— The Discovery Page338 —— Lovers Leap Page345 —— A Charade Not All Acting Page382 —— A New Cure for the Heart-ache Page398 —— A Striking Position Page418 —— The Reconciliation Page430 —— Mammon Worship Page447 —— A Messenger of Evil Page457 —— The Retribution Page459 —— The Rescue HARRY COVERDALE’S COURTSHIP, AND ALL THAT CAME OF IT By Frank E. Smedley, 1854 CONTENTS PREFACE HARRY COVERDALE’S COURTSHIP, AND ALL THAT CAME OF IT. CHAPTER I.—TREATS OF THE PHILOSOPHY OF LIFE. CHAPTER II.—AFFORDS A SPECIMEN OF HARRY’s “QUIET MANNER” WITH HIS TENANTRY. CHAPTER III.—HAZLEHURST PLEADS HIS CAUSE AND WINS IT. CHAPTER IV.—CONTAINS, AMONG OTHER “EXQUISITE” SKETCHES, A PORTRAIT OF A PUPPY CHAPTER V.—PROVES THE ADVISABILITY OF LOOKING BEFORE YOU LEAP. CHAPTER VI.—JEST AND EARNEST. CHAPTER VII.—WHEREIN SYMPTOMS OF HARRY’S COUETSHIP BEGIN TO APPEAR ON A STORMY HORIZON. CHAPTER VIII.—HARRY CONDESCENDS TO PLAY THE AGREEABLE. CHAPTER IX.—CONTAINS LITTLE ELSE SAVE MOONSHINE. CHAPTER X.—“EQUO NE CREDITE TEUCRI.”—(Virgil) CHAPTER XI.—“POST EQUTTEM SEDET ATEA. CURA.”—(Horace) CHAPTER XII.—HARRY PUTS HIS FOOT IN IT. CHAPTER XIII.—“DEEPER AND DEEPER STILL.” CHAPTER XIV.—DECIDEDLY EMBARRASSING. CHAPTER XV.—RELATES THE UNEXPECTED BENEVOLENCE OF HORACE D’ALMAYNE. CHAPTER XVI.—TREATS OF THINGS IN GENERAL. CHAPTER XVII.—PLOTTING AND COUNTER-PLOTTING. CHAPTER XVIII.—ALICE’S FIRST INTRODUCTION TO HER HUSBAND’S “QUIET MANNER.” CHAPTER XIX.—A COMEDY OF ERRORS. CHAPTER XX.—THE MORNING OF THE FIRST OF SEPTEMBER. CHAPTER XXI.—THE EVENING OF THE SAME DAY. CHAPTER XXII.—KATE SOWS THE WIND. CHAPTER XXIII.—ADVICE GRATIS. CHAPTER XXIV.—A STORM BREWING. CHAPTER XXV.—THE STORM BURSTS. CHAPTER XXVI.—THE ATMOSPHERE REMAINS CLOUDY. CHAPTER XXVII.—THE PLEASURES OF KEEPING UP THE GAME CHAPTER XXVIII.—ALICE SUCCOURS THE DISTRESSED. CHAPTER XXIX.—HOW TO MAKE HOME HAPPY. CHAPTER XXX.—INTRODUCES A LORDLY GALLANT. CHAPTER XXXI.—SPIDERS AND FLIES. CHAPTER XXXII.—A GLIMPSE AT THE GREEN-EYED MONSTER. CHAPTER XXXIII.—TELEMACUUS AND MENTOR. CHAPTER XXXIV.—CIRCE. CHAPTER XXXV.—FLOWERS AND THORNS. CHAPTER XXXVI.—ARCADIA IN THE NINETEENTH CENTURY. CHAPTER XXXVII.—A CONCESSION, AND A “PARTIE QUARRÉE.” CHAPTER XXXVIII.—SOME OF THE JOYS OF OUR DANCING DAYS. CHAPTER XXXIX.—ARABELLA. CHAPTER XL.—DEEPER AND DEEPER STILL. CHAPTER XLI.—ADVICE GRATIS. CHAPTER XLII.—L’EMBARRAS DES RICHESSES. CHAPTER XLIII.—EATING WHITEBAIT. CHAPTER XLIV.—LORD ALFRED COURTLAND SOWS A FEW WILD OATS. CHAPTER XLV.—THE OVERTURE TO DON PASQUALE. CHAPTER XLVI.—KATE BEGINS TO REAP THE WHIRLWIND. CHAPTER XLVII.—A GLIMPSE AT THE CLOVEN FOOT. CHAPTER XLVIII.—MAGNANIMITY. CHAPTER XLIX.—ALICE PERCEIVES THE ERROR OP HER WAYS. CHAPTER L.—THE LETTER. CHAPTER LI.—OTHELLO VISITS CASSIO. CHAPTER LII.—A GLEAM OF LIGHT. CHAPTER LIII.—AFTER THE MANNER OF “BELL’S LIFE.” CHAPTER LIV.—SETTLING PRELIMINARIES. CHAPTER LV.—THE RACE. CHAPTER LVI.—THE CATASTROPHE. CHAPTER LVII.—AN ANONYMOUS LETTER. CHAPTER LVIII.—DIAMOND CUT DIAMOND. CHAPTER LIX.—HORACE WEATHERS THE STORM. CHAPTER LX.—ANXIETY. CHAPTER LXI.—ALICE APPOINTS HER SUCCESSOR. CHAPTER LXII.—MRS. COVERDALE THINKS BETTER OF IT. CHAPTER LXIII.—LORD ALFRED SEVERS HIS LEADING STRINGS. CHAPTER LXIV.—D’ALMAYNE PLAYS HIS LAST CARD. CHAPTER LXV.—SETTLES EVERYBODY AND EVERYTHING. THE FORTUNES OF THE COLVILLE FAMILY or, A Cloud with its Silver Lining By Frank E. Smedley 1867 CONTENTS THE FORTUNES OF THE COLVILLE FAMILY. CHAPTER I.—THE TWO PICTURES. CHAPTER II.—THE BROTHERS. CHAPTER III.—A ROMANTIC ADVENTURE. CHAPTER IV.—SHUFFLING, DEALING, AND TURNING UP A KNAVE AND A TRUMP. CHAPTER V.—A FAST SPECIMEN OF “YOUNG ENGLAND.” CHAPTER VI.—THE CONSPIRACY. CHAPTER VII.—TEMPTATION. CHAPTER VIII.—NORMAN’S REVENGE. CHAPTER IX.—THE DISCOVERY. CHAPTER X.—THE TRIBUNAL OF JUSTICE. CHAPTER XI.—LOSS AND GAIN. CHAPTER XII.—THE ROSEBUD SKETCHES FROM MEMORY. CHAPTER XIII.—AN ‘ELEGANT EXTRACT’ FROM BLAIR’s SERMONS. CHAPTER XIV.—CONTAINS MUCH DOCTOR’S STUFF, AND OTHER RUBBISH. CHAPTER XV.—SETTLES THREE OF THE DRAMATIS PERSONÆ. CHAPTER XVI.—AND LAST.—THE MORAL DRAWN VERY MILD! LEWIS ARUNDEL Or, The Railroad Of Life By Frank E. Smedley, 1852 CONTENTS CHAPTER I.—IN WHICH THE TRAIN STARTS, AND THE READER IS INTRODUCED TO THREE FIRST-CLASS PASSENGERS. CHAPTER II.—SHOWING HOW LEWIS LOSES HIS TEMPER, AND LEAVES HIS HOME. CHAPTER III.—IN WHICH RICHARD FRERE MENDS THE BACK OF ST. THOMAS AQUINAS, AND THE READER IS INTRODUCED TO CHARLEY LEICESTER. CHAPTER IV.—LEWIS ENLISTS UNDER A “CONQUERING HERO,” AND STARTS ON A DANGEROUS EXPEDITION. CHAPTER V.—IS OF A DECIDEDLY WARLIKE CHARACTER. CHAPTER VI.—IN WHICH LEWIS ARUNDEL SKETCHES A COW, AND THE AUTHOR DRAWS A YOUNG LADY. CHAPTER VII.—WHEREIN THE READER IS INTRODUCED TO MISS LIVINGSTONE, AND INFORMED WHO IS THE GREATEST MAN OF THE AGE. CHAPTER VIII.—LEWIS RECEIVES A LECTURE AND A COLD BATH. CHAPTER IX.—WHEREIN RICHARD FRERE AND LEWIS TURN MAHOMETANS. CHAPTER X.—CONTAINS A PRACTICAL COMMENTARY ON THE PROVERB, “ALL IS NOT GOLD WHICH GLITTERS.” CHAPTER XI.—TOM BRACY MEETS HIS MATCH. CHAPTER XII.—LEWIS FORFEITS THE RESPECT OF ALL POOR-LAW GUARDIANS. CHAPTER XIII.—IS CHIEFLY HORTICULTURAL, SHOWING THE EFFECTS PRODUCED BY TRAINING UPON A SWEET AND DELICATE ROSE. CHAPTER XIV.—PRESENTS TOM BRACY IN A NEW AND INTERESTING ASPECT. CHAPTER XV.—CONTAINS A DISQUISITION ON MODERN POETRY, AND AFFORDS THE READER A PEEP BEHIND THE EDITORIAL CURTAIN. CHAPTER XVI.—MISS LIVINGSTONE SPEAKS A BIT OF HER MIND. CHAPTER XVII.—CONTAINS MUCH FOLLY AND A LITTLE COMMON SENSE. CHAPTER XVIII.—LEWIS RECEIVES A MYSTERIOUS COMMUNICATION, AND IS RUN AWAY WITH BY TWO YOUTHFUL BEAUTIES. CHAPTER XIX.—CHARLEY LEICESTER BEWAILS HIS CRUEL MISFORTUNE. CHAPTER XX.—SOME OF THE CHARACTERS FALL OUT AND OTHERS FALL IN. CHAPTER XXI.—FAUST GETS ON SWIMMINGLY, AND THE READER IS INTRODUCED TO A DIVING BELLE “WRINGING” WET. CHAPTER XXII.—THE TRAIN ARRIVES AT AN IMPORTANT STATION. CHAPTER XXIII.—DE GRANDEVILLE THREATENS A CONFIDENCE AND ELICITS CHARLEY LEICESTER’S IDEAS ON MATRIMONY. CHAPTER XXIV.—RELATES HOW CHARLEY LEICESTER WAS FIRST “SPRIGHTED BY A FOOL,” THEN BESET BY AN AMAZON. CHAPTER XXV.—CONTAINS A MYSTERIOUS INCIDENT, AND SHOWS HOW THE COURSE OF TRUE LOVE NEVER DOES RUN SMOOTH. CHAPTER XXVI.—SUNSHINE AFTER SHOWERS. CHAPTER XXVII.—BROTHERLY LOVE “À LA MODE.” CHAPTER XXVIII.—BEGINS ABRUPTLY AND ENDS UNCOMFORTABLY. CHAPTER XXIX.—DE GRANDEVILLE MEETS HIS MATCH. CHAPTER XXX.—THE GENERAL TAKES THE FIELD. CHAPTER XXXI.—IS CHIEFLY CULINARY, CONTAINING RECIPES FOR A “GOOD PRESERVE” AND A “PRETTY PICKLE.” CHAPTER XXXII—LEWIS MAKES A DISCOVERY AND GETS INTO A “STATE OF MIND.” CHAPTER XXXIII.—CONTAINS SUNDRY DEFINITIONS OF WOMAN “AS SHE SHOULD BE,” AND DISCLOSES MRS. ARUNDEL’S OPINION OF RICHARD FRERE. CHAPTER XXXIV.—ROSE AND FRERE GO TO VISIT MR. NONPAREIL THE PUBLISHER. CHAPTER XXXV.—HOW RICHARD FRERE OBTAINED A SPECIMEN OF THE “PODICEPS CORNUTUS.” CHAPTER XXXVI.—RECOUNTS “YE PLEASAUNTE PASTYMES AND CUNNYNGE DEVYCES” OF ONE THOMAS BRACY. CHAPTER XXXVII.—WHEREIN IS FAITHFULLY DEPICTED THE CONSTANCY OF THE TURTLE-DOVE. CHAPTER XXXVIII.—DESCRIBES THE HUMOURS OF A LONDON DINNER-PARTY IN THE NINETEENTH CENTURY. CHAPTER XXXIX.—IS IN TWO FYTTES—VIZ., FYTTE THE FIRST, A SULKY FIT—FYTTE THE SECOND, A FIT OF HYSTERICS. CHAPTER XL.—SHOWS, AMONGST OTHER MATTERS, HOW RICHARD FRERE PASSED A RESTLESS NIGHT. CHAPTER XLI.—ANNIE GRANT FALLS INTO DIFFICULTIES. CHAPTER XLII.—A TÊTE-À-TÊTE, AND A TRAGEDY. CHAPTER XLIII.—WHEREIN FAUST “SETS UP” FOR A GENTLEMAN, AND TAKES A COURSE OF SERIOUS READING. CHAPTER XLIV.—LEWIS PRACTICALLY TESTS THE ASSERTION THAT VIRTUE IS ITS OWN REWARD, AND OBTAINS AN UNSATISFACTORY RESULT. CHAPTER XLV.—ANNIE GRANT TAKES TO STUDYING GERMAN, AND MEETS WITH AN ALARMING ADVENTURE. CHAPTER XLVI.—IS CALCULATED TO “MURDER SLEEP” FOR ALL NERVOUS YOUNG LADIES WHO READ IT. CHAPTER XLVII.—CONTAINS A “MIDNIGHT STRUGGLE,” GARNISHED WITH A DUE AMOUNT OF BLOODSHED, AND OTHER NECESSARY HORRORS. CHAPTER XLVIII.—WHEREIN THE READER DIVERGES INTO A NEW BRANCH OF “THE RAILROAD OF LIFE” IN A THIRD-CLASS CARRIAGE. CHAPTER XLIX.—CONTAINS A PARADOX—LEWIS, WHEN LEAST RESIGNED, DISPLAYS THE VIRTUE OF RESIGNATION. CHAPTER L.—SHOWS HOW LEWIS CAME TO A “DOGGED” DETERMINATION, AND WAS MADE THE SHUTTLECOCK OF FATE. CHAPTER LI.—CONTAINS MUCH SORROW, AND PREPARES THE WAY FOR MORE. CHAPTER LII.—VINDICATES THE APHORISM THAT “’TIS AN ILL WIND WHICH BLOWS NO ONE ANY GOOD.” CHAPTER LIII.—DEPICTS THE MARRIED LIFE OF CHARLEY LEICESTER. CHAPTER LIV.—TREATS OF A METAMORPHOSIS NOT DESCRIBED BY OVID. CHAPTER LV.—IS DECIDEDLY ORIGINAL, AS IT DISPLAYS MATRIMONY IN A MORE FAVOURABLE LIGHT THAN COURTSHIP. CHAPTER LVI.—LEWIS ATTENDS AN EVENING PARTY, AND NARROWLY ESCAPES BEING “CUT” BY AN OLD ACQUAINTANCE. CHAPTER LVII.—WALTER SEES A GHOST. CHAPTER LVIII.—CONTAINS MUCH PLOTTING AND COUNTERPLOTTING. CHAPTER LIX.—DESCRIBES THAT INDESCRIBABLE SCENE, “THE DERBY DAY.” CHAPTER LX.—CONTAINS SOME “NOVEL” REMARKS UPON THE ROMANTIC CEREMONY OF MATRIMONY. CHAPTER LXI.—“WE MET, ’TWAS IN A CROWD!” CHAPTER LXII.—“POINTS A MORAL,” AND SO IT IS TO BE HOPED “ADORNS A TALE.” CHAPTER LXIII.—SHOWS HOW IT FARED WITH THE LAMB WHICH THE WOLF HAD WORRIED. CHAPTER LXIV.—THE FATE OF THE WOLF! CHAPTER LXV.—FAUST PAYS A MORNING VISIT. CHAPTER LXVI.—URSA MAJOR SHOWS HIS TEETH. CHAPTER LXVII.—RELATES HOW, THE ECLIPSE BEING OVER, THE SUN BEGAN TO SHINE AGAIN. CHAPTER LXVIII.—LEWIS OUT-GENERALS THE GENERAL, AND THE TRAIN STOPS. *** END OF THE PROJECT GUTENBERG EBOOK INDEX OF THE PROJECT GUTENBERG WORKS OF FRANK E. SMEDLEY *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.