The Project Gutenberg eBook of Forests of Maine
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: Forests of Maine

Author: Jacob Abbott

Release date: March 14, 2008 [eBook #24831]

Language: English

Credits: Produced by D. Alexander and the Online Distributed
        Proofreading Team at http://www.pgdp.net (This file was
        produced from images generously made available by The
        Internet Archive)


*** START OF THE PROJECT GUTENBERG EBOOK FORESTS OF MAINE ***




Produced by D. Alexander and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive)






 MARCO PAUL'S
 ADVENTURES
 IN PURSUIT OF KNOWLEDGE.


 FORESTS OF MAINE.


 BY THE AUTHOR OF

 ROLLO, JONAS, AND LUCY BOOKS.


 BOSTON:
 T. H. CARTER & COMPANY,
 118½ WASHINGTON STREET.

 1843.




 Entered, according to act of Congress, in the year 1843,

 BY T. H. CARTER,

 In the Clerk's Office of the District Court of Massachusetts.

 STEREOTYPED BY
 GEORGE A. CURTIS,
 N. ENGLAND TYPE AND STEREOTYPE FOUNDRY, BOSTON.




 [Illustration: FROM THE BOYS' AND GIRLS' MAGAZINE.]




 CONTENTS


 CHAPTER

 I.            THE MOUTH OF THE KENNEBEC.                      11
 II.           THE LOST BUCKET.                                21
 III.          A RAFT.                                         32
 IV.           THE DESERT ISLAND.                              43
 V.            THE BENEFIT OF THE DOUBT.                       54
 VI.           EBONY AND PINE.                                 66
 VII.          THE BEAR IN THE MILL.                           77
 VIII.         THE BIVOUACK.                                   88
 IX.           THE ENCAMPMENT.                                 98
 X.            LOST IN THE WOODS.                             110
 XI.           THE SHINGLE WEAVER'S.                          120
 XII.          A VOYAGE ON THE POND.                          130


 [Illustration: _"Joe and two others were despatched to row it
 ashore."_--See p. 31.]




PREFACE.


The design of the series of volumes, which it is intended to issue under
the general title of MARCO PAUL'S ADVENTURES IN THE PURSUIT OF
KNOWLEDGE, is not merely to entertain the reader with a narrative of
juvenile adventures, but also to communicate, in connexion with them, as
extensive and varied information as possible, in respect to the
geography, the scenery, the customs and the institutions of this
country, as they present themselves to the observation of the little
traveller, who makes his excursions under the guidance of an intelligent
and well-informed companion, qualified to assist him in the acquisition
of knowledge and in the formation of character. The author will endeavor
to enliven his narrative, and to infuse into it elements of a salutary
moral influence, by means of personal incidents befalling the actors in
the story. These incidents are, of course, imaginary--but the reader may
rely upon the strict and exact truth and fidelity of all the
descriptions of places, institutions and scenes, which are brought
before his mind in the progress of the narrative. Thus, though the
author hopes that the readers, who may honor these volumes with their
perusal, will be amused and interested by them, his design throughout
will be to instruct rather than to entertain.




MARCO PAUL IN THE FORESTS
OF MAINE.




CHAPTER I.

THE MOUTH OF THE KENNEBEC.


One summer, Forester and Marco Paul formed a plan for going to Quebec.
Marco was very much interested in going to Quebec, as he wanted to see
the fortifications. Forester had told him that Quebec was a
strongly-fortified city, being a military post of great importance,
belonging to the British government. Marco was very much pleased at the
idea of seeing the fortifications, and the soldiers that he supposed
must be placed there to defend them.

On their way to Quebec, they had to sail up the Kennebec in a steamboat.
As they were passing along, Marco and Forester sat upon the deck. It was
a pleasant summer morning. They had been sailing all night upon the sea,
on the route from Boston to the mouth of the Kennebec. They entered the
mouth of the Kennebec very early in the morning, just before Forester
and Marco got up. And thus it happened that when they came up upon the
deck, they found that they were sailing in a river. The water was smooth
and glassy, shining brilliantly under the rays of the morning sun, which
was just beginning to rise.

The shores of the river were rocky and barren. Here and there, in the
coves and eddies, were what appeared to Marco to be little fences in the
water. Forester told him that they were for catching fish. The steamboat
moved very slowly, and every moment the little bell would ring, and the
engine would stop. Then the boat would move more slowly still, until the
bell sounded again for the engine to be put in motion, and then the boat
would go on a little faster.

"What makes them keep stopping?" said Marco.

"The water is very low this morning," said Forester, "and they have to
proceed very carefully, or else they will get aground."

"What makes the water so low now?" asked Marco.

"There are two reasons," replied Forester. "It is late in the summer,
and the streams and springs are all low; so that there is but little
water to come down from the country above. Then, besides, the tide is
low this morning in the sea, and that causes what water there is in the
bed of the river to run off into the sea."

"Is not there any tide in the river?" asked Marco.

"No," said Forester, "I suppose there is not, strictly speaking. That
is, the moon, which attracts the waters of the ocean, and makes them
rise and fall in succession, produces no sensible effect upon the waters
of a river. But then the rise and fall of the sea itself causes all
rivers to rise and fall near their mouths, and as far up as the
influence of the sea extends. You see, in fact, that it must be so."

"Not exactly," said Marco.

"Why, when the water in the sea," continued Forester, "at the mouth of
the river is very low, the water in the river can flow off more readily,
and this makes the water fall in the river itself. On the other hand,
when the water in the sea is high, the water cannot run out from the
river, and so it rises. Sometimes, in fact, the sea rises so much that
the water from the sea flows up into the river, and makes it salt for a
considerable distance from its mouth."

"I wonder whether the water is salt here," said Marco.

"I don't know," said Forester.

"If we had a pail with a long rope to it," said Marco, "we could let it
down and get some, and try it."

"We could let the pail down, but I doubt very much whether we could get
any water," said Forester. "It is quite difficult to drop the pail in
such a manner as to get any water when the vessel is under way."

"I should like to _try_," said Marco.

"You can find out whether the water is salt easier than that," said
Forester. "You can let a twine string down, and wet the end. That will
take up enough for a taste."

"Well," said Marco, "if I've got a string long enough." So saying, he
began to feel in his pockets for a string.

He found a piece of twine, which he thought would be long enough, but,
on trial, it appeared that it would not reach quite to the water.
Forester then tied it to the end of his cane, and allowed Marco to take
the cane, and hold it over the side of the vessel; and by this means he
succeeded in reaching the water, and wetting the end of the string. He
could, after all, succeed in wetting only a small part of the string,
for it was drawn along so rapidly by the motion of the boat, that it
skipped upon the surface of the water without sinking in.

At length, however, after he had got the end a little wetted, he drew it
up and put it in his mouth.

"How does it taste?" said Forester.

The question was hardly necessary, for the _faces_ which Marco made
showed sufficiently plain that the water was bitter and salt.

"Yes, it is salt," said he. Then, suddenly casting his eye upon a long
dark-looking substance, which just then came floating by, he called out,

"Why, Forester, what is that?"

"A log," said Forester.

The log was round and straight, and the ends were square. The log glided
rapidly by, and soon disappeared.

"It is a pine log," said Forester. "There are vast forests of pine trees
in this state. They cut down the trees, and then cut the trunks into
pieces of moderate length, and draw them on the snow to the rivers.
Then, in the spring, the waters rise and float the logs down. This is
one of these logs floating down. Sometimes the river is quite full of
them."

"Where do they go?" asked Marco.

"Oh, men stop them all along the river, and put them into booms, and
then fasten them together in rafts."

"How do they fasten them together?" asked Marco.

"They drive a pin into the middle of each log, and then extend a rope
along, fastening it to each pin. In this manner, the rope holds the logs
together, and they form a long raft. When they catch the logs in booms,
they afterwards form them into rafts, and so float them down the river
to the mills, where they are to be sawed."

"Can men stand upon the rafts?" said Marco.

"Yes," replied Forester, "very well."

"They make a floor of boards, I suppose," said Marco.

"No," replied Forester; "they stand directly upon the logs."

"I should think the logs would sink under them," replied Marco, "or at
least roll about."

"They sink a little," replied Forester; "just about as much as the bulk
of the man who stands upon them."

"I don't know what you mean by that, exactly," said Marco.

"Why, the rule of floating bodies is this," rejoined Forester. "When any
substance, like a cake of ice, or a log of wood, or a boat, is floating
upon the water, a part of it being above the water and a part under the
water, if a man steps upon it, he makes it sink enough deeper to
submerge a part of the wood or ice as large as he is himself. If there
is just as much of the wood or ice above the water as is equal to the
bulk of the man, then the man, in stepping upon it, will sink it just to
the water's edge."

"But perhaps one man would be heavier than another man," said Marco.

"Yes," replied Forester; "but then he would be larger, and so, according
to the principle, he would make more wood sink before the equilibrium
was reached."

"What is _equilibrium_?" asked Marco.

"Equilibrium is an equality between two forces," replied Forester.

"I don't see what two forces there are," said Marco.

"There is the weight of the man pressing downwards," said Forester,
"for one, and the buoyant power of the water, that is, its upward
pressure, for the other. The weight of the man remains constantly the
same. But the upward pressure of the water increases in proportion as
the log sinks into it. For the deeper the log sinks into the water, the
more of it is submerged, and it is more acted upon and pressed upward by
the water. Now, as one of these forces remains constant, and the other
increases, they must at length come to be equal, that is, in
equilibrium; and then the log will not sink any farther. That's the
philosophy of it, Marco."

Marco did not reply, but sat looking at the barren and rocky shores of
the river, as the boat glided by them. Presently another log came into
view.

"There," said Forester, "look at that log, and see whether you think
that you could float upon it."

"Yes," said Marco, "I think I could."

"It depends," said Forester, "on the question whether the part of it
which is out of water is as big as you are."

"I think it is," said Marco.

"Yes," added Forester, "I have no doubt that it is."

"Only I should roll off," said Marco.

"True," replied Forester; "but the millmen, who work about the logs,
acquire astonishing dexterity in standing upon them. If there is only
enough of the log above water to equal their bulk, so that it has
buoyant power enough to float them, they will keep it steady with their
feet, and sail about upon it very safely."

"I should like to try," said Marco.

"Perhaps we shall have an opportunity at some place on the river," said
Forester.

Here Marco suddenly interrupted the conversation by pointing up the
river to a column of smoke and steam which he saw rising beyond a point
of land which was just before them.

"Here comes another steamboat," said he. "See, Forester."

"No," said Forester, "I believe that is a steam mill."

"A steam mill!" repeated Marco.

"Yes," replied Forester. "They have steam mills and tide mills to saw up
the logs in this part of the river. Farther up, where there are
waterfalls on the river, or on the streams which empty into it, they
build mills which are carried by water. I presume that that is a steam
mill."

At this moment, Marco's attention was diverted from the steam mill by a
boat which came gliding into the field of view. There was one man in the
boat rowing it. Another sat in the stern, with a pole in his hand. The
pole had an iron hook in the end of it. A short distance before the boat
was a log floating upon the water. The oarsman was rowing the boat
towards the log. He brought it up to it in such a manner that the other
man could strike his hook into it. When this was done, the oarsman
began to pull the boat towards the shore, drawing the log with it.

By this time the whole group disappeared from Marco's view, behind a
boat which was hanging on the quarter of the steamer. Marco, who wished
to watch the whole proceeding, left Forester, and ran aft, in hopes that
he could get another view of the men in the boat. He found, however,
that the steamboat was proceeding so rapidly up the river, that he was
fast losing sight of them; and then he concluded to go forward to the
bows of the steamboat, thinking that, perhaps, there might be other logs
coming down the river, with men after them in boats.

When he reached the bows, Marco found the deck encumbered with cables
and anchors, and heavy boxes of freight, which made it difficult for him
to find his way to a good place for a view. He finally reached a place
where, by standing upon an anchor, he could look over the bulwarks, and
get a view of the expanse of water before him. It was smooth, and its
glassy surface was bright with the reflection of the rays of the morning
sun.

Marco admired the beauty of the river and of its banks, but he could see
no boats, or even logs coming. He saw some large sand banks before him,
which had been left bare by the efflux of the tide. He wished that the
steamboat would stop, and let him land upon one of them. He also looked
down over the bows, and admired the graceful form and beautiful
smoothness of the ripple, or rather wave, which was formed by the
cutwater of the boat as it urged its way rapidly through the water.
After gazing upon this for some time, Marco turned to go away in pursuit
of Forester, when an occurrence took place, which being somewhat
important in its consequences, the account of it must be deferred to the
next chapter.




CHAPTER II.

THE LOST BUCKET.


As Marco was stepping down from the position which he had taken upon the
anchor, his eye fell upon a small bucket, with a long rope tied to the
handle, which he immediately recognised as one of those buckets which
the sailors fit up in that way, in order to draw up water from alongside
the ship.

"There's a bucket, now," said Marco to himself. "I declare, I believe
I'll draw up some water. Forester said that it was hard, but I think it
will be easy. I'll draw up a bucket full, and carry to him and show
him."

So saying, Marco took up the bucket, lifted it gently over the side, and
let it down slowly by the rope into the water. There was a knot in the
end of the rope; and Marco held the knot firmly in his hand, so as to
draw up the bucket by means of it, as soon as he should get it full. He
found, however, that, although he could let the pail down easily enough,
it was no easy matter to dip up any water into it; for the rope, being
fastened to the bail or handle, kept the handle, and of course the open
part of the pail, upwards, so that the water could not run in. If Marco
let the rope down more, the pail, being light, would not sink, but
skipped along upon the surface of the water, drawn by the motion of the
steamboat.

While Marco was making these fruitless attempts, another boy, dressed in
sailor's clothes, whom Marco had seen several times before about the
boat, came up to him, and asked him what he was doing.

"I'm trying to get some water," said Marco.

"That isn't the way to get it," said the sailor boy. "Let me have the
bucket. I'll show you the way."

"No," said Marco, "I want to get it myself."

"You never can get any that way," said the boy. "You must swing it back
and forth, and when it is swinging well, let it drop suddenly and catch
the water."

So Marco began to swing the bucket back and forth, and after he had got
it well a-swinging, he let down the rope suddenly, at the moment when
the bucket was at the extent of its oscillation. The bucket filled
instantly; but, as the boat was advancing rapidly, it was caught by the
water with such force that the rope was twitched out of Marco's hand
with great force.

"Hold on!" exclaimed the sailor boy.

But it was too late. The rope fell down into the water, and the bucket,
rope and all, sailed back upon the surface of the water, until they
floated under the paddle wheel of the boat, which dashed them down
beneath the surface of the water, and they disappeared finally from
view.

"Why did not you hold on?" said the boy.

Marco was silent.

The boy looked round to see if anybody had observed what had taken
place. He found that all the seamen were busy here and there, and that
nobody had noticed what the two boys had been doing.

"Nobody has seen you," said the sailor boy; "so you say nothing, and
I'll say nothing."

"But suppose they ask you what has become of that bucket," said Marco;
"what will you tell them?"

"Oh, I'll tell them I don't know where it is," he replied; "and I don't.
I am sure I don't know where it is now: do you? Hush, here comes Joe."

Marco looked up at these words, and saw the sailor approaching whom the
boy called Joe; and the boy himself immediately stepped down from the
anchor, where he and Marco had been standing, and began coiling a rope
upon the deck. Marco walked sorrowfully away towards the stern of the
vessel, where he had left Forester.

There was something wrong and something right in the boy's proposal to
Marco, to conceal the loss of the bucket. His object was to befriend and
help Marco in his distress. This was right. The means by which he
proposed to accomplish the object were secrecy and fraud. This was
wrong. Thus, the end which he had in view was a good one, and it
evinced a good feeling in him; but the means for promoting it were
criminal. Some persons have maintained that if the end is only right, it
is of no consequence by what means we seek to promote it. Hence, they
have had this maxim, viz., "The end sanctifies the means." But this
maxim is not sound. The contrary principle is correct. It is sometimes
expressed by this saying: "We must not do evil that good may come;"
which is a much safer proverb to be guided by.

Marco's first impulse was, to go at once and tell the captain of the
steamboat that he had lost his bucket. But he did not know exactly where
he could find him. He looked at his office window, and found that it was
shut. He asked one of the waiters, whom he met coming up stairs from the
cabin, if he knew where the captain was. But the waiter did not know.
Presently, he saw a gentleman walking back and forth upon that part of
the deck which is in front of the door of the ladies' cabin. He thought
that he was the captain. Marco walked up to him, and accosted him by
saying:

"Are you the captain of this boat, sir?"

"Am I the captain?" asked the man. "Why? What do you want to know for?"

"Because, if you are," said Marco, "I have lost your bucket."

"Lost my bucket!" repeated the gentleman. "How did you lose it?"

"I lost it overboard," said Marco.

Here the gentleman laughed, and said, "No, I'm not captain; but you seem
to be an honest sort of boy. I don't know where the captain is."

All this, though it has taken some time to describe it, took place in a
very few minutes; and the boat had now advanced only so far as to be
opposite the steam mill which Marco had seen just before he had left
Forester. Marco happened to see the mill as the boat moved by it, and he
went immediately to the side of the boat to get a better view of it.

There was a chimney for the smoke, and a pipe for the waste steam, at
the mill. From the steam-pipe there issued a dense column of vapor,
which came up, however, not in a regular current, like the smoke from
the chimney, but it was puffed up in regular strokes, making a sort of
pulsation. While Marco was looking at it, Forester came along, and stood
looking at it too. There were a great many logs lying about the shore,
and enormous piles of boards, which had been sawed, and which were ready
for the vessels that were to come and take them away.

"What makes the steam come up in puffs?" asked Marco.

"Because, it is what they call a high pressure engine," said Forester.
"It works against the pressure of the atmosphere. All such engines throw
out the steam in puffs."

"Why do they?" asked Marco.

"Do you know what the cylinder of a steam engine is?" said Forester.

"Not exactly; I don't remember it very well," replied Marco.

"Come with me, then," said Forester, "and I will show it to you."

So saying, he took Marco to the engine of the boat, and showed him, in
the midst of the machinery, a large iron vessel, shaped like a hogshead,
only it had straight sides. Marco could not see much more than the top
of it.

"That is the cylinder," said Forester. "It is the _heart_ of the steam
engine, as I may say--the seat of its power. All the other machinery is
only to aid the cylinder, and to convey the power to the point where it
is wanted to do the work. Thus, the place where the steam exerts its
power, and on which the whole movement of the machinery depends, is the
cylinder."

Marco observed that a long iron rod, large and solid, and very bright,
kept ascending and descending through the top of the cylinder, as if
pushed up and drawn down again by some force within. Forester told him
that that was the piston rod.

"The piston rod," said Forester, "is fastened, at its lower end, to the
_piston_, which is a flat plate of iron, made to fit the inside of the
cylinder exactly."

"First," said Forester, "the steam comes in below the piston, and drives
it up; and then it is stopped from coming in below, and is forced in
above, and so drives it down."

"And how does the other steam get out?" asked Marco.

"There are two ways of getting rid of the steam that is below the piston
when the piston is coming down," said Forester. "One way is, to open a
passage to let it out _into the air_. On this plan, when the piston has
been driven up, the steam is cut off from coming in below the piston,
and is admitted above. At the same instant, the passage is opened to let
the lower steam out. Of course, the steam that comes in _above_, drives
the piston down, and forces the steam that is _below_, out into the air.
They generally have a pipe to convey it away, and as the piston goes up
and down, the steam comes out in puffs, as you saw it in that mill."

"Yes," said Marco, "I understand that; and now what is the other way?"

"That kind of engine is called a _high pressure_ engine," said Forester,
"because the piston, in coming down, has to drive out the steam from
below, against the pressure of the atmosphere; for the atmosphere above
passes into the pipe, and resists the movement of the steam in coming
out. It requires a greater force of steam to work the piston on this
plan than it does upon the other."

"What is the plan of the other?" asked Marco.

"On the other plan," said Forester, "the steam under the piston is
condensed, that is, turned suddenly into water; and this leaves a
vacancy or void below the piston, so that the piston can be forced down
much more easily than if it had to drive the steam out before it,
against the pressure of the atmosphere."

Forester was going on to explain to Marco how it was that the steam was
condensed in the cylinder, when the conversation was suddenly
interrupted by the sound of the engine bell, which was the signal for
the engine to stop. The thumping sound of the machinery and of the
paddle wheels accordingly ceased, and the boat began to move more
slowly. Presently, the bell sounded once more, and the piston rod slowly
rose out of the cylinder, and then slowly descended again.

"They are going very slowly," said Marco.

"Yes," replied Forester, "the water is low, and I suppose that the
channel is narrow."

Just at this moment, they perceived a strange sensation, as if the
steamboat had been suddenly pushed backwards. Marco was startled. He did
not know what it meant.

"There we are," said Forester.

"What?" said Marco. "What is it?"

"Aground," said Forester.

"Aground?" repeated Marco.

"Yes," said Forester; "that's the sensation produced when a ship goes
aground upon sand or soft mud."

So saying, Forester left the engine, and went up to the upper deck,
followed by Marco. There were several persons there, looking out upon
the water.

"Yes," said Forester, "we are aground. You see by the trees upon the
bank that we are not moving."

Marco saw that they were at rest. He asked Forester what they were going
to do.

Just at this moment the little bell sounded, and the engine, which had
been stopped when the boat went aground, was put in motion again.

"They are going to back the engine, I suppose," said Forester, "to try
to draw her off."

But the boat would not move. The engine did not seem to have power to
release her from her confinement.

"What shall we do now?" asked Marco.

"Why, whenever a ship is aground," said Forester, "the first question
is, what is the state of the tide?"

"Because," continued Forester, after a moment's pause, "if the tide is
_rising_, it soon lifts the vessel off, and enables her to go back, or,
perhaps, forward, if the water is not very shallow. But, if the tide is
_falling_, it leaves her to rest more and more upon the sand, and she
cannot get off until the water has gone entirely down, and then rises
again. She cannot get off, in fact, until the water has risen higher
than it was when she first grounded."

"And how is it now?" asked Marco.

"I presume the tide is going down," said Forester; "and if so, we must
wait here until it rises again." So saying, he began to look about for
somebody of whom he could inquire. He soon heard a gentleman say to
another that the tide was falling, and that they should have to stay
here three hours.

"That's rather provoking," said Marco.

"Oh, no," said Forester. "Perhaps we can go ashore."

"Well," said Marco, with an expression of gratification at the proposal.

"And perhaps we can borrow some fishing lines, and go a fishing."

"Yes," said Marco, "that will be an excellent plan."

"At any rate," said Forester, "when accidents of this sort occur upon
our travels, we should not allow ourselves to be provoked by them, but
make ourselves contented by the best means within our reach."

At this time, they began to hear the loud, hissing sound, produced by
the blowing off of the steam from the engine, which Forester said was an
additional indication that they were going to remain there for some
time. Presently, a man came up the stairs from the deck below--for
Forester and Marco were at this time on the upper deck--and told the
passengers that the boat would have to remain there three or four hours,
and that if any of them wished to go ashore to amuse themselves, he
would send them in his boat, after breakfast.

Quite a number of the passengers seemed disposed to accept this offer,
and the boat was accordingly lowered; and Joe, with two other sailors,
were despatched to row it ashore. They were all safely landed upon a
raft of logs, just above the mill.




CHAPTER III.

A RAFT.


Forester and Marco did not take breakfast on board the steamboat, but
waited until they got on shore. They had inquired of a fellow-passenger,
who seemed acquainted with the country, and were told that there was a
very good tavern about a quarter of a mile from the mill.

When they landed upon the logs, Marco, whose curiosity seemed to be
stronger than his appetite, wanted to ramble about for a little time
along the shore and among the piles of boards, but Forester thought it
would be best first to go and get their breakfast.

"Because," said he, "we can then amuse ourselves by rambling about here,
and shall be ready to return to the steamboat whenever they send for
us."

So they went to the tavern.

Forester seemed to have little appetite for his breakfast. He complained
of feeling fatigued, and yet he had nothing to fatigue him. Marco ate,
and talked fast all the time; but Forester seemed silent and dejected.

"Come, cousin Forester, what is the matter with you?" said Marco at
last.

Forester said that he felt somewhat unwell, and as there was a sofa in
the room, he concluded to lie down upon it, and not go out. Marco was,
at first, disposed to stay and take care of him, but Forester said that
he did not need anything, and he wished Marco to go out and amuse
himself.

"You may go and see the mill," said he, "and the logs along the shore;
only be careful not to go where there is any danger; and come and let me
know when the boat is coming from the steamer to take us on board
again."

So Marco left Forester upon the sofa, and went away. He was sorry that
he was sick, and he was particularly sorry that he had to go himself
without company. But, concluding that he would adopt Forester's
principle of making the best of everything, in the events which occur in
travelling, he walked along the road, singing a tune which he had
learned at a juvenile singing school in New York, and watching the
pulsations of the steam, as it issued from the pipe at the mill.

As Marco walked along, it occurred to him that he had not, after all,
succeeded in acknowledging to the captain of the steamboat that he had
lost the bucket. And, since the first occasion for doing so had gone by,
he began to doubt whether it would be best for him to trouble himself
any farther about it.

"The bucket was not worth much," said he to himself. "Nobody knows it
is lost, except that boy, and he will not tell. I've a great mind not to
say anything about it."

In fact, Marco found that he was much less inclined to make his
acknowledgment now, than he was when the circumstance first occurred. He
wished that he had at once stated the facts to Forester, which would
have been his wisest course; but now, that the first occasion for doing
so had passed away, he began to feel disinclined to do it at all.

Marco soon reached the mill, and he amused himself, for half an hour, in
watching the movement of the engine, the strokes of the saw, and the
drawing up of the logs from the water to the floor of the mill. There
was a steep, sloping platform from the mill down to the river, and a
long chain extended down to the water. This chain was fastened to one
end of one of the logs, which lay floating there, and then, by means of
the machinery, it was drawn slowly up, bringing the ponderous log with
it.

The way in which the machinery drew up the chain was this: The end of
the chain, which was within the mill, was wound around an axle, which
was made to revolve by the machinery. The axle, thus revolving, wound up
the chain, and, in this manner, drew it gradually in, by which means the
log, which was attached to the lower end of it, was drawn up.

Presently, Marco's attention was attracted towards some men, who seemed
to be sailing about upon some logs, in a cove, just below the mill. He
went down immediately to see what they were doing. They had long poles
in their hands, with iron points in the ends of them, and were pushing
the logs about with these poles, to choose out such as they wished to
saw in the mill.

Just as Marco came down, one of the men stepped upon the end of a log
which was floating very near him. The log sank a little, but not much,
under him, and the man walked along towards the other end of it. Marco
wondered how he could keep his balance.

When the millman reached the farther end of the log, he extended his
long pole very dexterously, and struck the point of it into the corner
of a sort of wharf, which was built upon the bank; and then, pulling
gently, he drew himself along, together with the log upon which he was
floating. Marco was surprised at this, and he wondered that the man did
not fall off the log. He thought that if the log were to roll in the
least degree, the man would be rolled off into the water. He ran down to
the little wharf, so that he could see better.

"Well, my boy," said the millman, "do you belong on board the
steamboat?"

"Yes, sir," said Marco; "we got aground. You'll fall off of that log if
you don't take care."

"No," said the millman, "there's no danger."

"Why, if the log should roll the least atom, away you'd go," said
Marco, "though the water is not very deep."

Here the man began to step upon the log in a peculiar manner, so as to
make it roll. It rolled slowly, but the man continued stepping until he
had rolled it completely over. The side which had been under water
appeared of a dark color, and was very slippery, being covered with a
sort of slime; but the man did not slip. After he had thus rolled the
log completely over, he looked up to Marco, and said,

"There, you see that there is no danger."

When the man had drawn this log up to the shore, he went for another;
and he had to sail upon this second one a long distance, in bringing it
to its place. He pushed himself along by running his pole down to the
bottom, and pushing against the sand.

"Could I sail upon a log?" asked Marco.

"No," replied the millman; "you'd roll off."

"How did you learn to do it?" asked Marco.

"Oh, I learned when I was a boy," replied the millman.

"Did you roll off when you were learning?" asked Marco.

"Yes," said the man. "I've been off the log into the water many a time."

"And how did you get out again?" said Marco.

"Oh, I could swim," he replied; "and as soon as I came up, I would
paddle back to the log, and climb up upon it. Once, however, I came very
near being drowned."

"How was it?" said Marco.

"Why, I was on the upper side of a boom"----

"A boom?" said Marco, "what is that?"

"A boom!" repeated the millman; "don't you know what a boom is? It is a
place to catch logs. They go to some cove or eddy, where the water is
pretty still, and chain logs together, end to end, so as to form a long
line on the lower side of the eddy, and then along up the middle of the
river a little way, so as to enclose a space to catch the logs."

"What do they fasten the boom to?" asked Marco.

"Why, the lower end," said the millman, "is fastened to the shore, by
means of a very strong post, or an iron staple set into the rocks. The
other end, which is out in the middle of the stream, is fastened to some
island, if there is one, or, if not, to a pier built up from the
bottom."

"Well," said Marco, "tell on about your getting in."

"The boom was full of logs, and I was upon the upper side of it, at work
with some other men. I was on a log trying to find the mark, and I fell
in."

"What made you fall off?" asked Marco.

"I don't know," replied the millman. "I was not much use to logs then. I
was trying to find the mark."

"What mark?" asked Marco.

"The owner's mark," said the millman. "The owners all mark their logs,
when they get them out in the winter, and then we separate or sort them
in the booms. Sometimes the mark is on the under side of the log, and so
we have to turn it over in the water to find it."

While all this conversation had been going on, the millman had been
moving about over the water with the various logs, Marco accompanying
him, and keeping as near to him as possible, walking along the shore,
and sometimes on the logs which were resting by one end on the shore. As
the millman was describing the system of marking the logs, he was
sailing along very near to Marco, and he immediately began to turn the
log over under him, saying--

"For instance, look here, and see me turn up the mark of this log."

Marco watched the log, as it slowly revolved, until presently there came
a sort of hieroglyphical mark upon one end, made by crosses and lines
cut into the wood.

"Every owner has his particular mark," said the millman.

"Whose mark is that?" asked Marco.

"I don't know," said the man, "but they know at the mill. They have a
register of them all at the mill."

"I wish I could turn over a log, standing on it, in that way," said
Marco.

"You couldn't," said the millman. "The only way by which you can sail
safely on logs, would be to put two together, and make a sort of raft."

"How?" asked Marco.

"By nailing short pieces of boards across from one log to another. Then
they would not roll."

"Well," said Marco, "if I could only get a hammer and some nails."

The millman told him that perhaps they would let him have a hammer and
some nails at the mill; and Marco, accordingly, went up to inquire. They
told him they had a hammer, but they had no nails to spare. So Marco
failed of getting the means of making a raft. He forgot to go back to
the millman to get the rest of his story, but, instead of it, he rambled
down the bank of the river, until he came to a place where there was an
old fence, which had fallen down, and the nails were sticking out of the
boards. He now wished that he had borrowed the hammer at the mill, and
he tried to persuade a boy, who was standing there, to go and borrow it
for him.

The boy told him that a stone would do very well for a hammer.

"So it will," said Marco; "find me a good one, and bring it to this old
fence."

The boy brought Marco a stone, and Marco began to knock out the nails.
Very soon, however, he set the boy at work upon the nails, while he went
in pursuit of some short boards, to nail across from one log to the
other. He found some, which he thought would answer, without much
difficulty, and collected them together near the logs; and, soon
afterwards, the boy brought him the nails.

The logs were lying side by side, with two ends resting upon the shore,
the two other ends being out towards the stream. Marco concluded to nail
first the two ends which were towards the shore, they being nearest, and
being also more steady than the others. He accordingly laid one of his
short pieces across, and nailed it as well as he could, using the stone
for a hammer.

"Now," said he to the boy, "I'll put another board across at the middle,
and one more at the other end, and then, if I can find something for a
pole, I'll take a little sail. Look about a little, my boy, won't you,"
continued he, "and see if you can't find a pole, while I am nailing the
other boards."

The boy accordingly went away in pursuit of a pole, while Marco nailed
first the middle board, and then the end one. He came back just after
Marco had got the first nail of the end board driven in, and as soon as
he came in sight of the logs and of Marco, he exclaimed--

"You're adrift! you're adrift!"

Marco got up immediately, and looked around. He was indeed adrift. His
weight, pressing upon the outer ends of the logs, had lifted the other
ends off the shore, and the raft was slowly floating up the stream. The
reason why it floated _up_ was, that there was at this place what they
call an eddy, which is a current near the shore, flowing up the stream.
Such eddies are caused, generally, by curves in the banks.

As soon as Marco perceived that he was afloat, he said--

"Throw me the pole."

The boy threw the pole, and it just reached the raft. Marco took it in,
and, thrusting the end hastily down into the water, he endeavored to
push himself back by pushing against the bottom. But it was too late. He
had got already into such deep water that he could scarcely reach the
bottom, and he could not push the raft back.

In the mean time, the raft slowly moved up the river.

"Never mind," said Marco. "I'm going right for the mill, and when I get
there, they'll come out for me in a boat. In the mean time, I'd better
finish my raft."

So saying, he kneeled down and finished nailing on the last board. When
he rose again, he found that he had advanced considerably, and the boy
had accompanied him, walking along by the shore. He perceived, however,
that he was gradually getting away from the shore, and, looking forward,
he saw, to his consternation, that the eddy did not extend to the mill;
but that, at a short distance above him, it swept out into the main
current of the river, which was running by a point of land at the upper
part of the eddy, with great speed. The raft advanced slowly till it
came to this current, when it turned around, and began to glide swiftly
down the stream.

"Boy," cried Marco, in great distress, "run to the mill as fast as you
can go, and tell them that I have gone down the river, adrift. Tell them
to send a boat after me as quick as they can. My cousin Forester will
pay them well."

So the boy ran off towards the mill, while Marco floated away helplessly
down the current.




CHAPTER IV.

THE DESERT ISLAND.


After Marco had sailed on for a few minutes, he cast his eyes up the
river, and saw the steamboat. She was still lying in an inclined
position, as she had been left grounded by the tide. He shouted and
waved his hat, in the endeavor to attract the attention of the people on
board, and lead them to send a boat to rescue him. But all his efforts
were vain. He could not make them hear.

The current soon bore him beyond a point of land which hid the steamboat
from his view, and he began to fear that he should be actually carried
out to sea. He was calculating, in fact, how many miles it was to the
mouth of the river, when it suddenly occurred to him that, though he
could not _push_ with his pole, he might perhaps _paddle_ with it. He
accordingly took up the pole, which he had laid down upon the raft, and
began to use it as a paddle.

Marco found, to his great relief, that he could produce considerable
effect upon his raft by using his pole as a paddle. He contrived to get
the head of his raft round towards the shore, and, by working hard, he
succeeded in urging it along through the current, very slowly, indeed,
but still perceptibly, so that he began to have some hope that he might
succeed in reaching land.

Before he had made much progress, however, he suddenly saw before him,
at a short distance, a little rocky island, with some grass and a few
trees on the lower end of it. The island was very small, being not much
longer than Marco's raft. It lay almost directly in his course--so
nearly, that he perceived that by working a little more with his pole,
he thought he could bring himself into such a position as to be thrown
by the current directly upon it.

This he did. He paddled, with all his strength, to get into a line with
the upper end of the island, the current, all the time, bearing him down
directly towards it. In a few minutes, he had the satisfaction of seeing
that he was going directly upon it.

"All right," said he to himself; "now I'm safe."

As he said these words, the end of the raft struck the rock, and he
leaped off upon it. The raft swung round, and was going away, but Marco
seized it, and dragged it up a little way upon the shore, so as to
secure it. He then sat down upon the rock, and began to consider what
was next to be done.

He was certainly at a loss to know what was to be done. He waited an
hour, and then, getting very tired of his situation, he began to
consider whether it would not be best for him to entrust himself once
more to his raft, and endeavor to get to the shore by means of his
paddle.

While he was sitting on a point of the rock, in this perplexity, looking
towards the shore that was nearest to him, he suddenly saw a boy coming
upon a horse, along a winding road, which led to the river. He was
driving the horse down to water. The horse advanced to the brink of the
river, when Marco began to call out in his loudest voice,

"Halloo!"

"Halloo!" answered the boy.

"Can't you get a boat, and come and take me off this island?" cried
Marco.

The boy paused a moment, and gazed earnestly at Marco, while the horse
continued drinking.

"How came you on that island?" said the boy, calling out again in a loud
voice.

"I got adrift on some logs," said Marco, "and floated down the river.
Can't you get a boat, and come and take me off?"

"I have not got any boat," said the boy. "There an't any boats about
here."

"I wish you would go and get one," said Marco. "I'll pay you well for
it."

The boy did not answer. He seemed to be hesitating. In the mean time,
the horse, having nearly finished his drinking, lifted up his head and
looked at Marco.

"There is not any boat within a mile," said the boy. "But I should think
you might wade ashore. The water is not deep between here and the
island."

"Then wade out here with your horse," said Marco, "and take me on behind
you."

The boy hesitated a moment, but he finally decided to comply with
Marco's proposal, and accordingly began to advance his horse into the
water. Marco watched his progress with intense interest. As the water
grew deeper, he began to fear that the boy would get discouraged, and
turn back. But the boy kept on. He turned his steps somewhat below the
island, where there was an extensive shoal; the water grew shallower and
shallower, until at last the horse emerged entirely, and stood upon a
little dry sand bank at the lower side of the island.

"I'm very much obliged to you, indeed," said Marco, "for coming for
me--besides the pay. I will pay you for it as soon as we get on shore."

"Oh, no," said the boy, "I don't need any pay just for wading my horse
out here. I wade him out here very often, when I come down to water;
that is, in the summer, when the water is low."

Marco mounted behind the boy, and the boy turned his horse's head
towards the shore.

"How far is it back to the mill?" asked Marco.

"To the steam mill?--four miles," answered the boy.

"Four miles!" exclaimed Marco; "is it possible that I have floated down
four miles? How shall I ever get back again?"

"How did you happen to get adrift?" asked the boy.

Marco proceeded to give the boy an account of his getting adrift, but in
a short time the water began to grow so deep that he was afraid. The
boy, however, told him that there was no danger. The bottom of the
river, at this place, was a great bed of pebble stones, and the current
ran very swiftly over them, and curled in sharp ripples about the
horse's legs. Presently, however, the water became more shallow, and
they soon safely reached the shore.

"Now," said Marco, "I want to get back to the mill just as quick as I
can--before the steamboat goes."

"The steamboat?" said the boy, "she has gone long ago. She went by early
this morning."

"Yes," said Marco, "she went by here, but she got stopped."

So Marco told the boy the story of their having got aground, and of his
going ashore; and of all his adventures, in fact, down to the time of
his being cast upon the desert island. The boy told him that he had
better make haste; "for," said he, "the tide has risen a great deal
already. When the tide is at the lowest, we can go out to that island
almost on bare ground."

"But I can't walk back four miles," said Marco. "Could you not carry me
in a wagon?" he continued.

"We have got a wagon," said the boy, "if my father will let me go."

"Let us go right up and ask him," said Marco

They accordingly began to advance up the road, the boy putting his horse
to a rapid trot. Marco, who was not accustomed to riding in this
style--behind another boy, and without a saddle--was much jolted, and,
in fact, he found it very difficult to keep his seat. He began to feel
so much anxiety, however, about getting back again, that he did not
complain. In a short time, the boy reached the house. It was a small,
plain farm-house. There was a shed at one side of it, with a wagon
standing in the shed--the shafts resting upon a wood-pile.

"My father is not at home, now," said the boy, "but he will be at home
very soon."

"Oh, don't let us wait for him," rejoined Marco. "He'll be willing to
have you go, I know."

"No," said the boy, "I should not dare to go without his leave."

"Let us harness the horse into the wagon, then, at any rate," said
Marco, "and then we shall be all ready."

"We can do that," said the boy.

So they harnessed the horse into the wagon, and the boy led the horse
around to the door. Marco, who was quite impatient to go, got into the
wagon, and sat waiting. The man came in about twenty minutes, and when
he heard a statement of the case, he said that his boy might go and take
Marco back to the mill.

It was now so late that Marco began to be seriously afraid that the
steamboat might have gone. He was very impatient to have the horse go as
fast as possible; and he watched at every turn in the road which gave
him a view of the river, hoping to get a glimpse at the boat. He
wondered whether Forester was still at the tavern, or whether he had
come out in pursuit of him. After wearying himself with conjectures,
which were all in vain, he suddenly came to a view of the river opposite
the mill. The steamboat, to his great joy, was in its place; but there
was a black column of smoke issuing from the smoke-pipe.

"They are firing up," said Marco, "I verily believe."

"What do you mean by that?" said the boy.

"Why, building up the fires," said Marco, "to set the engine a-going.
They call it firing up."

Just at this moment there broke forth a loud and hoarse hissing from the
steam-pipe, and a dense column of white vapor began to ascend, which
mingled its snowy volumes, in a beautiful manner, with the dark masses
of the smoke.

"They are blowing off the steam," said Marco.

"What does that mean?" asked the boy.

"Why, that they have got the steam up, and are letting off a little of
it, while they are waiting for something. Perhaps they are waiting for
us. Drive on as fast as you can."

A moment after this, the sound of the steam suddenly ceased, and the
great paddle wheels, on the sides of the boat, began slowly to revolve.

"They are trying to get her off," said Marco. "I _do hope_ they can't
start her. Drive on; drive on as fast as you can."

They were, at this time, upon the top of a hill which commanded a fine
view of the river, and of the scenery upon its banks. The mill was
before them, too, in full view. But Marco was too much engaged in
watching the movements of the boat to regard the scenery. The boy drove
rapidly down the hill. They reached the mill in a very few minutes, and
drove down to the bank of the river, by a road which led to the water, a
short distance above the mill. But, in the mean time, unfortunately for
Marco, the steamboat had regained its liberty, and when Marco and the
boy came in view of it again, as their horse stopped at the edge of the
water, they saw, to Marco's dismay, that she was ploughing her way
swiftly up the river, being just about to disappear behind a point of
land which terminated the view of the water in that direction.

"They are gone," said Marco, in a tone of despair, "they are gone; and
what shall I do?"

"Can't you go in the stage?" asked the boy, hoping thus to say a word of
encouragement and consolation.

"No," said Marco, "I don't believe there is any stage from this old
mill. Besides, I don't know where to go. I should not have thought that
Forester would have gone off and left me."

"Was he on board the steamboat?" asked the boy.

"Yes," said Marco--"that is, he was to go on board--but I left him at
the tavern."

"Perhaps he is there now," said the boy. "Let us go and see."

Marco approved of this plan, and they turned the wagon, and rode towards
the tavern. As soon as the horse stopped in the yard, Marco leaped out
of the wagon, and ran in. He found Forester reclining upon the sofa,
where Marco had left him, asleep.

Marco advanced towards him, and took him by the shoulder, roughly, to
wake him up, saying,

"Forester! cousin Forester! wake up! the boat has gone."

Forester opened his eyes--looked wildly at Marco, and then put his hands
to his head, pressing his temples with the palms, but he did not speak.

"The boat has gone, cousin Forester," continued Marco.

"Then what good does it do to wake me up so roughly?" asked Forester.

"Why--I--thought you'd want to know it," said Marco; "but why did not
you come down?"

"Because," said Forester, "you were to come and tell me, I thought, when
they were ready to go."

Marco had no reply to make to this suggestion, and he was silent. He
found, afterwards, on farther conversation with Forester, that he was
quite unwell. His head ached, and his face was flushed, as if he was
feverish. Marco related to Forester an account of his adventures on the
raft of logs. Forester thought that he had had a very narrow escape.

Marco expected that Forester would have rebuked him very sharply for his
fault in going upon the logs at all. But he did not. After Marco had got
through with his account, Forester only said,

"Well, Marco, you evidently did wrong in getting upon the logs at all;
but the evil consequences to you will be punishment enough, and, in
fact, more than enough."

"Evil consequences?" said Marco--"no; there are no evil consequences,
only that we have got left behind."

"I don't regard that," said Forester, "for I am too unwell to travel
to-day; but then you have suffered considerable pain and anxiety
already, and, besides, there will be some money to pay."

"What for?" said Marco.

"Why, you have got to pay the boy for bringing you home," replied
Forester.

"Must I pay him," said Marco, "out of my own money?"

"Who do you think ought to pay him?" said Forester.

"Why, _I_ ought to, I suppose," said Marco. "But it won't be much. I
think a quarter of a dollar will be enough."

"Then, did not you say that you sent to the mill to have somebody go
down after you in a boat?" asked Forester.

"Yes," said Marco, "but I don't think they went."

"You had better go to the mill and see," said Forester.

So Marco went out and paid the boy a quarter of a dollar, with which he
seemed to be satisfied. Then he went to the mill, and he found two men
just returning, in a boat, from a long pull down the river in pursuit of
him. Marco paid them half a dollar. Thus his loss was three quarters of
a dollar.

When he returned to the tavern, he found that Forester had taken some
medicine, and had gone to bed. Forester told him that he must amuse
himself the best way he could, and that, after the experience that he
had had that day, he hoped he would be careful not to put himself any
more into dangerous situations.




CHAPTER V.

THE BENEFIT OF THE DOUBT.


Marco took dinner that day at the tavern alone, and, after dinner, he
carried a cup of tea to Forester,--but Forester was asleep, and so he
did not disturb him.

In the afternoon he went out to play. He amused himself, for half an
hour, in rambling about the tavern yards and in the stables. There was a
ferocious-looking bull in one of the yards, chained to a post, by means
of a ring through his nose. Marco looked at the bull a few minutes with
great interest, and then began to look about for a long stick, or a
pole, to poke him a little, through the fence, to see if he could not
make him roar, when, instead of a pole, his eye fell upon a boy, who was
at work, digging in a corner of a field near, behind the barn.

The boy's name was Jeremiah. He was digging for worms for bait. He was
going a fishing. Marco determined to go with him.

Jeremiah furnished Marco with a hook and a piece of sheet lead to make a
sinker of, and Marco had some twine in his pocket already; so that he
was soon fitted with a line. But he had no pole. Jeremiah said that he
could cut one, on his way down to the river, as they would pass through
a piece of woods which had plenty of tall and slender young trees in it.

He succeeded in getting a pole in this manner, which answered very well;
and then he and Jeremiah went down to the river. They stood upon a log
on the shore, and caught several small fishes, but they got none of much
value, for nearly half an hour. At last, Jeremiah, who was standing at a
little distance from Marco, suddenly exclaimed:

"Oh, here comes a monstrous great perch. He is coming directly towards
my hook."

"Where? where?" exclaimed Marco. And Marco immediately drew out his hook
from the place where he had been fishing, and walked along to the log on
which Jeremiah was standing.

"Where is he?" said Marco, looking eagerly into the water.

"Hush!" said Jeremiah; "don't say a word. There he is, swimming along
towards my hook."

"Yes," said Marco, "I see him. Now he's turning away a little. Let me
put my line in, too."

Marco extended his pole and dropped his hook gently into the water. He
let it down until it was near the perch. The poor fish, after loitering
about a minute, gradually approached Marco's hook and bit at it.

Jeremiah, seeing that he was in danger of losing his fish, now called
out to Marco to take his line out. "It is not fair," said he, "for you
to come and take my fish, just as he was going to bite at my hook. Go
away."

But it was too late. As Jeremiah was saying these words, the fish bit,
and Marco, drawing up the line, found the fish upon the end of it. As
the line came in, however, Jeremiah reached out his hand to seize the
fish, and Marco, to prevent him, dropped the pole and endeavored to
seize it too.

"Let go my fish," said Jeremiah.

"Let alone my line," said Marco.

Neither would let go. A struggle ensued, and Marco and Jeremiah, in the
midst of it, fell off into the water. The water was not very deep, and
they soon clambered up upon the log again, but the fish, which had been
pulled off the line in the contention, fell into the water, and swam
swiftly away into the deep and dark parts of the water, and was seen no
more. He was saved by the quarrels of his enemies.

Marco, who was not so much accustomed to a wetting as Jeremiah was,
became very angry, and immediately set off to go home to the tavern.
Jeremiah coolly resumed his position on the log, and went to fishing
again, paying no heed to Marco's expressions of resentment.

Marco walked along, very uncomfortable both in body and mind. His
clothes were wet and muddy, and the water in his shoes made a chuckling
sound at every step, until he stopped and took his shoes off, and
poured the water out. It was nearly sunset when he reached the tavern.
He found Forester better. He had left his bed, and had come down into
the parlor. He was reclining on the sofa, reading a book, when Marco
came in.

Marco advanced towards him, and began to make bitter complaints against
Jeremiah. In giving an account of the affair, he omitted all that part
of the transaction which made against himself. He said nothing, for
instance, about his coming to put his line in where Jeremiah was
fishing, and while a fish was actually near Jeremiah's hook, but only
said that he caught a fish, and that Jeremiah came and took it away.

"But what claim had Jeremiah to the fish?" asked Forester.

"He had no claim at all," said Marco.

"You mean, he had no _right_ at all," said Forester.

"Yes," said Marco.

"He had a _claim_, certainly," rejoined Forester; "that is, he claimed
the fish. He _pretended_ that it was his. Now, on what was this claim or
pretence founded?"

"I don't know," said Marco, "I am sure. I only know he had no right to
it, for I caught the fish myself, and he was going to take it away."

Forester paused a moment, and then resumed:

"I don't think that you have given me a full and fair account of the
transaction; for I cannot believe that Jeremiah would have come and
taken away the fish without any pretext whatever. You must have omitted
some important part of the account, I think."

Marco then told Forester that Jeremiah said that the fish was just going
to bite at his hook; and, after several other questions from Forester,
he gradually acknowledged the whole truth. Still, he maintained that it
was his fish. He had a right to put in his line, he said, wherever he
pleased, whether another boy was fishing or not; the fish belonged to
the one who caught him; and, before he was caught, he did not belong to
anybody. It was absurd, he maintained, to suppose that the fish became
Jeremiah's, just because he was swimming near his hook.

"Sometimes one can judge better of a case," said Forester, "by reversing
the condition of the parties. Suppose that you had been fishing, and a
large fish had come swimming about your hook, and that Jeremiah had then
come to put his hook in at the same place, should you have thought it
right?"

"Why, I don't know," said Marco.

"It is doubtful. Now, it is an excellent rule," continued Forester, "in
all questions of right between ourselves and other persons, for us to
give them _the benefit of the doubt_."

"What does that mean?" asked Marco.

"Why, if a man is tried in a court for any crime," replied Forester, "if
it is clearly proved that he is innocent, of course he goes free. If it
is clearly proved that he is guilty, he is convicted. But if neither the
one nor the other can be proved, that is, if it is doubtful whether he
is innocent or guilty, they give him the benefit of the doubt, as they
term it, and let him go free."

"I should think that, when it is doubtful," said Marco, "they ought to
send him back to prison again till they can find out certainly."

"No," said Forester, "the jury are directed to acquit him, unless it is
positively proved that he is guilty. So that, if they think it is
doubtful, they give him the benefit of the doubt, and let him go free.
Now, in all questions of property between ourselves and others, we
should all be willing to give to others the benefit of the doubt, and
then the disputes would be very easily settled, or rather, disputes
would never arise. In this case, for instance, it is doubtful whether
you had a right to come and interfere while the fish was near his hook;
it is doubtful whether he did or did not have a sort of right to try to
catch the fish, without your interfering; and you ought to have been
willing to have given him the benefit of the doubt, and so have staid
away, or have given up the fish to him after you had caught it."

"But I don't see," said Marco, "why he should not have been willing to
have given me the benefit of the doubt, as well as I to have given it to
him."

"Certainly," said Forester; "Jeremiah ought to have considered that
there was a doubt whether he was entitled to the fish or not, and to
have been willing to have given you the benefit of the doubt; and so
have let you kept the fish. Each, in such a case, ought to be willing to
give up to the other."

"And then which of us should have it?" asked Marco.

"Why, it generally happens," said Forester, in reply, "that only one of
the parties adopts this principle, and so he yields to the other; but if
both adopt it, then there is sometimes a little discussion, each
insisting on giving up to the other. But such a dispute is a friendly
dispute, not a hostile one, and it is very easily settled."

"A friendly dispute!" exclaimed Marco; "I never heard of such a thing."

"Yes," said Forester. "Suppose, for instance, that, when you had caught
your fish, you had said, 'There, Jeremiah, that fish is yours; he was
coming up to your hook, and would have bitten at it if I had not put my
line in;' and, then, if Jeremiah had said, 'No, it is not mine; it is
yours, for you caught it with your hook;' this would have been a
friendly dispute. It would have been very easily settled."

"I am sorry that I left my pole down at the river," said Marco. "I cut a
most excellent pole in the woods, on my way down, and I left it there
across the log. I mean to go down and get it early in the morning."

"No," said Forester; "we must be on our way up the river early to-morrow
morning."

"How shall we go?" asked Marco.

"I have engaged a wagon here to take us to Bath, and there we shall find
a stage."

Accordingly, early the next morning, Forester and Marco got into a wagon
to go up the river to Bath, which is the first town of any considerable
consequence which you meet in ascending the Kennebec river. Marco and
Forester sat on the seat of the wagon, and a boy, who was going with
them for the purpose of bringing the wagon back, sat behind, on a box,
which had been put in to make a seat for him.

Marco said that he was very sorry that he had not time to go and get his
fishing-pole.

"It would not do any good," said Forester, "for you could not carry it."

"Why, yes," said Marco, "we might put it on the bottom of the wagon, and
let the end run out behind. It is pretty long."

"True," said Forester, "we might possibly get it to Bath, but what
should we do with it then?"

"Why, then," said Marco, "we might put it on the top of the stage, I
suppose. Would not they let us?"

"It would not be very convenient to carry a long fishing-pole, in that
way, to Quebec," replied Forester, "through woods, too, half of the way,
full of such poles. You might stop and get a cane or staff, if we find
a place where there are some good ones. A cane would be of some service
to you in walking up the hills, and that could be taken along with our
baggage easily."

Marco said that he should like this plan very much; and, as they rode
along, they looked out carefully for a place where there were slender
saplings growing, suitable for canes.

"What kind of wood would you have?" asked Forester.

"I don't know," replied Marco; "which kind is the best?"

"The different woods have different qualities," replied Forester. "Some
are light and soft, which are good qualities for certain purposes. Some
are hard. Some are stiff, and some flexible. Some are brittle, and
others tough. For a cane, now, do we want a hard wood or a soft one?"

"Hard," said Marco.

"Why?" asked Forester.

"Oh, so that it shall not get indented or bruised easily," replied
Marco.

"A light wood or a heavy one?" asked Forester.

"Light," replied Marco, "so that it will be easy to carry."

"Stiff or flexible?" asked Forester.

"Stiff," replied Marco.

"Yes," said Forester. "Some kinds of wood grow straight, and others
crooked."

"We want it straight," said Marco.

"Yes," replied Forester. "The pine grows very straight. If we could find
some young pines, they would make us some beautiful-looking canes."

"And how is it with the other qualities?" asked Marco.

"Pine is very light," said Forester.

"That is good," said Marco.

"And _soft_," said Forester.

"That is not so well," said Marco.

"And it is very weak and brittle."

"Then it will not do at all," said Marco. "I want a good strong cane."

Just at this time, they were ascending a hill, and, after passing over
the summit of it, they came to a place where Forester said he saw, in
the woods, a number of young oaks and beeches, which, he said, would
make good canes. The oak, he said, was very strong, and hard, and tough;
so was the beech.

"Only there are two objections to them for canes," said Forester, as
they were getting out of the wagon; "they are not so light as the pine,
and then, besides, they are apt to grow crooked. We must look about
carefully to find some that are straight."

"Which is the most valuable of all the kinds of wood?" asked Marco.

"The question is ambiguous," said Forester.

"What do you mean by that?" asked Marco.

"I mean, that it has two significations," replied Forester; "that is,
the word valuable has two significations. Pine is the most valuable in
one sense; that is, pine is, on the whole, most useful to mankind. But
there are other kinds of wood which are far more costly."

"I should not think that pine would be so valuable," said Marco, "it is
so weak and brittle."

"It is valuable," said Forester, "because, for the purpose for which men
want the greatest quantities of wood, strength is not required. For
boarding the outsides of buildings, for example, and finishing them
within, which uses, perhaps, consume more wood than all others put
together, no great strength is required."

"I think people want more wood to _burn_ than to build houses with,"
said Marco.

"Yes," said Forester, "perhaps they do. They do in this country, I
think, but perhaps not in Europe and other old countries. But pine,
although it has no great strength, is an excellent wood for building, it
is so soft and easily worked."

Forester's remarks, upon the different kinds of wood, were here
interrupted by Marco's finding what he considered an excellent stick for
a cane. When he had cut it, however, he found that it was not so
straight as it had appeared to be while growing.

However, after some time spent in the selection, Marco and Forester both
procured excellent canes.

"This is good, hard wood," said Marco, as he was trimming his cane, and
cutting it to a proper length.

[Illustration]

"Yes," said Forester; "it is beech, and beech is very hard."

After finishing their canes, they took their seats in the wagon again.




CHAPTER VI.

EBONY AND PINE.


After riding along a short distance in silence, Marco introduced the
subject of the different woods once more. He asked Forester which was
the most _costly_ of all the woods.

"Costly is not an ambiguous term," said Forester; "that means, which has
the greatest _money_ value."

"Yes," said Marco. "I suppose it is mahogany."

"O no," said Forester.

"Rose wood, then," said Marco. "It must be rose wood. My mother has a
beautiful piano made of rose wood."

"No," said Forester. "Ebony is more costly than either rose wood or
mahogany. They sell ebony by the pound."

"Where does ebony come from?" asked Marco.

"I don't know," replied Forester.

"I should like to know," said Marco. "How much do they sell it for, by
the pound?"

"I don't know that, either," said Forester. "I know very little about
it, only that it is a very costly wood, on account of some peculiar
properties which it has, and its scarcity."

"What are the peculiar properties?" asked Marco.

"One is, its great hardness," said Forester. "It is very hard indeed.
Another is, its color."

"What color is it?" asked Marco.

"Black," replied Forester,--"black as jet; at least, one kind is black
as jet. There is a kind which is brown. It is called brown ebony."

"I don't think black is very pretty," said Marco.

"No," said Forester; "there does not seem to be much beauty in black, in
itself considered; but then, for certain purposes, it is much handsomer
than any other color would be; for a cane, for instance."

Marco looked at the beech cane which he had before him, and began to
consider how it would look if it were black.

"I suppose I could paint my cane black," said he, after a moment's
pause, "if you think it would be any better."

"No," said Forester; "I should prefer having it of its natural color.
The bark of the beech has beautiful colors, if they are only brought out
by a coat of varnish."

"Brought out?" repeated Marco.

"Yes," said Forester. "There is a kind of fine dust, or something like
that, which dims the bark; but, when you put on oil or varnish, there is
a sort of transparency given to the outside coating, which brings the
natural color of the bark fully to view."

"Then I will get my cane varnished, when I get to Bath," said Marco.

"Ebony," said Forester, "is used a great deal where a contrast with
ivory is wanted. Ebony is hard and fine-grained, like ivory, and it
takes a high polish. So, whenever they want a contrast of black and
white, they take ebony and ivory."

"When do they want a contrast between black and white?"

"One case," replied Forester, "is that of the keys of a piano forte.
They want the short keys, which mark the semi-tones, of a different
color from the others, so that the eye will catch them as quick as
possible. So in a chess-board. They sometimes make chess-boards with
alternate squares of ebony and ivory."

"I think it would be just as well to take common wood and paint it
black," said Marco, "rather than pay so much money for ebony."

"No," said Forester, "that would not do so well. The paint would wear
off; or, if it did not wear off by handling, still, if it got a little
knock or hard rub, a part would come off, and that would show a little
spot which would be of the natural color of the wood. This would look
very badly."

"Then, besides, painted wood," continued Forester, "cannot be finished
off so smoothly, and polished up so highly, as a wood which is black by
nature. They have a way of _staining_ wood, however, which is better
than painting it."

"How is that done?" asked Marco.

"Why, they make a black stain," said Forester, "which they put upon the
wood. This staining soaks in a little way, and blackens the fibres of
the wood itself, beneath the surface. This, of course, will not wear off
as easily as paint."

"I should not think it would wear off at all," said Marco.

"Yes," replied Forester, "for, if a cane is made of any wood stained
black, after a time the wood itself wears away farther than the staining
had penetrated. Then the fresh wood will come to view. So that, if you
want anything black, it is much better to make it of a wood which is
black all the way through.

"Besides," continued Forester, "ebony is a very hard wood, and it will
bear knocks and rough usages much better than other kinds of wood which
are softer. Once I made a carpenter an ebony wedge, to split his laths
with."

"What are laths?" asked Marco.

"Laths are the thin split boards which are nailed upon the sides of a
room before the plastering is put on. Sometimes laths are made very
narrow, and are nailed on at a little distance from each other, so as to
leave a crack between them. Then the plastering, being soft when it is
put on, works into the cracks, and thus clings to the wood when it is
dry and hard. If plastering was put on to smooth boards, or a smooth
wall, it would all fall off again very easily."

"Yes," said Marco; "I have seen the plastering coming up through the
cracks in the garret at your house in Vermont."

"The lath boards," continued Forester, "are sometimes made narrow, and
nailed on at a little distance from each other, and sometimes they are
wide boards, split up, but not taken apart, and then the cracks, which
are made in splitting them, are forced open when the boards are nailed
on. The way they do it, is this. They put the wide lath board down upon
a plank, and make a great many cracks in it with an axe. Then they put
it upon the wall, or ceiling, and nail one edge. Then they take a wedge
and drive into one of the cracks, and force it open far enough to let
the plastering in. Then they put in some more nails, in such a manner as
to keep that crack open. Then they wedge open another crack, and nail
again; and so on, until they have nailed on the whole board, so as to
leave the cracks all open."

"And you made the carpenter an ebony wedge?" said Marco.

"Yes," said Forester. "He had had wedges made of the hardest wood that
he could get, but they would soon become bruised, and battered, and worn
out, with their hard rubbing against the sides of the cracks. At last, I
told him I had a very hard kind of wood, and I gave him a piece of
ebony. He made it into a wedge, and, after that, he had no more
difficulty. He said his ebony wedge was just like iron."

"Was it really as hard as iron?" asked Marco.

"Oh, no," said Forester,--"but it was much harder than any wood which he
could get. He thought it was a very curious wood. He had never seen any
like it before."

"I should like some ebony," said Marco.

"Ebony would be an excellent wood to make a top of," said Forester, "it
is so hard and heavy."

"I should like to have a top hard," said Marco, "but I don't think it
would be any better for being heavy."

"Yes," said Forester; "the top would spin longer. The heavier a top is,
the longer it will spin."

"Then I should like a top made of lead," said Marco.

"It would spin very long," said Forester, "if it was well made, though
it would require more strength to set it a-going well. But lead would be
soft, and thus would easily get bruised and indented. Besides, black
would be a prettier color for a top than lead color. A jet black top,
well polished, would be very handsome."

"Is black a color?" asked Marco. "I read in a book once that black and
white were not colors."

"There are two meanings to the word color," said Forester. "In one
sense, black is a color, and in another sense, it is not. For instance,
if a lady were to go into a shop, and ask for some morocco shoes for a
little child, and they were to show her some black ones, she might say
she did not want black ones; she wanted colored ones. In that sense,
black would not be a color.

"On the other hand," continued Forester, "she might ask for silk
stockings, and if the shopkeeper were to ask her what color she wanted,
she might say black. In that sense, black would be a color."

"Which is the right sense?" asked Marco.

"Both are right," said Forester. "When a word is commonly used in two
senses, both are correct. The philosophers generally consider black not
to be a color; that is, they generally use the word in the first sense."

"Why?" asked Marco.

"For this reason," replied Forester. He was going on to explain the
reason, when suddenly Marco's attention was attracted by the sight of a
long raft of logs, which was coming down the river. They had been riding
at some distance from the river, and out of sight of it, but now it came
suddenly into view, just as this raft was passing by. There were two men
on the raft.

"See those men on the raft," said Marco. "They are paddling."

"No," replied Forester; "they are sculling."

"Sculling?" repeated Marco.

"Yes," replied Forester. "They always scull a raft. It is a different
motion from paddling."

Marco watched the men attentively, examining the motion which they made
in sculling, and considering whether he might not have sculled his raft
to the shore in the same manner.

[Illustration]

"What straight logs!" said Marco.

"Yes," replied Forester; "the pine tree grows up tall and straight, and
without branches, to a great height. This is the source of some of its
most valuable properties. It makes the wood straight-grained. That is,
the fibres run smooth and regularly, from one end of the stem to the
other."

Just at this time, Forester saw a large pine tree growing alone, by the
side of the road they were travelling. This solitary tree had a great
many branches growing out from the stem, in every part, from the top to
the bottom.

"That is because the tree grows by itself," said Forester, "in the open
field. Those that grow in the forest do not throw out branches from the
stem, but they ran up to a great height, with only a little tuft of
branches on the top."

"I don't see why they don't have branches in the woods," said Marco.

"Because," replied Forester, "where trees grow close together, the light
and the air is excluded from the lower parts of the stems, and so
branches cannot grow there. Nothing can grow without light and air."

"I've seen monstrous long potato sprouts grow in a dark cellar," said
Marco.

"Yes," said Forester; "so have I. I did not think of that. But they
don't grow very well."

"They grow pretty long, sometimes," replied Marco.

"At any rate," said Forester, "the branches of trees will not grow from
the stems of the trees near the ground, in the woods; and this is of
great importance, for, whenever a branch grows out, it makes a knot,
extending in to the very centre of the tree. This would injure a pine
log very much, as the knot would show in all the boards, and a knot is a
great injury to a pine board, though it is of great benefit to a
mahogany one."

"Why?" asked Marco.

"Because it gives the wood a beautiful variegated appearance when they
get it smoothed. So that the more knotted and gnarled a log of mahogany
is, the better. It makes the more beautiful wood. But in pine, it is not
beauty, but facility of working, which is the great object. So they
always want to get pine as smooth and straight-grained as possible. So
that one of these trees that grow detached, in the fields, would not be
of much value for lumber. It has so many branches, that the boards made
from it would be full of knots."

"That is the reason, I suppose," said Marco, "why they don't cut them
down, and make them into boards."

"Perhaps it is," replied Forester.

"Has pine any other very good qualities?" asked Marco.

"I believe it is quite a durable wood," said Forester. "At any rate, the
stumps last a very long time in the ground. I have heard it said that
there are some stumps in the state of Maine with the old mark of G. R.
upon them."

"What does G. R. mean?" asked Marco.

"_Georgius Rex_," replied Forester,--"that is, George, the king. If
there are any such, the mark on them means that they belonged to the
king of England, before this country was separated from England. In
those days, the king's workmen went into the forests to select and mark
the trees which were to be cut down for the king's use, and these marks
were left upon the stumps."

"And how long ago was that?" asked Marco.

"O, it must have been sixty or seventy years ago. But I can hardly
believe that the stumps would last as long as that."

"I mean to ask some of the men, when I get up in the woods, how long
the stumps do last," said Marco.

"They last very long, I know," said Forester. "The people, after getting
tired of waiting to have them rot out, tear them up with machines, and
make fences of them."

"I don't see how they can make fences of stumps," said Marco.

"They put them in a row, with the roots in the air," replied Forester.
"They make a funny-looking fence."

Just at this time Marco perceived a large town coming into view before
them, which, Forester told him, was Bath. There were several ships
building along the shore of the river.

[Illustration]




CHAPTER VII.

THE BEAR IN THE MILL.


Marco and Forester found a small steamboat at Bath, going up the river,
and they took passage in it to Hallowell. At Hallowell, they took the
stage, and travelled along the banks of the river, sometimes on one side
and sometimes on the other. They crossed the river by means of bridges,
which were erected in nearly all the principal towns. They passed a
number of waterfalls, where saw-mills had been built for sawing the
logs. Marco was astonished at the number of these mills, the quantity of
logs which lay in the booms, and the vast piles of boards which had
accumulated in some of the sawing villages.

At one of these villages, where he and Forester stopped to spend the
night, they went out in the evening to see the mills. The mills were
lighted by little fires of pitch-pine knots, which made a bright flame
and gave a fine light. These little fires were built upon slabs, which
Marco thought was very dangerous. The slabs, however, though they looked
dry, were really very wet, being thoroughly soaked with water within,
having been sawed from logs which had been for a long time floating in
the river.

The beam, to which the saw was attached in each mill, as it ascended and
descended with the saw, passed across these lights with a rapid motion,
which made the lights appear and disappear, in regular succession, in a
very beautiful manner.

Forester and Marco clambered into one of these mills. They had to make
their way over slabs, boards and heaps of rubbish of various kinds, and
the floor of the mill seemed to be made of boards and planks, laid
loosely and with many open places, in which, when Marco looked down, he
saw dark and frightful abysses, where he could hear the water dashing,
and, now and then, could get a glimpse of the foam.

Of course, both Forester and Marco advanced very carefully. When they
had entered, they found but one man tending the mill. He was seated on a
square block of wood, near the fire, eating some bread and cheese. As
Forester and Marco advanced towards him, he looked up and bade them good
evening.

"Will you allow us to come in and see the mill?" said Forester.

"By all means," said the millman.

The millman here looked around at the log which he was then sawing, and
he observed that it was time for him to attend to it. So he put down his
bread and cheese upon the block, and went towards the saw. Forester and
Marco both turned to see what he was going to do.

The log was lying upon a long frame, which frame seemed to be mounted
upon some sort of trucks, for it advanced slowly, by a steady motion,
against the saw. As the saw was constantly moving up and down with great
force, the log was sawed as it advanced. It had now advanced so far that
the log had been sawed nearly through, from end to end. When it had gone
a little farther, the millman pulled a handle, and stopped the motion of
the carriage and the log, and, in a moment afterwards, the log began to
go back again; the saw, all the time, ascending and descending as
before, but without doing any work. When the log had got back so far
that the saw came out of the cleft which it had made, the man stopped
it, and then, with an iron bar, he shifted the position of the log in
such a manner that when the carriage should be put in motion, the saw
would cut the log in a new place, at a little distance from the
other,--a distance just equal to the thickness of the board which they
wished to make.

Marco watched all these movements with great interest. Forester, who had
often seen them before, went back to the fire, and held his hands out to
it, for, as it was a cold evening, the feeling of the warmth was
pleasant. He could see that Marco remained talking with the millman; but
the noise of the machinery was so great that he could not hear what
they said.

The flashes of light from the fire illuminated Marco's face, however,
and Forester could see that he was much interested in what the millman
was telling him. The millman sat down upon the log, and made gestures as
if he was eating something. Then he took hold of Marco, and put him down
upon the log in his place, and he took a seat himself beyond him--that
is, between Marco and the saw. All this time, the log, riding upon the
great frame, was slowly advancing against the saw, carrying Marco and
the millman along with it. When it had carried them so far that the
millman was getting to be very near the saw, he turned suddenly round,
and made a gesture as if he was going to clasp the saw in his
arms,--laughing as he did it,--and, immediately afterwards, he got up
from the log, and Marco got up, too,--beginning to laugh himself, also,
though his countenance had expressed surprise and anxiety before.

A short time after this, when Marco came back to the place where
Forester was, Forester asked him what the millman had been saying to
him.

"He was telling me a story of a bear," said Marco.

"Of a bear?" said Forester.

"Yes," said Marco, "of a bear in a saw-mill."

"I don't see what a bear had to do in a saw-mill," replied Forester.

"It was a great many years ago, when there were bears in the woods about
here. There was a man sawing in a mill, and he was sitting on the end of
the log that he was sawing, eating his bread and cheese. The bread and
cheese were lying on the log, next to where the man was sitting.

"While the man was sitting there in this manner, eating his bread and
cheese, a bear came walking into the mill,--a great black bear. He came
up to the log, and when he saw that the man was eating bread and cheese,
he thought he should like some too. So he sat down on the log."

"On which side of the man?" asked Forester,--"towards the saw or from
it?"

[Illustration]

"Towards the saw," said Marco. "The man was on the end of the log
farthest from the saw. The bear sat a little beyond him, nearer to the
saw, and the bread and cheese was between them. The bear began to eat
the bread and cheese."

"How?" asked Forester.

"Why, he took it up in his paws, I suppose," said Marco,--"though I
don't know certainly about that. At any rate, he began to eat the bread
and cheese,--sitting with his back towards the saw, and his face towards
the man.

"And all this time, you must understand," said Marco, "that the carriage
was carrying the log, man, bear, and all, towards the saw, and the man
saw that if the bear would only keep still, in his place, until he was
carried to the saw, he would get sawed in two, and so killed. At first,
he thought it would be best for him to get hold of the iron bar, if he
could, and beat the old bear's brains out. But he was afraid that he
should not succeed in doing that, and so he concluded to wait and see
what would happen.

"Now, bears have a way," continued Marco, "whenever they are angry with
anything, of grasping it in their arms and hugging it tight. The man did
not think of this; he only hoped that the saw would saw the bear in two.
The log moved on nearer and nearer, and at last brought the bear along
so far that the next stroke cut right down his back. He immediately
turned around and seized the saw, and hugged it with all his strength,
and it tore him all to pieces."

"Indeed," said Forester. "That is quite a story."

Forester did not seem so much astonished at this account as Marco had
expected, but farther conversation on the subject was prevented by the
occurring of a new object of attention. The millman began to make
arrangements for drawing up more logs from the water of the river, by
means of a long chain passing around a revolving axis, in the manner
which has been already explained.

Marco watched the first log, as it came slowly up, and then he wanted to
go down the inclined plane to the water below. The moon was just rising,
which gave them sufficient light, and so Forester and Marco went down.
Marco wanted to ride up on the next log, but Forester thought that that
would be a very dangerous experiment. There was, however, a boat lying
there, which, Forester said, perhaps they might get into, and take a
little excursion upon the water, by moonlight. Marco thought that he
should like that very well, and so he went up into the mill again, to
ask permission to take the boat. The millman said that they might have
the boat all night, if they wanted it.

Marco accordingly returned down the inclined plane, telling Forester
that they could have the boat. But Forester, who began to find the
evening air too cold and chilly, said that he did not think it was worth
while for them to set out on a voyage at so late an hour. But Marco's
imagination was so much taken with the idea of a voyage in a boat by
moonlight, that he was very urgent to have Forester go. So Forester
consented, and they both got into the boat.

"Which way shall we steer?" asked Marco.

"We must go up the stream," said Forester.

"Why must we?" asked Marco.

"Because there is a dam and a waterfall below us," replied Forester.

There was a dam across the river, at the mill, and the inclined plane,
which led from the floor of the mill down to the shore of the river,
terminated at the edge of the water just above the dam. The water was so
low that it did not fall over the dam near the shore, though Forester
and Marco could hear the roaring of the water, which fell over the dam
nearer the middle of the river.

"We must take care," said Marco, "or we shall get carried over the dam.
I read of an Indian once, who was carried over the falls of Niagara."

"Yes," said Forester; "we must be careful."

Forester turned the head of the boat up the river, keeping near the
shore, so as to avoid all possibility of being carried over the dam. The
boat shot along swiftly through the water.

"The boat goes very well," said Marco.

"Yes," replied Forester; "and yet it is only a log canoe."

"A log canoe," said Marco. "Is this only a log canoe?"

"That is all," replied Forester. "It is made of a log, hollowed out.
They use a great many such boats on this river. They go very easily
with paddles."

Forester and Marco both had paddles. Marco sat about in the middle of
the boat, but Forester sat in the stern, propelling the boat and
steering it at the same time. When they got up a little way above the
dam, they went out farther towards the middle of the river. Forester
soon became warm by the exercise of paddling, and had no disposition to
return. They both found it very romantic and delightful to glide
smoothly over the glassy surface of the water, which was silvered by the
moonbeams.

They soon came to a turn in the river, which carried them away from the
sight of the mills and the dam, and brought them under high banks,
which, in some places, presented rocky cliffs to the view, and, in
others, were covered with forests. This scenery had a peculiarly sombre
and solemn expression, seen thus, under the light of the moon. Marco
gazed at it in silence, and with a feeling of awe.

They went on in this manner for half an hour, until they found
themselves approaching a rocky island, crowned with forests. Marco
wanted to land upon it.

"Very well," said Forester; "I have no objection; but would you not
rather go back?"

"No," said Marco. "I want to explore this island."

"But are you not cold?" asked Forester.

"No," said Marco, "not at all."

"My hands and feet are a little cold," said Forester.

"Then we will go back pretty soon," said Marco, "but first just let us
land a minute upon this island."

So Forester turned the head of the boat towards the shore, and Marco, as
soon as it touched, scrambled out upon the rocks.

"Oh, Forester!" he exclaimed, at once, "here is plenty of drift-wood.
Let us make a fire, and warm your hands and feet."

"Drift-wood?" rejoined Forester. "Will drift-wood make a fire?"

"Why not?" asked Marco.

"I should think it would be too wet," replied Forester.

Marco said no more, but, at that instant, Forester observed a little
flash, and then a faint glimmer of light where Marco was. He had lighted
a match by rubbing it against some drift-wood. He touched it to some dry
bark, and soon had a pleasant little blaze upon the rocks, near the
shore. He piled on pieces of drift-wood, such as branches of trees, old
slabs, &c., which he found lying about there, and he soon had a very
good fire. Forester sat down upon the rocks, and warmed his hands and
feet.

"I wish I had a hatchet here," said Marco, "or an axe."

"Why?" asked Forester.

"Why, we could make a camp, and lie here all night," said Marco.

"O, no," said Forester.

"Yes," said Marco, "for the man said we might have his boat all night."

"No," replied Forester. "We will camp out when we get fairly into the
forests on Dead river."

Accordingly, after a little time, when the fire had burnt down somewhat,
they threw the brands into the river, and then, embarking in their boat,
they returned to the mill.




CHAPTER VIII.

THE BIVOUACK.


Marco and Forester had an opportunity to encamp for the night, in the
woods, in a manner different from what they expected. It happened in
this way. In the course of their rambles among the forests which are
about the lakes and the upper branches of the Kennebec, they came, one
night, to a farm-house, where they had to spend the night. The house was
built of logs. It was in a small opening in the woods. This opening was
occupied with fields, which were divided from each other by log fences.
The fields were full of stumps. The whole opening was bordered on every
side by a perpendicular wall of forest,--the tall stems forming a
colonnade, which reminded Marco of the palisades on the North river,
just above New York.

There was but one room in this log house, and, at first, Marco did not
know where he and Forester were to sleep. There was a great blazing fire
in the fire-place, which was made of rough stones. The hearth was made
of great flat stones. These stones were tolerably smooth on the upper
side; but, as they were not square, there were many spaces left between
them, and at the corners, which were filled with earth. But, though the
fire-place was rough, the great fire blazed merrily in it; and Marco
thought that it was pleasanter than his father's marble fire-place, in
New York, with a grate in it, filled with a hard coal fire, looking like
red-hot stones.

"I wish we had such a fire-place as this in New York," said Marco.

"And wood to burn in it," replied Forester.

"O, we can get wood enough in New York," said Marco. "The carmen bring
it along every morning. We might have such a fire-place down in the
basement, or in that little room in the stable, and then I would go and
build fires in it."

Just then, the farmer's wife came with a spider to the fire, to broil
some chickens for their supper. She pulled out the coals with a
long-handled iron shovel, which she called a _slice_. She cooked the
young travellers a most excellent supper.

The farmer and his wife were both rather young. They had one child. He
was asleep in the cradle. This cradle was only a box, made of boards,
and mounted on rockers. Marco asked the farmer if he made the cradle
himself, and he said he did.

There was a boy living in this house, named Isaiah. Isaiah was the
farmer's brother. He worked hard all day on the farm, and at night he
slept in a sort of garret, which they called the loft. The way to get
up to the loft was by a ladder on one side of the room.

When bed-time came, Forester and Marco climbed up this ladder, and went
to bed. They slept upon a straw bed, which was lying in a corner. They
had two clean but very coarse sheets, and a good warm coverlid. Marco
crept in well under the eaves of the house, but Forester slept on the
outer side of the bed, where the roof was higher.

Marco was awaked in the night by a strange sound, which he heard,
directly over his head. He lifted up his head and listened. It was the
pattering of rain upon the roof. The roof was, however, very tight, and
none of the rain came in. The roof was covered with shingles, which the
farmer had made himself, in a little shop near his house.

Marco listened to the rain a few minutes, and then went to sleep again.
He was glad to hear it rain, because he wanted to stay at this house the
next day, and he thought Forester would not go away in the rain.

The next that he knew was that it was morning. He spoke to Forester,
saying,

"It rains, cousin Forester."

"Does it?" said Forester. "Then I don't know what we shall do."

"We must stay here, to-day," said Marco. "Then I can see Isaiah make a
shingle. Isaiah can make a shingle. Did you know it?"

"I don't hear it rain," said Forester.

"I mean to get up and see," said Marco.

There was no glass window in this garret, but the light shone through
the chinks between the logs. There was a wooden window, as Marco called
it; that is, there was an opening in the wall, with a wooden shutter to
close it. Marco went to this window and opened it. He looked out upon
the wild and solitary scene which was before him with great interest. At
length he said,

"No, cousin Forester, it does not rain,--but I wish you would stay here
to-day."

"Very well," said Forester. "I will stay here as long as you wish."

Marco was rejoiced to hear this; and he spent two hours, after
breakfast, in rambling about the farmer's house and grounds. He went
into the little shop, and amused himself for half an hour in seeing
Isaiah make shingles. Isaiah let him try to make one himself, and he
succeeded pretty well. He carried his shingle in to Forester to show it
to him.

Forester said he thought it was a very good shingle.

"I should like to carry it home," said Marco; "but I suppose you would
think that that would be a foolish plan."

"No," said Forester, "I do not think it would be foolish. The shingle is
flat, and will lie down in the bottom of your trunk; and, after you get
tired of it as a shingle, you can have a little box made of it, and
keep it all your life, as a memorial of this expedition."

This was a very good plan, for Marco had not shaved his shingle very
thin. In fact, it was of about equal thickness at the two ends. This,
though a very serious fault in a shingle, made it much more suitable as
a material for making a box of.

Marco also amused himself for half an hour in going down to the spring,
where the farmer's wife went to get water, and playing there. There was
a pleasant little path leading from the house down to the spring. He
went down once alone, and brought up a pail half full of water, for the
farmer's wife, which seemed to please her very much.

While he was doing these things, Forester remained in the house, writing
letters. Before Forester had finished his last letter, however, Marco
had got tired of all his amusements, and began to think that they had
better resume their journey.

"Very well," said Forester; "whenever you say the word."

"How are you going?" asked Marco.

"I have made a bargain with the farmer," said Forester, "to let us have
his wagon to go through the woods about twenty-five miles, and Isaiah is
going with us, in order to drive the wagon back."

Marco was much pleased with this arrangement, and Forester asked him
what time they should start. "We are under your direction, you know,"
said he.

"Yes," said Marco, "and I wish you would let me have the direction all
day."

"I have a great mind to do it," said Forester.

"Do," said Marco, "and see how well I'll manage."

"Well," said Forester; "I will give up the command to you till I resume
it again."

Marco was quite pleased with his new powers. He said they must take a
hatchet and a bag of provisions, for he meant to dine in the woods on
the way. Isaiah accordingly put a hatchet in the wagon. They also took
some bread and cheese, and some other articles of food, in a bag; and
also a tin dipper, to drink from. When all was ready, Marco called
Forester, and they set off. Their trunk was put into the wagon behind.

They went on very well for ten miles. The road led through thick forests
for a large part of the way, and it was very stony and rough. But the
wilderness, and even the difficulties of the way, interested Marco very
much. He thought that it was much pleasanter travelling through those
forest scenes, the wheels of the wagon sometimes jolting over roots,
stones, logs, and sometimes sinking in the mire, than riding in a
carriage, as he had often done with his mother, over the smooth and
broad avenues leading into New York.

After they had gone about ten miles, they were brought to a sudden stop
by a tree, which had been blown down, and had fallen directly across the
road.

"What is to be done now?" said Marco.

Nobody answered.

"What is to be done now, cousin Forester?" repeated Marco.

"I don't know," said Forester. "_I've_ nothing to do with it. You are
commander."

"Oh, very well," said Marco. "Then I'll decide what to do. We'll chop
the tree off with our hatchet."

Marco bustled about with an air of great importance, taking the hatchet
from the back of the wagon, and advancing towards the tree, as if he
expected to sunder it at a single blow. He looked towards Isaiah, and,
seeing a lurking smile upon his countenance, he immediately perceived
how absurd was the idea of chopping off such an enormous stem with a
hatchet.

He accordingly turned suddenly about, saying,

"No; we can't cut it off with the hatchet. It is too big; or, rather,
the hatchet is too little. We'll see if we can't find a way to get
around it."

So Marco asked Forester to look on one side of the road, while he and
Isaiah examined the other side. They found that, by cutting down one or
two small trees, they could get around very well. So Marco directed to
have these trees cut down, and then they led the horse around without
much difficulty, excepting a slight obstruction from the bushes.

Marco was quite pleased with the successful result of his management in
this first serious emergency. They rode on five miles farther, and then
Marco determined that it would be a good plan to look out for a place
for their dinner. He chose a place in a pleasant dell, overshadowed by
tall pines and hemlocks, and watered by a brook which meandered through
the middle of it.

Marco directed Isaiah to drive the horse out to one side of the road, at
a place where there was a pretty broad and level spot, which seemed to
Marco a convenient place for the horse to stand. Marco told Forester
that he and Isaiah might go and employ themselves in finding a good spot
for them to make a fire, and in collecting some dry wood, while he
fastened the horse. Isaiah accordingly took the axe, and Marco was to
bring the bag of provisions.

Marco drew the horse out of the road, and brought his head up near to
the stem of a little tree, which was growing there. He then took out the
bag, and made his way through the bushes, in the direction in which
Forester and Isaiah had gone, down a little cow path, which descended to
the bank of the brook.

He found Forester and Isaiah very readily. Forester was seated upon a
flat stone near the water, and Isaiah was gathering dry sticks for a
fire. It was a warm and pleasant day, and they wanted a fire, not so
much for its warmth, as for the cheerful and pleasant aspect it gave to
the place. There was a gentle breeze blowing that day in the open
ground. This breeze was not felt among the trees, but it caused a gentle
draft of air, which carried all the smoke away from them, and made their
seat, on the great flat stone, very pleasant.

"Have you fastened the horse?" said Forester.

"Yes," replied Marco.

"You ought to fasten him pretty strong," said Isaiah, "for he's very apt
to get away."

"O, he won't get away," said Marco; "I fastened him to a good stout
tree."

[Illustration]

When the fire was burning well, Isaiah and Marco buried some potatoes,
which they had brought with them, in the embers under it. They also put
some apples down to roast on a flat stone, which they placed near the
fire.

"I wish we had some Carolina potatoes," said Marco.

"What kind of potatoes are they?" asked Isaiah.

"They are sweet. They would be excellent to roast in the woods."

"I never heard of a potato being sweet," said Isaiah.

"Yes," said Marco. "They have plenty of them in New York."

"Then why don't they call them New York potatoes?" asked Isaiah.

"Why, I believe they came from Carolina first," said Marco. "And now I
want a long stick for a toaster."

So Marco cut a long stick, and, after he had made the end sharp, he put
a slice of bread upon it, and placed it before the fire, and thus
toasted the bread. It is remarkable that the business of cooking the
food, which, in houses and cities, is considered a disagreeable
drudgery, which is to be kept as much as possible out of sight, is
always in the woods a very important part of the entertainment, in which
all the guests are pleased to take a share.




CHAPTER IX.

THE ENCAMPMENT.


Our party of travellers remained at the place of their bivouack more than
an hour. At the end of that time, having eaten all that they had cooked,
they began to think of resuming their journey. Marco was sitting upon
the stone, wishing that he had put down one more potato to roast, when
suddenly he perceived a large grey squirrel upon a log near him. The
squirrel ran along the log, and Marco immediately rose and went in
pursuit of him.

The squirrel ascended a tree, running up the stem. Then he glided along
one of the branches till he came to the end of it, when he leaped
through the air and caught the end of another branch, which was growing
from another tree. This branch, which was very slender, bent down half
way to the ground under the squirrel's weight. Bunny ran up the branch,
however, as easily as if it remained level. Thus he went along from tree
to tree, following, generally, the direction of the path by which Marco
had descended in coming from the wagon.

At length he emerged from the wood, just at the point where Marco had
fastened the horse. But all farther pursuit of him, on the part of
Marco, was suddenly arrested by the astounding fact, which here burst
suddenly upon Marco, that the horse and wagon were gone. Marco looked
all about, this way and that, to assure himself that it was the very
same place where he had fastened the horse. There could be no doubt of
it. There was the very tree to which he had tied him, and the marks of
his feet, near it, upon the ground.

Marco was in consternation. He looked all around, and then ran into the
road and looked both ways, but no signs of the horse were to be seen. He
then hurried back to the edge of the woods and called out in a loud
voice:

"Cousin Forester! Isaiah! cousin Forester! our horse has got away."

Isaiah sprang from the seat and ran, quicker than the squirrel had done,
up the path. As he came out to the place where Marco was standing, Marco
began to say, "There's where I tied him. I fastened him strong to that
tree." But Isaiah paid no attention to what he said, but ran directly to
the road. He did not stop to look both ways, but taking the road which
led towards his home, he ran along as fast as he could go. Marco
followed him as far as into the road, and looked after him as long as he
could see him. Isaiah was, however, soon out of sight, and Marco went
back to find Forester. Forester was coming up the path very leisurely,
bringing the bag, with the remaining provisions in it, in one hand, and
the hatchet in the other.

"Well, cousin Forester," said Marco, "we are in a fine condition. Our
horse and wagon have run away, and now Isaiah has run away too."

"I think Isaiah will come back pretty soon," said Forester. "As to the
horse and wagon, that is more doubtful."

"And then what shall we do?" asked Marco.

"I don't know," said Forester. "We are ten miles from any house in one
direction, and fifteen in another. But I'm not commander. It's nothing
to me. I've only to obey orders. I'll do whatever you say."

"Yes, but I should think you might advise me," said Marco. "Generals get
advice from their captains and colonels in battle."

"Oh yes," said Forester; "I'll advise you. I think we had better wait
first till Isaiah comes back. Perhaps he'll find the horse."

They waited about fifteen minutes, and then Isaiah came back. But he had
no horse. He said he went on until he reached the top of a hill where he
could see the road for a long distance before him, but that the horse
was not to be seen.

"He'll get home before I should overtake him," said Isaiah.

"Yes," said Marco, "unless he stopped where the tree fell across the
road."

"True," said Isaiah; "perhaps he has stopped there."

"Or would not he find his way round the tree through the woods?" asked
Marco.

"I don't know," said Isaiah; "perhaps he would."

"Is he a pretty sensible horse?" asked Marco.

"Yes," replied Isaiah; "we have to keep the granary door locked, or else
he will open the latch with his teeth, and go in and get the corn."

"Then," said Marco, "I've no doubt that he will find his way around the
tree and go home; and so we've got nothing to do but to walk back
fifteen miles."

"Or forward ten," said Forester.

"Yes," said Marco; "we can go on, to be sure, if we only knew the way."

Here followed a long discussion as to what it was best to do. Marco
thought that, if there was any probability that the horse would have
stopped at the tree, it would be better for him to go back and get him;
but that, if he had got _by_ the tree, and had gone home, it would be
better for Isaiah to go back and get him, while they went forward to the
end of the day's journey. He said that the trunk might be sent on.

Forester was himself very much at a loss to know what it was best to do.
As it was farther to go back than it was to go forward, it would be
plainly best for them to keep on, were it not for the difficulty of
finding their way. But Isaiah told them he thought they would not have
any difficulty on that account, as there were very few roads in such a
new country. He said that, if they kept the principal road, they could
get along without any trouble.

So Marco and Forester concluded to go on, while Isaiah returned. Isaiah
said that he was not afraid to return alone. He said also that, if he
found the horse at the tree, he would turn about and come and overtake
them. And if he did not find him there, he would walk on home, and come
the next day with their trunk.

Marco and Forester then went back to the place where they had dined, and
collected together all the food which had been left, thinking that they
might possibly have occasion to use it, before getting to the end of
their journey. They also took the hatchet with them, and bidding Isaiah
good-by, they set forth upon their solitary journey.

The road, though rough and narrow for wheels, was very good for a
foot-path, and the travellers went on for several miles without
difficulty, and with good courage. There was an unbroken forest on each
side of the way, with here and there a solitary bird in the topmost
branches, singing in melancholy notes, which echoed far and wide under
the endless colonnades of trees. After they had gone on about four
miles, they met a man coming with a team, who told them that there was
no road of any consequence to turn them off, and that they would,
therefore, probably find their way without much trouble. They were quite
pleased to hear this. In fact, it was some relief to them to know that
they were right, so far.

Marco was, however, not much accustomed to walk, and Forester, to
accommodate him, advanced slowly. When they had gone about five or six
miles, the shades of evening began to draw on. The days were getting
shorter at this season of the year, and then, besides, it happened that,
on this evening, there were some dark clouds in the west, and the sun
was darkened behind them before the regular hour of his going down.
Then, besides, the trees of the forest made it darker in the road in
which Marco and Forester were travelling.

Now, just as it was thus beginning to grow dark, they happened to come
to a place where the road divided, and Marco and Forester were both
puzzled to decide which was the one which they must take. The roads
seemed to be nearly equally travelled, though it was so dark that they
could not see very well. They examined both as carefully as they could,
and finally decided according to the best of their judgment, and went
on.

They had some doubt whether they were right, and Forester thought, as
they proceeded, that the road appeared somewhat different from the one
in which they had been travelling. However, they thought it best to go
on. After advancing about two miles, in a very circuitous direction,
they came at last to a place where several trees seemed to have been
cut away, and there were remains of several log huts. Marco was very
much interested in this discovery, and he wanted to examine the huts
very particularly. But Forester, when he found that they were not
inhabited, thought it best to lose no time, especially as it was now
beginning to be quite dark, and he urged Marco to leave the huts and
press on.

They went on for half a mile farther, when Marco, seeing a glimmer
through the trees, exclaimed that they were coming to some water.

"So it is," said Forester. "It looks like a pond or a river. If it is a
river, we're lost."

They walked on a short distance farther, and then they began to hear the
rippling of the water. In a few minutes, they were down upon the bank.
It was a small river, flowing rapidly along, between banks overhung with
bushes. Marco looked for a bridge, or for some place to cross, but they
found none. In fact, the road did not go down to the water, but seemed
to lose itself among the trees, before reaching the bank.

"This is not our road," said Forester. "We must go back."

"What road can this be?" asked Marco. "It seems to lead nowhere."

"I presume it is a logging road," replied Forester.

"What do you mean by that?" asked Marco. "Why, I suppose that those huts
must have been a logging camp, where the men lived in the winter, when
they came here to cut logs; and this is the road that they drew the logs
by, down to the water. But this summer it has been neglected. They don't
cut the logs in the summer."

"And what shall we do?" asked Marco.

"We must go back to the place where the road branched off," replied
Forester.

"Or else go and stay in the huts all night," said Marco.

"Yes," replied Forester, "we can do that. Let us go back and see."

They accordingly went back to the huts. Marco asked Forester whether he
thought they had better stay there.

"I don't know," said Forester, "Let us strike a light, and see how the
huts look."

Marco took out his match-box, and, after first gathering a few dry
sticks, he struck a light, and soon made a little fire. They found a
birch tree growing near, and they stripped off some pieces of the bark.
These they laid upon the fire, holding the ends of two long sticks upon
them, in such a manner, that, as the pieces of birch bark curled up
under the influence of the heat, they curled around the ends of these
sticks, thus making flambeaux. These flambeaux, though of rude
construction, gave a very excellent light, and Marco and Forester walked
about the huts, waving them in the air, and illuminating the whole scene
in a very brilliant manner.

They found that the huts were in a ruinous state. Only one of them had a
roof, and that had been originally made of hemlock branches, which had
now become entirely dry by long exposure. This covered hut was only a
sort of booth, being entirely open on one side. Forester said that he
recollected having heard of such huts, and that the men built their
fire, not in them, but on the ground opposite the open side.

Forester and Marco concluded to remain in this hut for the night. They
got together a great many hemlock branches, which they spread in the
bottom of it for a bed, and they built a fire opposite the open part, to
keep them warm.

Marco took a great interest in this fire. He piled the dry sticks upon
it until he had a very warm and cheerful blaze, and then he collected by
the side of it a heap of fuel, to use during the night.

In fact, Marco raised his fire too high; for, from the column of smoke
and sparks, one little brilliant fragment lighted upon their roof; and
it was slowly burning and smoking there, while Forester and Marco were
opening their bag of provisions, to see what they could make out for
supper.

Marco was counting out the potatoes, saying, "two for you, and two for
me," when his attention was arrested by a spark which, at that instant,
fell into his lap. He looked up to see where it came from, and saw that
the fire, which had spread from the original spark which had fallen upon
the roof, had burned a hole through, and the air, which was drawn up
through the opening, was at that moment fanning it into a flame.

Marco ran out, calling out, "Get some water! Get some water!"

There was plenty of water in a brook, which flowed with a murmuring
sound down a little glen behind the huts, but there were no buckets, and
Marco called in vain. It would have been equally useless to have raised
an alarm of fire, as there was nobody within ten miles to hear the cry.
The flames spread rapidly, and Forester and Marco soon saw that there
was nothing to be done but for them to stand quietly by and witness the
conflagration. The flames rose very high and raged fiercely, and the
light shone far into the forest, bringing into distinct view the whole
scene around, which had been involved in deep obscurity. The roof was
soon consumed, but the logs, of which the walls had been built, were
much longer in burning. The fire made by these logs, when they fell in
together upon the bed which Forester and Marco had prepared, was so
intensely hot that it could not be approached for a long time.

As soon as the intensity of this fire had a little declined, Forester
said that they must go to work and build themselves another hut. They
examined the ruins of those which remained, but they concluded that it
would be better to build a new one than to attempt to repair one of
these. They accordingly determined to build one anew.

They found two young trees, growing pretty near each other, which had
branches about six feet from the ground, so situated that they could
place a strong pole across from one tree to the other, resting the ends
upon the branches. This, Marco called the ridge-pole. They then cut
other poles, which they placed with the end on one side upon the ground,
and the other ends upon the ridge-pole. These were rafters, and upon the
rafters they placed a great many branches of hemlock, which formed a
roof. This roof, however, was only upon one side. The other side of the
hut was open, and they built a fire opposite this opening, feeling safe
in regard to their roof, as it was made of green branches.

[Illustration]

This work occupied them an hour. At the end of that time, they put
their potatoes into the fire to roast, and then laid down upon the
hemlock beds which they made, to rest themselves a little while, till
the potatoes should be done. Wearied with their long walk and the labors
of the evening, they fell asleep, and did not wake again till four
o'clock the next morning.




CHAPTER X.

LOST IN THE WOODS.


When Marco awoke, he at first supposed that he had been asleep about an
hour, and he was surprised to see how much the fire had burned down in
that time. He crept towards it, and began to put the brands together,
when suddenly he recollected the potatoes. So he began to feel for them
in the ashes, by means of a long stick, which they had obtained for a
poker. The potatoes were all burnt to a cinder.

Marco then awoke Forester, saying,

"Cousin Forester! cousin Forester! wake up. The fire has gone out, and
our potatoes are all burnt up."

Forester awoke, and, after looking at the fire, and at the charred and
blackened remains of the potatoes a moment, he took out his watch, and
said,

"Why, Marco, it is four o'clock. It is almost morning."

"Is it?" said Marco. "Then we have not got much more time to sleep. Let
us build up a good fire, and then lie down again."

"Yes," replied Forester. "We must keep up a good fire, or we shall take
cold, it is such a cool night. It looks as if it were going to rain."

"What shall we do in that case?" asked Marco.

"I don't know," replied Forester. "It would be rather a hard case for
us."

"We could stay here, I suppose," said Marco. "I don't think the rain
would come through our roof."

"No," said Forester, "not much. But then we have nothing to eat."

"Could not we get anything to eat about here?" asked Marco.

"Not very well," replied Forester. "We have got money enough, but this
is a case where money does not seem to be of any use."

"How do the men who come here in the winter to cut down the trees, get
anything to eat?" asked Marco.

"O, they bring it all with them," said Forester. "The roads are better,
in the winter, for sleds and sleighs, than they are now for wheels; for
then all the stumps and roughnesses are covered up with the snow. So,
wherever there is a camp, there is a road leading to it, and sleigh
loads of provisions are brought up for the men, from time to time, all
the winter."

"I wish one would come now," said Marco, "to us."

"I wish so too," said Forester. "But it is of no use to wish, and so we
may as well lie down and go to sleep again."

"But, Forester," said Marco, "I don't see what we are going to do if it
rains."

"Nor do I," said Forester. "But this is not the time for forming a plan.
This is the time for going to sleep. I make it a rule, in all
perplexities and troubles, when there is nothing to be done immediately
in order to get out of them, to lie down and go to sleep."

Marco said no more, and Forester was soon asleep again. Marco himself
felt so much concern about his situation that he could not go to sleep
for some time. He lay watching the flames, which were creeping slowly
around the logs which he and Forester had put upon the fire; for, while
they had been holding the conversation above described, they had been
employed in replenishing the fire.

Marco heard a sound, which, at first, he thought was a bear. He was on
the point of awakening Forester, but, after listening a little longer,
he concluded that it was only the roaring of the wind upon the tops of
the trees. After lifting his head from his pillow of hemlock branches
for a moment, until he satisfied himself that it was no wild beast, he
lay down again and went to sleep.

He was awakened again, about three hours afterwards, by a long rumbling
clap of thunder.

"What is that?" said Forester. "Thunder?"

"I believe it is," said Marco.

"And it rains, I believe," said Forester.

Marco raised his head, and looked out through the open part of the hut.
He saw the drops of rain descending, and he heard the murmuring sound
which the rain makes when falling upon the leaves in a forest. He saw,
too, that everything was wet in the opening about the hut, although it
seemed dry in the forest beyond, where the drops of rain had been
intercepted by the leaves of the trees.

"We must get our wood under cover," said Marco, "or it will get wet and
won't burn, and then our fire will go out."

"True," said Forester. "There is room for some of it in this hut. Let us
get up and put it in."

So Marco and Forester arose, and, as they were already dressed, they
were soon at work, putting the logs into the hut. Marco then proposed
that they should go into the forest, where it did not rain, and get some
more wood. But Forester said he thought that would be of no service, as
they had no provisions, and, of course, could not stay there. "We _must_
go," said he, "at any rate, whether it rains or not; for it is better to
get wet than to starve."

"We have got _something_ left in our bag," said Marco.

"Yes," replied Forester, "just enough for breakfast."

"How I wish I had a bushel of potatoes," said Marco. "Then we could
stay here a week. Only we should want a little salt too."

Forester opened the bag and took out the provisions which were left.
They found about enough for a breakfast for them, but they concluded to
eat but half of their supply, as Forester thought it was best that they
should put themselves upon short allowance.

"You see, it is _possible_," said Forester, "that we may be kept here in
the woods a day or two; so we must use our provisions economically."

After breakfast, they went into the forest a little way, where they
found that they were protected from the rain by the trees. This proved,
as Forester said, that it had not been raining very long; and he
thought, from appearances, that it would soon clear up.

At a little distance from their encampment, they found another hut,
which was in better condition than either of those which they had seen
before. It was covered with strips of birch bark, which made a very good
roof. Some of these strips, or rather sheets, for they were quite large,
had fallen down, and Marco ran and got one of them, exclaiming,

"What a monstrous sheet of birch bark!"

This sheet, which Marco lifted up from the ground where it was lying,
was about four feet long and two feet wide. Marco wondered that so large
a sheet could be got from any tree.

"What a monstrous tree it must have been!" said he to Forester.

"No," said Forester, "not very large. This sheet is about four feet
long, which would make the tree only about sixteen inches in diameter."

"How do you prove that?" asked Marco.

"Why, the distance through a tree is about one third the distance round
it," replied Forester. "Now, this bark grew around the tree, and it is
about four feet long. Four feet is forty-eight inches, and one-third of
forty-eight is sixteen. Now, sixteen inches in diameter would not be a
very large tree."

"I mean to try this bark on some of these trees," said Marco, "to see
how big a tree it will fit."

So Marco took up the sheet of bark. It was white and clean, especially
on the outside, having been blanched by the summer rains. Marco, in
order to carry the sheet more easily, put it upon his shoulders, drawing
it up around his neck like a shawl.

"Cousin Forester," said he, "see my shawl. It would do for an umbrella,
if I only had a handle."

So saying, Marco drew the sheet of bark up higher, holding it in such a
manner that it covered his cap, rising into a point above his head. He
held it in such a manner as to leave a little crevice open in front, to
peep through, in order that he might see where he was going.

"See, Forester," said he,--"see my umbrella."

Forester looked at Marco's contrivance, and he immediately thought that
such a sheet would be an important protection to the head and neck, in
case they had to walk in the rain. He accordingly went to the hut and
selected a sheet for himself, saying,

"This is not a bad plan. The most important point is to protect the head
and neck, and this will do it pretty well. We can roll the sheets up and
carry them under our arms, unless it rains fast, and then we can wrap
them around us."

[Illustration]

Having thus found a rude substitute for an umbrella, Forester thought
that it would be best for them to set out on their journey. They
accordingly returned to their encampment, and made preparations for
resuming their march. As it was raining but very little at that time,
they rolled up their umbrellas and carried them under their arms. Marco
took the hatchet, and Forester the bag of provisions. Marco wanted to
set fire to the hut which had sheltered them for the night. He wanted
Forester to hear what a loud crackling the green hemlock branches, which
they had put upon the roof, would make, when the flames from the wood
below should envelop them.

But Forester would not consent to this. He said that some accident might
possibly happen, by which they should be obliged to come back and spend
another night there, though he hoped such a measure would not be
necessary.

"I hope so, too," said Marco.

"We may lose our way again," said Forester.

"But then," said Marco, "we shall not come back to this place."

"Why, I have heard," said Forester, "of people losing their way in the
woods, and, after a great deal of wandering, getting back to the place
they started from. So that, _possibly_, we may wander about all day, and
get back here at night."

"I hope not, I'm sure," said Marco. "I am tired of this old hovel."

"Why, the lumber-men stay in these places all winter," said Forester.

"Yes," replied Marco, "but then they know that they can get out whenever
they please. We don't know that we can ever get out."

"That is true," said Forester, "and it makes a great difference."

"Don't you feel concerned about our finding our way out?" asked Marco.

"No," said Forester. "I make it a rule never to be _concerned_ about
anything."

"Oh, Forester!" said Marco,--"I think we ought to be concerned when we
get lost in the woods."

"No," replied Forester. "We ought to do the best we can to get out, but
not to be concerned. To be concerned is to be anxious and unhappy. This
does no good. Being concerned would never help us find our way out of
the woods."

Thus talking, the two unfortunate travellers walked on, with their rolls
under their arms. It was well that they took them, for, after they had
been walking about half an hour, the sky grew dark, and, a short time
afterwards, the rain began to come down in torrents. Forester and Marco
unrolled their umbrellas, and wrapped them about their shoulders and
heads; and, at the same time, they fled for shelter under an enormous
pine tree, which grew in such a spot that its branches extended in every
direction, and formed a canopy above them, which kept off a great deal
of the rain. When the rain abated a little, they walked on.

Their plan was to get back to the place where they had left the main
road the day before. But they were somewhat perplexed to find it. In
fact, they met with several roads which branched off from the one in
which they were walking. These were old tracks, made by the lumber-men,
and were partly grown up to bushes. They wandered about among these
paths for some time, and at last, to their great joy, they came out
into a good beaten road, which Forester immediately thought was the one
which they had been travelling in the day before. Notwithstanding
Forester's philosophical resolution, never to be _concerned_, he could
not help confessing that he felt somewhat relieved to find the right
road again; and, as the sun was just breaking through the clouds at this
time, they both thought that their prospects were brightening
considerably.




CHAPTER XI.

THE SHINGLE WEAVER'S.


The travellers walked on with fresh strength and courage, now that they
thought they were in the right road. The road was, however, monotonous,
being, for most of the way, through a dense forest; and it was so very
similar to the road by which they had come the day before that they were
convinced they were now right.

They went on, without any special adventure, for nearly two hours, when
they arrived at what had the appearance of being an old wood road, which
branched off at right angles to the one in which they were travelling.
The trees were somewhat more open here. This admitted the sun; and there
were several raspberry bushes growing at the entrance of the wood road,
with ripe raspberries hanging upon them, for the season of raspberries
had now arrived.

Marco seized this fruit with great avidity. Forester followed his
example, and began gathering the berries. The bushes were, however, not
entirely dry, and they had to advance cautiously among them. In fact,
they found it better to keep along the wood road, gathering the berries
as they advanced. It was not a road, strictly speaking, for there were
no marks of wheels upon it, or tracks of any sort, made by travelling.
It was only a space for a road, made by cutting away the trees and
bushes.

Along this opening, Forester and Marco slowly advanced, eating the
raspberries which grew by the side of the way. After going on for a few
rods in this manner, Marco suddenly exclaimed,

"Why, here is another camp!"

Forester looked up and saw, just before them, the remains of a sort of
hut, somewhat similar to those which they had seen the evening before.
There was a large heap of chips and shavings about it.

"What can this be?" asked Marco.

"I presume," said Forester, "that it is an old shingle weaver's
establishment."

"What is a shingle weaver?" asked Marco.

"A man who makes shingles," replied Forester, "such as they use for
covering houses. They make them of clear straight-grained pine, which
will split easily and true."

So saying, Forester advanced towards the hut, and took up one of the
pieces of pine, which had been split out for a shingle. There were
several of such pieces lying about among the chips and shavings. It was
somewhat browned by exposure to the weather, but it had a very smooth
and glossy appearance, shining with a sort of silken lustre.

"This is a beautiful piece of pine," said Forester.

"Let us carry some of it home," rejoined Marco.

"What good would it do us?" asked Forester.

"Why, we might make something of it," said Marco. "Perhaps I could make
a little box."

"And that would serve as a _souvenir_ of this expedition," added
Forester.

"A souvenir?" said Marco,--"what is that?"

"Why, something to remember it by," replied Forester. "Hereafter,
whenever you should see the box, you would be reminded of our wanderings
and perils in this wilderness."

"Well," said Marco, "let us take it."

The farther conversation of our adventurers was interrupted by a sound,
like that of wagon wheels, coming along the main road, which they had
just left.

"There comes some traveller," exclaimed Forester. "Let us go and enquire
about our way."

"Hark!" said Marco.

At this instant, the sound of the wheels suddenly stopped, and Marco and
Forester heard the voice of a man calling out earnestly to his horse,
"Whoa! whoa!" as if something had happened. Marco and Forester hastened
to the spot, where they found that the horse had fallen down, and the
man was trying in vain to get him up. The harness was drawn so tight
about the horse's limbs, by the constrained position in which he was
lying, that he could not get up, and the man could not extricate him.
The man had gone behind, and had drawn the wagon back, so as to loosen
the pressure of the harness upon the horse, but, until Forester and
Marco came, there was no one to unbuckle the straps when they were thus
loosened; and, if the man let go of the wagon, to go and unbuckle the
harness, it was drawn back again at once by the tension of the straps,
and made as tight as before.

He was, therefore, very glad to see Forester and Marco coming. He asked
them to come and help him.

Forester and Marco were immediately going to attempt to unbuckle the
harness, but the man told them that there was danger of their getting
kicked by the horse, in case he should suddenly begin to struggle.

"Come here," said the man, "and hold the wagon back and I will loosen
the harness."

By means of this plan of operations, the horse was soon liberated from
his confinement, and he got up. The man seemed very thankful to Forester
and Marco, and he asked them where they were going.

"We are going to No. 3," said Forester. "Is this the right way?"

The townships in a new country are _numbered_ at first, not named. The
place to which Marco and Forester were going had yet very few
inhabitants, and it had no name but No. 3.

"Yes," replied the man, "this is the right road. I wish I was going that
way, I would take you along in my wagon."

This answer puzzled Marco a little, on two accounts. First, the man
_was_ going the same way with them, but then Marco thought that,
perhaps, he was going to turn off, pretty soon, into some other road.
Then, secondly, he did not see how the man could possibly carry him and
Forester, in any event, as the wagon seemed completely filled with bags,
and kegs, and firkins, leaving scarcely room for the man himself to sit.

Forester told the man that they could walk very well; but he said that
they were hungry, and if the man had anything to eat, in his wagon, they
should be glad to buy something of him.

"Yes," replied the man, "I've a loaf of bread that I can spare, and a
jug of milk."

"That will be just the thing," said Marco.

At first, the man was not willing to receive anything for the bread and
milk, but as Forester insisted upon it, he consented to take a little
pay. He then told Forester that he had some honey in his wagon, and a
few apples, and Forester bought a supply of these. At first, they
thought they should not have anything to put the honey in, but Marco ran
to the shingle weaver's hut, and got one of the thin pieces which had
been split out for shingles, and it made a very good plate. Forester
bought a pound of the honey, and half a dozen apples.

They then bade the man good-by, and he resumed his journey. Forester and
Marco went back to the hut, where they had a most excellent dinner. They
built a fire, and roasted the apples and toasted the bread. They cut it
into slices with Marco's knife. They made wooden spoons for the honey
out of pieces of pine, which answered very well indeed. Marco said it
was the very best dinner he ever ate in his life.

After dinner, they returned to the main road, and resumed their walk.
Forester said he wished he had asked the man how far it was to No. 3,
but he thought it could not be very far, as they had been travelling
nearly three hours, and it was only about ten miles in the morning.

As he was saying this, they were just ascending a hill, and when they
reached the top of it, they had a prospect of the road for a
considerable distance before them. Marco thought he saw something
coming, and he asked Forester what it was.

"I think it is only a stump, or something like that," said Forester.

"No, it moves," said Marco.

"It is another wagon," said Forester, "I really believe. Now we can find
out how far it is to No. 3."

It was very soon quite evident that it was a wagon, and that it was
coming on apace. As it drew nearer, it appeared that there was a boy in
it.

"He is just about as big as Isaiah," said Marco.

"Yes," said Forester. "And the horse looks very much like the horse
Isaiah had."

"I verily believe it is Isaiah," said Marco.

This supposition was confirmed as the wagon drew near. The boy was
Isaiah, but he stared at Marco and Forester with a look of perplexity
and wonder, as if he was very much surprised to see them.

"Isaiah!" said Marco, accosting him, as soon as Isaiah drew up the reins
and stopped the horse opposite to them.

"What are you coming back for?" asked Isaiah.

"Coming back!" repeated Forester, not knowing exactly what Isaiah meant.

"Yes," said Isaiah. "I thought you were going to stay at No. 3, and I
was going to carry your trunk there."

It immediately flashed upon Forester's mind that they had got turned
about in their wanderings, and, instead of going on towards No. 3, as
they supposed, they were in reality, though in the right road, going the
wrong way in it.

Forester had a hearty laugh at this discovery, in which Marco joined, as
soon as he fairly understood the case. At first, he was very much
perplexed. He could not believe that they could have got their ideas of
direction so completely reversed.

"Besides," said he, "that man told us that we were in the right way."

"Yes," said Forester, "but he did not tell us that we were _going right_
in it."

"I suppose he did not know which way we were going," said Marco.

The question then arose, what was to be done. Forester proposed that
they should get into the wagon and let Isaiah drive them to No. 3, but
Marco said that he was commander, and he was not going to try to get to
No. 3 any more. He had been travelling back and forth through those
woods long enough, and he declared that he would not vote to go through
them again, if he had to go round the world to get to the other side of
them.

Forester laughed and submitted to the decision; so they all returned to
Isaiah's father's.

The next morning they formed a different plan for pursuing their
journey. They wanted to get to the Quebec road now, as soon as possible,
and they found, by enquiry, that, by taking a boat upon a large pond or
lake, a few miles distant, they could go about twenty miles by water,
through a chain of ponds, which led in the direction in which they
wished to go.

So Forester hired a man to go with them and bring back the boat. They
went, in a wagon, to a place very near the landing, at the pond. The
landing was in a small cove, surrounded by forests. The cove opened out
into the pond by two points of land, rocky and precipitous, and crowned
with evergreen trees. The water was smooth, and the whole scene highly
picturesque. When Marco came in sight of it, he was much pleased with
the prospect of a voyage on such a sheet of water.

There was considerable water in the boat when the party arrived on the
beach, and Forester undertook to bail it out. The man who was going with
them went and cut a bush, with a thick top, to use as a sail, in case
there should be a fair wind. While he was bringing the bush, and
Forester was bailing out the boat, Marco stood upon the beach, looking
at the paddles.

"Does she leak, cousin Forester?" asked Marco.

[Illustration]

"No," said Forester, "I presume not. This water all comes from the
rain."

"I'm glad to hear that," said Marco, "for I don't want to go to sea in a
leaky ship."

There was a great basket of provisions on the beach, by the side of
Marco, while these preparations were making, for they were resolved not
to expose themselves, a second time, to the danger of famine. When all
was ready, the bush, the basket and the paddles were put on board, and
our adventurers, after gliding smoothly through the water to the outlet
of the cove, doubled one of the rocky points of land, and pushed boldly
out upon the waters of the pond.




CHAPTER XII.

A VOYAGE ON THE POND.


As the boat moved on, propelled by the paddles, which Forester and the
man who accompanied them were plying, Marco sat upon a thwart, and gazed
upon the picturesque and romantic scene around him. The shores of the
lake, or pond, formed many beautiful points and promontories, with deep
bays between them. There were a great many islands too, scattered over
its surface. Marco wanted to land upon some of these, but Forester
thought that they had better make the best of their way towards their
destined port.

Marco contented himself, therefore, with gazing on the changing scenery,
as they passed, in succession, one island and promontory after another.
The whole country was covered with forests, except that here and there
was an opening, with the house and barn of a settler in the middle of
it. Smokes were rising, too, in various directions, where new clearings
were in progress. There was one in particular, on the side of a distant
hill, which rose in such dense white volumes as especially to attract
Marco's attention.

When Marco had admired these objects long enough, he leaned a little
over the side of the boat, and began to look down into the water. The
water was not deep, and the bottom was smooth and sandy. They glided
rapidly along over these sands. Marco's leaning caused the boat to
incline a little to one side; but Forester, instead of asking him not to
lean over so, just moved himself a little in the contrary direction, and
thus restored the equilibrium.

"There, Forester," said Marco, suddenly raising himself, "I forgot one
thing."

"What is that?" said Forester.

"I forgot my piece of wood to make a box of."

"I am very sorry," said Forester. "But then you can get another piece,
perhaps, before we get to the end of our journey."

"But I wanted a piece from that very hut, so as to make the box a
souvenir of our having got lost in the woods," said Marco.

"Yes," rejoined Forester, "that would have been very pleasant,--but,
perhaps, we shall meet with some other odd adventure, which will be as
good as being lost in the woods."

"I don't think being lost in the woods is anything very good," said
Marco.

"It is not a very good thing at the time, but the recollection of such
adventures and dangers is always pleasant afterwards. You see you
specially want a souvenir of it.

"But, Marco," continued Forester, "I have thought of something which
will be, perhaps, better than a box. At any rate, it will be more
convenient to make."

"What is it?" said Marco.

"A little press for pressing flowers," replied Forester.

"How could I make it?" asked Marco.

"Have two pieces of pine wood, planed out thin," said Forester. "They
might be varnished, and that would make them look very neat and pretty."

"How large must they be?" asked Marco.

"Oh, about as large," replied Forester, "as the covers of a small book.
Just large enough to make it convenient to carry in the pocket. Then you
must have some pieces of soft paper, of the same size and shape, to put
between them. You must also have a piece of cord or braid, or something
of that kind, to tie around them, to keep them together. Then, when you
are travelling, if you find any pretty flower, you can put it into this
press, and put the press in your pocket. Thus, the press will not only
be a souvenir itself, but it will procure for you a great many other
souvenirs."

"That's an excellent plan," said Marco. "I like it very much. That will
be better than a box."

"It will be easier to make, at any rate," replied Forester. "Any joiner
can plane out and square the boards for you."

"Yes," said Marco. "I mean to get a piece of pine to make them of, the
first time I find any."

Marco had an opportunity to get a piece of pine suitable for this
purpose, and, at the same time, a souvenir itself of an adventure,
sooner than he anticipated; for, after having paddled many miles,
towards noon a breeze sprung up, which, though really not against them,
retarded them somewhat, as it tended to drive them out of their course.
Their intention had been to have stopped upon the water, about noon, to
eat their dinner; but, as this breeze would prevent the boat from
remaining at rest, they concluded to land upon an island, which was near
where they were at the time, and take their dinner there. Marco was
particularly pleased with this plan, as it would enable him to build a
fire, and he always wanted to build a fire on such occasions, whether
there was anything to be cooked by it or not.

The island was rocky, and it was covered with trees. On the sheltered
side of it there was a beach, where the party landed. Although this
beach was somewhat protected from the wind, still the waves which rolled
in kept the water in a state of agitation. They, however, landed here,
running the head of the boat upon the sand.

There was a large tree lying here, with its top in the water, and
butt-end upon the beach. It was a tree which some settler had cut down
at some place near the shore of the pond, and when the water was high it
had been washed off, and, after drifting about the pond for some time,
it had got lodged upon this beach, where it remained in the position in
which our adventurers found it. It had been lying there for more than a
year, and the branches which were out of the water were dead and dry.
The foliage had long since disappeared.

The boatman brought the boat up alongside of this tree, so that Forester
and Marco stepped out upon the trunk, and walked to the land. The
boatman then tied the boat to one of the dead branches of the tree, and,
taking the basket of provisions and the hatchet, they all walked along,
in search of a place for their dinner.

They found a sheltered and pleasant place, at a little distance, under
the trees. Marco soon struck a light, and began to build a fire. He
found it somewhat difficult, however, to procure dry wood enough for the
fire, until, at last, he thought of the branches of the tree to which
the boat was fastened. He accordingly went to the place and began to cut
them off.

The boat was somewhat in the way while he was doing this, and he thought
he would move it. He could fasten it just as well, he thought, by a
stake driven into the sand. He therefore cut off one of the branches,
and, after squaring one end and sharpening the other, he drove it down
as well as he could into the sand. He then fastened the boat to this
stake, thus removing it from the tree, and clearing the way so that he
could conveniently cut off the branches.

This was not, however, a very wise operation, for it is very difficult
to drive a stake securely into sand. Sand, even when wet, has so little
tenacity that it yields to the slightest force, and the stake soon began
to work loose, by the motion of the boat, agitated by the waves; and, in
fact, before Marco had finished carrying away the branches, the stake
was entirely loosened from its bed, and was just ready to topple over.

As the boat continued to pull upon it, this way and that, as it was
agitated by the fluctuation of the water, it soon drew it down, and the
boat, being now entirely at liberty, began to move slowly off from the
shore. It soon drifted out where it was more fully exposed to the action
of the wind, when it began to move much faster. And thus, while our
party of voyagers were eating their dinner, seated on a flat rock, by
the side of a good fire, in fancied security, their boat was quietly
drifting away, thus apparently cutting them off from all communication
with the main land.

Marco made the discovery that the boat was gone, just after finishing
his dinner, and he immediately gave the alarm. Forester and the boatman
came at once to the spot. They could just see the boat, half a mile
distant, under a ledge of rocks, which formed the shore in that place.

This was the third time, on this journey, that Marco had found himself
isolated in circumstances of difficulty and danger, and cut off,
apparently, from all convenient means of retreat; and, at first, he
thought that this was the worst and the most dangerous of the three. In
fact, he did not see in what possible way they could escape.

"What shall we do?" asked Forester.

"We must make a raft, somehow or other," said the boatman. "If I had a
log, I could go after the boat on that."

"Won't this tree answer for a log?" asked Marco.

The boatman looked at the tree. He said that, if he had an axe, he
thought he could cut off the top, and roll the trunk into the water; but
it would take him a long time, he said, to hack it off with the hatchet.

There seemed to be, however, no alternative; so he set himself at work,
and in due time he cut off the stem of the tree, just where it entered
the water. They all three then took levers, which the boatman made with
his hatchet, and, by making great exertion, they got the log out of the
sand, and rolled it round into the water, where it floated. The man then
cut a long pole, and, mounting upon the log, he pushed himself out over
the surface of the water.

Forester and Marco watched his progress with great interest. Marco
thought that he would certainly roll off the log, but he seemed to stand
and to walk upon it, perfectly at his ease. He would advance to the
forward end of the log, and then, planting the foot of his pole in the
sand on the bottom, he would push, walking along as the log advanced,
until he came to the stern end of the log, when he would draw out his
pole, and walk back again. In this way he propelled the log until the
water became too deep for his pole to reach the bottom, and then he
ceased these efforts, and, standing upright, he left himself to be
driven along slowly by the wind.

[Illustration]

Forester and Marco saw plainly that he would be gone for some time, and
they amused themselves, during his absence, in wandering about the
shores of the island. In one place, Marco found, upon a rock a little
above the water, a slab of pine wood, which was bleached by the sun and
rain. It had drifted down, the summer before, from some stream emptying
into the pond. In the winter it had been frozen into the ice, and, when
the ice broke up on the following spring, the cake to which the slab was
attached, had been crowded up upon the shore, where the slab had been
left when the ice melted.

Marco immediately thought that this slab would furnish him with a good
piece of wood to make a flower press of, and he accordingly dragged it
up where he could work upon it with his hatchet. He soon cut off a
piece, of the proper length, and hewed it down so as to make it of a
convenient shape to carry.

When Forester came to examine it, he said he thought it was a very good
piece, and when it was planed smooth and varnished, he thought, from its
appearance, that it would be of a very pretty color.

"You can get it made at the first shop we come to," said Forester, "and
then you can collect and preserve a great many flowers in it, when we
get to Canada. When you get home; you can put them in a book, and call
them the Canadian Flora."

"That's just what I'll do," said Marco, "and then, when I get home, I'll
give some of them to my cousins. They will like them, because they came
from Canada. But I can't put a great many into such a press."

"No," said Forester. "You only collect them in the press, which you
always carry with you in your pocket. You put them all in a book, or in
a larger press, as soon as you get home, and then you have the small
press ready for use again."

While they were talking thus, they watched the boatman, who had, by
this time, reached the land and recovered the boat. He came back quite
rapidly, propelling the boat with the paddle. Marco and Forester
embarked on board of her, and they finished their voyage without any
further adventure. The next day, they reached the Quebec road, and,
leaving the region of the Kennebec, they went on their way towards
Canada.




TRANSCRIBER'S NOTES:


A Table of Contents has been added for the reader's convenience.

Inconsistent hyphenation (mill-man/millman) and spelling
(bivouac/bivouack) have been regularized.







*** END OF THE PROJECT GUTENBERG EBOOK FORESTS OF MAINE ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.